Angelica alias La Poderosa es una prostituta, y Miguel, un sencillo ingeniero agronomo. Tras un accidente, ella descubre que es heredera de un millonario y busca venganza, mientras ambos viven un romance que supera sus mundos opuestos.
Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
#TelenovelaAmorSinIgual #NovelaAmorSemIgual #NovelasBrasileñas
Encuentra todos los capitulos en https://sites.google.com/view/cyberhome-nicaragua
#TelenovelaAmorSinIgual #NovelaAmorSemIgual #NovelasBrasileñas
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TVTranscripción
00:03Donatella is our coworker, isn't she powerful?
00:06What did you say?
00:08Oh, Donatella is a prostitute, didn't you know?
00:15Oh, wait, can you give it back to Donatella, please?
00:23Stop it!
00:26Calm down, son.
00:27Hey.
00:28Let's talk, shall we?
00:28You're a cretin.
00:30And Tobias must have paid to ruin their engagement.
00:33It's the worst.
00:34Do you know Tobias?
00:36Of course, I heard too much about him.
00:37He's the guy who stood by cowardly while Leandro beat up his boyfriend.
00:41Hey, wait, I'm not my brother.
00:42You have no right to complain to me because I told Donatella to tell José Antonio the truth.
00:47Hey, hey, wait, wait.
00:48No.
00:48Did you know about all of this?
00:50My love, I knew it, but she promised me she would talk to your brother.
00:53If that's why he doesn't speak, that's one thing.
00:55He has no commitments to us, but you are my girlfriend.
00:59And you didn't say anything?
01:00I'm only going here.
01:01Didn't they know they were deceiving my brother?
01:01Yes, go away.
01:02Love, I was going to tell you.
01:04Let me go, let me go, let me go, let me go, let me go, let me go, please.
01:06Please listen to me.
01:07José Antonio, please, José Antonio, let's talk about this.
01:09I need to talk to Donatella, Dad.
01:10But first you must talk to your father.
01:11I need to talk to Donatella, Dad.
01:13Pedro Antonio, talk to your brother.
01:14No, no, no, no, no.
01:15Peter.
01:15No, don't follow me, leave me alone, leave me alone.
01:17No, Pedro.
01:18Calm down, calm down, yes, calm down.
01:19I can't believe it.
01:20Breathe.
01:20Leave me alone.
01:21You shouldn't see her that way.
01:23Try to calm down a little.
01:24And how do you want me to be?
01:25I just found out that Donatella, the girl who was going to be my fiancée, is a prostitute.
01:33also.
01:34I know, you have plenty of reasons.
01:36I don't think you should calm down in order to talk to her.
01:38I want to tell that liar that I know what she is.
01:41But she lives with her grandfather.
01:42Well.
01:42With more elderly people.
01:43Okay, okay.
01:44You can't make a scene.
01:45Everyone needs to know who she is.
01:47You can't do that.
01:48Please, do not do that.
01:49Return to your post.
01:50Wait, wait, I'll take you, I'll take you.
01:52I won't let you drive like that.
01:55I can't believe you had to open your big mouth, Yara.
01:58You shouldn't have told my grandfather that it was Cindy who stole my necklace.
02:01I?
02:02But I didn't say anything to Mr. Giovanni.
02:03So how did he find out then, huh?
02:05What a gossip.
02:07You're a gossip.
02:08I told you not to say that it was Cindy who stole Donatella's necklace.
02:13And then you told Giovanni everything.
02:15I?
02:16I didn't say anything to Giovanni.
02:19Yara, I hate gossip.
02:23You're a gossip.
02:24I told you not to tell anyone.
02:27Donatella told Yara who told you and you told me.
02:31And I'm the gossip?
02:33You shouldn't have told Giovanni anything I told you.
02:36Of course I told him about that.
02:38I am his granddaughter.
02:39That's all.
02:41I hate gossip.
02:42So you're telling me that shameless Iona told José Antonio that Donatella is a prostitute?
02:49Poor guy.
02:50That?
02:51Poor thing, isn't she?
02:53I think he went to find Donatella to talk to her.
02:56Now I understand why all that shouting I heard from here; I thought it was because of something involving Maria Antonia or
03:00that they were reprimanding you or something like that.
03:02I'm not a wicked girl to be scolded, you know?
03:05And tell me, why do you think that when there are problems I'm the one to blame?
03:08Well, because you're always getting into trouble, honey.
03:11Alright.
03:13Listen, I'm going to Miguel's house to talk to him about Maria Antonia.
03:17Do you need anything?
03:20What happened?
03:21That's great, that's great.
03:23It's a good excuse to go to his house.
03:25I know you miss him a lot, I know.
03:27What excuse are you talking about?
03:28Or are you crazy?
03:28It's an excuse, yes.
03:30Friend, just pick up the phone and tell her that Maria Antonia went to your apartment.
03:34You don't have to go there.
03:36Do you know something?
03:37I'm upset.
03:38I shouldn't have even told you what happened there at the Oxente outpost.
03:41Leave.
03:42You miss Miguel.
03:44You miss Miguel.
03:47I apologize for not telling the truth before, Oxente.
03:50But I spoke with Donatella.
03:52I wanted her to tell the story.
03:53But then there were so many problems that time passed and I...
03:57There is no such thing as a lack of time for sincerity and helping friends.
04:03You're right.
04:04José Antonio did not deserve to be deceived for so long.
04:07He fell in love with the girl.
04:09Listen, you're right.
04:10Oxente, I wouldn't like it if someone lied to me or warned me.
04:15I made a mistake, I really did, and I apologize for that, please forgive me.
04:20You are forgiven, I forgive you.
04:22I am very sad for José Antonio, but also for Pedro Antonio.
04:27Because he will feel betrayed by you.
04:31I know, I saw it in his eyes.
04:34Disappointment.
04:36Talk to Pedro Antonio!
04:37Do you think he will forgive me?
04:39It's not a matter of forgiving, Fernanda.
04:41It's what broke down between you...
04:46...it was trust.
04:54It's a shame the robbery didn't go well, you know?
04:58I'll be left without my share of the money.
05:02I risked so much for nothing.
05:04What did you say? What?
05:05You just told me that life is worth more than all the money in the world.
05:09Yes, that's right, but since I stole, I could have that money; it would be fair.
05:16Oh!
05:18Nothing, nothing, nothing, nothing is worth as much as seeing you smile.
05:26You can't imagine what I felt when I saw you lying in that suite, covered in blood.
05:35I thought you were already dead.
05:44It's good to know that someone cares so much about me.
05:56Can I ask you a favor?
05:59Sure, sure, as many as you want.
06:01I know I'm going to give you a lot of work, but I need you to go to my house and give it water and
06:07Food for Jack, my kitten.
06:08Jack, what? That old guy?
06:10He has only one eye, like that, that white one, right?
06:14Uh-huh.
06:16Only you could remember a cat at a time like this, if...
06:18Well, you would do that too.
06:22Yes, I think I would consider that too.
06:24Well.
06:25I'll go there.
06:26You need to clean their litter box.
06:28Okay.
06:29And if you can, pet him and play with him a little.
06:33Okay, so do you want me to take him to the park?
06:36Should I play with dogs or just cats, I don't know.
06:40Oh, that's too much, isn't it?
06:42No, no, no, no, no, I'm just kidding, no problem.
06:44Oh.
06:45I'll go see him, give him water and affection, food, clean his litter box, I'll do all that, okay?
06:50Yeah.
06:51Where do you live?
06:52In Angela's Garden.
06:53Alright.
06:55Let me write it down.
06:57What is your address?
06:58Mama cat, tell me, yes?
07:03Tell me.
07:05Is.
07:17Mmm, heavens.
07:20Yara, this vegetable soufflé is wonderful.
07:25Congratulations.
07:27I'm so glad I stayed for lunch, because these delicacies don't exist at the hospital where I work.
07:32The recipe is a family secret; I don't tell anyone.
07:35Oh, and does anyone in your family know how to keep secrets?
07:38Because you don't.
07:41Listen, Donatella is very upset with Yara, again.
07:46She's like this because of us.
07:48You shouldn't have talked about the necklace theft.
07:52It's a serious matter.
07:53Oh, and you didn't do it?
07:55No, I only notified Giovanni so that he could help his granddaughter.
08:00You did very well, Norma.
08:02The others just gossiped.
08:05Donatella is naive; she doesn't know how to deal with situations like that.
08:08She got nervous.
08:09Donatella lost control with me.
08:11I had never seen my granddaughter like this.
08:13Yes, but stealing is worse than gossiping.
08:17Donatella should be very upset, but with Cindy.
08:21That's right, that girl stole the necklace, because there's no proof of that.
08:26Hey, Carmen.
08:27Carmen, don't you think it was Cindy who stole the necklace?
08:34Cindy?
08:35Don't know.
08:37Because I have nothing to do with this whole Donatella thing.
08:42Leave me out of this stuff, okay?
08:45I understand why my granddaughter is so upset, because it's something important to her.
08:50That necklace belonged to her mother.
08:52But nothing justifies the way she treated me.
08:56I don't know, she seemed like a different person.
09:02José, listen.
09:04You have every right to ask for explanations for having lied to you and not having been honest with you.
09:10But please, if you're going to say something to her, talk to her in private.
09:13Mr. Giovanni is very tall.
09:15Please put yourself in their shoes.
09:17It's going to be very hard for him.
09:18Donatella has been deceiving her grandfather, whom she claims to love, all this time.
09:22It's good that everyone knows this once and for all.
09:25That's not the case.
09:25It's not good, it's the right thing to do.
09:27I'm not going to let Donatella continue deceiving the people who love her.
09:30Hey, Jose, Jose.
09:31I won't do it.
09:32José Antonio, wait.
09:33José, José Antonio, listen.
09:36Hey, listen.
09:37If she hasn't bought it from Mr. Giovanni yet, you shouldn't either.
09:41Listen.
09:41Imagine if everyone found out that Donatella is a prostitute.
09:44I understand now.
09:45You are worried about Fernanda's grandmother.
09:47That's not why.
09:48And because of his grandfather.
09:49Calm down!
09:50Well, today's weather...
09:52I'll open the door.
09:53He's too calm.
09:55Is it because of how complicated our presentation was?
09:58Everyone is unhappy, yes.
10:00But that's not why everyone has that face.
10:02Let's change the subject.
10:03General gossip...
10:04Hey, Mali!
10:05Let's put the dishes further on the table.
10:07Ah, José Antonio, what a great surprise.
10:09Sit down and eat with us.
10:11Know?
10:11Your co-worker.
10:12Yes, Yoná.
10:14He asked me to give this back to you.
10:19They found your necklace, Donatella.
10:31Let's talk in my room, my love.
10:34Don't call me, my love!
10:37Prostitute!
10:38Because?
10:39No.
10:55Don't call me, my love!
11:11Okay, we arrived at the clinic.
11:13But how will we get Cindy to the police station if she just had surgery?
11:17Well, we can request your statement right here.
11:19If she confesses everything about the robbery, of course.
11:23Wait.
11:25We need to be careful.
11:27Without excesses.
11:28Cindy has to say everything while feeling safe.
11:31We can't force it.
11:33You already know that I work within the framework of the law.
11:36I would never overstep my bounds or act illegally.
11:41The police need more men like you.
11:44Yeah.
11:44We are few among so many corrupt people.
11:48We're going in and doing our duty.
11:50Come on.
12:07Jack loves sunbathing.
12:09If their ears turn red, there's children's sunscreen in the bathroom.
12:15You should pass it over the tips of their little ears, like this.
12:18He hates it, but it's necessary because otherwise he'll get burned...
12:21Shhh.
12:22You already told me everything.
12:25I'll take care of it.
12:26I'm going to take care of him as if I were taking care of you.
12:33Jack...
12:34Well...
12:34He doesn't like kisses on the forehead, you know?
12:37Oh, no.
12:37No no.
12:38I see.
12:46Now I'm going to leave so that little animal won't be alone anymore.
12:49Hey?
12:50Okay.
12:52Bye bye.
12:54Thank you.
12:55Take care.
13:11Dr. Paez, your presence is requested in the playroom.
13:15Excuse me.
13:16Yes, tell me.
13:16I am Commissioner Fonseca and he is my subordinate from Nilsson.
13:20Police.
13:21How can I help you?
13:22We received information about a suspect who may have participated in a robbery.
13:25And she's here at the clinic.
13:27That.
13:28Her name is Cindy López de Freitas.
13:30But she may have registered under the false name of Barbara Schneider.
13:35Just a moment, please.
13:38Heavens.
13:38Hello, commissioner.
13:39How are you?
13:40Good.
13:41Did you call my house?
13:42Routine procedure.
13:44But I'm of legal age, you know, sir?
13:45I am responsible for myself.
13:47He shouldn't have called.
13:48Okay, let me understand.
13:50Do you want to give me orders?
13:51No, sir.
13:52I needed to confirm your address to see that the one you gave me was the real one.
13:57Do you know how many people spend the night here at the police station trying to confuse the police?
14:03You shouldn't have done that, commissioner.
14:06My dad will kill me.
14:20Did you forget what I told you about their food?
14:22We have to leave.
14:23Let me get this out of you.
14:24What's wrong? Did something happen?
14:25That?
14:26Antonio Junior, what's wrong?
14:27The police are here.
14:28I just saw Commissioner Fonseca and a policeman.
14:30We have to go, let's go.
14:32I'm trapped.
14:33This is Cindy.
14:35Cindy López de Freitas.
14:36And in which room is he?
14:38107.
14:38107.
14:39Is 107 there?
14:40Down the corridor to the right.
14:41At the end of the corridor on the right.
14:42Thank you.
14:45Did you understand?
14:46Did you understand what you need to do?
14:47Did you understand?
14:48I understand, but it's very risky.
14:50No, no, no, no, no.
14:51Everything will be fine.
14:52Let's just do what we said we would.
14:53When I say "Mom," you know what to do, okay?
14:56Okay, but you shouldn't do this for me.
14:59Run away from here.
14:59You have a better chance of escaping alone than with me.
15:02Oh.
15:03Cindy, Cindy, Cindy, Cindy, Cindy.
15:06We're in this together, right?
15:10The backpack here, the backpack.
15:12Wait.
15:13Okay.
15:30Where?
15:33Where's my pacifier?
15:34My pacifier, my pacifier.
15:35It looks like a madman escaped from the room.
15:37My pacifier, my pacifier, my pacifier.
15:38I want my pacifier, my pacifier, pacifier.
15:41It will be very dangerous.
15:42I don't think it's dangerous, but you have to be careful.
15:44Oh, and my baby bottle.
15:46Hey, calm down, crazy, relax.
15:48I want my bottle.
15:49Shouldn't we call someone?
15:53Mother.
15:53Calm down, calm down, big guy.
15:55Mother.
15:56This can't be.
15:57Mother.
15:58No doctor is coming.
15:59There's nobody here.
15:59No nurses either.
16:00Please.
16:02Mother.
16:03Someone, please.
16:04I want my bottle.
16:06We have to help him.
16:07That's enough, you crazy person.
16:08Where is?
16:09Where is?
16:09Where is?
16:09Nobody's coming now.
16:11My baby bottle.
16:12It's very bad.
16:13My bottle, I want my pacifier.
16:15I want my pacifier.
16:18Oh, my pacifier.
16:19My pacifier.
16:21I told you it's better to call a nurse.
16:23Mom, she didn't make you.
16:23You left the crazy one here.
16:24I want a little cow now, a little cow.
16:44He's not in the room.
16:45But the receptionist didn't say that he was discharged.
16:48I don't know what happened, but we already saw that he's not here.
16:51When the door opens, calm your breathing, okay?
16:53Think of something, calm down.
16:54I don't know, think about...
16:55Think about Jack.
16:55Think about Jack, okay?
16:57I'm afraid.
16:58Stay calm, everything will be alright.
16:59Yeah?
17:02Calm down, calm down.
17:04Cover your head.
17:05Come on, cover yourself.
17:06Everything will be alright.
17:08Let's go check the rooms.
17:09Come on, come on.
17:13To do it better, you go to the rooms on the right side and I'll go to the ones on the left.
17:17No, no, no.
17:17Wait, commissioner.
17:18Wouldn't it be better to ask the clinic for authorization first?
17:20Because the patients' families can complain.
17:22But we can't let Cindy escape.
17:23If there's a problem, I'll take care of the paperwork.
17:25Stay calm, let's go.
17:27The right side.
17:33Don't leave me, my love.
17:36Don't leave me.
17:38Excuse me, I'm looking for someone.
17:40Because?
17:41Why did you leave me here alone?
17:43How am I going to live without you?
17:47My beloved wife.
17:49Very sorry.
17:56He's already gone.
17:57Wait, wait, wait.
17:59Wait.
18:00I couldn't hold my breath for long.
18:03The surgical incision hurts.
18:05Calm down, calm down.
18:05I'll go see if they've left.
18:07Breathe, breathe.
18:07Cindy, breathe.
18:15What do we do?
18:16We don't get paid for this.
18:18In other words, we're paid very little for this.
18:22But let's finish with the service.
18:23We have to flee.
18:25Cindy, we have to go now.
18:26Come on, come on, come on.
18:27But go where?
18:28I don't know.
18:29But here you're not safe.
18:30You're not.
18:31Come on.
18:31That Ramiro should have reported me.
18:33That cretin wants to see me imprisoned.
18:34But if he succeeds, I'll drag him down with me.
18:36Cindy, Bernardo left the suite clean.
18:39There is no proof that he shot you.
18:41There is only evidence that you robbed the hotel.
18:43Come on.
18:44If I could get him involved in a scandal, that would be great.
18:46Forget about Ramiro now.
18:48We have to leave.
18:49Oh.
18:49I'll help you.
18:50Careful, slow down.
18:52Careful, careful, careful.
18:56How am I going to get out of here dressed in these hospital clothes?
19:00Take this.
19:01That's it, put it on.
19:03That is.
19:05Here.
19:07So.
19:09Already.
19:11Ready.
19:11That is.
19:13It's not the prettiest model in the world, but it works.
19:17People are going to notice, Antonio Junior.
19:19These days you see so many people with every style imaginable that the worst that could happen is that they think that
19:24You're crazy.
19:25Although you are a little bit, you know?
19:28Thank you, Antonio Junior.
19:30Say thank you when we get out of here, okay?
19:33I'm going to spy a little.
19:34As soon as I give you the signal to leave, you leave.
19:37Yeah.
19:37Hang in there, you know?
19:39Yeah.
19:49Yeah.
19:53Come on, come on.
19:57Give me your hand.
19:58Careful, careful, careful.
20:01We will achieve it, yes.
20:07Calm down, calm down.
20:09Calm down, calm down.
20:11Come, make it warm.
20:20It just can't be.
20:21We won't leave it like this.
20:23Did you check this?
20:28Didn't you see her leave?
20:29No, sir.
20:30But how can that be?
20:31How is that possible?
20:32I have news, Bernardo.
20:34Did Cindy die?
20:36What a waste.
20:37She was very pretty.
20:38No, he didn't die.
20:39At least it's not recorded here at the clinic.
20:42He disappeared.
20:43What do you mean, it disappeared?
20:44That's right, I went to the room where they told me I was and I wasn't there.
20:48She disappeared.
20:49Damned!
20:53That idiot Antonio Junior should have taken that whore to another hospital.
20:58Bernard.
21:01Bernardo, what do you want me to do now?
21:03Hey?
21:03Have him check hospital by hospital.
21:06You should, for the price you charge me.
21:07But leave it like that, I'm going to talk to Tobias, then we'll talk.
21:10I'll be here.
21:12See you later.
21:14Did you get my shirt dirty?
21:16I have to go.
21:17Leave Cindy alone.
21:18With the pressure from Tobias?
21:19Finish lunch, at least.
21:21Can't.
21:22I'll leave it for later.
21:31Damned!
21:34You're a liar.
21:35José, José, calm down.
21:36Liar!
21:37Stop making things up about my granddaughter.
21:39I demand respect for her.
21:41Are you drunk or not?
21:42You are very innocent.
21:43He doesn't really know his granddaughter.
21:45This woman!
21:46This woman is a liar!
21:48This woman is a prostitute!
21:51She deceived us all!
21:53He tricked me!
21:54He deceived you too!
21:56Hey, kid, calm down.
21:57Calm down.
21:58There must be some confusion about this.
22:00Please, stay calm.
22:01You have no right to come here and talk about our Donatella like that.
22:07It's best if they leave here.
22:09Enough of this nonsense.
22:10I agree.
22:11I will not tolerate disrespect.
22:13She works herself to the bone, studying and working hard.
22:16She will be a nurse.
22:17You know that, José Antonio.
22:19We are all witnesses to that here.
22:21I thought you were a good man for my granddaughter, but I see I was wrong.
22:26Tell them that, Donatella.
22:28Tell them I want to see if you're still lying.
22:31Speaks!
22:32I want to see your nerve!
22:34Speaks!
22:35Speak up and tell him if I'm lying!
22:38Speak up and tell him if I'm lying!
22:51Yes, I work as a prostitute.
22:56How do you think I'm going to pay the bills?
22:59My grandfather's remedies and his stay here.
23:01I'm tired!
23:02I'm tired of going into debt to pay for everything!
23:05I have to manage to hide who I really am!
23:08That?
23:08How much do you think your remedies cost?
23:10Hey?
23:11Clothes, shelter, studying at my university.
23:14I wanted, I longed, I really wanted to be a nurse.
23:17But university is for those who can afford it, not for those who want it.
23:20How many years have I been taking care of you?
23:23How many years have I been taking care of all your things?
23:26Take care of that mouth, Donatella.
23:27I'm not going to let you blame Giovanni for your actions.
23:31Don't try to use your grandfather as an excuse to justify who you are.
23:36You, that attitude you have, huh?
23:41That attitude shows how low you are.
23:47Do you blame your grandfather?
23:50How low!
23:52What a disappointment!
23:54I'm not going to stand here and let you throw stones at me.
23:57You know absolutely nothing about my life.
23:59I'm tired! I'm tired!
24:02I did what I did for my grandfather.
24:04And not!
24:04I have no regrets!
24:09And you, José Antonio, are an idiot.
24:12You're prejudiced.
24:14Intolerant!
24:17You never felt even a shred of love for me.
24:27Oh, boy!
24:28No, no, I don't feel very well.
24:29Giovanni, wait for a little star for him.
24:31One star, please!
24:32A glass of water, please!
24:34Give him water!
24:35Okay, go away.
24:35Stay calm.
24:36Go home.
24:36I will stay here to help Giovanni.
24:38They give the glass.
24:38José.
24:38Hey!
24:39José.
24:40José.
24:41Take it.
24:42Drink the water, Mr. Giovanni.
24:43Take it.
24:44Please drink.
24:46Calm down.
24:48José.
24:50Everything will be alright, don't worry.
24:52Go away.
24:53Go away now, José.
24:57And relax.
24:59Salt!
25:04Salt!
25:29Listen, I know I'm not the most suitable person, but you can rest assured because I'm going to take care of Maria Antonia.
25:35I trust in you, powerful one.
25:39You say you're not the most suitable person, but that's because you know the kind of life Maria Antonia wants to lead.
25:43This is not the life that a woman like her, like you, should have.
25:47Here you are again, with your obsession with wanting to turn me into someone else.
25:52No, it's not a mania, no.
25:54It's not a mania, no.
25:55I like you.
25:57And I know you're not happy living that life.
26:00I like Maria Antonia too.
26:03I don't want her to become a prostitute.
26:06She looks so much like you.
26:08He could be your son.
26:09And you and Maria Antonia are more alike than you think.
26:13Ah, of course.
26:13Because they are both so, so stubborn that they can't see beyond their own navel.
26:18They get lost when they are driven by rage, by revenge.
26:21Listen, she was the one who ran away, okay?
26:23I didn't come here to be lectured, okay?
26:25Alright.
26:27Thank you for telling me.
26:30Well, rest assured I'll keep you and help informed.
26:37Will you have lunch with us?
26:40Okay, I'm very hungry.
26:44Perfect.
26:58Calm down, please.
26:59Everything will be alright, stay calm.
27:00Calm down, calm down.
27:01Oh, calm down.
27:02I'll tell you, I was missing this home-cooked food.
27:05Don't get your hopes up too much, powerful one.
27:08I'm the one who prepared the food, not Maria Antonia.
27:10You know how to cook, Hugo.
27:12Miguel!
27:13Miguel!
27:18Miguel, help me!
27:22Miguel!
27:24Who is that girl?
27:26It's Cindy.
27:27What happened to her?
27:28Help me with her, please, guys.
27:29Come on, come on, come on.
27:30Help me.
27:30Come on, come on.
27:30To that room.
27:32Around there.
27:35Around there.
27:44Forward.
27:48Oh no, leave me alone.
27:50No, please, please.
27:51No, leave me alone.
27:54I'm going to leave you alone.
27:56But don't think you can say everything you said without having to hear what I have to say.
28:01To say, Donatella.
28:07The answering machine.
28:10Hello, powerful one.
28:12I am Maria Antonia.
28:13Since you're out, could you take advantage of the fact that you're already out and pick up a few things from the market?
28:16Because there is absolutely nothing in the refrigerator to cook with.
28:20Kisses.
28:21Bye bye.
28:38Hi guys.
28:39I came to see the results of the last survey I did here.
28:43Do you remember that I wanted to know your opinion about running away from home or not?
28:47No?
28:51The majority voted that I shouldn't leave home.
28:54In the end I thought about it a lot, I left home and I don't regret it at all.
29:00And guess who I'm living with now.
29:04With power.
29:05Yeah?
29:06Exactly.
29:08We're splitting the expenses.
29:10It's nothing luxurious, but it has its charm.
29:14I love feeling free.
29:16To feel that I don't have to please anyone with anything.
29:18using your cell phone at the table without anyone complaining.
29:23To be the owner of my own life.
29:26But now I must go because I have many things to do.
29:30I am an independent woman.
29:32I will move forward.
29:45Did I know you were cheating on me with that damn baker?
29:48I'm going to kill you, you wretch!
29:55If you lay a finger on me, I'll bury that knife in you.
29:59Try it and see.
30:04Don't just leave like that!
30:10You're not going anywhere!
30:11Come back here!
30:40Oh, excuse me, I think I've got the wrong door.
30:42But who are you looking for?
30:44Hey, do you know where Hurricane's apartment is?
30:47I thought it was this one.
30:48Yes, this is it.
30:48I am Duplexo and her boyfriend.
30:50Oh, what a relief!
30:51Permission.
30:51Hey, no!
30:54What happened?
30:55Did something happen?
30:56Close the door!
30:56Please close!
30:57Please close!
31:00Is there a problem or what?
31:01Oh, excuse me for coming in like that,
31:03But there's a couple in the corridor who almost killed each other.
31:07I heard it.
31:08That happens very often in the building.
31:11You've only lived here a short time.
31:12You shouldn't be used to it.
31:14I've never seen you here before.
31:15I am Maria Antonia.
31:17I am sharing an apartment with Poderosa, a friend of Huracán.
31:20I arrived today.
31:21So you are Maria Antonia.
31:23Powerful woman told me about you.
31:26That?
31:26Did she leave me alone and come here?
31:28She passed by earlier, but it was quick.
31:33Mr. Duplexo, could I stay here alone until Mighty arrives?
31:39I'm really scared.
31:40Imagine if that couple gets back together, they have a fight, and a stray bullet enters the apartment.
31:44I'm not used to it because where I live, or rather, where I used to live, there aren't these things.
31:49Calm.
31:50Of course you can.
31:51These things happen all the time, quite often.
31:54But I only shoot once.
31:56When Bernardo sent a thug to assassinate Hurricane and Cayo.
31:59But it's best not to talk about that now.
32:02Good.
32:02Don't worry, I'll be right here.
32:05You will not notice my presence.
32:07Maria Antonia, make yourself at home.
32:09If you want, there's water and other things in the refrigerator.
32:12Alright.
32:13I cannot serve you.
32:14Look, my hands are very dirty.
32:17This is your home.
32:34I've been working since I was very young.
32:37You, Grandma, and I weren't born with a silver spoon in our mouths.
32:41We raised your mother amidst many difficulties.
32:43Then he got married, had you, and continued to fight to give you everything he could.
32:49But it wasn't much, grandpa.
32:51If you think that everything your mother gave you wasn't enough, you should know that with little, if
32:58There's temperament, a lot is done.
33:01It's easy when you have no responsibilities.
33:03When you don't worry about how you're going to survive.
33:05When you have no one who depends on you.
33:07Listen, don't say.
33:09Don't say you work in those fields because of me.
33:14That decision will not be placed on my shoulders.
33:17Did you hear?
33:18I could very well be working.
33:20Where are you working, grandpa?
33:21Doing what?
33:22If there are no jobs for a young, educated person, imagine what it's like for an elderly person.
33:25I'd rather pick up trash in the street than have to explain what you're doing.
33:32There are many girls doing this.
33:33Many girls are doing it.
33:35For a while, to save money, to buy what they dreamed of, you are being very prejudiced.
33:40Very intolerant.
33:41Prejudiced, intolerant?
33:43Come on, don't give me that politically correct stuff.
33:47And even less to tell me that because of my age, I don't understand anything about what is immoral.
33:53Selling your body is not a way of life!
33:56But that's what sustained us until today!
33:58Had I known, I would never have accepted a single penny from you.
34:02That's why I never told you.
34:03Yeah?
34:04That's why.
34:05Out of respect.
34:06I respect?
34:06What are you talking about?
34:07Respect for me?
34:08If you don't respect yourself.
34:11I have it.
34:11Yes, I have it.
34:12I have a lot of respect for myself.
34:14I know very well where I want to go.
34:15And I know very well that I don't want to spend my whole life just surviving.
34:18I want to live.
34:19I don't want to survive.
34:20I want to be able to travel.
34:22I want to be able to buy what I've always dreamed of.
34:24To walk into a store, see a dress and buy it without even looking at the price.
34:28That's what I want.
34:28You don't know that the price you're paying is very high.
34:32I don't work on the street, okay?
34:34What do you think?
34:35What, am I just a streetwalker?
34:36No, sir.
34:38It's a different business.
34:57I never thought I would ever say this in my life.
35:04But it's a good thing your mom is dead.
35:08Because he didn't deserve to see what you've become.
35:12I feel sorry for myself.
35:14Because I too would prefer to be dead than to be in front of a shameless woman whom I once called my granddaughter.
35:23But you can, right, grandpa?
35:25You can be shameless.
35:27I can't, but you can.
35:28You even contracted HIV from all the women you were with.
35:31You can do it.
35:31Don't compare me to you.
35:33Why can you have so many women, but I can't sleep with men?
35:36At least I gain something from all of this.
35:37I made a mistake.
35:39I was wrong, very wrong.
35:41Not only with the women who were with me, but mainly with myself.
35:46You weren't wrong.
35:48You took advantage of it.
35:49Yes indeed.
35:50I already took advantage.
35:52I took advantage.
35:54I took advantage of things so much that the only woman I truly fell in love with doesn't want anything to do with me because of it.
36:01But you have other women there.
36:02They're lining up!
36:03Which row are you talking about?
36:05Do you want to know?
36:07Really?
36:07The time I wasted?
36:09And what about the time you're wasting trying to get rich at the expense of your body?
36:15Oh, when I'm really, really rich, I'm going to make up for all that wasted time, okay?
36:21Don't worry.
36:21I can assure you that time cannot be compensated.
36:24Listen, let's see.
36:26We think differently, right?
36:29I didn't want you to find out.
36:32But I don't regret it.
36:33I'm not going to keep apologizing for being who I am.
36:37I'm going to pack my bags.
36:40And I'm leaving here.
36:42But I will continue to support you.
36:44Yeah?
36:45I will continue to do so.
36:53I am not a pimp.
37:21That's what happened.
37:23It was Mr. Ramiro, father of Mr. Tobias and Fernanda, who shot Cindy.
37:29What a despicable man.
37:32Damned.
37:32It's worthless.
37:34And you, Antonio Junior?
37:36That?
37:37What were you doing involved in that robbery?
37:39No, I wasn't involved in the robbery.
37:40What are you saying?
37:41I was working at the hotel.
37:43It was just a coincidence.
37:44I know Cindy from the time I was a waiter at the Mademoiselle.
37:48But it's very strange that you would take her out of the clinic to flee from the police.
37:52He should receive medical care.
37:54What you did was crazy, Antonio Junior.
37:56It's crazy!
37:57Miguel, I had no choice.
37:58She was recovering well, but nevertheless, she got worse.
38:02Hang on a minute.
38:04Who are you going to call?
38:06To the ambulance.
38:07I do it because we can't leave her without care.
38:09She could die here.
38:11Think about it for a bit.
38:11No, wait, no.
38:12Nobody can know where he is.
38:13Leave it, I'll take care of her, I'll take care of her.
38:15Miguel is right.
38:17Even if they take her prisoner, it's better than letting her die.
38:19And then Cindy can say that it was Ramiro who shot her.
38:22Yes, yes, I cannot cover up a crime.
38:24And what's more, this girl's life is at risk.
38:30I won't let you ruin Cindy's life, no.
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