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FunTranscript
00:28Transcription by CastingWords
00:40Transcription by CastingWords
01:00This here is Spain, corrupt and malignant. Precisely why we need to be prepared.
01:28Catch, Damien.
01:51Transcription by CastingWords
02:23Transcription by CastingWords
02:39Transcription by CastingWords
02:39To rekindle the embers of your romance.
02:42You'll see. I can assure you taking care of this vermin will be fun.
02:47One hand on the trigger, the adrenaline, the fear.
02:52Good enough to invigorate any couple.
02:59Unless, of course, one of you prefers to be the leader of the pack.
03:02Hmm?
03:02Good luck to the end.
03:07Good night.
03:10Good night.
03:42Hey, you okay?
03:48I'm not okay, I'm not okay, Bruce.
03:50Because just a few hours ago, I thought you'd been murdered.
03:53Hey, hey.
03:55It's okay.
03:56I'm fine.
03:57All thanks to you.
04:00There you were, racing across that field like Ayrton Senna.
04:18Bruce, before we go back inside again, I need to tell you something.
04:24For a while now, I've been having some doubts.
04:32I had a moment of weakness with a guy.
04:38It was an accident.
04:39It only happened once, and it didn't mean anything.
04:43What exactly do you mean, Kayla?
04:45A kiss, messing around, or having sex?
04:46I mean, what are you talking about?
04:49Yes.
04:50Yes, what, Kayla?
04:51There was physical contact, sexual intercourse, but it only happened once.
04:58Today, when that man led you away, when he pulled out that gun and threatened you, I started panicking, completely
05:06paralyzed.
05:07When I understood, when I understood that I might lose you, my whole being was filled with a strength.
05:13I realized I was capable of doing the impossible, like running over that man.
05:18Bruce, if he'd done anything to you, I swear I would have fucking killed him.
05:23Bruce.
05:27You are the force that moves me.
05:38I know what I said is painful, but I had to tell you.
05:41What's done is done.
05:44We're approaching the estate entrance.
05:49Get ready.
05:50We're moving in.
06:10We're moving in.
06:19The thermal sensors show no heat signatures.
06:22It's all clear for at least 30 meters.
06:25Kill the lights, Damien.
06:47Electric fence straight ahead.
06:48Electric fence straight ahead, six meters.
06:56No thermal signatures.
06:57We're good to go.
07:15The air vent is situated approximately three kilometers west.
07:18Keep going, straight ahead.
07:26I'm picking up infrared heat signatures.
07:29What direction?
07:30Behind the bushes, on the left.
07:33Roll down your window.
07:36I can't see because of the branches.
07:49I see them.
07:51Multiple signatures.
07:56They're following us.
07:58Get out of here.
07:59Don't move.
08:07They're just fucking cows, Kayla.
08:13Kill the flashlight.
08:14All right.
08:17Oh.
08:43All right.
08:44All right.
08:57you've scarred my face you're gonna pay for that you can count on it shut it
09:02why don't you save your energy for hunting boar
09:12let her fucking go
09:14let go of her you save the bitch
09:17help
09:18help
09:21pull the trigger
09:24pull the fucking trigger
09:37why didn't you shoot
09:38i'm not gonna shoot him for pulling your damn hair
09:41he attacked me for fuck's sake
09:44we have to keep him alive that's what berlin asked us to do
09:47you know what berlin would have done he would have wasted him
09:50you think you're a big shot but you're just his little bitch
09:53what i am is loyal but you have no idea what that word means
09:58so you got nothing to say
10:00that's exactly why you can't work with me
10:03because deep down you're ashamed
10:06you know what you don't even have the courage to look me in the eye
10:13i warned you
10:16and i was completely up front with you
10:18you're telling me i put a gun to your head
10:20might as well after all you did
10:22you crawled on the floor and begged me for another chance
10:25or did you forget
10:32you fucked with my head
10:34messed with my brain
10:38you want to know why you didn't care about anything i said
10:42because you're just a fucked up piece of shit
10:58you find this funny
11:01yeah
11:04dumb bastard you know nothing about women
11:06it's clear to me she's the alpha dog
11:08and you're her bitch a real pussy just like she said
11:11shut up
11:12you can't handle her a woman like her
11:14she needs a real man like me
11:16you better shut your mouth
11:19a few months and she despises you
11:21you got a problem hearing
11:22i told you to shut your fucking mouth
11:24so now you've decided to grow a pair of balls
11:26it's kind of late for that don't you think
11:29you're a fucking loser
11:31she's the one who had the last word
11:32huh
11:33she left you pissing in the wind
11:35go on show me what you've got
11:36go on
11:52we made it
12:17let's get to it
12:48must be more
12:48more than 40 meters deep
12:51i guess the duke's not going to roll out the red carpet
13:22let's get to it
13:36let's get to it
13:52good to go
13:53we're good to go
13:54come on down
13:55all clear
14:07bruce
14:08bruce are you alright
14:08are you stuck
14:19bruce why are you stuck
14:25how far did you go sexually
14:27stop this isn't the right moment
14:28yeah
14:29and so what you think it was the right moment back there
14:31you're the one who decides what's right
14:33kayla are we good
14:34where'd you do it
14:36in our bed
14:36no for god's sake no
14:38did he sleep over
14:39no we didn't sleep at all
14:41did he make you come
14:42bruce please stop it
14:45so he did
14:46so he did
14:47was he better than me
14:49huh
14:51bruce
14:52kayla
14:53get yourselves down here now
15:15this way
15:17we're about six hundred meters
15:18we're about six hundred meters from the cellar
15:23the laser alarms could be anywhere on the property
15:25the tunnel or the cellar both are possible
15:27and how do we find out where they are
15:29we need to create a high density atmosphere
15:31a great way is creating lots of smoke
15:36keep going
15:38not far now
16:11you know what you can tell yourself whatever you want
16:15you can tell yourself that i forced you to be with me
16:18but it was love cameron
16:29a love that's still real
16:41Berlin is right
16:44we're on a boat in the most beautiful city in spain
16:47but we waste our time fighting
16:53if i kissed you right now
16:56this whole mess would be over
16:57like that
17:11and afterwards we'd hold hands
17:17we'd walk right off this boat
17:25then we'd paint this town red
17:26together
17:29and hit the bars in the best parts of triana
17:33noisy crazy crowded
17:40because of the music we'd have to move in close
17:42you always liked it when i'd whisper in your ear
17:45you enjoyed the way it tickled
17:50and because you're fearless
17:51you'd start dancing flamenco
17:58everyone would stare at you hypnotized
18:02especially me
18:05i'd do my best to try to clap along
18:07but you already know i have absolutely no sense of rhythm
18:11and then we'd end up kissing
18:21alone surrounded by the crowd
18:26later we'd go downtown and do all the touristy things
18:28and we'd pretend to be the first to do all that stuff
18:30we'd hit those high-end stores on main street
18:33the ones where aristocrats get suited up
18:35for a while we'd pretend to be like them
18:38and we'd look fucking amazing
18:43then we'd take a ride through seville
18:44on a horse-drawn carriage
18:46so everyone could see us
18:49at the end of the day
18:50we'd check into a luxury hotel
18:55we'd spend the night but we wouldn't sleep one minute
19:21cameron
19:22yeah
19:25was what happened that night really so bad
19:29so bad that the rest means nothing to you
19:31it was you
19:36it was your fault roy
19:38it was you who pushed me off the cliff
19:41that's why everything blew up
19:44all you wanted to do was change me
19:47and save me
19:51and now i'm even more fucked up
19:57don't pretend like none of this ever happened
19:59why not
20:01this was just a big mistake
20:02i should never have come to seville
20:12cameron
20:14tell berlin i'm done
20:15i gotta get out of here
20:16cameron for fuck's sake
20:32no fuck you
20:33i won't come down
20:34i won't come down
20:35noĐ°Đ¼
21:03no
21:10The last stop.
21:38It's the dome we saw with the drone.
21:45Don't move.
21:49Stay where you are.
22:15A fortress of lasers.
22:17And his art collection is inside.
22:30There doesn't seem to be any security cameras.
22:32Why would you need cameras, when you already have all this?
22:36These lasers work like any other ordinary photoelectric cell.
22:40If anything gets in the way of the light at all, it sets off an alarm, or who knows, something
22:44worse.
22:44What's worse than an alarm?
22:46Well, considering the eccentric personality of the Duke, I imagine something tastefully sadistic like a trapdoor and a pit full
22:52of stakes.
22:55Bloodshed?
22:57You're alive. Bloodshed.
22:59Yeah, yeah, dead or alive, we'd get it.
23:01My question is, how can we get in now that we know he has the best security system in the
23:05world?
23:06Because his sophisticated system is no longer optimal. Not for a few years now. Kayla, all yours.
23:12From the information that we gathered, the mechanism was installed in 2000, but it has become obsolete. A few years
23:19ago, they discovered a bug in the programming. To explain it, I made a short video. The laser alarm allows
23:24for a two degree variation in oscillation. We will use the allowance to trick the system.
23:29Yeah, but how do we do that?
23:30We're going to replace one of the lasers with our own. One with the same power, frequency, and caliber. Once
23:35we can maneuver our laser into the two degree gap, then we can cancel the emitter and open away in.
23:40And how are we going to know what power, frequency, and caliber that we need for our own lasers?
23:46We can measure the diameter by using the smoke. It's easy. All we have to do then is measure the
23:51frequency using a spectrometer.
23:58Two millimeters.
24:06And once we've determined the exact caliber of the laser, then we can superimpose our replacement laser over theirs, if
24:13we respect the two degree variable, but no human can possibly do that.
24:16This is outside of the realm of what we can handle. That's why we're going to use a neurosurgical robotic
24:22arm. This will enable us to place our laser at the exact point of the spectrum with absolute precision.
24:49Berlin, scan the room.
24:51Berlin, scan the room.
24:51Yes.
25:12We need to move the robotic arm four hundred and thirty-two millimeters to match the lasers. And at an
25:18angle of exactly 91.36 degrees, set up the new lasers.
25:30We're ready.
26:11You need to speed things up. C-3PO could move faster than these two.
26:14I need to make sure that all the measurements are exact. It's a very precise maneuver. It takes time.
26:19Okay. Whatever. Do it.
26:21I have to admit, this bastard knows what he's doing. Wine barrels made of oak, the floor covered in sand.
26:30Nobody would go to this much bother if it wasn't for something quite exceptional.
26:48And now for the moment of truth. It's time for us to block the laser alarm system.
27:15It looks like our trick worked.
27:19Your girl's amazing.
27:24We did it. Our very own little door.
27:28We did it. We did it.
27:39We did it.
27:44We did it.
27:52We did it.
27:57We did it.
28:03We did it.
28:04We did it.
28:08We did it.
28:16We did it.
28:24We did it.
28:24We did it.
28:42We did it.
28:43We did it.
28:57Come on, come on, come on.
29:01The number you have reached is unavailable or out of range. Please leave a message after the tone.
29:08Damien.
29:08Damien, I don't know if you'll get this, but the creep got away.
29:14I was up on deck, so he must still be on the boat.
29:19I'm taking the yacht out, so he can't escape.
29:25Damien, if he manages to contact the Duke, you're finished.
29:39Berlaine, lift your leg very carefully through that space.
29:42Sigh.
30:03Watch out, your shoelace!
30:13Take off your boots.
30:16Okay, let's do that.
30:31Now I feel like one of those idiots who's been told to remove his shoes at the airport.
30:35One day, I made the mistake of flying with a commercial airline.
30:38They actually forced me to put on these plastic blue bags on my feet to go through security.
30:43Since then, I only traveled by boat.
30:48So, Kayla, if you don't mind.
30:59Ready for the big reveal?
31:01It's now or never.
31:08Ready for the big reveal?
31:09Ready for the big reveal?
31:32Ready for the big reveal?
31:51Ready for the big reveal?
31:52That's why we are.
31:54How long have you been told?
31:56Let's go.
31:57Ready for the big reveal?
31:57What's the big reveal?
32:01For the big reveal?
32:09The Storm on the Sea of Galilee by Rembrandt, and it's the original.
32:16It was stolen in Boston from the Isabella Stewart Gardner Art Museum 23 years ago.
32:44It was stolen twice from the Khaleel Museum in Cairo.
32:50View from Auvers-sur-Royce.
32:58C'est ça.
33:03Woman with a fan.
33:06Amadeo Madigliani.
33:08This one was stolen from the Museum of Modern Art in Paris.
33:18The Nativity.
33:23By Caravaggio.
33:26In all of art history, this is the most valuable work that has ever been stolen.
33:35And he keeps them here, in a basement, like some old Bordeaux.
33:50What's up with him?
33:52Do you think he's having a breakdown?
33:55It's what's called Stendhal's Syndrome.
33:57What?
34:03Stendhal's Syndrome.
34:04A state of euphoria with palpitations and hallucinations caused when a person's exposed to beauty.
34:10Okay, all right.
34:11But can you do that later?
34:12Because we kind of got to get out of here.
34:14We cut the canvas and leave the frames, right?
34:17What do you think you're doing, you shithead no-good moron?
34:27Are you expecting us to carry all these paintings out of here?
34:30No, of course not.
34:32Damien.
34:35But all of these frames stay here.
34:45What exactly do you mean by all of these frames stay here?
34:48Damien, we're not talking about a few million euros in unmarked bills or some diamond necklace.
34:54What you see here are the most famous stolen works of art in the history of mankind.
35:00The most mysterious, the most sought-after works of art in the world.
35:05But that piece of shit.
35:08That idolater.
35:10That narcissist has decided to sequester them.
35:14The world is filled with millions of paintings.
35:17If they can't see these, they'll see other ones.
35:20Damien, please come here.
35:25Do you realize how often I have visited the Uffizi Gallery in Florence to see the birth of Venus?
35:32Every time that I feel depressed or feel afraid about the future of mankind.
35:38And do you know why I return again and again?
35:44Because simply by contemplating this masterpiece, I find my inner peace again.
35:51What defines great art, Bruce?
36:01Art is the highest spiritual expression of humanity.
36:08Each one of these masterpieces was created to help reconcile human nature with beauty and to ease the world's pain.
36:16But this Duke is so pompous, treating these paintings like they're porn, flaunting his booty, drinking his wine, making a
36:26call on his landline to avoid the jammers, ordering room service like some cheap motel.
36:31It's disgusting.
36:32So what should we do?
36:35Give me five minutes.
36:38I need time to think.
36:39What are you talking about?
36:41Does this look like the place to think?
36:42He could be watching us right now.
36:44Well, there aren't any cameras down here, so...
36:47Well, he might have motion sensors or sonar alarms.
36:50What if he already knows we're here?
36:54What if he already knows we're here?
37:28What if he already knows?
37:37Oh, yeah.
37:37Oh, yeah.
37:37Oh, yeah.
37:45Look, he looked.
37:46Oh.
37:46Oh, yeah.
37:47Oh.
37:47Oh, yeah.
37:49Oh!
37:50Oh, oh.
37:50Oh, yeah.
37:51Oh, yeah.
37:51Oh, yeah.
37:51Oh, whoa.
37:51I don't know.
38:23I don't know.
39:01I don't know.
39:39Now look at my scars, kid.
39:42I've got a few questions for you.
39:44Look at me!
39:47Tell me.
39:50Do you like dogs?
39:54You don't have to think about it, yes or no.
39:57Yes or no.
39:59Yes!
40:00Yes!
40:01Bark for me, kid.
40:04Bark, you fuck!
40:05Bark!
40:06Bark!
40:07Bark!
40:08Bark!
40:09Bark!
40:10Bark!
40:11Good little doggy.
40:13Bark!
40:15Bark!
40:20Bark!
40:28Your five minutes are up.
40:30That's enough.
40:34Put that painting back down, Damien.
40:37Why shall I?
40:38Are you gonna shoot me or what?
40:40Fuck you, Andres.
40:42You made us choose between your plan and mine.
40:44Because you thought my plan of Marbella was a stupid idea.
40:47You convinced him and humiliated me.
40:49And now that we've made it behind these lasers,
40:51you've decided we're not robbing him.
40:53We're gonna rob this bastard.
40:55Rob him of everything on these walls.
40:57This Monet?
40:59It's money now.
41:00And I'll hang it up on the wall behind me at the office.
41:03Stop right there.
41:10You're right.
41:15And I've just had an epiphany.
41:19Everything is clear.
41:22All of this art, these paintings,
41:24they will all be part of the biggest, grandest,
41:26and most poetic robbery in history.
41:29And we're gonna do it together.
41:31That's the best part.
41:33I just need you to trust me, Damien, one more time.
41:47Kayla,
41:48is it possible to hide the number of this landline
41:51if I make a call?
41:52Yeah, I can do it.
42:07You asked me to dress up in your matador's jacket.
42:11I've been waiting for over 40 minutes.
42:14My darling,
42:15I was busy saying goodbye to our guests.
42:17Yeah.
42:19Yeah.
42:29Come.
42:31Come.
42:40My jacket fits you like you were born to wear it.
42:45Maybe so,
42:46but I'm hoping this isn't my only surprise.
42:49Because
42:51it's my birthday.
42:53No, no.
42:55This is
42:57just a whim of mine.
43:00Your gift is over there.
43:15Piñatas?
43:16Piñatas?
43:16Mm-hmm.
43:17Ha, ha, ha.
43:24There's nothing quite like the childhood fantasies
43:26that surround our birthdays.
43:29I love connecting with my inner child.
43:58You may only break two pinatas.
44:01So choose well, my love.
44:33Yes?
44:34Good evening, Duke.
44:36It's Berlin.
44:39First, I must apologize for calling you so late.
44:41However, we have some very urgent issues to discuss, you and I.
44:45Right now?
44:46Can't it wait?
44:47I'm afraid not.
44:49It would be better for everyone if we meet tonight.
44:52You see, all my team are beside me and want to see you.
44:55We're not very far away.
44:57In fact, we're on your property.
44:58In your gallery, to be precise.
45:00You're in my gallery?
45:01Yes, we'll be waiting.
45:03I'm on my way.
45:11Are you leaving right now?
45:14I am your wife.
45:17Alvaro.
45:20There are times I feel you prefer your paintings over our love.
45:24I'll be back, my love.
45:27Keep the jacket.
45:28You look ravishing.
45:30No.
45:34No!
45:38No!
45:44No!
45:48No!
45:56No!
46:16Oh
46:17Go asshole, I'm putting you in with the rent of the litter. I'm afraid our time has come
46:38You've both been nice bitches time to end your suffering
47:11Oh
47:12Oh
47:13Oh
47:14Oh
47:14Oh
47:15Oh
47:25Oh
47:26Oh
47:29Oh
47:30Oh
47:31Oh
47:31Oh
47:31Oh
47:32Oh
47:34Oh
47:34Oh
47:35Oh
47:35Oh
47:37Oh
47:38Oh
47:38Oh
47:38Oh
47:38Oh
47:38Oh
47:39Oh
47:39Oh
47:47Oh
47:51Oh
47:53Oh
47:53Oh
47:53Oh
48:05Oh
48:08I'm coming to my house, I'm coming to my house,
48:12hurry, hurry, horse, the path is over.
48:19La, la, la, la, la, la, la, la, la, la, la, la.
48:25La, la, la, la, la, la, la, la.
48:48La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
48:50la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
48:53la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
48:53la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
48:53la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
48:53la, la, la, la, la, la, la, la, la, la, la, la
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