00:01THE END
00:14Motu Patlu,
00:15this is your dialogue.
00:17Let's rehearse this well.
00:19Take a time,
00:20we don't want to be wrong.
00:22Okay, sir!
00:35Let's go.
00:39Motu, relax.
00:41Relax.
00:42Let's get cool.
00:43Don't get attention.
00:44Take a long breath.
00:47Yes, I take a long breath.
00:50Let's go.
00:51Let's go.
00:52I'm telling you.
00:53I'm talking about the dialogue.
00:53Something is falling,
00:55something is falling or something.
00:57If we use that,
00:59Net will become a golden girl.
01:03Try this.
01:05And will fall into thegenes,
01:07please bring joy to our lives.
01:10Direct, sir.
01:12Rehearsal has been done.
01:13Now, take the direct takes.
01:15If it is good,
01:16then you will awake.
01:17Otherwise, you will take the back.
01:19I'm nervous.
01:21Sorry, sir.
01:22Okay, okay, no problem. Ready?
01:33Okay, action!
01:38Chuhah pakdo yantr!
01:41Come, come, come.
01:43Look, there's a chuhah vahrak yantr coming!
01:48Cut, cut, cut!
01:49Hey, what are you doing? Why are you laughing?
01:52Don't worry about it.
01:55Don't worry about it.
01:56Don't worry about it.
01:57Sorry, sir.
01:57Let's take it again.
02:03Oh, what is this?
02:07Oh, wow!
02:08It's such a ghost!
02:11Oh, stop, children.
02:13It's a silly thing.
02:15It's a silly thing.
02:15If you touch it,
02:17it will take you and you'll get stuck.
02:20This is making a machine called Ad.
02:25Okay, so this is a thing.
02:28We also see how the Ad film is made.
02:36Cheese!
02:36Cheese!
02:38Aha!
02:41Sorry, sir.
02:49Okay, action!
02:51Chuhah pakdo yantr!
02:53If you're going to use this yantr in the house,
02:57you'll be using this yantr.
03:00You'll be using this yantr.
03:06Cut, cut, cut!
03:07Why did you keep the camera down?
03:09Sir, look.
03:10There's a chuhah on the yantr.
03:13There's a chuhah on the yantr.
03:14Chuhah!
03:16Ah!
03:18Ah!
03:19What?
03:20What?
03:21A chuhah has gone to the chuhah.
03:23Wait.
03:24Two chuhahs are on the top of your head.
03:26Ah!
03:30Ah!
03:32Ah!
03:32Ah!
03:33Ah!
03:35Ah!
03:36Ah!
03:36Ah!
03:36Ah!
03:39Ah!
03:43Ah!
03:49Ah!
03:51Ah!
03:52Ah!
03:53Ah!
03:54Ah!
03:55Ah!
03:57Ah!
03:58Ah!
04:00Ah!
04:01Ah!
04:03Ah!
04:03Ah!
04:04Ah!
04:04Ah!
04:06Ah!
04:07Ah!
04:08Ah!
04:09Ah!
04:09Ah!
04:10Ah!
04:11Ah!
04:16This time no problem should be done.
04:18Okay? Ready?
04:22Action!
04:24They won't give up their hair.
04:27Let's go in the clothes.
04:37Let's go!
04:38You have to put your hands on the floor.
04:41And you have to put your hands on the floor.
04:43Come on!
04:44Leave your hands on the floor.
04:46Leave your hands on the floor.
04:48Leave your hands on the floor.
04:51What are you doing, Mottu?
04:52What are you doing?
04:55Cover the camera.
04:57Move your hands on the floor.
04:58Mottu shift.
05:01You're cut.
05:03You're cut.
05:04You're cut.
05:04You're cut.
05:05You're cut.
05:06You're cut.
05:08Sir, what have you done?
05:10Why don't you dance?
05:11Oh, there's one here.
05:16Oh, no.
05:17Take it away.
05:18It's a dance.
05:19Let's go first.
05:20The camera is still shooting.
05:21We're shooting the work in the making.
05:26Oh, no.
05:31Oh, no.
05:35It will come for shooting.
05:36Maybe it'll come for shooting.
05:38Maybe it will come for shooting.
05:39It will come for shooting.
05:40It will come for shooting.
05:40Make a shot.
05:41It will be good.
05:41Okay.
05:42Start.
05:44Camera.
05:45Run.
05:46Running.
05:47Not at the beginning.
05:47You have to leave the camera alone.
06:17Okay
06:19Shot!
06:20Shot okay?
06:21Okay, sir.
06:22Moutu Patlou left and left.
06:25What do you mean by Moutu Patlou?
06:27He's watching Moutu Patlou's four chutes.
06:30He was shooting.
06:32Hey, man.
06:33Will you shoot the actor or chutes?
06:35Where are these chutes coming from?
06:37No, no, no.
06:39Friends, this film will not be shot in any way.
06:43Attack!
06:58Ah!학u
07:01!es ____________
07:08Atta. We're
07:12all anxious!
07:14We're all anxious.
07:17Ah!
07:20Ah!
07:22Ah!
07:25Oh!
07:31Oh!
07:34Ah!
07:38Ah!
07:43Ah!
07:43Aaaaah!
07:45Aaaaah!
07:47Aaaaah!
07:50Aaaaah!
07:52I'm going to kill you!
07:53Nooo!
07:54What the hell is it?
07:57My time has lost.
07:59My shooting has lost.
08:01What can I do?
08:04Your chest-pucked is so empty.
08:07It's so empty that the chest doesn't hurt.
08:09So how will the chest-pucked go?
08:11How will the chest-pucked go?
08:11The chest-pucked said the chest-pucked.
08:14These are the big shaytan.
08:18I'll make them a big head so I'll keep them.
08:22Okay!
08:23What's that?
08:24Aaaaah!
08:25Attack!
08:37I'm lost.
08:39I'm lost.
08:41I'm lost.
08:42I'm lost.
08:44I'm lost.
08:45I'm lost.
08:46I'm lost.
08:46Director, one minute.
08:47What have you done?
08:49Just show me.
08:56Stop!
08:57Stop!
08:58Director, edit this.
09:04Do you want to?
09:08Now, show me.
09:10Put a doll on your face,
09:12pop it on your face.
09:13If you use it in your house,
09:15then it'll be a magic wand.
09:18It's a nice, beautiful, and beautiful.
09:21Put a doll on your face, pop it on your face.
09:23You will never come to your house.
09:26Look, Director-sahab, how good an ad has become.
09:30Look, they are running away.
09:33People are making fun.
09:37So much fun, he has become an ad.
09:41Wow, wow, he has done it, Motu Patlou.
09:44The name is so good.
09:46How good an ad has become.
09:53Even now, 237, 23.
09:55The recurring ending for a long time.
09:56helfen will be different.
09:56Es止めると赤柱彦路を変えられ、
09:56you know, if you know the lady of the mother and mother and mother,
09:56You-in- 76 En linearly При Created by Doctor?
09:56can you die when they link their problems?
09:56You-in exactly the best when you click the text signal wen-
09:56It can be reasonable, let's turn it in a joke.
09:56You-in the wrong place.
09:56That's right, I'll keep it.
09:56You
