- 13 hours ago
ستاجي كوتش _ جون واين _ ترجمة على الشاشة _ الغربية _ في اللون
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00:00:00The End
00:00:35The End
00:01:19Oh, I'm so glad to see you, Lucy. Sit down, darling. You'll have a cup of coffee. You must be
00:01:23tired from that long trip.
00:01:24Who is that, gentlemen? Hardly a gentleman, Mrs. Mallory. I should think not. He's a notorious gambler.
00:01:36Hello, Mink. Howdy, Frank. Well, Marshal, I'm looking for my shotgun guard. Is he here?
00:01:41How was the posse buck trying to catch the Ringo kid? Ringo? I thought Ringo was in the pen.
00:01:45He was. Busted out? Well, good for him.
00:01:49My guess the kid's aiming to get even with them plumber boys.
00:01:52That testimony sent him to the penitentiary.
00:01:55Well, all I got to say is that he better stay away from that there Luke Plumber.
00:01:59Why, gosh, Luke's run all of Ringo's friends out of Lordsburg.
00:02:02Well, the last trip there, I seen him hit a rancher on the head with a barrel of his gun,
00:02:06and, well, he just laid it wide open like a butchered steer.
00:02:08You seen Luke Plumber in Lordsburg?
00:02:11Yes, sir. Reed.
00:02:18You boys take care of the office for a couple of days.
00:02:20I'm going to Lordsburg with Buck.
00:02:23He's going to ride shotgun.
00:02:24Oh, Tasha, I can learn to keep my big mouth shut.
00:02:31Here's the payroll, Mr. Gatwick.
00:02:33You know, ever since I opened this bank, I've been trying to tell those people
00:02:36to deposit their payroll six months in advance.
00:02:39It's good, sound business.
00:02:41It's good business for you, Mr. Gatwick.
00:02:43Sir, there's your receipt, $50,000.
00:02:47And remember this, what's good for the banks is good for the country.
00:03:09Now, now, now, now, my dear lady.
00:03:13Good works, Mr. Badrubbish.
00:03:14Get out and stay out.
00:03:15I'm keeping your trunk because you ain't paid your rent.
00:03:19Is this the place that wrecked a thousand ships
00:03:24and burned the towerless top civilian?
00:03:28Farewell.
00:03:30Fair Helen.
00:03:35Doc, Doc, can they make me leave town when I don't want to go?
00:03:38Do I have to go?
00:03:39Now, Dallas, don't you go make it no fuss.
00:03:41Do I have to go, Doc?
00:03:42It's because they say so.
00:03:43Now, Dallas, I've got my orders.
00:03:45Don't blame these ladies.
00:03:46It ain't them.
00:03:47It is them.
00:03:49Doc, haven't I any right to live?
00:03:51What have I done?
00:03:53We're the victims of a foul disease called social prejudice, my child.
00:03:57Well, these dear ladies of the Law and Order League
00:04:00are scouring out the dregs of the town.
00:04:03Come on.
00:04:05They are proud, glorified dreg like me.
00:04:08You get going, Doc, you're drunk.
00:04:10Two of the kind.
00:04:12Just two of the kind.
00:04:13Take my arm, Madame la Comtesse.
00:04:15The tumbril awaits for the guillotine.
00:04:19Oh, wait till I get my badge, girls, or I'll join you.
00:04:49That way, darling.
00:04:51Thank you, Doc.
00:04:51Now, look, look, look, I'll be right over to the house.
00:04:53No one in all Kansas City, Kansas sets a better table than my dear wife,
00:04:57Bye, Oli.
00:04:58Jerry.
00:04:59Yeah, Doc.
00:05:00Jerry, I'll admit as one man to another that economically I haven't been of much value to you, but...
00:05:09suppose you could put one on credit?
00:05:12If talk was money, Doc, you'd be the best customer I got.
00:05:17I'm leaving town, Jerry.
00:05:19Honest?
00:05:20Yes, old friend, and I thought you might, out of memory of our many happy...
00:05:25All right, Doc.
00:05:26Just this one.
00:05:27Right, Jerry.
00:05:30Here's a man going on the stagecoach with you.
00:05:33He's an Easterner from Kansas City, Missouri.
00:05:35Kansas City, Kansas, brother.
00:05:37Your health, Reverend.
00:05:39I'm not a clergyman.
00:05:41My name is Peacock.
00:05:42I'm a...
00:05:43He's a whiskey drummer.
00:05:46What?
00:05:49Well, well, how are you, Mr. Haycock?
00:05:52Peacock?
00:05:53Don't tell me, sir.
00:05:54Well, I know, I know, a familiar name and another name.
00:05:57I never forget a face or a friend.
00:06:00Sepples?
00:06:01Hmm.
00:06:08Right.
00:06:34I want five dollars, Henry.
00:06:37Certainly, my dear, certainly.
00:06:40Well, what is it to be this time, my dear?
00:06:41A pair of shoes?
00:06:42I want to pay the butcher.
00:06:43Dinner's at 12 o'clock.
00:06:44Don't worry, my dear.
00:06:45I'll be there.
00:06:46I've invited the ladies of the Laund Orderly.
00:07:06All aboard for Dry Forks, Apache Wells, Leesbury, Lordsburg.
00:07:14All aboard for Dry Forks, Apache Wells, Leesbury, Lordsburg.
00:07:24I'll take that, Dallas.
00:07:25Oh, thanks.
00:07:26In you go, Dallas, in a pleasant voyage.
00:07:40Get your baggage, Doc.
00:07:42Thank you, my friend.
00:07:44Surely, my king will carry it with honor.
00:07:46I'll take it, Doctor.
00:07:47Oh, no, no trouble at all.
00:07:49No trouble at all.
00:07:49I'll carry it on my lap.
00:07:51Here we go.
00:07:52Here we go, Reverend.
00:07:54Mrs. Whitney, you're not going to let your friend travel with that creature.
00:07:58She's right, Lucy.
00:08:00And besides, you're not well enough to travel.
00:08:03It's only a few hours, Nancy.
00:08:05I'm quite all right.
00:08:06But you shouldn't travel a step without a doctor.
00:08:08There is a doctor, dear.
00:08:09The driver told me.
00:08:11Doctor?
00:08:12Doc Boone?
00:08:13Why, he couldn't doctor.
00:08:14A horse.
00:08:16Now, Lucy, darling, you must be very careful.
00:08:17Take good care of yourself.
00:08:18Oh, dear.
00:08:19That's good now.
00:08:19Lady folks, right face and forward, please.
00:08:22There you go.
00:08:24Pleasant journey, Mrs. Mallory.
00:08:26Goodbye.
00:08:27Goodbye.
00:08:27Goodbye.
00:08:28Goodbye.
00:08:45Like an angel in a jungle.
00:08:48A very wild jungle.
00:08:50What are you doing, Hatfield?
00:08:51Talking to yourself?
00:08:56You wouldn't understand, cowboy.
00:08:59You've never seen an angel.
00:09:01Nor a gentlewoman.
00:09:04Nor a great lady.
00:09:05I raise, gentlemen.
00:09:08Well, so long, back.
00:09:09So long, Curly.
00:09:10Nice trip, boy.
00:09:11So long, Bob, kid.
00:09:12Wait a minute.
00:09:12Hold up there, Buck.
00:09:14Down, Rick.
00:09:17Steady, girl.
00:09:20Captain Sickles asked if you delivered this dispatch in Loisburg the moment you arrive.
00:09:23The telegraph line has been cut.
00:09:25Sure.
00:09:25We're going with you as far as the noon station at Dry Fork.
00:09:28There'll be a troop of cavalry there, and they'll take you on to Apache Wells.
00:09:31From Apache Wells you'll have another escort of soldiers into Loisburg.
00:09:34But you must warn your passengers that they travel at their own risk.
00:09:36At their own risk?
00:09:37Well, what's the trouble, Lieutenant?
00:09:39Geronimo.
00:09:40Geronimo?
00:09:40Well, then, I...
00:09:41Will you sit down?
00:09:42Of course, the Army has no authority over you, gentlemen.
00:09:45If you think it's unsafe to make the trip...
00:09:46This stage has gone to Lordsburg.
00:09:48If you think it ain't safe to ride along with us,
00:09:50I figure we can get there without you soldier boys.
00:09:53I have my orders, sir.
00:09:54And I always obey orders.
00:10:00Did you all hear what the lieutenant said?
00:10:03Yes, we heard.
00:10:05Well, me and Buck are taking this coach through.
00:10:07Passengers or not.
00:10:08Now, whoever wants to get out can get out.
00:10:12Yes, courage, courage, Reverend.
00:10:14Ladies first.
00:10:15Excuse me.
00:10:16How about you, Dallas?
00:10:18What are you trying to do?
00:10:19Scare somebody?
00:10:21They got me in here and I let him try to put me out.
00:10:24The worst thing's in Apaches.
00:10:27If you'll take my advice, ma'am, you won't take this trip.
00:10:30My husband is with his troops in Dry Fork.
00:10:33If he's in danger, I want to be with him.
00:10:36You see, brother, I have a wife and five children.
00:10:39Then you're a man.
00:10:40By all the powers that be, Reverend, you're a man.
00:10:45All right, folks.
00:10:47Marshal.
00:10:49Make room for one more.
00:10:52I'm offering my protection to this lady.
00:10:55I can shoot fairly straight if there's need for it.
00:10:57That's been proved too many times, Hatfield.
00:11:00All right.
00:11:00Get in.
00:11:00We're late.
00:11:04I'd trouble you to move over, sir.
00:11:06Oh, yes.
00:11:06Of course.
00:11:09Close the door.
00:11:12Oh, Curly, we shouldn't...
00:11:13Get going, Buck.
00:11:14Oh, Bessie!
00:11:15Brownie!
00:11:16Bill!
00:11:17Farewell, ladies.
00:11:18Ah!
00:11:19Sweetheart!
00:11:19Goodbye.
00:11:20Come on now, girl.
00:11:41You want a passenger?
00:11:43Sure is, Mr. Gangwood.
00:11:44Going to Lloydsburg.
00:11:45That's right.
00:11:45Just got a telegram.
00:11:47Better stop to pack this bag.
00:11:48I don't think that's right, boy, I got it.
00:11:51Now, that's the Blackie, Friday, Bill!
00:11:54No!
00:12:26Come on, Barney, Queenie, steady girl, hit, boy, get it, mom.
00:12:32If there's anything I don't like, it's driving a stagecoach through Apache country.
00:12:37It's funny catching gatewood outside of town that way.
00:12:40I just took this job ten years ago so I can make enough money to marry my Mexican girl, Julietta.
00:12:46I've been working hard at it ever since.
00:12:47It's Barney, get over!
00:12:49Who?
00:12:49Marriage?
00:12:51Certainly.
00:12:52My wife's got more relatives than anyone you ever did see.
00:12:55I'll bet I'm feeding half the state of chihuahua.
00:12:58Sweetheart!
00:12:59That seem funny to you about gatewood?
00:13:02Yeah, then what do I get to eat when I get home in Lordsburg?
00:13:05Nothing but free holy beans, that's all.
00:13:07Nothing but beans, beans, beans.
00:13:11Bessie, Barney, Clarkie, Bill, hell, get it, Lord.
00:13:14Excuse me, ladies.
00:13:16Most quarters.
00:13:19Warm today.
00:13:21Your wife made it warm for me, Gadewin.
00:13:23She was chairman of my farewell committee.
00:13:29Fine-looking bunch of soldier boys back there.
00:13:31Always gives me great pride in my country when I see such fine young men in the U.S. Army.
00:13:38Anybody know where they're going?
00:13:40Brother, aren't you aware of what's happened?
00:13:44Happened?
00:13:44I don't follow your reverend.
00:13:47I'm not a clergyman.
00:13:49My friend is a whiskey drummer.
00:13:51We're all going to be scouted.
00:13:54We're massacred in one fell swoop.
00:13:57That's why the soldiers are with us.
00:13:58He's joking, of course.
00:14:00Oh, no, he's not.
00:14:02Oh, dear, no.
00:14:03I wish he were.
00:14:04It's that old Apache butcher, Geronimo.
00:14:08Geronimo.
00:14:09Nice name for a butcher.
00:14:12He's jumped the reservation.
00:14:14It's out of the wall plan.
00:14:15Geronimo?
00:14:17Why weren't the passengers notified?
00:14:18Why wasn't I told?
00:14:19We were told, Gade.
00:14:21Oh, yes.
00:14:22Weren't you told when you got that message from Rosberg?
00:14:26Oh, yes, yes, yes, yes.
00:14:27Of course, I've got it.
00:14:43Steady now, spring out.
00:14:46Sweetheart!
00:14:48Now, doggone it, they're bringing up her grandfather all the way from Mexico to live with us.
00:14:54I can't figure out how he got that message.
00:14:57Who, her grandfather?
00:14:58Now, Gatewood.
00:14:59Sweetheart!
00:15:00He said he got a message.
00:15:02Sweetheart!
00:15:03The telegraph line ain't working.
00:15:06Sweetheart!
00:15:07Sweetheart!
00:15:47Hey, look, it's Ringo.
00:15:50Oh, yeah.
00:15:53Hello, kid.
00:15:55Hello, Curly.
00:15:57Hiya, Buck.
00:15:58How's your folks?
00:16:00Oh, just fine, Ringo, except my grandfather came up...
00:16:03Shut up.
00:16:04Didn't expect to see you riding shotgun on this run, Marshal.
00:16:08Going to Lordsburg?
00:16:09I figured you'd be there by this time.
00:16:12No.
00:16:13Lame horse.
00:16:15Well, it looks like you've got another passenger.
00:16:17Yeah.
00:16:19I'll take the Winchester.
00:16:21You may need me in this Winchester, Curly.
00:16:25Saw a ranch house burning last night.
00:16:28You don't understand, kid.
00:16:30You're under arrest.
00:16:33Curly.
00:16:45Is everything all right, Marshal?
00:16:47Everything's all right, Lieutenant.
00:16:48Hope I ain't crowding you folks, Narnfield.
00:16:50Surprised or married.
00:16:53Prattie!
00:16:54Prattie!
00:16:55Prattie!
00:16:55Prattie!
00:16:56Prattie!
00:16:56Prattie!
00:16:56Prattie!
00:16:57Prattie!
00:16:57Prattie!
00:16:57Prattie!
00:16:59Prattie!
00:17:00Prattie!
00:17:01Prattie!
00:17:01Prattie!
00:17:03Prattie!
00:17:04Prattie!
00:17:04Prattie!
00:17:04Prattie!
00:17:04Prattie!
00:17:07Prattie!
00:17:08Prattie!
00:17:09Prattie!
00:17:12Prattie!
00:17:13Prattie!
00:17:13Pessy!
00:17:14Ain't Ringgo a fine boy?
00:17:17I think so.
00:17:20Hey, you're just smarter than a trade rat.
00:17:23You knew all the time he was going to Lordsburg.
00:17:27Hey, I reckon what he meant, he saw ranch houses burning.
00:17:31Patches.
00:17:33You're the notorious Ringo Kidd.
00:17:36My friends just call me Ringo.
00:17:39Nickname I had as a kid.
00:17:41Right name's Henry.
00:17:44Seems to me I knew your family, Henry.
00:17:47Didn't I fix your arm once when you bucked off a horse?
00:17:52Are you Doc Boone?
00:17:53I certainly am.
00:17:55Now, let's see.
00:17:57I'd just been honorably discharged from the Union Army after the War of the Rebellion.
00:18:02You mean the war for the Southern Confederacy, sir?
00:18:05I mean nothing of the kind, sir.
00:18:08That was my kid brother broke his arm.
00:18:11You did a good job, Doc, even if you was drunk.
00:18:15Thank you, son. Professional compliments are always pleasing.
00:18:18Yes, they are.
00:18:19What happened to that boy whose arm I fixed?
00:18:24He was murdered.
00:18:25Thank you, sir.
00:18:27Go.
00:18:38Go!
00:18:39Go.
00:18:42Go!
00:18:43Go, go, go!
00:18:43Go, go, go.
00:18:45Go, go, go!
00:18:46Go, go!
00:18:46Go, go, go!
00:18:46Go, go, go!
00:18:46Go, go!
00:18:48Go, go, go!
00:19:10Put off that cigar.
00:19:14You're annoying this lady.
00:19:18Excuse me, madam.
00:19:21Being so partial to the weed myself,
00:19:24I sometimes don't know what to do.
00:19:25Sometimes forget that it disagrees with others.
00:19:30A gentleman doesn't smoke in the presence of a lady.
00:19:34Three weeks ago, I took a bullet out of a man who was shot by a gentleman.
00:19:39The bullet was in his back.
00:19:41You mean to insinuate...
00:19:42Sit down, mister.
00:19:47Doc don't mean no harm.
00:19:55You may.
00:19:56You may.
00:19:57I theyen from this dead.
00:20:00No harm.
00:20:45Be careful, old Bessie up there now.
00:20:48Make it easy, hold it steady, girl.
00:20:52Take a look and see if there isn't this thong bruising that hawk down there.
00:20:57If it isn't my old friend, Sergeant Billy Peggy.
00:21:02Well, how are you, Billy?
00:21:04He's fine, Doc. I'm mighty glad to see you.
00:21:07Great heavens to Betsy didn't figure on no stagecoach coming through
00:21:10with them Apaches raisin cake.
00:21:12I was just telling Billy to hitch up the buckboard so we can get the dogwoods into...
00:21:15You mean to say there are no troops at this station?
00:21:17Ain't no soldiers here, but what you see.
00:21:19But my husband, Captain Mallory, I was told he was here.
00:21:22Well, dearie, God orders might afford us to join the soldiers at Apache Wells.
00:21:28Well, that means we've got to go back.
00:21:30I can't go back.
00:21:31Now, look here, driver, you start to discoach for Lordsburg,
00:21:33and it's your duty to get us there.
00:21:35And it's your duty, young man, to come along with us.
00:21:37It's my duty, Mr. Gatewood, to obey orders.
00:21:39I'm sorry, sir.
00:21:40Well, if the soldiers go back, Lieutenant, that means we all have to go back.
00:21:45My orders are to return from here immediately,
00:21:47and I can't disobey those orders.
00:21:48I think we can get through all right, Curly.
00:21:50Oh, now, don't egg him on, kid.
00:21:52I'm driving this here outfit, and, well, if the soldiers go back, so am I.
00:21:57I call this a desertion of duty.
00:21:59I'll report you to your superior officer,
00:22:01and if necessary, I'll take the matter up with Washington.
00:22:04That's your privilege, sir.
00:22:05But if you give us any trouble here, I'll have to put you under restraint.
00:22:09Now, don't lose your temper.
00:22:10Don't lose your temper.
00:22:11I'll tell you how we settle it.
00:22:12We'll take a vote.
00:22:13Inside, everybody.
00:22:14Come on, Buck.
00:22:15Oh, Curly, I don't want to go.
00:22:21Now, you girls, set yourselves down.
00:22:23Now, get yourself feet.
00:22:25Now, folks, if we push on, we can be in Apache Wells by sundown.
00:22:28Soldiers there will give us an escort as far as the ferry.
00:22:31Then it's only a hoot and a holler into Lordsburg.
00:22:33Well, that old man, I don't...
00:22:34We've got four men who can handle firearms.
00:22:36Five with you, Ringo.
00:22:38Doc can shoot if sober.
00:22:41I can shoot.
00:22:43I can shoot.
00:22:44Now, Miss Mallory, I...
00:22:46I ain't going to put a lady in danger without she votes for it.
00:22:50I've traveled all the way here from Virginia.
00:22:53I'm determined to get to my husband.
00:22:55I won't be separated any longer.
00:23:00What's your vote, mister?
00:23:01Where's your manners, Curly?
00:23:03Ain't you going to ask the other lady first?
00:23:09Well, what do you say?
00:23:16What difference does it make?
00:23:18It doesn't matter.
00:23:20I vote that we go on.
00:23:22I demand it.
00:23:23I'm standing on my legal rights.
00:23:26What do you say, Hatfield?
00:23:33Lordsburg?
00:23:35Lordsburg.
00:23:36Lordsburg.
00:23:37You, Doc?
00:23:38I'm not only a philosopher, sir.
00:23:41I'm a fatalist.
00:23:43Somewhere, sometime, there may be the right bullet or the wrong bottle waiting for Josiah
00:23:49Bull.
00:23:50Why worry when or where?
00:23:52Yes or no.
00:23:53Having that philosophy, sir, I've always caught a danger.
00:23:57During the late war, when I had the honor to serve the Union under our great president,
00:24:03Abraham Lincoln and General Phil Sheridan, well, sir, I fought Meadshot and Shell and Cannon
00:24:11Raw.
00:24:12Do you want to go back or not?
00:24:13No.
00:24:15I want another drink.
00:24:19That's five.
00:24:20How about you, Mr. Hancock?
00:24:22Peacock.
00:24:24I'd like to go on, brother.
00:24:25I want to reach the bosom of my dear family in Kansas City, Kansas as quickly as possible.
00:24:29But I may never reach that bosom if we go on.
00:24:32So, under the circumstances you understand, brother, I think it best we go back with the
00:24:36bosoms.
00:24:36I mean, the soldiers.
00:24:39One against.
00:24:40Well, Buck?
00:24:41I won.
00:24:42Buck says aye.
00:24:42That's six.
00:24:43I'm voting your proxy kid.
00:24:45You go with me.
00:24:46Ain't nothing keeping me out of Lordsburg, Curly.
00:24:48There sure ain't.
00:24:49Well, folks, that settles it.
00:24:51We're going through.
00:24:52Sit down, folks, and eat your grout.
00:24:54Come on, Buck.
00:24:55We'll change them horses.
00:24:56Oh, but Curly, ain't we gonna eat?
00:24:58You can eat later.
00:24:58Oh.
00:24:59Here you are, folks.
00:25:01Food's on the table.
00:25:02Up yourselves.
00:25:04You've got a long ride out of you.
00:25:07You ain't drinking, Billy.
00:25:10Sit down here, man.
00:25:17Thanks.
00:25:50May I find you another place, Mrs. Mallory?
00:25:53It's cooler by the window.
00:26:27Looks like I got the plague, don't it?
00:26:30No, no, it's not you.
00:26:32Well, I guess you can't break out of prison
00:26:34and into society in the same week.
00:26:36Please.
00:26:37Please.
00:26:55You're ill, Mrs. Mallory.
00:26:57No, it's just that I...
00:27:00I'll be all right.
00:27:04You've been very kind.
00:27:05Why?
00:27:07The world I live in, one doesn't often need a lady, Mrs. Mallory.
00:27:12Have you ever been in Virginia?
00:27:14I was in your father's residence.
00:27:20I should remember your name.
00:27:22You're Mr. Hatfield.
00:27:23That's what I'm called, yes.
00:27:36Why do you look at me like that?
00:27:37I'm just trying to remember.
00:27:40I mean, had I seen you someplace before, ma'am?
00:27:43No.
00:27:44No, you haven't.
00:27:45Hmm.
00:27:47I wish I had, though.
00:27:50I know you.
00:27:51I mean, I know who you are.
00:27:53I guess everybody in the territory does.
00:27:56Yeah.
00:27:57Well, I used to be a good cowhand, but...
00:28:02things happen.
00:28:05Yeah, that's it.
00:28:07Things happen.
00:28:10And now they'll take you back to prison.
00:28:13Not till I finish a job in Lordsburg.
00:28:17But you can't.
00:28:18You're going there as a prisoner.
00:28:23All aboard for Apache Wells, please.
00:28:26All right, folks.
00:28:27The horses are changed.
00:28:27We'd better get going.
00:28:28And Lordsburg, maybe.
00:28:30All right.
00:28:30Get going, Ringgo.
00:28:32Mrs. Pickett, tell Billy that boat boat is all ready.
00:28:34Let's get going.
00:28:35All right, Marshall.
00:28:36We're in.
00:28:36All right.
00:28:37Come on, folks.
00:28:38Let's go.
00:28:38I'll give you all my compliments to your customers.
00:28:39I still feel that we ought to go back with a solo.
00:28:44Thank you, sir.
00:28:45I'm a little.
00:28:46If you're trying to come on, perhaps...
00:28:48Have you had time?
00:30:09Break me, baby! Go!
00:30:13What'd you say?
00:30:14Nothing.
00:30:15Well, why don't you say something?
00:30:17The fella gets nervous sitting here like a dummy
00:30:18and nothing to think about but the end is.
00:30:21You say something.
00:30:21You've been sitting there all day talking without making any sense.
00:30:24All right, I'll say something that makes sense.
00:30:26If I was you, I'd let him shoot it out.
00:30:28Let who?
00:30:29Luke Plummer and the kid.
00:30:30There'd be a lot more peace in this territory
00:30:32if that Luke Plummer was so full of lad he couldn't hold his liquor.
00:30:35I ain't saying I don't share your cinnamon's book,
00:30:38but you're a born fool.
00:30:39Oh, I know that.
00:30:40In the first place, Luke would kill the kid in a gunfight.
00:30:43In the second place, if Luke did get shot,
00:30:45he's got two brothers just as ornery as he is.
00:30:47No, the only safe place for Ringo is in the pen.
00:30:50And I aim to get him there all in one piece.
00:30:52Well, I'll be doggoned if I didn't do you an injury, Curly.
00:30:55I figured you were after the reward.
00:30:57Reward?
00:30:58Why, the kid's old man and me was friends.
00:31:01We used to punch cattle together.
00:31:03Besides, I could use that 500 in gold.
00:31:06Rise me!
00:31:07Oh!
00:31:07Steady, Eames!
00:31:09Steady, girl!
00:31:11Rise me, Nealine!
00:31:12I can't get over the impregnance of that young lieutenant.
00:31:15I'll make it warm for that safe tale.
00:31:17I'll report him to Washington.
00:31:19We pay taxes to the government, and what do we get?
00:31:21Not even protection from the alley.
00:31:25I don't know what the government is coming to.
00:31:28Instead of protecting businessmen,
00:31:30it pokes its nose into business.
00:31:33Why, they're even talking now about having bank examiners.
00:31:36As if we bankers don't have to run our own banks.
00:31:40By boon, I actually had a letter from a Poppinshire official
00:31:42saying they were going to inspect my books.
00:31:45I have a slogan that should be blazing
00:31:47on every newspaper in the country.
00:31:50America for Americans.
00:31:51The government must not interfere with business.
00:31:54Reduce taxes.
00:31:56Our national debt is something shocking.
00:31:58Over one billion dollars a year.
00:32:01What this country needs is a businessman for president.
00:32:04What this country needs is what, Puppet?
00:32:08What?
00:32:09Muddle.
00:32:11You're done, sir.
00:32:13I'm happy you gave one.
00:32:15Move.
00:32:15Come on, let's go.
00:32:38How come you're taking this road? It's going to be cold up there.
00:32:42I'm using my hand.
00:32:43Those bridge crowd Apaches don't like snow.
00:33:03Maybe you'd like to sit next to me. I...
00:33:06You could put your head on my shoulder.
00:33:11No, thank you.
00:33:25How are you feeling, Mrs. Mallory?
00:33:30Is there any water?
00:33:34Ivor! Canteen, please!
00:33:48Just a minute, Mrs. Mallory.
00:34:12Have I seen this crest before?
00:34:15Isn't this from Greenfield Manor?
00:34:19I wouldn't know, Mrs. Mallory.
00:34:23Won this cup on a wager.
00:34:27How about the other lady?
00:34:37No, Mrs. Mallory.
00:34:43Sorry. No silver cups.
00:34:46This is fun.
00:34:56No.
00:34:57No.
00:35:02No.
00:35:14No, no.
00:35:23The End
00:35:52The End
00:36:21The End
00:36:50The End
00:37:28Howdy, Chris. Seven hours from Dry Forge. Pretty fast driving, amigo.
00:37:31Get the folks a bite to eat, Chris, while we change horses. We're pushing right on to Lodzburg.
00:37:35You calm with the out soldiers?
00:37:37Oh, we weren't as scared. We didn't see one Apache, did we, Curly?
00:37:41Where's the cavalry, Chris?
00:37:42Uh-huh, where's the soldiers?
00:37:44There ain't no soldiers.
00:37:45Huh? Soldiers are gone.
00:37:48Where's Captain Mallory? Where's my husband? Where is he?
00:37:52You, his wife, I think?
00:37:54Yes, where is he? Did he go with his men?
00:37:57Si, senora.
00:37:58Little what you call a scrimmage with the Apaches last night.
00:38:02Soldiers take Captain Morales to Lodzburg.
00:38:05I think he get hurt, maybe.
00:38:08Badly?
00:38:11Si, senora.
00:38:13I think so.
00:38:25Mrs. Mallory, I'm awfully sorry. If there's anything I can...
00:38:30Quite all right, thank you.
00:38:45Marshal! Come here, quickly.
00:39:31Come on, Doc.
00:39:34Let's go, Doc.
00:39:47A sick woman on our hands. That's all we needed.
00:39:50Oh, I feel kind of sick...
00:39:51Well, we're in a fine fix, my friends. It's a fine country we're living in.
00:39:55The Army has no right to leave a public place like this undefended.
00:39:58Looks to me like the Army's got its hands pretty full, mister.
00:40:06Have you all right?
00:40:07Si, senor, I think.
00:40:08Call her.
00:40:09Yaquima, donde estas?
00:40:10Ringo, go in the kitchen and get some hot water. Lots of hot water, please.
00:40:13Yes, ma'am.
00:40:14Hey, Chris.
00:40:16¿Donde es la cocina?
00:40:17Aquí está quien.
00:40:31A fine member of the medical profession.
00:40:35Drunken beast.
00:40:42Coffee.
00:40:45Give me coffee.
00:40:47Black coffee.
00:40:50Lots of hot water.
00:40:55More, more, more.
00:40:55Isn't that enough, Doc?
00:40:56That's four.
00:40:57Blacker, stronger. Keep it coming to me.
00:40:58I know you'll have it coming out your ears in a minute.
00:41:00Get it down.
00:41:00Now, drink it down, Doc. Go on.
00:41:01Drink it down.
00:41:02Get it down.
00:41:03That'll make you feel better.
00:41:06All right, Doc.
00:41:11Is that drunk and swine sober yet?
00:41:14He's doing the best he can.
00:41:15Well, hey.
00:41:16Well, hey.
00:41:24Thanks.
00:41:25Thanks again.
00:41:28Sit down here, Doc.
00:41:31Keep the fire going, Chris.
00:41:32None of hot water.
00:41:34Yes, senor.
00:41:35Si.
00:41:37Savage.
00:41:40That's my wife, Jackima, my squaw.
00:41:43Yes, but she's, she's savage.
00:41:46Si, senor.
00:41:47She's a little bit savage, I think.
00:41:50Ándale pronto, calentar agua.
00:41:51A la enferma.
00:41:52Pronto.
00:41:55Something funny about this.
00:41:56That woman's in the patch.
00:41:58Sure, she's one of Geronimo's people.
00:42:00I think maybe not so bad to have a patchy wife, eh?
00:42:03Apache don't bother me, I think.
00:42:20All right, Doc.
00:42:22All right, Doc.
00:42:22All right.
00:42:23All right.
00:42:26All right.
00:42:28All right, Alice.
00:42:58All right.
00:43:03All right.
00:43:08That nostalgia feels my heart
00:43:17In my loneliness, with this singing
00:43:25I feel relief and comfort in my pain
00:43:36Now, boys, go.
00:43:39The sad notes of this song
00:43:45bring me memories of that love
00:43:54When I think about it
00:43:59I will return to the joy
00:44:07In my sad heart
00:44:15Rico!
00:44:23It's them, the Carols, they've run away
00:44:27Yeah, with the spare horses
00:44:37Oh, my God!
00:44:41Oh, my God!
00:44:48Dad!
00:44:57Them coyotes give me the creeps that sounds, well, it sounds just like a baby.
00:45:04Black ape.
00:45:45It's a baby.
00:45:47It's a baby.
00:45:49It's a little girl.
00:45:52It's a little girl.
00:45:53Well, I'll be doggone.
00:45:57Why didn't somebody tell me?
00:46:01How is Mrs. Mallory?
00:46:04She's going to be all right.
00:46:07Well, I'll be doggone.
00:46:10Did you know?
00:46:19Well, I'll be doggone.
00:46:23Don't do that.
00:46:38I'll be doggone.
00:46:40I'll be doggone.
00:46:53I'll be doggone.
00:46:54Stay quiet.
00:46:56Well, we ought to be...
00:46:58Quiet.
00:46:59Mrs. Mallory.
00:47:02Oh.
00:47:24Get up.
00:47:36I'll be doggone.
00:47:51All there together. I saw them.
00:47:57You sure that, Chris?
00:47:58Sure. I can tell you the truth. I know.
00:48:01Thanks. That's all I wanted to know.
00:48:04Sir, you crazy if you go.
00:48:06I think you stay awake here.
00:48:08Three against one is no good.
00:48:21I'm sorry.
00:48:36Why don't you make for the porter now?
00:48:39My father and brother were shot down by the plumber boys.
00:48:43Guess you don't know how it feels to lose your own folks that way.
00:48:48I lost mine when I was a kid.
00:48:52It was a massacre on Superstition Mountain.
00:48:56It's tough.
00:48:58Especially on the girl.
00:49:01Well, you gotta live no matter what happens.
00:49:04Yeah, that's it.
00:49:08Look, Miss Dallas.
00:49:10You got no folks.
00:49:13Neither have I.
00:49:14Well, maybe I'm taking a lot for granted, but I watched you with that baby, that other woman's baby.
00:49:24You look...
00:49:25Well, well, I still got a ranch across the border.
00:49:29It's a nice place, a real nice place.
00:49:33Trees, grass, water.
00:49:37There's a cabin half built.
00:49:40A man could live there.
00:49:43And a woman.
00:49:46There you go.
00:49:48But you don't know me.
00:49:51You don't know who I am.
00:49:53I know all I want to know.
00:49:58There you go.
00:50:02Oh, don't talk like that.
00:50:07What are you doing out here, kid?
00:50:13Stick close to the reservation.
00:50:39Come on, stop.
00:50:40Come on, man.
00:50:41Come on.
00:50:41I want him.
00:50:42Come on.
00:50:44Oh, I never sell her. I love her so much.
00:50:47I beat her with a whip, and she never get tired.
00:50:50Your wife?
00:50:51No, my horse.
00:50:53I can find another wife easy, yes.
00:50:55But not a horse like that.
00:50:59I knew that woman was a thief. I...
00:51:04What's the matter with you, Gatewood?
00:51:06My beliefs. Where's my beliefs?
00:51:08Which one of you got it?
00:51:10Here it is. I was using it for a pillow. I didn't think...
00:51:12You thought I'd coach you to keep your hands off my things?
00:51:14Yes, sir.
00:51:19That squar of yours will find some Apaches and bring them back here.
00:51:23My wife's people don't bother me, I think.
00:51:26Don't bother me, I think.
00:51:28Chris, is this bar open?
00:51:31Sure, all the times in your scene.
00:51:37Here you are, duck.
00:51:44Well, what are you wasting time for? Let's make a break for us.
00:51:46We've got a sick woman to think of.
00:51:48You want her to stay here and be butchered with the rest of us?
00:51:50Why don't you think you're somebody else for once in a while?
00:51:51You need that!
00:51:52Easy, easy, easy!
00:51:54Can't be quiet, boys. Quiet.
00:51:56We ain't been butchered yet.
00:51:59But you're right.
00:52:01We better get going for Lordsburg as soon as we can.
00:52:03Might be a good idea, Curly, if, uh...
00:52:06Doc took a look at the patient.
00:52:08Yeah, and Little Coyote.
00:52:13You'll join me, Doctor?
00:52:17No, thanks.
00:52:37Morning.
00:52:40Well, you're looking pretty chipper.
00:52:47You're up early, Dallas.
00:52:54She didn't go to bed, Doctor.
00:52:57I'm afraid she sat up all night while I slept.
00:53:00Oh, I slept a lot in the chair.
00:53:06Well, anyway, it was nice to stay awake and hold the baby.
00:53:10Hmm.
00:53:11Well, we've got to get you to Lordsburg, Little Coyote.
00:53:14That's what the boys christened her last night when she squalled.
00:53:17Little Coyote.
00:53:18How do you feel?
00:53:19Fine, thanks.
00:53:21I'm a little tired.
00:53:23Doctor, do you think my husband...
00:53:25Never mind him.
00:53:26The best medicine he can have is to see you two safe and sound.
00:53:29You just make up your mind you're gonna get there.
00:53:31I have made up my mind.
00:53:32That's the stuff.
00:53:33I am going to get there.
00:53:34You need strength, so get all the rest you can.
00:53:37Dallas, you suppose you can fix up a little broth?
00:53:39She has already.
00:53:40Good.
00:53:41How about making some coffee for the boys?
00:53:46Now, you get some sleep, Mrs. Mallory.
00:53:49You don't look so proud.
00:53:51I brought hundreds of those little fellows into the world.
00:53:54Once upon a time.
00:53:57And a new one was always the prettiest.
00:54:01Doc.
00:54:09Ringo asked me to marry him.
00:54:14Is that wrong for a girl like me?
00:54:17If a man and a woman love each other, it's all right, isn't it, Doc?
00:54:23You're going to be hurt, child.
00:54:26Worse than you've ever been hurt.
00:54:29Don't you know that boy's headed back for prison?
00:54:35Besides, if you two go in the Lordsburg together, he's gonna know all about you.
00:54:49He's not gone into Lordsburg.
00:54:54All I want is for you to tell me it's all right.
00:54:57Gosh, child, who am I to tell you what's right or wrong?
00:55:03All right.
00:55:05Go ahead.
00:55:07Do it if you can.
00:55:10Good luck.
00:55:13Thanks, Don.
00:55:22Ringo.
00:55:23Well, Doc.
00:55:25Oh, both doing nicely.
00:55:27She's a real soldier's wife, that young lady.
00:55:29Good, good.
00:55:30Then we can leave immediately.
00:55:31Well, not for a day or so, if you want my professional advice.
00:55:35What do you mean a day?
00:55:36Stay another day?
00:55:37Why?
00:55:38Where were you when the stork came last night, Gatewood?
00:55:42I refused to allow Mrs. Mallory to travel until she and the child are out of danger.
00:55:46What do you mean danger?
00:55:47Aren't we in worse danger here?
00:55:50I don't wish to intrude, but I've had five children.
00:55:52I mean, my dear wife has.
00:55:54And much as I dislike discussing it in this hour of our trial,
00:55:58I believe the doctor's right.
00:56:01Spoken like a man, Reverend.
00:56:02I say we ought to leave here before the Apaches finds us.
00:56:05That's common sense.
00:56:06I wish you were ten years younger, Gatewood.
00:56:08Don't let my white hair stop you.
00:56:10My hair, my hair, my hair.
00:56:11Now, girlie, I haven't sat away.
00:56:13Will you shut up?
00:56:15If we argue this thing out right, we can get somewhere.
00:56:17Let's all sit down and talk sensible.
00:56:19Come on, Buck. Sit down.
00:56:25There's a young woman in the kitchen making coffee.
00:56:28She needs help.
00:56:32Thanks, Doc.
00:56:34Say, kid.
00:56:38How old were you when you went to the pen?
00:56:40Oh, I was going on 17th.
00:56:58Good morning, ma'am.
00:57:00Good morning.
00:57:07I was awake most of the night.
00:57:10Wondering what you'd have said if Curly hadn't busted you.
00:57:16I guess you was up kind of late, too.
00:57:19I hear you moving around.
00:57:23You didn't answer what I asked you last night.
00:57:28Look, kid.
00:57:29Why don't you try to escape?
00:57:31There's a horse out there in the corral.
00:57:33Curly won't go after you
00:57:34because he can't leave the passengers in the fix like this.
00:57:37I've got to go to Lordsburg.
00:57:39Why don't you go to my ranch and wait for me?
00:57:43Wait for a dead man.
00:57:45I haven't got a chance.
00:57:47It was three against one when the plumber swore
00:57:48that you killed their foreman.
00:57:50It got just sent up.
00:57:51It'll be three against one in Lordsburg.
00:57:53Well, there's some things a man just can't run away from.
00:57:58How can you talk about your life and my life
00:58:01when you're throwing them away?
00:58:02Yeah, mine, too.
00:58:04That's what you're throwing away if you go to Lordsburg.
00:58:07What do you want me to do?
00:58:10Would it make us any happier if Luke Plummer was dead?
00:58:13One of his brothers would be after you with a gun.
00:58:16We'd never be safe.
00:58:17I don't want that kind of life, Ringo.
00:58:20Well, I don't see what else I can do.
00:58:22Go now.
00:58:23Get away.
00:58:24Forget Lordsburg.
00:58:25Forget the plumbers.
00:58:27Make for the border and I'll come to you.
00:58:29Do you mean that?
00:58:30Yes, I do.
00:58:31Will you go with me, Dallas?
00:58:33Oh, I can't leave Mrs. Mallory and the baby.
00:58:37I'll come to you from Lordsburg.
00:58:39I swear it.
00:58:40Well, I'll have a rifle and some...
00:58:42I've got one.
00:58:43Right here.
00:58:45I got it last night when they were all asleep.
00:58:47You mean you thought of this last night?
00:58:49Yeah, don't ask any more questions.
00:58:50Not much.
00:58:53Oh, gosh, Curly.
00:58:54There ain't no Apaches behind us.
00:58:56We can still go back to Tonto.
00:58:57No, I insist we go on to Lordsburg.
00:59:00What do you think, Chris?
00:59:02Geronimo, between here and Lordsburg.
00:59:04With my horse, I think.
00:59:07My horse has gone...
00:59:09She has gone astray with the sun.
00:59:13Quiet, Doc.
00:59:14This is a serious matter, ain't it?
00:59:17My dear Buck, if I have only one hour to live,
00:59:21I'm going to enjoy myself.
00:59:23Doctor, I don't begrudge you my samples.
00:59:26Now, you hush.
00:59:27I've stood enough of you.
00:59:28Now, this is a serious problem,
00:59:30and I'm the only one that's talking sense.
00:59:32Now, Curly...
00:59:33If we can get across that ferry, we'll be all right.
00:59:35The question is...
00:59:37what are we going to do about the lady and her baby?
00:59:41Doctor Boone has settled that for us, sir.
00:59:43And I demand respect for his professional opinion.
00:59:47Hatfield.
00:59:49Bringo.
00:59:51Bringo!
00:59:54Bringo!
00:59:57Bringo!
00:59:58Sorry, Bringo.
01:00:00Bringo!
01:00:00Harry!
01:00:02Goodbye.
01:00:16Bringo!
01:00:16Bringo!
01:00:16Don't stop!
01:00:17Go on!
01:00:18Go on!
01:00:18Keep writing!
01:00:22Bringo!
01:00:23Go on!
01:00:23Go on!
01:00:25Keep writing!
01:00:26Bringo!
01:00:26Go on!
01:00:26Get out of the blue!
01:00:31You don't need them, Curly.
01:00:33I ain't gonna run away.
01:00:35I'll say you ain't.
01:00:36Look at them hills.
01:00:52Patches. War signals.
01:00:57Hurry up, Marshal. Why don't they start?
01:01:03Let's go, Marshal.
01:01:05Let's go.
01:01:05Let's go.
01:01:31Hey, Curly, why don't you take the cuffs off the kid?
01:01:36He's mighty handy with the gun.
01:01:37You drive them horses.
01:01:38I'll take care of the kid.
01:01:40No.
01:01:41Can't you drive any faster?
01:01:43Thick-headed lout.
01:01:45You've got to make that ferry.
01:01:47Man works all his life to get ahold of some money so that he can enjoy life.
01:01:51And has to run into a trap like this.
01:01:53Trap, brother?
01:01:54You mean the Apaches?
01:01:55There's been no signs of them.
01:01:57You don't see any signs of them.
01:01:58They strike like rattlesnakes.
01:02:01If you hadn't insisted on waiting for her, we'd have been across the ferry by this time.
01:02:06You talk too much, Gatewood.
01:02:08Your threats don't faze me, Hatfield.
01:02:10You're nothing but a tin-horn gambler.
01:02:13How would you like to get out and walk?
01:02:15You can't put me out of a public conveyance.
01:02:18Now, now, gentlemen, gentlemen.
01:02:21Take it easy, Gatewood.
01:02:22We may need that fight before we get to the ferry.
01:02:25You wouldn't be much good enough to fight, you jailbird.
01:02:28Leave the kid alone.
01:02:29He's handcuffed.
01:02:31Gentlemen, please.
01:02:33Let's not forget the ladies.
01:02:35Bless them.
01:02:37Let's have a little Christian charity, one for the other.
01:02:55No force for coming into East Bay now.
01:02:57Lordsburg, Gate, stop.
01:03:01Nice, girls.
01:03:02Get along.
01:03:02Get along.
01:03:20Curly, look.
01:03:21Look at the ferry.
01:03:22It's where, too.
01:03:26Curly.
01:03:27Hatfield.
01:03:28Stand guard over there.
01:03:29Where's the army?
01:03:30What's the soldiers doing?
01:03:32What can I do?
01:03:32I'm going to let you run them and burn them.
01:03:34I need you.
01:03:35Will you give me your word you won't try to escape again?
01:03:37I'll give you my word.
01:03:38It's the Lordsburg.
01:03:39Get in the coats with them women.
01:03:41I am in my word.
01:03:42Brinko, don't.
01:03:43Salas.
01:03:45Huck, drive me into the river after the Hubs.
01:03:47Brownie, pass me.
01:03:49Drive, save me.
01:03:51Go, go, go, go, go.
01:03:58Oh, that's it.
01:03:59Come on, ladies.
01:04:00Hang on, Johnny, now.
01:04:22Look out, Curly.
01:04:29Take your suspenders and cross-tie them wheelers.
01:04:36Sorry about the saddle, kid.
01:04:40Ready, kid?
01:04:41All set.
01:04:41Ready, Buck?
01:04:42All ready, Curly.
01:04:43Here we go.
01:04:45Here we go, Buck.
01:04:46Yeah.
01:04:48You're sick, boy, folks.
01:04:49All right.
01:04:50All right.
01:04:52Good, Sergeant.
01:04:53Come on, Thomas.
01:04:57Good, Sergeant.
01:05:01Ready, boy.
01:05:02Cut her.
01:05:04Honey, child.
01:05:05Let me.
01:05:06Easy, man.
01:05:07Go.
01:05:09Get out, dear.
01:05:13Oh!
01:05:16Yeah!
01:05:17Take it!
01:05:19Take it!
01:05:22Take it!
01:05:23Take it!
01:05:23Take it!
01:05:24Take it!
01:05:25Take it!
01:05:29Take it!
01:05:30Take it!
01:05:30Take it!
01:05:31All aboard for Linesburg!
01:05:33Linesburg!
01:05:34Hey, Curly!
01:05:35Yeah, what?
01:05:36You think I ought to charge Mrs. Mallory's baby half there?
01:05:43Sweetheart!
01:05:44Sweetheart!
01:06:13Well, it'll soon be in Mallory.
01:06:16Sorry I threw off the handle, Hatfield.
01:06:19I apologize, Doctor.
01:06:20No hard feelings, I hope.
01:06:22All in all, it's been exciting, but a very interesting trip.
01:06:26Has it not?
01:06:28Well, now that the danger's passed, Mr...
01:06:31Peacock.
01:06:32And, ladies and gentlemen, since it's most unlikely that we'll ever have the pleasure of meeting again socially...
01:07:28Help!
01:07:30Help!
01:07:34Go, go, go, go, go!
01:08:00Go, go, go, go!
01:08:51Go!
01:08:54Go!
01:08:56Get, get!
01:08:58Go!
01:09:03Get the leaders, kid! Get the leaders!
01:09:31No!
01:09:34No!
01:09:40No!
01:09:41No!
01:09:46No!
01:09:48No!
01:09:50No!
01:09:57Charlie!
01:09:59No!
01:10:44No!
01:10:46No!
01:10:54Do you hear it?
01:10:57Do you hear it?
01:11:00It's the bugle!
01:11:02They're blowing the charge!
01:11:44If you see Judge Rainfield...
01:11:49Tell him his son.
01:12:46Thank heaven you're safe, Lucy.
01:12:48Where's Richard? Is he all right?
01:12:50Oh, he's all right. Don't you worry.
01:12:51It isn't a bad wound.
01:12:53We'll take you to him immediately.
01:12:54Where's the baby, dear?
01:13:07I'll take the baby.
01:13:19Dallas.
01:13:24If there's ever anything I can do for...
01:13:28Oh, I know.
01:13:37Water, Lee.
01:13:38Water, Lee.
01:14:22It's the Ringo kid.
01:14:34Aces and aces.
01:14:37Dead man's hand, Luke.
01:14:42Ringo, kitchen town.
01:14:43Yeah, driving the stage.
01:14:44I'll meet you.
01:14:56Mis hermanos.
01:14:57Si, patron.
01:14:58Un moment.
01:15:11Cash in.
01:15:13Cash in.
01:15:15Cash in.
01:15:28Cash in.
01:15:29$5.
01:15:30I'll meet you.
01:15:33$5.
01:15:39I'll meet you.
01:15:47I'll meet you.
01:15:49$6.
01:15:50I'll meet you.
01:15:51I'll meet you.
01:15:53Amen, everyone.
01:16:22Good-bye, Miss Dallas.
01:16:24If you ever come to Kansas City, Kansas, I want you to come out to see us.
01:16:28Oh, thanks, Mr. Peacock.
01:16:54Hello, bud.
01:16:55We got through all right.
01:16:57All right, folks, you're here.
01:16:58All right, folks, you're here.
01:16:59All right, folks, you're here.
01:16:59All right.
01:16:59Unload.
01:17:01Here you are, Doctor.
01:17:01Will you sign this?
01:17:03Well?
01:17:03There we go.
01:17:05Lordsburg.
01:17:07And you, Doctor.
01:17:10There you are.
01:17:13Well, kid.
01:17:16Curly, how long will they give me for breaking out?
01:17:19Oh, about another year.
01:17:22You know where my ranch is?
01:17:24Yeah.
01:17:25Will you see that she gets there all right?
01:17:29Dallas.
01:17:31Yeah.
01:17:32This is no town for a girl like her.
01:17:36Will you do it?
01:17:40Sure.
01:17:41Thanks.
01:17:41How are you, Marshal?
01:17:42Get my man through all right?
01:17:44I don't need them.
01:17:46If you don't want to lose your prisoner, Sheriff, you'd better take care of him yourself.
01:17:49What's your name, mister?
01:17:51My name is Gatewood.
01:17:52Ellsworth H. Gatewood.
01:17:53Oh, Gatewood.
01:17:54You didn't think they'd have the telegraph wire fixed, did you?
01:17:57All right, Mr. Gatewood.
01:17:59All right, come on.
01:18:00All right.
01:18:00All right.
01:18:01All right.
01:18:02All right.
01:18:02All right.
01:18:03All right.
01:18:03All right.
01:18:04All right.
01:18:04All right.
01:18:05All right.
01:18:05All right.
01:18:06All right.
01:18:14All right.
01:18:15All right.
01:18:32Can I meet you back here in 10 minutes?
01:18:36I gave you my word, Curly.
01:18:38I ain't going back on it now.
01:18:43No ammunition.
01:18:47I lied to you, Curly.
01:18:52I've got three left.
01:19:02Come on.
01:19:15Come here.
01:19:19No ammunition.
01:19:20Never!
01:19:21Come here.
01:19:45Good night, kid.
01:19:48Is this where you live?
01:19:50No.
01:19:52I've got to know where you live, don't I?
01:19:53No, don't come any further.
01:19:57It's all been a crazy dream.
01:19:59I've been out of my mind just hoping.
01:20:03Say goodbye here, kid.
01:20:05We ain't never gonna say goodbye.
01:20:27We ain't never gonna say goodbye.
01:20:41We ain't never gonna say goodbye.
01:21:01Did I have that?
01:21:41Give me the shotgun. Shotgun!
01:22:04No, no, please don't.
01:22:24No, no, please don't.
01:23:07Well, kid, I... I told you not to follow me.
01:23:20Dallas.
01:23:34I asked you to marry me, didn't I?
01:23:42I'll never forget to ask me, kid.
01:23:46That's all.
01:23:49Wait here.
01:23:58Oh!
01:24:03Ringo said he'll be passing this way in six or seven minutes.
01:24:12Come on.
01:24:16I'll take that shotgun, Luke.
01:24:19You'll take it in the belly if you don't get out of my way.
01:24:22I'll have you indicted for murder if you step outside with that shotgun.
01:24:27Mm-hmm.
01:24:38We'll attend to you later.
01:24:54Don't ever let me do that again.
01:24:55Luke!
01:25:28Let's go.
01:27:00Ringo, Ringo, Ringo.
01:27:50Ringo, Ringo.
01:28:00Ringo, Ringo.
01:28:16Ringo.
01:28:17Ringo, Ringo, Ringo.
01:28:54Ringo, Ringo.
01:28:56Ringo, Ringo.
01:28:57Ringo.
01:28:59Ringo.
01:29:13Ringo.
01:29:17Ringo.
01:29:19Ringo.
01:29:41Ringo.
01:29:42Ringo.
01:29:43Ringo.
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