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  • 9 hours ago
The cast and crew of Remarkably Bright Creatures reveal how the emotional world of the film came together behind the scenes. From Sally Field to Alfred Molina’s voice work as Marcellus, the production details are just as heartfelt as the story itself. Stream now on Netflix.
Transcript
00:00It is a very unique story about the relationship between a young man, an old woman, and an octopus.
00:07There's something so magical about octopuses.
00:10Octopi?
00:16Marcellus, the octopus, is the narrator of the story.
00:20He's delightfully kind of quirky and sort of offbeat.
00:24Of all the humans, I suppose I mind the cleaning lady the least.
00:28Some readers of my book call me Marcellus' mom.
00:32I wrote the novel Remarkably Bright Creatures, and now we are here on the set.
00:37A movie is never going to be exactly the same as a book, but for me, the most important thing
00:43that this team has done a phenomenal job with is the characters.
00:46The first step was trying to get Sally Field to be Tova. It just felt so perfect.
00:52I'm still in one piece.
00:53She is holding on to a lot of grief, and she cuts herself off from everything else in the world
00:59except this octopus that she tells everything.
01:03I think he was just worried about me ending up in that house alone.
01:07He gives Tova focus. There's something in his liberation that is part of hers.
01:15Tova very much is my grandmother, and watching Sally and her portrayal, I'm going to cry right now.
01:22Tova and Cameron have an interesting development together, which is fun to play.
01:27Even more fun when you get to play it with somebody like Sally Field, who is just a total American
01:32legend.
01:33I've learned so much from working with her.
01:36There was a lot that drew me to Cameron. He's kind of figuring certain things out that most people figure
01:42out when they're teenagers.
01:43Somewhere his dilemma resonates with this old woman who also feels lost.
01:50I honestly don't know what the hell I'm doing.
01:53I know the feeling.
01:55With Tova and Cameron and Marcellus all kind of stuck in their various modes of grief and loneliness and fear,
02:02vulnerability is the key for all of them to grow and move forward.
02:07Though she lives in a larger tank than me, the cleaning lady also wishes to break free.
02:11I found Marcellus to be the most cooperative actor I've ever worked with.
02:15I can make him anything I want him to be.
02:17Marcellus is an interesting device within the story.
02:20He allows Tova and Cameron to think of something outside of themselves.
02:25What the hell?
02:26I love vocal work. I really enjoy it.
02:28The world is your oyster.
02:30So there's lots of, you know, lots of playfulness involved in that.
02:33It's very rare in a visual effects world, at least, that you get to do a character that's intertwined with
02:38the drama of the film.
02:39That's a special moment to be able to bring that alive.
02:42Marcellus in the film is going to be almost entirely digital.
02:45We're basing his performance off of a real octopus named Agnetha at the Vancouver Aquarium.
02:50This gave our animators a direct comparison.
02:53We were always trying to match Agnetha's movements and quirks as closely as possible.
02:57With the actors, we have a series of different puppets that we've created, which will be replaced,
03:02but it gives everyone a sense of the character on set and us a great lighting reference.
03:07When we decided to look for our town, which is called Sala Bay, we found that the town of Deep
03:13Cove in Vancouver was a really good fit.
03:15The aquarium has been quite the journey.
03:18Our exterior aquarium is the Yacht Club, and we've married that with the Vancouver Aquarium for some of our larger
03:25tank scenes.
03:27And then where we needed a little bit more flexibility around shooting times or the layout, we built that portion.
03:36Libby Newman, art director, brought a great vision.
03:39She just brings so much energy and thoughtfulness to every scene.
03:43She's feeling everything, which is, like, really helpful as an actor to kind of feed off of that.
03:48Cut.
03:48I hope it resonates.
03:50If nothing else, I just hope they have fun.
03:52It's a very universal story.
03:53Wherever an audience member is in their life, there's something for them to feel heard.
03:58Or they might just not eat octopus anymore.
04:02It's never too late to make a change, to get unstuck.
04:06Anything can be a beginning.
04:13Love a
04:14Love a
04:16Diseopers
04:16Love a
04:17Love a
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