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00:04Please leave me, leave me.
00:07Leave me.
00:09Leave me.
00:10Take my hand.
00:10Take my hand from me.
00:11Take my hand from me, you were me!
00:13Leave me!
00:14Leave me!
00:16Calma, you stupid!
00:43If you need two soldiers to be a man, you need to use strength to be a woman.
00:51Go ahead and end it.
00:54And leave me alone.
00:58I don't have fear of you.
01:01I have pity.
01:02I have pity.
01:10Fede.
01:13The plan was to serve you and then to leave me.
01:17But you have to challenge me.
01:20And I like to challenge you.
01:25Put me in the car.
01:32You make me see that I am enough man to make a woman implore.
01:38To sit down with me.
01:43No!
01:45No!
01:46No!
01:46No!
01:48No!
01:48No!
01:49No!
01:50No!
01:51No!
01:53No!
01:56No!
02:01What a beautiful challenge I made.
02:05You're not prepared.
02:07I'm sorry for having stopped so many times on the road.
02:13But I had to deal with work.
02:16Besides that, five days on the road, they leave any of them.
02:20I wouldn't be tired if I had tried to escape so many times.
02:26It was funny.
02:33I think that's all right.
02:40Sodomia!
02:42Vivertination!
02:44Feitiçaria in Corinto, as bruxas de Ribeirinhas!
02:48A igreja tries to get rid of Paracatum.
02:53I'm sorry for your sins.
02:56Or it will burn on the earth and the hell with Satan.
03:02I don't care for the people who are not happy.
03:04Only the fire can inflate the demons that inhabit the body of this man who will be saved.
03:12Don't repent!
03:14Don't repent!
03:15Don't repent!
03:33Don't repent!
03:34Don't repent!
03:35Don't repent!
03:36They will have to burn me too!
04:06Let's pray, Lord, mercy!
04:13Let's pray, Lord, mercy!
04:17Let's pray, Lord, mercy!
04:21Let's pray, Lord, mercy!
04:30You think you were too far away?
04:33I'm going to fire a woman!
04:35It's not a woman!
04:37It's just a man who's a man who's a woman!
04:40God has the right to take a life!
04:43Father Melfranco is the representative of God in Paracatu!
04:46And he's the one who's hereges at the old age!
04:48A woman, by the clothes that she wears,
04:52this is not a thing of God!
04:54This man who's crying on your face,
04:56it's not!
04:57And it's hurting me!
04:59You are so powerful as you say,
05:03you can't do it!
05:04You can't do it!
05:05Father Melfranco doesn't mess with my business!
05:08I don't mess with him!
05:09I don't have the most intention
05:10of making confusions with the church!
05:13And for me?
05:15It's not worth the confusion?
05:18In addition, if I have to stay here,
05:21I'll need a woman of company!
05:23I'll need a woman of company!
05:24Well...
05:25You can have any woman as a woman!
05:28Because this man,
05:30a woman,
05:31a woman,
05:32a woman,
05:32a woman,
05:32a woman,
05:33a woman,
05:34or herese.
05:36Fica!
05:38Pode me queimar junto!
05:40Hey if is so,
05:47a partir de hoje
05:50the Severo
05:52is your lady.
05:56Por favor?
05:59Do you like me?
06:09You didn't tell me your name?
06:12Severina, lady.
06:15Call me lady.
06:16How not?
06:17I'll give you my life.
06:36I'm doing so.
06:39At least I'm not so in this hell.
06:45At least it's a hell of a hell.
06:47At least it's a hell of a hell.
06:49You gave such a good shirt.
06:52If you don't like it, you chose the most simple.
06:56I don't care what comes from this monster.
07:06That's good that I have you.
07:11I'm not going to be so much longer.
07:20I'm sorry for your pain.
07:23I'm sorry.
07:24She's my mother.
07:25Did you hear me?
07:27No, never.
07:31She would have died before.
07:42I don't know if I did it right.
07:46At least I protected my own.
07:51I'm sorry.
07:53I'm sorry.
07:53I'm sorry.
07:54I'm sorry.
07:55I'm sorry.
08:24I'm sorry.
08:25I'm sorry.
08:31I'm sorry.
08:46I'm sorry.
08:49I'm sorry.
09:02I'm sorry.
09:07I'm sorry.
09:08I'm sorry.
09:12I'm sorry.
09:12I'm sorry.
09:21I'm sorry.
09:24I'm sorry.
09:26I'm sorry.
09:27I'm sorry.
09:29I'm sorry.
09:53I'm sorry.
09:54I'm sorry.
09:55Beja?
09:56Absolutely.
09:57Beja went to Araxá with the guard guard of Ovidor.
10:00She never forgot.
10:02It was just someone more important than Antonia that she revealed.
10:06No, Maria, you don't think that Beja and Ovidor...
10:10Of course that she was with Ovidor.
10:12Everyone knew how she threw her arms.
10:15She could have been taken to the force.
10:17She was escorted to Paraclap with Pampa Rameira.
10:21I believe, Maria, killed her father.
10:24She took her away from the old Alejandro.
10:25She took her away from the old Alejandro.
10:27She took him more powerful for her.
10:30Coitado of Antonia.
10:33Ah, they're going to take her away.
10:46Beja was arrested.
10:48And the Alves was assassinated.
10:50Well, then, two crimes that will not be investigated as they should.
10:55Calma, Josefa.
10:57We have to wait for the judge Bartolomeu to deliver.
11:00Do you think that a judge, old and tired of this, will fight with Ovidor of the king?
11:07He's a fool.
11:09Well, but I can't go above the judge.
11:13You don't.
11:15But the governor can.
11:17Josefa, you think that the governor will give us attention?
11:20We need to do something, Jose.
11:23If not, the languages of this Arraial will transform a beja in culpada.
11:28But how?
11:29We are free.
11:30We have house, money.
11:32We are free.
11:33Even if so, many people would do everything to see us in a bag.
11:37You know.
11:38This people are preconceitu.
11:40They will never accept us.
11:41They will never accept us.
11:43They will never accept us.
11:45One girl without a father.
11:47The mother's son.
11:48They will kill her.
11:50They will end up with her, Josefa.
11:51You're right, Josefa.
11:53We're going to send a letter to the governor's case.
11:58You're right to hear this story, Maria?
12:01We've heard, father.
12:02A beja was seen with the men of Ovidor.
12:05In the middle of the night.
12:06And Augusta confirmed.
12:07She knew this by herself.
12:09This possibility is absurd.
12:12Everyone saw how a beja was instructed for Ovidor to dance.
12:16It was not Angelica?
12:18She danced three songs with Ovidor.
12:22Yes, she danced.
12:25Well, maybe this story isn't so absurd.
12:29Because if a beja, that even Dot has,
12:31can be supported by a friend of the king,
12:36why would she be with Antônio?
12:37I know women who were casing without Dot,
12:39but it's not that they would have to respect us.
12:43We're calm.
12:44Yes?
12:45They are very serious.
12:46It's better we have to be sure.
12:47I'm sure, right?
12:49I don't know how to do the秘密 of the beja
12:52to Antônio.
12:52At this time, he's going to the capital.
13:07There's a place for a old friend?
13:10What's your name?
13:13I thought you'd be able to recognize me.
13:19It's impossible.
13:21It's been a long time since you came from Coimbra.
13:23I mean, can't you?
13:25Of course I can.
13:28It's been a long time.
13:30I'm even working,
13:31but you know,
13:33it's so simple.
13:34One day, a color of our skin won't be a fight anymore.
13:39The speech is ready.
13:41It's from the Inglaterra.
13:44The idea that the economy will collapse with the end of the slavery,
13:48it's pure lorota.
13:49I've seen it.
13:50The development of the world will accelerate, João.
13:53Will you participate in the elections?
13:55For now, I'll just go back home.
13:58And to beija.
14:01Beija?
14:03You know,
14:04I'll just go to the Fonte da Jumenta.
14:05Me follow.
14:07I'll go to the house and I should be studying.
14:10Okay.
14:11Let's go, João.
14:11But we're not far away?
14:13No, it's far away.
14:15Wait!
14:16I'll also go!
14:19So she took me for a girl without grace?
14:23Oh, girl,
14:23I'm a man.
14:24I'm a man.
14:25I'm a man.
14:25I'm a man.
14:25You're a man.
14:27I'm a man.
14:27I'm a man.
14:32I've never seen a woman more beautiful than you.
14:34See?
14:36Severina,
14:37olha como você é linda.
14:39Olha no espelho.
14:44Olha como você é linda.
14:47Ninguém mais me enxerga assim.
14:50Mas não é você que tem que enxergar?
14:54Não é isso que importa?
14:56Seria.
14:58Se eu não tivesse que provar pra cada pessoa que eu encontro
15:02que eu sou o que eu sou.
15:06A minha vida não é como a sua.
15:10Se você soubesse quantos amores eu já tive que afogar
15:14com lágrimas.
15:21Também deixou o amor pra trás?
15:22Antônio.
15:25Meu noivo.
15:27A gente vai se casar quando eu sair daqui.
15:30Esse é Antônio Sampaio.
15:32Um grande amigo de infância.
15:34Esse é Avelino Montes.
15:36Amigo meu.
15:38Advogado.
15:38Do desemboque.
15:39Aliás,
15:40a família dele também foi alforreada pela sua avó.
15:43Olha.
15:44Você é neto da avó Luigi?
15:46Sim.
15:47Que honra.
15:48Senta, meu amigo.
15:50Eu tô participando de um grupo
15:52que compra alforria pra nossa gente feita de cativo.
15:56A sua avó sempre foi uma grande inspiração pra mim.
15:59Então, enquanto você conta tudo pra ele,
16:02eu vou no balcão porque tem um docinho que tá me chamando.
16:05Já vou.
16:08O que é isso?
16:11Dois negros sentados?
16:15O que vocês acham que estão fazendo aqui?
16:17Fugiram de que fazenda?
16:19Alto lá.
16:20Nós dois somos advogados e livres.
16:22Estamos usando sapatos.
16:24Vem ver?
16:25Conhecemos as leis
16:26e o senhor não tem o direito de abordar a gente dessa maneira.
16:41Mas vejam só.
16:44Ideias liberais.
16:46Negros.
16:48Subversivos.
16:49E que ainda exigem respeito.
16:51Isso aqui não é o Haiti, não.
16:53Levamos os dois.
17:06Você não quer provar um vestido?
17:08O ouvidor te deu tantos.
17:12Pegue um se quiser.
17:15Você não se importa de me ver usando um deles?
17:23Severina, ao meu lado seja quem você é.
17:28Sempre.
17:40O que é que estás à espera, beija?
17:42O que é que estás à espera, beija?
17:43A ceia já foi servida.
17:45Não tenho fome.
17:47O que mais queres tu, criatura?
17:49Dei-te tudo.
17:50Vestidos, sapatos.
17:51Olha só o luxo desse quarto.
17:53Até um criado...
17:55Uma dama de companhia, te arranjai.
17:57Fiz-te tudo.
17:59E nada te deixa feliz.
18:01Quer mesmo me ver feliz?
18:03Devolvo a minha vida.
18:05Se não queres comer,
18:07podes morrer de fome.
18:16Morra você!
18:18Desgraçado!
18:23Até que enfim você saiu do quarto.
18:26Eu só vim porque aquele asmo saiu.
18:28E eu preciso de energia.
18:31Pra fugir quando meu noivo vier.
18:33Não vai ser fácil sair daqui.
18:35Você fala isso porque nunca me viu com o Antônio.
18:38Eu e ele juntos a gente pode tudo.
18:42Nós já passamos a noite aqui.
18:45O senhor já viu nossas certidões.
18:47Portanto, eu exijo que abra essa cela imediatamente.
18:52Calma, Antônio.
18:52O negro aqui não exige nada.
18:55Vocês não vão dizer de que fazenda fugiram.
18:58Vou vender vocês pra quem pagar melhor.
19:01Tirem essas roupas de branco.
19:09O senhor vai se arrepender.
19:19Você também vem.
19:22Vamos, preto!
19:23Vai!
19:24Bora!
19:41Eu já disse.
19:42Não quero!
19:46O ouvido acha que vai te dobrar com luz.
19:49Pois então alguém diga a ele que eu não estou à venda.
19:53Esses brincos custaram uma fortuna.
19:56E o mais certo é irem acabar nas orelhas daquele sujeito.
20:03O gajo já estava metido num dos vestidos.
20:06Acreditas?
20:08Meu Deus!
20:09Meu Deus!
20:12Porquê que a beija me rejeita assim?
20:16Beija é bonita, patrão.
20:18Mas é selvagem.
20:19Precisa ser domada.
20:22Nada me agrada mais do que uma égua para domar.
20:25Eu sou ótimo nisso.
20:30Seu ogro!
20:31Estás a abusar da minha paciência.
20:34Se eu quiser, acabo com o teu juguinho agora mesmo.
20:38E vai ter meu corpo, não minha alma.
20:42É isso que o senhor quer?
20:43Um corpo inerte?
20:46Então vai!
20:49Sirva-se!
20:50E me deixe embora.
20:53Não, beija.
20:56Vai ficar aqui o tempo que for preciso.
20:59Até aprenderes a tratar-me como eu mereço.
21:01Engano seu.
21:03O meu noivo vai vir me buscar.
21:04Eu vou embora daqui.
21:06E o senhor vai ter que se explicar para as autoridades.
21:10Achas mesmo que ainda tens noivo?
21:13Com certeza!
21:16O Antônio me ama.
21:17E vai continuar a amar-te?
21:20Quando saber que estás aqui comigo?
21:23Mas eu continuo guardando a minha pureza para ele.
21:25A tua pureza já não faz diferença.
21:30Mesmo com pétalas.
21:32Que homem quer uma rosa que já foi colhida.
21:53Não serve nem para limpar a bunda.
21:56Maledicências, meu tio.
21:58Melhor nem ler.
21:59Não bote panos quentes, padre.
22:01Está todo mundo comentando.
22:03Como está?
22:04Quer dizer o que está escrito aqui?
22:06Ah, minha filha, calma.
22:07Se Deus não quis que a mulher soubesse ler, é por quê?
22:11Meu Deus.
22:13Mas não é isso que o jornal faz?
22:15Dar notícias?
22:15Dar notícias, sim.
22:17Mas não arrumar confusão.
22:20Ainda mais com o funcionário do Rio.
22:23Loco.
22:24O que está escrito aí, homem?
22:26Pelo amor de Deus.
22:27Que beija está vivendo com o Mota?
22:29Em Paracatu.
22:31Amancebada.
22:32Ai, minha Nossa Senhora.
22:33Meu Deus.
22:36O que a gente faz agora, Paulo?
22:38Com relação a beija?
22:40Com relação ao nosso filho.
22:42O Antônio não pode se casar com uma moça que teve a reputação maculada?
22:48Tem razão, Cecília.
22:50Ainda que volte a Araxá, o nome dela já está na lama.
22:53Eu não posso deixar o mesmo acontecer com o nome do nosso filho.
22:57Com beija.
22:59Antônio não casa.
23:01Essa beija nunca me enganou.
23:03Mas o Coronel Sampaio insistiu.
23:06Agora aí está.
23:07O filho noivo de uma rameira.
23:11Esposa perfeita pro Antônio é a nossa Carminha.
23:14Você não acha, Costa Pinto?
23:16Que horror.
23:17É o quê?
23:19Você não acha a Carminha digna do Antônio?
23:21Antônio, estou falando dela, não é músico, não é lesma.
23:26Lesma é você, Costa Pinto.
23:28Você não escutou nada do que eu disse?
23:30Escutei.
23:32E concordei.
23:33Então, assunto é com o Coronel.
23:34Assunto.
23:37Sobre o quê mesmo?
23:39Antônio vai ficar solto no pasto.
23:41E nós precisamos casar Carminha.
23:43Tudo bem, mas precisava ser um mestiço?
23:46Nós não podemos nos dar ao luxo de escolher.
23:49Carminha precisa se casar.
23:51Já.
23:54Desculpa te fazer esperar, tio.
23:56Eu estou levando o trabalho pra casa.
23:57Preciso voltar com a tua carruagem.
24:00Acabou aparecendo um cliente na botica quando eu estava fechando.
24:02Fecha logo de vez, essa espelunca.
24:04Onde é que já te viu o homem trabalhar com plantinha, plantinha pela bolinha?
24:07Eu aprendi com meu pai, tio.
24:08Teu pai só fez burrada.
24:10Será que a tia Genoveva ainda vai demorar?
24:14Genoveva, Genoveva...
24:15Aquilo tem muito perdão pra pedir.
24:19Seca do jeito que ela é.
24:20Incapaz de me dar um filho, né?
24:24Mas me restou você.
24:25Fecha logo esta botica e vem trabalhar comigo.
24:29Tio Felizardo...
24:29Vai aprender a trabalhar com um gado-sino, hein?
24:32Que seja a força.
24:34Ah!
24:35Finalmente.
24:36Já está torcendo pra essa confissão ter virado uma extremoção.
24:41Vamos pra casa, tio?
24:42Senhor, meu marido me permite ajudar na barraquinha da igreja.
24:46Foi pedido do padre pro concerto do sino.
24:49Caridade.
24:50Caridade.
24:51E o pó dos móveis lá de casa?
24:54Quem é que tira?
24:55Vai, passa, passa, passa, passa, que já ficou muito tempo longe da fazenda.
24:58Vai, vai, vai.
25:00Ó o bolinho de mandioca.
25:02Quem quer?
25:02Fui eu que fiz.
25:03Sim.
25:05A dona Exaltina já pagou.
25:07Dá o doce de abóbora pra ela, ué, marido.
25:09Pode pegar, dona Exaltina.
25:10Sim, ela prefere doce.
25:12O senhor quer um bolinho de mandioca?
25:14Fui eu que fiz.
25:15É pro concerto do sino da igreja.
25:21Quem quer bolinho?
25:23O que?
25:23Vai depender dos dotes culinários.
25:26Nossa filha não vai se casar nunca.
25:30Ai, Deus, dá-me paciência.
25:32Quem quer?
25:33Fui eu que fiz.
25:34Paciência não.
25:35Dá-me um milagre.
25:46Vô, por que o rei matou as esposas antes de casar com a Xerazade?
25:51Pra não ser traído, o bem mais precioso de uma mulher é a pureza, minha filha.
25:59Vagabunda!
26:00Alguém aqui ia comer uma maçã que já foi mordida?
26:04Você vai pra taverna.
26:06Pra taverna você vai!
26:08Vagabunda!
26:12Vagabunda!
26:13Vagabunda!
26:18Vagabunda!
26:36Vagabunda!
26:45Vagabunda!
26:47Vagabunda!
26:47Vagabunda!
26:48Vagabunda!
26:48Vagabunda!
26:49Vagabunda!
26:49Vagabunda!
26:50Vagabunda!
26:50What do you think we are?
26:51Animals!
26:54Stay hungry.
27:01Is this never going to end?
27:05Oh, Antonio, Antonio.
27:08Listen, vovó.
27:10When there is a captive,
27:13none of us will be free.
27:15Don't forget.
27:17Everyone deserves it.
27:19Everyone deserves it.
27:20Everyone deserves it.
27:22I will fight to end this discrimination.
27:25Where there is life,
27:27there will be fight.
27:30Are you listening?
27:32Are you listening?
27:35Miserables!
27:36No...
27:43Нужles.
27:44You're not going to go against the fishermen
27:46and now they also want the gold.
27:49My gold!
27:49But even if the crown de confession,
27:51it will not be the Englishman
27:53that will prevent you from taking your quinnon off of this thing.
27:56Quiet, otherwise I'll turn you down.
27:58Calm down.
27:59I should have killed you,
28:00because you had killed my egg.
28:02I want to get out of here.
28:03Get out of here!
28:05Go slowly, go slowly, go slowly.
28:07He is the king's speaker.
28:08So tell him to hear my patience.
28:11It's over!
28:11What are you doing?
28:13I'm going to go home.
28:15Open the door!
28:24No, no!
28:25No, no, no!
28:26No, no, no, no!
28:36They sent me to the Palacete.
28:39There's a dragon of Minas everywhere.
28:45At this time, Antonio should have gone to travel.
28:51The Honorato should have told everything to him.
28:54I don't know what he'll think.
28:58I needed to talk to Antonio.
29:05I just need...
29:21Mercadoria boa.
29:23Today I'll go to you for a new buyer.
29:27Major.
29:27These two asked me to talk to you.
29:30As a lawyer of Antonio Sampaio and Avelino Montes,
29:34I ask the immediate answer to the two.
29:36And who are you?
29:38I'm Francisco G.
29:40Acaiaba of Montezuma.
29:42Advocate and trained in Coimbra.
29:44And recommended by Dom Pedro.
29:47I ask you to take the two from the current now.
29:49That no one should never be acquainted.
30:01Dr. Montezuma, I don't have any words to thank you.
30:05You don't need to.
30:07I just did my work.
30:08It's lamentable to have to be legitimated by a white man.
30:12It's true.
30:13But if it's not the card of Dom Pedro,
30:15when one of us is in power,
30:17everything will be different.
30:18But we still have a long way ahead, Antonio.
30:21Thank you, Dr.
30:23I would like to invite you to a dinner
30:24as a agradecimento,
30:26but I need to go back soon to Araxá.
30:29Two years I've never seen my wife.
30:30Go, man.
30:32Don't leave a woman waiting for a long time.
30:41Mais mentiras sobre a beija.
30:44This bottle is execrável.
30:46He should think the same as I respect.
30:48You're the only woman instructed here in Araxá.
30:53What was that?
30:55What was it?
30:55The governor gave news.
30:58There's no one to investigate the case of a beija in this moment.
31:01That's what they claim.
31:02That's absurd.
31:04When you're judge, things will change a lot here.
31:07The day I'll be judge,
31:09it'll be late for anything to do with a beija.
31:11That's what they say.
31:23That's what they say.
31:25That's what they say.
31:29That's what they say.
31:41What you say?
31:41Mm-hmm.
31:43And beija,
31:44didn't come?
31:46We've got to talk about the way.
31:48Of course, my father.
31:49But before I'd like to see my wife.
31:51I'm going to the house of beija,
31:53and I...
31:54My son, we're...
31:55We're going to...
31:57She's the most new lover of the king.
32:01They say that her wife killed her father
32:03to get away from the other.
32:09I need to leave here.
32:12It's been a long time.
32:16I can't wait for this inferno.
32:19Good morning!
32:20Yeah!
32:24Ah...
32:25He's waiting for me to eat more.
32:30Good morning, sir.
32:34Severina, pass me the leite, please?
32:42You're going to ignore me.
32:44You still didn't get tired?
32:50If you wish, it's a delicious one.
32:52But it's for today.
32:55Let's go, Severina.
33:02By the spectacle that she had in the hall,
33:04she could see that this woman would be a hard man.
33:07Please, my friend,
33:08kiss the confusion of the other day.
33:11She wasn't educated like the other women?
33:14At least now she's out of the room.
33:16Ah, but I'm going to say that I don't exist.
33:19It makes me feel diminished, father.
33:23Merdas!
33:23Not we can't afford it.
33:25They make our lives a hell.
33:27Ah!
33:28But they can take us to the earth.
33:30What a hell!
33:32What a hell!
33:32I don't know.
33:33I don't know.
33:34Even if they were able to be a little bit of me,
33:35they were going to be a hell of me.
33:39I'm going to be a hell of me.
33:41And the beijing is worse than all of them.
33:43But tell me, father,
33:45how do I do for this woman?
33:48I'm going to help you.
33:50What a hell!
34:08I'm going to be a hell of me...
34:11But you're going to be a hell of me.
34:13Just a good day.
34:15And I understand the pain of the ouvidor, my daughter.
34:22It would cost so little to make your son happy.
34:25With all respect, father.
34:28I'm going to get to the happiness of the ouvidor.
34:31Look, you need to understand.
34:33A man is not like a woman.
34:36He has needs that need to be treated.
34:39And the ouvidor, to be honest, you already abused his patience.
34:42He's time to ceder.
34:47I'll go back to my wife, I'll tell you everything that's going on.
34:50You don't understand?
34:52You don't turn a orange to your feet.
34:54No one will believe that you didn't put on a mop.
34:57I just need to go back to Araxá.
34:59I would be honored to be a woman without virtue and without family.
35:04It's only two distincts.
35:05The or the or the or the or the or the or the or the or the or the or
35:09the or the or the or the or the or you are nothing.
35:14If you don't know me,
35:17you don't know what I'm capable of.
35:36Grace, this is the kiss I told you.
36:14That every man who tries to control me
36:18I have to try to destroy me
36:22That man will find me for destruction
36:57That man will find me for destruction
36:58That man will find me for destruction
36:58That man will find me for destruction
37:19That man will find me for destruction
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