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Travel back in time with this fascinating short documentary clip, Delhi (1938), associated with the renowned BFI and legendary cinematographer Jack Cardiff.

This historical footage captures everyday life, architecture, and the vibrant atmosphere of Delhi during the late 1930s. With authentic visuals and vintage cinematic style, the film offers viewers a valuable window into pre-independence India and early documentary filmmaking.

Perfect for history enthusiasts, documentary lovers, and fans of archival cinema.

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Transcript
00:04¶¶
00:53The vast plain of Nordia is the cockpit of the Indian Empire.
00:58Countless battles have been fought for the possession of this barren land, the gateway to the riches of the south.
01:05At Delhi, excessive cities have been built by conquering invaders.
01:09Each has fallen into disuse and decay.
01:12That's an ancient legend in the Hindustan that the ninth city will endure and will rule forever.
01:22These cities of the early conquerors are now a huddle of impressive ruins.
01:27Not until the Emperor of Babaran swept down with the sword of Islam from the north,
01:31did a foreign power become a force in Hindu India.
01:46For Humayun, the son of Babaran, this tomb was built.
01:51The graceful architecture of the last and richest of the Mughal empires exercised a fascination upon India which will never
01:58lose its home.
02:01The great Akbar followed Humayun and around the ruins of his predecessors,
02:06his many victories for Allah are celebrated in dome and arch and graceful column.
02:16Here in this column is at once the loot of one great battle and the monument of yet another,
02:21a sacred pillar of the purest iron, wrought by some strange and undiscoverable method which has preserved it from the
02:28rust of centuries.
02:31The Kut Minar, the famous tower of victory, was begun by one and successively completed by the Mughal conquerors of
02:38Delhi.
02:40238 feet of carved red sandstone.
02:55The great mosque of the Mughals, the greatest in all India, centre of the native city of Delhi of today,
03:02commemorates the vast Mohammedan invasion from Balochistan.
03:19Long, shallow pools are laid out for the ritual washing of the face and hands,
03:24which every true Mohammedan must scrupulously perform before he is allowed to pray.
03:30In this great mosque and its forecourt, 20,000 people can assemble and give praise to Allah.
03:57More beautiful but smaller is the Pearl Mosque, pinnacle of Mughal art in Delhi.
04:03Only a little less renowned than the famous Taj Mahal, built by the beauty loving Shah Jahan as a memorial
04:09to his wife.
04:11Pacified by the victorious wars of Akbar, Delhi and the Hindustan now entered upon the richest period of their ancient
04:19culture under Akbar's son, the royal Shah Jahan.
04:23The Delhi of that time, the era of the greatest Persian poets, became enchanted by the love of beauty for
04:30itself alone.
04:32The palace of old Delhi was a throng with men and women of high caste. Such women as these adorned
04:38the palace gardens, the stamp of aristocracy upon their brows, the colour of their robes ablaze against the dark green
04:46cypresses.
04:49Before it is put on, the Indian sari, the flowing robe of Indian women, is the most shapeless garment of
04:56the world.
04:57Each of them is nothing more than one straight length of silk, ten yards long and some two or three
05:03feet wide.
05:05But into one with its threads of silver and gold, deep hemmed with solid precious metal and fastened only on
05:12the right hip and on the left shoulder, it can be made to drape the figure in a manner to
05:17outmatch a Paris scar.
05:19The high caste Indian women wear upon their brows the blood red mark or puja of the Brahmins.
05:32Under Shah Jahan, who caused the marble of his palace walls to be inlaid with semi-precious stones, with sardonyx,
05:39cornelian, chalcedony and chrysopas, the pursuit of happiness came expressed in languor.
05:46Ennervating Hindustan until the highest form of living was to watch the changing shapeliness of passing clouds.
05:58But the ninth enduring Delhi had then yet to be erected.
06:04In 2001.
06:12Yep.
06:33In 2008.
06:34In 2005.
06:39Under combined British and Indian rule, a new Delhi has arisen, a Delhi which has kept
06:43and added to the beauty of the old, but without its dreamy lassitude.
06:55Conard Place, the business centre of the modern Delhi, brings a new grace to the wilderness
07:00of northern India.
07:01The British, with their national love of lawns and flowers, have taught the Indians to lay
07:06out an entire life with the beauty once confined to tombs and temples and to palace gardens.
07:27British and Indians are cooperating to carve out a nobler future for this Delhi than was
07:32possible under a despotism.
07:34In this, the magnificent house of assembly, British, Muslims and Hindus combine in governing.
07:40The spirit of the new and vital Delhi is externalised in a new style of architecture, deriving its
07:45inspiration not from one tradition but from two, moulding the culture of two continents
07:51into a third.
07:54Where once water was a luxury and the profusion of it the prerogative of princes, there are
08:00giant fountains in the public squares.
08:17Neither Saracen nor British, the new Delhi is near India, retaining the motives of old
08:23Delhi and dignifying them with a new austerity.
08:25Yet the lilting grace that made the beautiful, the almost effeminate pearl mask has softened
08:31the austere geometry of modern architecture.
08:33The new Delhi is dynamic but no less inspiring than the old.
08:57And where there was once only a burnt and acrid plain, there is a green and fertile land laid
09:02up with a prophetic eye to the increasing future of the capital of India.
09:06The ninth, enduring city, which in the old legend of the Hindustan will stand and rule forever.
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