- 2 gün önce
The Brokenwood Mysteries Season 12 Episode 6
📺 Dizi Dünyası’na hoş geldiniz!
En popüler Türk dizilerini İngilizce altyazılı (Eng Sub) olarak burada bulabilirsiniz. 🎬
Romantik, dram, aksiyon ve daha fazlası her gün sizinle!
🔥 Yeni bölümlerden haberdar olmak için takip etmeyi unutmayın!
🏷️ Kanal Etiketleri:
Türk dizileri, Dizi Dünyası, Turkish series, Turkish drama, Eng sub Turkish series, Türk dizileri izle, Turkish series with English subtitles, romantik Türk dizileri, dram Türk dizileri, aksiyon dizileri, Türk dizileri 2026, Turkish TV shows, altyazılı diziler, dizi izle, full bölüm Türk dizisi, latest Turkish series, Turkish episodes Eng sub
📺 Dizi Dünyası’na hoş geldiniz!
En popüler Türk dizilerini İngilizce altyazılı (Eng Sub) olarak burada bulabilirsiniz. 🎬
Romantik, dram, aksiyon ve daha fazlası her gün sizinle!
🔥 Yeni bölümlerden haberdar olmak için takip etmeyi unutmayın!
🏷️ Kanal Etiketleri:
Türk dizileri, Dizi Dünyası, Turkish series, Turkish drama, Eng sub Turkish series, Türk dizileri izle, Turkish series with English subtitles, romantik Türk dizileri, dram Türk dizileri, aksiyon dizileri, Türk dizileri 2026, Turkish TV shows, altyazılı diziler, dizi izle, full bölüm Türk dizisi, latest Turkish series, Turkish episodes Eng sub
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Kısa filmDöküm
00:03:37M.K.
00:05:07M.K.
00:05:55Hmm.
00:06:29Ray, what a start to your day.
00:06:31I've had better.
00:06:35Would you mind taking off your shoe?
00:06:37Why?
00:06:38So I can match the tread to some prints in there.
00:06:41It's just a loafer, dime a dozen.
00:06:44All the same.
00:06:53When you got here this morning, were you on your own?
00:06:56I arrived by myself.
00:06:57There seems to have been a lot of activity in there.
00:07:00Well, I guess you get that when someone tries to knife somebody.
00:07:03Probably teenagers looking for cash.
00:07:06Clearly one of those shoe prints will be mine.
00:07:08I didn't know what I'd walked into until it was too late.
00:07:11Another will be the dead woman's and another the person that topped her, right?
00:07:15Except there were four.
00:07:18Excuse me.
00:07:21Chalmers.
00:07:21Mike, Trudy Nielsen's been found unconscious with a possible stab wound, Waterford Road.
00:07:27Okay, copy that. Thanks.
00:07:34Ray, your sister Trudy has been found in the middle of Waterford Road with a suspected stab wound.
00:07:39She's been stabbed?
00:07:40Less than 400 yards from here.
00:07:43Ray.
00:07:45I found this in your rubbish bin.
00:07:47Does it look familiar to you?
00:07:48I'd say it was a pizza cutter.
00:07:50Covered in what I first thought was pizza sauce, but it's not, is it?
00:07:56I need to see Trudy.
00:07:58What the hell is going on, Ray?
00:08:02Where is she?
00:08:03I need to see her.
00:08:05Where is she?
00:08:06You are?
00:08:07Her mother.
00:08:08I'm Trudy Nielsen's mother.
00:08:10Mrs. Nielsen.
00:08:11Spencer, my name is Eileen Spencer and I want to see my daughter.
00:08:14Mrs. Spencer?
00:08:15She is still in surgery.
00:08:17Oh my God.
00:08:19Please, take a seat and I will update you as soon as I have some news.
00:08:24Yes, yes, yes, of course.
00:08:26A seat, yes.
00:08:33Mrs. Spencer, this is D.C. Chalmers.
00:08:36Why are you here?
00:08:38We believe that Trudy was a victim of a stabbing and we need to talk to her as soon as
00:08:44she's able.
00:08:46Why would anyone want to stab my Trudy?
00:08:50That's what we need to talk to her about.
00:08:52She needs to talk to her mother first.
00:08:54Yes, of course, but right now...
00:08:56No, absolutely not.
00:08:57Imagine coming out of surgery and being grilled by a detective.
00:09:01No, she needs to heal first.
00:09:03Not a word.
00:09:05You understand?
00:09:06I need to be by her side.
00:09:08Okay.
00:09:10Kristen.
00:09:12It's her mother, Eileen Spencer, has just turned up.
00:09:15Yeah, I'll keep you posted.
00:09:18I'll be a sweetheart, get me a tea, white, no sugar.
00:09:30I want to see my sister.
00:09:32She's still in surgery, Ray.
00:09:34Well, I should be there for when she comes out.
00:09:36Your mother is with her?
00:09:37I'm sure that'll be a great comfort to Trudy.
00:09:40Meaning?
00:09:42Nothing.
00:09:43So do you know what happened?
00:09:45Not yet.
00:09:46We'll have to wait to hear from her.
00:09:48Do you?
00:09:48Me?
00:09:49No.
00:09:50We need a statement from you.
00:09:51Then we'll let you go.
00:09:53Do you want to take your pigeon suit off, Ray?
00:09:54It looks hot.
00:09:55I'm fine.
00:09:56Let's get on with it.
00:10:25The victim, Betty Reynolds.
00:10:50I'm fine.
00:10:52Do you need a glass of water.
00:10:54Do you need a glass of water?
00:10:55Okay, that'll be good.
00:11:02Well, he's hiding something.
00:11:04That's for sure.
00:11:06From Prince?
00:11:07Oh, thanks.
00:11:11Oh, it's a family affair.
00:11:13No, no.
00:11:16Oh, Jesus.
00:11:17Ray?
00:11:19Ray?
00:11:20Get that bloody suit off.
00:11:21Can we get some water in here, please?
00:11:23Okay.
00:11:23Take it easy, Ray.
00:11:24You just fainted.
00:11:26Whoa.
00:11:30We really need to talk.
00:11:36When I find out who was responsible, I will show no mercy.
00:11:41Eileen, my God.
00:11:43I got you as quick as I could.
00:11:45She will be okay.
00:11:48She's in the right place.
00:11:49Thank you.
00:11:50Mr. Tritgold, we meet again.
00:11:53Detective Chalmers, always a pleasure.
00:11:55Lawrence is my accountant.
00:11:58Eileen recently engaged me to do an audit of her finances, and we've become friends.
00:12:04More than that.
00:12:06Indeed.
00:12:07Roommates.
00:12:09Such a sweet man for coming here.
00:12:11There's strength in numbers, Eileen.
00:12:14There is strength in numbers.
00:12:21Whose blood is on your shirt, Ray?
00:12:23You saw the place.
00:12:24It was a war zone.
00:12:26Could be anyone's.
00:12:27The victims?
00:12:29Tell us about last night.
00:12:30Was it busy?
00:12:31It was a roaring trade.
00:12:33It was our official opening.
00:12:34It's taken a lot of effort to get here.
00:12:37What does a piccione mean?
00:12:39Pigeon, obviously.
00:12:41Yeah, and who's Romano, Ray?
00:12:43Oh, that's me.
00:12:44It's my place.
00:12:46Romano meaning number one Roman.
00:12:48The Romans being the greatest empire in history.
00:12:52You want to be number one?
00:12:54Romano Reis.
00:12:55It's a name that says aspirational.
00:12:59Romano meant cheese.
00:13:00Yeah, it's our cheese.
00:13:02What?
00:13:02Cheesy Reis.
00:13:03That's a good name for a pizza restaurant.
00:13:05It's not a pizza restaurant.
00:13:06It's a trattoria.
00:13:08Hey, Luigi.
00:13:09These clowns are trying to tell me that Romano means cheese.
00:13:13Looks good to me, Ray.
00:13:16See?
00:13:17Straight out of the mouth of an actual Italian.
00:13:20What more do you want?
00:13:21More for me.
00:13:23What?
00:13:24Nothing.
00:13:26We've been trading for a week.
00:13:27Last night was the grand opening.
00:13:33Grazie.
00:13:34Yes, not just.
00:13:35Bonasera.
00:13:37Welcome to Romano Reis' Porky Piccione.
00:13:39Table for two.
00:13:40Bonasera is actually Italian for good evening.
00:13:44Bono means good.
00:13:45Sera means evening.
00:13:46Now, this is an authentic Italian restaurant,
00:13:49which means there's quite a few Italian words on the menu.
00:13:52like spaghetti and pizza.
00:13:56So let me know if you need any help with translation.
00:13:59Hmm.
00:14:03I think it could be one of them.
00:14:05Too young.
00:14:06What about her?
00:14:07Mystery diners never dine alone, Lena.
00:14:10It's too obvious.
00:14:13No.
00:14:13It'll be a middle-aged man or woman coupled with a friend.
00:14:17They'll order three courses with each course being different.
00:14:20The aim of sampling each other's.
00:14:23Keep your eyes peeled and let me know
00:14:25so I can add a bit of the old Ray Nelson razzle-dazzle.
00:14:30The old razzle-dazzle?
00:14:32Judging for top Italian restaurant in Brokenwood,
00:14:35there's nothing wrong with a complimentary cannoli
00:14:38when you know they're scoring you.
00:14:39Not that it matters now, it's all over.
00:14:42So you were busy last night, but nothing out of the ordinary.
00:14:45That's right.
00:14:46Who was the mystery diner?
00:14:47Well, I don't know, do I?
00:14:49They were a mystery.
00:14:50Did you lock up?
00:14:51I did.
00:14:52I was the last to leave.
00:14:54Does anyone else have access to the restaurant, keys, alarm codes?
00:14:58Trittoria.
00:14:59And no.
00:14:59Was Trudy working at your Trittoria last night?
00:15:04No.
00:15:05Does she ever work there?
00:15:06No.
00:15:07Did you put this pizza cutter in your rubbish bin outside?
00:15:11I did.
00:15:12A kitchen implement smeared with blood and left on the floor is unhygienic.
00:15:17I did what I had to do.
00:15:22Who was at the door?
00:15:23My window cleaner.
00:15:26What in, Marie?
00:15:27What do you want?
00:15:28Uh, windows.
00:15:29I'll start inside it.
00:15:29No, no.
00:15:30No, no, it's fine.
00:15:31No, I'm pretty sure I can see a smith.
00:15:32No.
00:15:33Looks good to me.
00:15:35Good night last night.
00:15:36Yes.
00:15:37Go away.
00:15:46Your fingerprints were on the pizza cutter.
00:15:48I just told you I threw it away.
00:15:50And so are Trudy's.
00:15:53Why would Trudy's fingerprints be on it?
00:15:55Well, obviously she visits the Trittoria from time to time.
00:15:59Perhaps she made a pizza.
00:16:00You said she wasn't there yesterday.
00:16:02She wasn't.
00:16:03And you said that you're very concerned about food safety.
00:16:06I am.
00:16:09So, if you cleaned this pizza cutter from the previous shift,
00:16:14ready for yesterday's trade,
00:16:16and Trudy didn't visit your Trittoria,
00:16:18then how come her prints are all over it?
00:16:20I don't know.
00:16:21Oh, come on, Marie.
00:16:22Your sister was found down the road from your restaurant...
00:16:26Trittoria.
00:16:27...suffering from a suspected stab wound,
00:16:29and her prints are all over a bloodied pizza cutter
00:16:33next to a dead woman in your Trittoria.
00:16:36So, talk to us, Ray.
00:16:39I'd like to make a phone call.
00:16:42We will need your shirt first.
00:16:47Hey, uh, can you get this to the lab?
00:16:50Thanks.
00:16:51You won't be saying anything more until his lawyer gets here.
00:16:54Well, I'll make her some coffee.
00:16:57Uh, how about we get some photos?
00:16:59Uh, my shop.
00:17:00Oh.
00:17:01No arguments from me.
00:17:02Denise of kin?
00:17:03Oh, thanks.
00:17:24Hello?
00:17:25It's me.
00:17:26Who's this?
00:17:27Ray, your son.
00:17:29Whatever you do,
00:17:31you need to get rid of Trudy's shoes.
00:17:34Why?
00:17:35They need to disappear.
00:17:37Thank you.
00:17:41Wrong number.
00:17:42Mm.
00:17:48Oh, Lawrence.
00:17:50Would you be a darling?
00:17:51There's a florist next door,
00:17:53and perhaps grab a bag of yummy things
00:17:56for when she wakes up.
00:17:57A bag of treats?
00:17:59Yes.
00:18:00Bag.
00:18:01A bag of them.
00:18:02I can manage that.
00:18:16Hey, um,
00:18:18who's the new guy?
00:18:19Uh, it's Luigi.
00:18:20Found him here this morning.
00:18:25Hey,
00:18:26what are you doing here?
00:18:27Frodo.
00:18:28Luigi?
00:18:29Sorry.
00:18:32Wow.
00:18:33Hey,
00:18:34you had a big night.
00:18:35You were great, by the way.
00:18:36Yeah, come here.
00:18:42I'll give you guys a minute.
00:18:42All good.
00:18:44It's not what it looks like.
00:18:46No, cool ass.
00:18:47All good.
00:18:48Stay one of those ladyboys.
00:18:50Oh, it's Luigi.
00:18:52Luigi from Romana Race.
00:18:53Hey, Todd.
00:18:57Okay, uh,
00:18:58why is he wearing a...
00:18:59He's Italian.
00:19:00Turned up to work,
00:19:01and he's just there in his dress.
00:19:02So, the good thing is,
00:19:03he knows all about coffee,
00:19:04but not a word to Audrey.
00:19:06Okay, the dress thing was confusing.
00:19:08Luigi being a guy who is now a friend
00:19:10who likes to dress as a woman.
00:19:12Who's Audrey?
00:19:12Oh, she's my actual girlfriend.
00:19:14She's pretty much my fiancée.
00:19:16I mean, we're not engaged or anything,
00:19:17but if we were,
00:19:18she'd definitely be my fiancée.
00:19:20Okay.
00:19:21Wow.
00:19:22May I?
00:19:24So, um,
00:19:26who is this lucky lady?
00:19:29Oh, Audrey.
00:19:29The most beautiful name in the world.
00:19:31It's actually French.
00:19:32I looked it up.
00:19:33It means noble gas.
00:19:34Nah, noble strength.
00:19:35Yeah, yeah, yeah.
00:19:36Noble strong gas or something.
00:19:38Anyway, we're totally going the distance.
00:19:39And when he says distance,
00:19:40he means it.
00:19:41Yeah, she's into ultramarathons,
00:19:42so it's great that Luigi needs a job,
00:19:44because I've got a lot of training
00:19:46to do to keep up.
00:19:47You could run in a marathon.
00:19:48What about your,
00:19:49you know, your leg?
00:19:50Well, yeah, I'm working up to it.
00:19:52I managed 300 metres yesterday,
00:19:54so if I add 50 metres a day,
00:19:55then we worked out.
00:19:57Uh, Fred will complete his first
00:19:58ultramarathon by 2032.
00:20:01Great news.
00:20:02Yeah, thanks.
00:20:04Here she comes now.
00:20:06Hey, how'd that feel?
00:20:08Ah, not too bad.
00:20:09Started cramping around the six-hour mark,
00:20:11but I pushed through.
00:20:12That'll be the build-up of latex acid.
00:20:13You'll need a good rubdown.
00:20:15Audrey, this is Detective Sims?
00:20:17Detective?
00:20:18Oh, it's okay.
00:20:18She's actually quite normal.
00:20:20Thanks, Fredo.
00:20:20Oh, hi.
00:20:21Um, I won't shake your hand.
00:20:22I'm a bit sweaty.
00:20:23Just completed 100k.
00:20:24That's like two marathons
00:20:25plus a partial thorn.
00:20:26That's impressive.
00:20:28Yeah, she starts at, like, midnight.
00:20:31Excuse me.
00:20:32Hello?
00:20:33So, um, how exactly did you two meet?
00:20:36Oh, we bumped into each other.
00:20:37Literally.
00:20:38I was walking Maddie in the forest.
00:20:40Then Maddie wandered off
00:20:41and I couldn't find her.
00:20:42Maddie!
00:20:44Maddie!
00:20:45Where are you?
00:20:47Here you are.
00:20:49Naughty donkey.
00:20:51Oh, my gosh.
00:20:53I'm so sorry.
00:20:54It's okay.
00:20:59She invited me out to dinner
00:21:00to make up for it.
00:21:01We've been going strong ever since.
00:21:02Dinner every night.
00:21:03Full romance.
00:21:05Frodo?
00:21:06Sorry.
00:21:07I have to go.
00:21:08Yeah.
00:21:09Doing her honor.
00:21:10She does that.
00:21:11Yeah, so graceful.
00:21:13It's like a two-legged gazelle.
00:21:16Are you?
00:21:17Oh, yeah.
00:21:18Thanks.
00:21:19Yeah, what's the latest
00:21:20with Trudy Nielsen?
00:21:22Well, she's out of surgery.
00:21:23Oh, true.
00:21:24She's a father that one.
00:21:25Yeah.
00:21:26All right, see you guys.
00:21:30It's Luigi, isn't it?
00:21:32Yeah.
00:21:32Do you mind if we have a quick word?
00:21:34Okay.
00:21:39You need to keep this
00:21:40to an absolute minimum.
00:21:42She's been right up to the edge.
00:21:44Thank you.
00:21:47No, I can't allow it.
00:21:49One at a time.
00:21:57It was the devil meant to go like this.
00:22:07Yes, that is my mother.
00:22:10Video else renounce.
00:22:11Thank you.
00:22:13Would you like a moment alone?
00:22:22This reminds me of an old Russian saying.
00:22:25The bear who eats their mother's honey
00:22:27will end up in a pot.
00:22:29Meaning?
00:22:30Daughters must respect their mothers
00:22:32or they will meet a sticky end.
00:22:34If you're Russian, you understand.
00:22:40Thank you.
00:22:41It's strange how she looks at peace now.
00:22:44You're welcome.
00:22:45I have a few tricks of the trade.
00:22:47When she came in,
00:22:48I can assure you
00:22:49she didn't look happy at all.
00:22:51Thank you, Gina.
00:22:53What happened to her?
00:22:54Uh, we're still in the process
00:22:55of working that out.
00:22:56Her clothes?
00:22:57Where are they?
00:22:58They are in a bag.
00:22:59I'm happy to take them
00:23:00if they're in the way.
00:23:01We need to hold on to them
00:23:02for a while longer
00:23:02to run some tests.
00:23:05Of course.
00:23:05Sorry.
00:23:06Um, I've just never...
00:23:07No, no.
00:23:08It's a lot to take in.
00:23:09When it's a suitable time
00:23:11and you're ready,
00:23:12I'd appreciate any background
00:23:14on your mother.
00:23:15I can do that.
00:23:17The time of death
00:23:19was between 1 and 3 a.m.
00:23:21And Gina confirms
00:23:22that this was the weapon
00:23:24used on the victim.
00:23:26The wound is 10 centimeters in length.
00:23:29The damage to her internal organs extensive.
00:23:32It severed a major artery.
00:23:35She would have bleed out in minutes.
00:23:37And we know that this pizza cutter
00:23:38only has two sets of prints on it.
00:23:40Ray Nielsen and Trudy.
00:23:43There were four people
00:23:44at that crime scene.
00:23:45All we know for sure
00:23:46is that this one
00:23:48belonged to the victim
00:23:51and this one
00:23:52to Ray.
00:23:55Where are we at with Trudy?
00:23:56Nothing yet.
00:24:06And when she wakes,
00:24:08things will be different.
00:24:11Like they were for me.
00:24:13You were in a coma.
00:24:14After the tractor incident,
00:24:18I lost my marriage
00:24:19because I realized
00:24:20that public display
00:24:23of nudity
00:24:24had unlocked something.
00:24:26So for me,
00:24:27it wasn't waking from a coma
00:24:28in the traditional sense.
00:24:30It was waking from
00:24:31the coma of modern life.
00:24:33And it was like a message
00:24:35sent to me on the breeze.
00:24:39I rebranded.
00:24:42I rebranded.
00:24:45Nude accountancy services.
00:24:47I specialize in financial transparency.
00:24:51Please don't tell me
00:24:52you ordered it in the nude.
00:24:53It's a great leveler.
00:24:55Takes the mystery
00:24:56out of bookkeeping.
00:24:57Well,
00:24:58I'm happy
00:24:58that you're wearing clothes
00:25:00today, Lawrence.
00:25:00Only when I have to.
00:25:03Candy?
00:25:04I'm sure Trudy wouldn't mind.
00:25:06No, thanks.
00:25:08Well,
00:25:09I
00:25:09spoke with
00:25:11Luigi,
00:25:12Ray's chef
00:25:13that he fired last night.
00:25:15I think he's a racist.
00:25:17But if he had an issue
00:25:18with Italian people,
00:25:19why did he start
00:25:19an Italian restaurant?
00:25:21I've had a bit to do
00:25:22with Ray over the years
00:25:23and he can be obstinate,
00:25:26but I honestly
00:25:27don't think he's a racist.
00:25:28Okay.
00:25:30He did say
00:25:31that you weren't
00:25:32doing your job.
00:25:33What I wear
00:25:34when I work
00:25:34shouldn't matter.
00:25:35Is this about
00:25:36the evening gown?
00:25:37We had
00:25:38creative differences.
00:25:41I thought
00:25:42I looked great.
00:25:43But he's the boss, right?
00:25:44Well,
00:25:44I needed that job.
00:25:46I'm saving up
00:25:47for a trip
00:25:47to my homeland
00:25:48to visit my
00:25:49ailing grandmother.
00:25:50I'm so grateful
00:25:51to Frodo.
00:25:52Did you happen
00:25:53to see
00:25:56this woman
00:25:57at the restaurant
00:25:58last night?
00:25:58How would I know?
00:26:00I was in the kitchen
00:26:02doing my job.
00:26:03I can't help
00:26:03but think that
00:26:04Luigi saw something
00:26:06and that's why
00:26:07Ray fired him.
00:26:08Why would that
00:26:08keep him quiet?
00:26:09Ray knows that
00:26:10he'll just come across
00:26:10like a disgruntled
00:26:12ex-employee.
00:26:13Who is Betty Reynolds?
00:26:15How did she get in there?
00:26:18Why was she there?
00:26:19And of course,
00:26:20why would someone
00:26:21want her dead?
00:26:29Oh my God.
00:26:30It's happened.
00:26:32What has?
00:26:32There's only one reason
00:26:33police come into bars.
00:26:35It's to tell us
00:26:36someone is deceased.
00:26:37That's Trudy,
00:26:38isn't it?
00:26:38Oh my God,
00:26:38she's dead!
00:26:39Trudy is out of surgery.
00:26:41She's gonna be okay.
00:26:44I knew it.
00:26:45She's a survivor.
00:26:46Yeah,
00:26:47she's a lucky woman.
00:26:48I don't mind admitting
00:26:49that's a relief.
00:26:51It is indeed.
00:26:52Lena,
00:26:52you worked at
00:26:53Ray's New Trattoria,
00:26:54right?
00:26:55Mm-hmm.
00:26:55Between here and there,
00:26:56I'm totally rinsed.
00:26:58And did you ever
00:26:59come across
00:26:59a Betty Reynolds?
00:27:06According to Doug and Ron,
00:27:08she's what's known
00:27:09as a man-eater.
00:27:12Thanks, Lena.
00:27:13Yeah.
00:27:15Ron?
00:27:17Doug.
00:27:18This better be good.
00:27:19We're grieving
00:27:20a good woman now.
00:27:22Betty Reynolds.
00:27:23A real piece of work,
00:27:24that one.
00:27:25There's nothing like
00:27:25she presented herself
00:27:26in the classifieds.
00:27:27The classifieds?
00:27:28As in the newspaper ads?
00:27:30Doug hasn't embraced
00:27:32into it.
00:27:33Even though it gets
00:27:34quite lonely
00:27:34out on the farm,
00:27:36doesn't it, Doug?
00:27:36You could talk.
00:27:37You went there too.
00:27:38Said on your profile
00:27:40that you're a property
00:27:41developer?
00:27:41I don't like to boast,
00:27:43but yes, I am.
00:27:44Impressive.
00:27:45Commercial or residential?
00:27:46Oh, residential.
00:27:47I've always taken
00:27:48great pleasure
00:27:49in having a veggie garden.
00:27:50Gardening?
00:27:51Growing my own vegetables.
00:27:52I've developed my property
00:27:54to be avid
00:27:54for fresh produce.
00:27:58So, uh,
00:28:00do you like jazz?
00:28:02I have an extensive
00:28:03collection of LBs.
00:28:05One fettuccine diavola
00:28:07and one gazpacho.
00:28:09Enjoy!
00:28:10Waitress.
00:28:13There's a fly in my suit.
00:28:15Wait.
00:28:16Uh, wait.
00:28:17No, don't tell me.
00:28:18I know this one.
00:28:19My dad told me.
00:28:20Don't speak too loudly
00:28:21or everyone will want one.
00:28:22No.
00:28:24These are fly in my suit.
00:28:26Ooh.
00:28:29To be honest,
00:28:29I don't really like
00:28:30Italian food.
00:28:32It needs to run
00:28:33straight through me.
00:28:37All right, wise guy.
00:28:39The oldest trick in the book.
00:28:40Drop a fly in your food
00:28:41and expect to dine for free.
00:28:46Oh, Jesus.
00:28:48Ray, been a while.
00:28:50Not long enough.
00:28:51You two.
00:28:52Oh, we go way back.
00:28:53Don't we, Ray?
00:28:54I heard you were back in town.
00:28:56You're not welcome here.
00:28:58To be honest,
00:28:59I'm used to higher class joints.
00:29:00I have no interest
00:29:03in slumming it.
00:29:05Good night, boys.
00:29:08What just happened here?
00:29:09I just saved you
00:29:10from a world of pain.
00:29:11I was in with a chance.
00:29:13And in the morning,
00:29:14she would have feasted
00:29:15on your carcass.
00:29:20This one's on me.
00:29:22In the end,
00:29:23she was just after my money.
00:29:26You don't have any money.
00:29:27She didn't know that
00:29:28at the time, Lena.
00:29:30You like and gossip.
00:29:31I've got no time
00:29:32for the Spanish Inquisition.
00:29:33Some of us have more
00:29:34important places to be.
00:29:38He dated Betty, too.
00:29:39Didn't go well, eh, Ron?
00:29:41Hmm.
00:29:42I guess the main difference
00:29:43between Romney and Corridale
00:29:44is in the percentage
00:29:45of fly strikes.
00:29:46Once the blowies
00:29:47get down there
00:29:48amongst the dags,
00:29:49all hell breaks loose
00:29:50down there
00:29:50in the nether regions.
00:29:52You've got some nerve
00:29:53coming in here
00:29:54parading that?
00:29:55This was given to me
00:29:57by a friend
00:29:57who had no right
00:29:58to give it away.
00:29:59Binders keepers?
00:30:00Thieves and vultures,
00:30:01more like.
00:30:02Hey, steady on.
00:30:03Stay out of this, Doug.
00:30:04We're on a date.
00:30:05You're not supposed
00:30:05to talk like me.
00:30:06It's all right, Doug.
00:30:07I know when I'm not welcome.
00:30:09A glimmer of intelligence,
00:30:10at least.
00:30:11Say hi to your mother
00:30:12from me.
00:30:13Frank always spoke
00:30:14highly of her.
00:30:15Get out of my pub.
00:30:23Well, thanks very much.
00:30:25You can do a lot better
00:30:26than that, Doug.
00:30:27I did once.
00:30:28Look where that got me.
00:30:35So, Trudy knew
00:30:37Betty Reynolds?
00:30:38Knew.
00:30:39No, we're practically
00:30:40related.
00:30:40Yeah, but not in a good way.
00:30:42That woman!
00:30:43What a nerve!
00:30:44I knew a girl like that
00:30:45at high school,
00:30:46always showing off her stuff.
00:30:48Yeah?
00:30:49She run off with
00:30:49your mother's second
00:30:50husband too?
00:30:52So, the fact that
00:30:53they both got attacked
00:30:54today is just
00:30:55freaky, right?
00:30:59You got to know
00:31:01to understand
00:31:03Baby, take me
00:31:05by my hand
00:31:07I'll lead you
00:31:08to the promised
00:31:09name
00:31:17Dennis.
00:31:19Two things I know
00:31:20to be true.
00:31:21Number one,
00:31:22you've missed me.
00:31:23Number two,
00:31:24you're holding a client
00:31:25of mine hostage.
00:31:26Rawr!
00:31:31You haven't been
00:31:31straight with us, Ray.
00:31:32We know Trudy
00:31:33was in your restaurant.
00:31:34What if I was to say
00:31:36to you,
00:31:36that's news to me?
00:31:37Well, I'd say
00:31:38you were lying
00:31:39probably to cover
00:31:40for her.
00:31:41The fact that she
00:31:41was in your restaurant
00:31:43would explain
00:31:44how her blood
00:31:45came to be
00:31:46on your shirt, right?
00:31:46Oh, please, detective.
00:31:48They could be
00:31:48historical stains.
00:31:49I'm sorry, from what?
00:31:50The Battle of the Somme?
00:31:52Guadalcanal?
00:31:53Argincourt, maybe?
00:31:54Well, come on, Dennis.
00:31:55We have a witness
00:31:56who puts Trudy there.
00:31:58Who?
00:32:00Herself.
00:32:02Trudy,
00:32:03it's very important
00:32:04we know
00:32:04who attacked you.
00:32:05Oh, no, narc.
00:32:07If you were attacked,
00:32:08it's not narcing.
00:32:09It's helping us
00:32:10to find an offender.
00:32:12Ask Betty.
00:32:14Betty Reynolds?
00:32:15Hmm?
00:32:16I would,
00:32:16but she's no longer
00:32:17with us.
00:32:19It's not my fault.
00:32:20Trudy,
00:32:22did you stab
00:32:23Betty Reynolds
00:32:23at Ray's restaurant?
00:32:25No.
00:32:28She stabbed me.
00:32:30So,
00:32:31the words of a woman
00:32:32heavily sedated
00:32:33on any number
00:32:33of prescription narcotics?
00:32:35that doesn't put her
00:32:36in the room
00:32:36that Betty Reynolds
00:32:37was killed.
00:32:38But this does.
00:32:41Print of Trudy's shoe
00:32:44that matches
00:32:45to prints
00:32:46found on the floor
00:32:47of the crime scene
00:32:48along with traces
00:32:49of blood.
00:32:50Where'd you get that?
00:32:51Why didn't it?
00:32:52My colleague did.
00:32:58Eileen asked me
00:32:59to put the potatoes on.
00:33:00I think I might have
00:33:01some candy now.
00:33:03Look, they're in the room.
00:33:04Just help yourself
00:33:05when you get in there.
00:33:06Might see you tomorrow.
00:33:08Mr. Tradegoat,
00:33:10it's in the bag.
00:33:19So, let's start
00:33:20from the beginning,
00:33:21shall we?
00:33:21What can you tell me
00:33:22about a certain
00:33:23diamond brooch?
00:33:29Charlie Nielsen,
00:33:30Ray and Trudy's father,
00:33:32gifted
00:33:33a diamond brooch
00:33:34to Eileen
00:33:35in 1976
00:33:37to mark their
00:33:3810th wedding anniversary.
00:33:40My dad died
00:33:41several years later.
00:33:42I think my mother
00:33:43just wore him out.
00:33:44Some years later,
00:33:46Eileen remarried
00:33:48to a man named
00:33:49Frank.
00:33:51Frank Spencer?
00:33:52Uh-huh.
00:33:53Frank was a tryhard.
00:33:54Fancy himself
00:33:55as an entrepreneur.
00:33:56Was always trying
00:33:58to make a go
00:33:58of dodgy businesses,
00:34:00working in the
00:34:00twilight of the law.
00:34:02Ten years later,
00:34:03around 1993,
00:34:04Frank began
00:34:05a long-term affair
00:34:07with...
00:34:08Betty Reynolds.
00:34:09My father loved
00:34:10my mother.
00:34:11Mum was her best self
00:34:12with Frank,
00:34:12but he died
00:34:13when I was six.
00:34:14He was found
00:34:15face down
00:34:15on a newly cemented
00:34:16floor of an
00:34:17industrial unit.
00:34:18Mum was devastated
00:34:20at his accidental death,
00:34:22but not as upset
00:34:23as when...
00:34:24She found out
00:34:24Frank had given
00:34:25her diamond brooch
00:34:26to Betty.
00:34:28That brooch
00:34:28meant a lot to my mum.
00:34:29A lasting memory
00:34:30of my father, Frank.
00:34:31That brooch
00:34:32meant a lot
00:34:33to my mother.
00:34:34A lasting memory
00:34:35of Charlie.
00:34:36Our father.
00:34:37And that, folks,
00:34:39is what you call
00:34:39motive.
00:34:40This brooch,
00:34:42how much is it worth?
00:34:43It depends on
00:34:44who you ask.
00:34:45Well, if you ask
00:34:45my mother,
00:34:46it was worth a lot.
00:34:47Hence your interest
00:34:48in her belongings.
00:34:49Her clothes,
00:34:50where are they?
00:34:51They are, you know, back.
00:34:52I'm happy to take them
00:34:53if they're in the way.
00:34:53It's not the most
00:34:54beautiful thing,
00:34:55but it adds
00:34:55sentimental value,
00:34:57if nothing else.
00:34:57But, according to Ray...
00:34:59A lot.
00:35:00Or so Lawrence says.
00:35:02Lawrence Treadgall.
00:35:03He was doing
00:35:04an audit of my mother's
00:35:05finances.
00:35:06Fully clothed,
00:35:07one can only hope.
00:35:08And that's what he reckoned.
00:35:10Got very excited about it.
00:35:14Venus on holiday
00:35:16in Pompeii.
00:35:17That's a special piece, Ray.
00:35:20By Michelangelo.
00:35:21He was Italian, you know.
00:35:23I'm not here to discuss
00:35:24naked ladies, Lawrence.
00:35:25You said you had some news.
00:35:27Your mother
00:35:29is a proud woman.
00:35:32You left out stubborn
00:35:33and delusional.
00:35:34But carry on.
00:35:35As we discussed
00:35:36at Sunday lunch...
00:35:37Where she served
00:35:38a promotional blackmail.
00:35:39The cupboard is bare.
00:35:42But I found this
00:35:44in the insurance files.
00:35:46This is a piece
00:35:47of 70s bling.
00:35:48Mum should have
00:35:48let it go years ago.
00:35:50I did some research.
00:35:51Its current value
00:35:53would be
00:35:53$150,000.
00:35:58Ricotta and roasted tomato
00:36:00bruschetta
00:36:00and panchita.
00:36:02Visi o' Luigi.
00:36:03That's one expensive
00:36:04placemate.
00:36:05Excuse me.
00:36:08Grazie.
00:36:09There you go.
00:36:11It is my understanding
00:36:13that this brooch
00:36:15is rightfully your mother's.
00:36:18The question is
00:36:19what are you going
00:36:20to do about it?
00:36:23$150,000.
00:36:26Yeah.
00:36:27We definitely
00:36:28have a motive.
00:36:30$150,000.
00:36:33Yeah.
00:36:43We definitely have a motive.
00:36:45Two hours 53.
00:36:46Happy with that.
00:36:47I know it's hard
00:36:48when your mum's died
00:36:49but the grief
00:36:49has given you wings.
00:36:50I don't feel well.
00:36:52I don't feel well.
00:36:55Must be under
00:36:56some kind of spell.
00:37:00Good times.
00:37:05My heart's shed
00:37:06like a homicide.
00:37:09A lady now
00:37:10promenade
00:37:11to the bad
00:37:12fingers
00:37:12of a baby
00:37:13bad crowd.
00:37:15Good times.
00:37:18Hey.
00:37:19She's nearly run
00:37:20out of carrots.
00:37:21Can I give her
00:37:21the tiny cabbages?
00:37:22Yeah, Brussels sprouts
00:37:23but just a few
00:37:25at a time.
00:37:25Remember,
00:37:26for every action
00:37:26there can be
00:37:27an explosive reaction.
00:37:31Hi, Lena.
00:37:32Hey.
00:37:32I so want a donkey.
00:37:34It'd be the
00:37:34ultimate accessory, right?
00:37:36Sure, I guess.
00:37:37I mean,
00:37:37imagine me
00:37:38riding into town
00:37:39wearing my catsuit
00:37:40on my own donkey.
00:37:42People would just think
00:37:43wow.
00:37:45Yeah,
00:37:45I imagine people
00:37:46would think
00:37:48wow.
00:37:49Hey,
00:37:49the other night
00:37:50at Ray's grand opening
00:37:51did you notice
00:37:53anyone out of the ordinary?
00:37:54You mean
00:37:55the mystery diner?
00:37:56No, I was thinking
00:37:57more...
00:37:57I thought I spotted her.
00:37:58I wasn't sure
00:37:59but I was pretty sure.
00:38:00Don't look now
00:38:01but one o'clock
00:38:02booth two
00:38:03I think she's the one.
00:38:05With Frodo
00:38:06give me a break.
00:38:08Mystery diners
00:38:09are experienced
00:38:10in gastronomy.
00:38:11People of a certain class.
00:38:13A friend of Frodo's
00:38:15wouldn't make the cut.
00:38:16So we never figured it out?
00:38:18So nothing
00:38:19suspicious?
00:38:20No one
00:38:21behaving weirdly?
00:38:23Coffee to go?
00:38:24Oh, thank you.
00:38:25Hey, Lena.
00:38:26Hey.
00:38:27By the way,
00:38:27you slayed
00:38:28the other night.
00:38:29Your music
00:38:29moved me.
00:38:31Really?
00:38:32So authentic.
00:38:34And don't worry
00:38:35about Ray.
00:38:35He was just
00:38:36stressed with the
00:38:37whole opening thing.
00:38:38Ray's been
00:38:38good to me.
00:38:40I don't want to
00:38:40cause a fuss.
00:38:41I'm moving on.
00:38:42Where?
00:38:43Overseas.
00:38:43My Lola,
00:38:44my nana,
00:38:46my nonna.
00:38:46She's not well.
00:38:48Oh, shame.
00:38:49My nana wasn't well
00:38:50and then she died.
00:38:52So yeah,
00:38:53it's probably a good idea.
00:38:54Yeah,
00:38:54I think you're right.
00:38:55Whereabouts
00:38:56does she live
00:38:57initially?
00:38:58Um,
00:38:58Pompeii.
00:39:01Such a talent.
00:39:02Best I've ever seen.
00:39:03Oh,
00:39:04you're an aficionado
00:39:04of Italian folk guitar,
00:39:06are you?
00:39:07Sure,
00:39:07if that's what
00:39:08you want to call it.
00:39:14What do you call it?
00:39:28DC Chalmers.
00:39:30Eileen's not here.
00:39:31She's at the hospital.
00:39:32I thought that
00:39:32might be the case.
00:39:33Have you got a minute?
00:39:38I understand
00:39:39you had a meeting
00:39:40with Trudy
00:39:42and Ray Nielsen
00:39:42in his restaurant
00:39:43to discuss the value
00:39:44of this brooch.
00:39:46We did.
00:39:48And at this meeting
00:39:49was anything discussed
00:39:50about how to move forward
00:39:51on returning the brooch
00:39:52to their mother?
00:39:53Discussed.
00:39:54Oh, yes.
00:39:55I want nothing
00:39:56to do with it.
00:39:57Truth,
00:39:59150k,
00:39:59I mean.
00:40:00Count me out.
00:40:07Discussed
00:40:08and dismissed
00:40:09as she did
00:40:10when she first
00:40:11heard about it.
00:40:12If there's one thing
00:40:12I know about our mother,
00:40:14there's no such thing
00:40:15as a free lunch.
00:40:19Ray.
00:40:21Trudy.
00:40:21My dear,
00:40:23dear children.
00:40:24Welcome.
00:40:33Oh,
00:40:33Lawrence!
00:40:34The kids are here.
00:40:36Be a dear
00:40:37and put some pants on.
00:40:39Who the hell is that?
00:40:40That's Lawrence.
00:40:41It's my accountant.
00:40:47Oh, God.
00:41:01Romano Reyes.
00:41:02What kind of name
00:41:04is that?
00:41:05It's Italian.
00:41:06Oh.
00:41:09Why?
00:41:10It's an Italian
00:41:11trattoria.
00:41:12It needs an Italian name.
00:41:14What about
00:41:16mamas?
00:41:16Did you consider that?
00:41:18It was already taken.
00:41:20I see.
00:41:23She's back!
00:41:25Who is?
00:41:26The harlot?
00:41:27She is back.
00:41:35You?
00:41:37Hello, Eileen.
00:41:38Have you no shame.
00:41:53She was wearing it.
00:41:56Oh, God.
00:41:57I want it back.
00:41:59We've been through this.
00:42:01You have to let it go.
00:42:02She's been grieving that brooch for 25 years.
00:42:07I want what is mine.
00:42:08So why are you talking to us?
00:42:09Because I want you to get it.
00:42:11No, no, no.
00:42:11If you want it, you get it.
00:42:12But I can't.
00:42:13I couldn't trust myself not to scratch your eyes out.
00:42:15over something that bad I wouldn't have.
00:42:22It's an heirloom.
00:42:24It will be passed from me to you.
00:42:27Or
00:42:29don't you want that?
00:42:31Here we go.
00:42:32You don't want to remember me.
00:42:35I knew it.
00:42:36So ungrateful.
00:42:38It would be a big help
00:42:40to your mother's finances.
00:42:43Thank you, Lawrence.
00:42:44I don't mind admitting the cupboard is bare.
00:42:48Your father was unlucky in business before he died
00:42:50and the rest was lost when Frank was fleeced by that hussy.
00:42:54If it wasn't for Isabel's kindness
00:42:56letting me live here
00:42:58I would be out on the street.
00:43:02Mom, it's a dated brooch from the 1970s.
00:43:05Actually, it's more than that.
00:43:10I don't know.
00:43:11A few days later I met with Ray and Trudy
00:43:13and told him how much it was worth.
00:43:15But then Trudy ends up in Ray's trattoria
00:43:18with Betty Reynolds dead.
00:43:19Seems so.
00:43:21And you don't know anything about how that came to be?
00:43:24No.
00:43:25Where were you the night before last?
00:43:28Going over Eileen's accounts.
00:43:31And
00:43:31yes,
00:43:33I was naked.
00:43:35You can ask Eileen.
00:43:41The security company says that the alarm at Romano Ray's
00:43:45was activated at 1am,
00:43:48the time that Ray said he left.
00:43:50It was then deactivated five minutes later.
00:43:53Ten minutes after that,
00:43:55it was reactivated.
00:43:57Then,
00:43:57at 1.30am,
00:43:59it was deactivated
00:44:00and never switched back on.
00:44:01I checked with Ray,
00:44:03he said he never returned.
00:44:04So despite what he claims,
00:44:06someone else had access?
00:44:07Well, that has to be Trudy.
00:44:08Well, the surgeon who operated on Trudy
00:44:11estimated that the stab wound
00:44:14was 10 centimetres,
00:44:16which matches the diameter
00:44:18of the pizza cutter.
00:44:20She stabbed herself.
00:44:21Well, if she did,
00:44:22it would explain a whole lot.
00:44:23But not who that print belongs to.
00:44:29Does it have to be all three of you?
00:44:31We all need to hear Trudy's side of the story.
00:44:34Some of us have been waiting ages.
00:44:35You just jump the queue.
00:44:37It won't be long, Doug.
00:44:38Then we'll leave Trudy to your soothing words.
00:44:40What's that supposed to mean?
00:44:41It means relax.
00:44:47Hello, Trudy.
00:44:48One of the three musketeers.
00:44:50I'd say the same about you.
00:44:52Although,
00:44:52instead of a sword,
00:44:53you've been wielding a pizza cutter.
00:44:55That wasn't me.
00:44:57Evidence would suggest otherwise.
00:44:58It wasn't me.
00:44:59Trudy, a woman is dead.
00:45:01Stabbed with a weapon
00:45:02that had your fingerprints on it.
00:45:03And as I told D'Artagnan here,
00:45:06Betty stabbed me.
00:45:07Then who stabbed her?
00:45:08I don't know.
00:45:09Trudy,
00:45:10now is not the time
00:45:11to stand on principle.
00:45:13Knarking might be
00:45:14in your best interest here.
00:45:15I can't knark.
00:45:17Yeah, we know.
00:45:18No.
00:45:19If I could tell you,
00:45:20I would.
00:45:21Would you?
00:45:22Yes.
00:45:23Even if it was Ray?
00:45:25Ray?
00:45:26Why would you think
00:45:27Ray had any part in this?
00:45:28Because he's been
00:45:29covering for you.
00:45:30Well, maybe
00:45:31he's been covering for himself.
00:45:32He wasn't there.
00:45:36Trudy,
00:45:37this tells us
00:45:38that someone else
00:45:39was in the restaurant with you.
00:45:40If you tell us
00:45:41who that was,
00:45:41we'll be able to make
00:45:42better sense of what went on.
00:45:44There was no one else.
00:45:46Trudy, please,
00:45:46help us to help you.
00:45:48I need to rest.
00:45:49You heard her.
00:45:51Vanus.
00:45:55You should be ashamed of yourself.
00:45:57There's a serial killer out there
00:45:59and you lot are
00:45:59putting thumb screws
00:46:00on the victim.
00:46:01Knock yourself out, Doug.
00:46:02Maybe you can get
00:46:03some sense from it.
00:46:05Doug is still here.
00:46:07I'm going to tell him
00:46:08to come back later.
00:46:09No.
00:46:10Send him in.
00:46:15You've got nothing on him.
00:46:16So should we stop the charade?
00:46:18Why are you holding him?
00:46:19Ray knows more than he's letting on.
00:46:21Does he?
00:46:22Ray said he didn't know the victim.
00:46:24He did.
00:46:25He denied that Trudy was there
00:46:27when he opened
00:46:27the following morning.
00:46:28She was.
00:46:29He knew about the missing brooch.
00:46:31He was acting irrationally
00:46:33during the time
00:46:34leading up to the death
00:46:35of Betty Reynolds,
00:46:36including firing his chef
00:46:37in the middle of
00:46:38Restaurant Awards Week.
00:46:39So, Luigi Pompei?
00:46:40Oh, Detective, please.
00:46:41That little fraudster
00:46:42had it coming.
00:46:43Trying to put one over
00:46:44it tight in a local business.
00:46:45It says here
00:46:46you've been cooking
00:46:47for over 25 years.
00:46:48This is true.
00:46:49And you're 27 years old.
00:46:51My mama started me early.
00:46:53Well, you know what they say
00:46:55about Italian mamas?
00:46:57That they're the best cooks.
00:46:58Indeed.
00:46:59You've been taught by an expert.
00:47:01Thank you.
00:47:02Luigi?
00:47:04Yes.
00:47:05Do you have a last name?
00:47:06Yes.
00:47:07It's Pompei.
00:47:09You don't get much more
00:47:10Italian than that.
00:47:12If you say so.
00:47:13The Roman Empire
00:47:14was the greatest
00:47:14the world has ever seen.
00:47:15You have a proud heritage.
00:47:18And it says here
00:47:19you sing and play
00:47:21traditional
00:47:21Italian folk music.
00:47:24I, um,
00:47:26I love
00:47:26to perform.
00:47:35Luigi,
00:47:36welcome aboard
00:47:37Romano Reyes.
00:47:39See, the idea
00:47:39was to have
00:47:40complimentary live music
00:47:41after service.
00:47:41was to say.
00:47:42A free
00:47:42digestif.
00:47:43Added value.
00:47:45But little did he know.
00:47:46Good evening,
00:47:47ladies and gentlemen.
00:47:48And I trust you enjoyed
00:47:50our authentic Italian
00:47:51fair this evening.
00:47:52Lena is bringing
00:47:53around some
00:47:54complimentary
00:47:55grappa.
00:47:55But please,
00:47:57give a warm hand
00:47:58to your chef
00:47:58this evening.
00:47:59A man
00:48:00of many talents.
00:48:01Also,
00:48:02your entertainment.
00:48:04Luigi
00:48:06Pompei.
00:48:21You spurn my
00:48:23natural emotions
00:48:25You make me feel
00:48:28I'm dirt
00:48:29And I'm hurt
00:48:31I'm so hurt
00:48:37And if I start
00:48:40a commotion
00:48:41I run the risk
00:48:44of losing you
00:48:46And that's worse
00:48:47So much worse
00:49:15As they say
00:49:15All that glitters
00:49:17is not gold.
00:49:19What the hell
00:49:21is this?
00:49:22It's my alter ego
00:49:24Carita
00:49:24What happened to
00:49:25Luigi Pompei
00:49:27Authentic Italian
00:49:28guitar player?
00:49:29That's boring
00:49:30Ray
00:49:31So,
00:49:32last century
00:49:33Yes
00:49:33That's the point
00:49:35This is what
00:49:36people want
00:49:37This
00:49:37will
00:49:38put you
00:49:39on the map
00:49:40The map of
00:49:40insanity
00:49:41I mean
00:49:42you weren't even
00:49:43singing Italian
00:49:43What was that?
00:49:45It's Tagalog
00:49:45It's Filipino
00:49:46You're Luigi
00:49:48My real name
00:49:49is Noel Ramirez
00:49:50My father was
00:49:52from Manila
00:49:53My mother
00:49:53passed and all
00:49:55Noel?
00:49:56Noel
00:49:56They loved Christmas
00:49:58You said you
00:49:59were Italian
00:50:00No
00:50:00You said I was
00:50:02Italian
00:50:03I just
00:50:03went along with it
00:50:05My food is great
00:50:06right?
00:50:07People love good
00:50:07Italian food
00:50:08That's the easy bit
00:50:09But this
00:50:10This
00:50:11will make
00:50:12Romano
00:50:13Ray's
00:50:13stand out
00:50:14People will come
00:50:15from miles around
00:50:16asking for a
00:50:17kavanara
00:50:18a kianti
00:50:19and a
00:50:20song from
00:50:21Kualita
00:50:22If I'd wanted that
00:50:24I'd have opened
00:50:25this place as
00:50:25Ray Paul's
00:50:26Drag Race
00:50:27It's a
00:50:28Trattoria
00:50:29Quality food
00:50:31and Italian
00:50:32guitar music
00:50:33Not some
00:50:35sugar plum
00:50:36fairy doing
00:50:37lipstick on my
00:50:38collar in Filipino
00:50:40Get out of here
00:50:42You're fired
00:50:48Sometimes
00:50:49all that glitters
00:50:50is just a
00:50:51Filipino man
00:50:52wanting to express
00:50:52his inner drag queen
00:50:53Now Ray may be
00:50:54guilty of intolerance
00:50:55He may even be
00:50:56guilty of ignorance
00:50:56but he was not
00:50:57complicit in whatever
00:50:58went on after he
00:50:59closed to Trattoria
00:51:00for the night
00:51:00Then why did he
00:51:02try and cover it up?
00:51:03I'm not here to do
00:51:03your job detectives
00:51:04You have a couple
00:51:06of hours
00:51:06You charge him
00:51:07or we walk out
00:51:08of you
00:51:16Hey Luigi
00:51:18Or is it
00:51:19Noel
00:51:20or
00:51:21Kualita
00:51:22Sorry
00:51:23I have to keep her
00:51:23walking
00:51:24Do ya?
00:51:24Or is that a lie?
00:51:25For real
00:51:26She ate a bucket
00:51:26full of Brussels sprouts
00:51:27and she's got some
00:51:28serious digestive issues
00:51:32So you lied to Ray
00:51:34Did you lie to me too?
00:51:36About what?
00:51:36Anything?
00:51:37Everything?
00:51:38About your nana?
00:51:39My nana
00:51:40My lola
00:51:41She is sick
00:51:42She lives in Manila
00:51:44I've never been
00:51:45I want to go
00:51:45That's the truth
00:51:46About not seeing
00:51:48anything at Ray's?
00:51:49Ray fired me
00:51:50That's the truth
00:51:50And after Ray
00:51:51fired you
00:51:52you slept in the
00:51:53coffee cup?
00:51:54Yes
00:51:54Why not just go home?
00:51:56It was late
00:51:57I'd run out of money
00:51:58for a taxi
00:51:59And where is home?
00:52:01I've been couch surfing
00:52:02Where was the last
00:52:03couch you surfed?
00:52:04Across town
00:52:05Why were these questions?
00:52:08Did you go back to Ray's?
00:52:10Why would I go back?
00:52:11He fired me
00:52:12You tell me
00:52:13to go and get your
00:52:14things perhaps?
00:52:15Like my guitar?
00:52:16Sure
00:52:17If I did
00:52:18why would it still be there?
00:52:19I would like that back
00:52:20by the way
00:52:21if it's not too much trouble
00:52:23She needs to keep walking
00:52:30Charged with what?
00:52:31Interfering with
00:52:32a police investigation
00:52:34Circumstantial at best
00:52:35Your client threw
00:52:36the murder weapon
00:52:36in a rubbish bin
00:52:37For reasons of hygiene
00:52:38The man is a restaurateur
00:52:40of an aspirational establishment
00:52:42He's got standards
00:52:43to maintain
00:52:44It was an innocent
00:52:45mishandling at worst
00:52:46His shirt was covered
00:52:47with blood
00:52:48Of the victim?
00:52:49No
00:52:49Of his sister?
00:52:51Yes
00:52:52Who is not dead
00:52:53Nor has laid any charges
00:52:54against Ray
00:52:55which suggests
00:52:55he has nothing to do
00:52:56with the tragic events
00:52:57that happened
00:52:57inside his trattoria
00:52:58His sister
00:52:59whom we know
00:53:00was in the trattoria
00:53:01But were they there
00:53:03at the same time?
00:53:05Granted
00:53:06This is a very
00:53:07serious situation
00:53:08A man sits here
00:53:10the victim of circumstance
00:53:12And you know
00:53:12when I look at Ray
00:53:13I'm reminded of someone
00:53:15And who would that be
00:53:16Dennis?
00:53:17Well take a look
00:53:17Tell me you don't see it
00:53:19He reminds me of Ray
00:53:20And?
00:53:22Nelson Mandela
00:53:26South Africa's
00:53:27first black president
00:53:28who was jailed
00:53:29for 20 years
00:53:30for fighting against
00:53:31the oppressive
00:53:32apartheid regime
00:53:33and died in 2013
00:53:34Well Ray's not dead
00:53:35obviously
00:53:36Or a black South African
00:53:37But in many ways
00:53:38he is like Nelson Mandela
00:53:40How so?
00:53:40Because he's a
00:53:41political prisoner
00:53:42In this case
00:53:43the politics being
00:53:44the politics of small business
00:53:45For as we know
00:53:46the night in question
00:53:47was a very important evening
00:53:49in Brokenwood's
00:53:50Top 5 Italian Restaurants
00:53:51competition
00:53:51of which Romano Ray's
00:53:53is a top contender
00:53:54Now there was a mystery diner
00:53:55whose identity remains unknown
00:53:57But a stellar review
00:53:58was likely forthcoming
00:54:00So
00:54:00what might
00:54:02Ray's competitors do?
00:54:05I don't know
00:54:05Stage a killing
00:54:07inside his trittoria
00:54:08to ensure that he didn't
00:54:09pick up that supreme award
00:54:10for no matter how good
00:54:11that review would be
00:54:12it wouldn't withstand
00:54:13the blight
00:54:14the scuttlebutt
00:54:15the injurious harm
00:54:16that such a tragic visitation
00:54:18would have upon
00:54:18his establishment
00:54:19of which Ray must suffer
00:54:20the consequences unjustly
00:54:22but in no uncertain terms
00:54:23What I see here
00:54:24and I certainly hope you do too
00:54:26is a potential case
00:54:27of industrial sabotage
00:54:29We don't see it that way
00:54:31And there's the thing
00:54:32You see potato
00:54:33I see potato
00:54:34So in summary
00:54:35let's call the whole thing off
00:54:40Word of advice
00:54:41If I were you
00:54:42I'd lay very low for a while
00:55:07You see potato
00:55:08One or two
00:55:34At G
00:55:49İzlediğiniz için teşekkür ederim.
00:56:08İzlediğiniz için teşekkür ederim.
00:57:06İzlediğiniz için teşekkür ederim.
00:57:14İzlediğiniz için teşekkür ederim.
00:57:22İzlediğiniz için teşekkür ederim.
00:57:25İzlediğiniz için teşekkür ederim.
00:57:56Her mother is dead and that's hard on anyone.
00:57:58I know when my half-mother died I was gutted.
00:58:01But on the other hand her mother was...
00:58:04Was what?
00:58:05Not the straightest arrow in the...
00:58:37Quiver?
00:58:38Well, I did, but...
00:58:40Turns out she had these savings to travel to all these important international competitions.
00:59:13But then her mother got sick.
00:59:13I'm going to have enough.
00:59:14You got to understand Frodo, running ultramarathons, it takes us certain type of headspace.
00:59:19But it's what I do.
00:59:20I'm a very driven person.
00:59:22Totally.
00:59:51I drive a lot too.
00:59:58And...
01:00:00Three letters to receive a punch.
01:00:04Con.
01:00:05Ron, have you seen Doug?
01:00:06I do not record.
01:00:08I do.
01:00:09He was talking to you earlier.
01:00:11If I want your opinion, I'll ask for it.
01:00:13Well, it's not an opinion.
01:00:14That's fact.
01:00:16Doug was here.
01:00:17That's not the point.
01:00:18The point is, did I see him?
01:00:21Yeah.
01:00:22You were talking to him?
01:00:23And then he left?
01:00:26Did he say where he was going?
01:00:28No.
01:00:31To be fair, he was a little weird.
01:00:33I mean, he's a weird person, but more so than usual.
01:00:41You all right?
01:00:42You barely touched your point.
01:00:44Sometimes a man's got to do what a man's got to do.
01:00:48You're going to sign up with Tinder, aren't you?
01:00:50Don't be stupid.
01:00:54But...
01:00:54If I don't come back, the Massey Ferguson's yours.
01:00:58Why would I want your tractor?
01:01:00There's a couple of years in the top paddock.
01:01:02They're on the heat.
01:01:03So you might want to team them up with Billy.
01:01:05Billy.
01:01:06The Ram.
01:01:09I got the sense that Doug has probably dragged an old Clydesdale from the back paddock,
01:01:14dressed up in a Lone Ranger outfit,
01:01:16and is doing the job that you lot are failing to do.
01:01:19What's that?
01:01:20Getting your man.
01:01:22Thanks for the support, Ron.
01:01:30Sorry to interrupt.
01:01:33A witness told me that you mentioned a payday the night your mother was killed at Romano Reyes.
01:01:40Frodo.
01:01:41A payday for what?
01:01:42It's awkward.
01:01:43I have an NTA.
01:01:44A non-disclosure agreement regarding your mother's death.
01:01:47My line of work revolves around anonymity.
01:01:50At work as a secret food critic.
01:01:52Yeah.
01:01:52I figured you were the mystery diner.
01:01:54Pays the bills.
01:01:55And Romano Reyes was the last on my list.
01:01:56Contract fulfilled.
01:01:57But that wasn't the last payday you were holding out for.
01:02:01Meaning?
01:02:02We believe your mother was in possession of a diamond brooch when she died.
01:02:06When her body was found, the brooch was not with her.
01:02:09We believe it had been torn off her blouse.
01:02:11We also know that Betty owed you a significant amount of money.
01:02:14Sure.
01:02:15She said she was coming into some cash.
01:02:16That she was going to sell the brooch and pay me back.
01:02:18Given your previous experience with her.
01:02:21Surely you knew that even if she did get some money for that brooch,
01:02:24it would be unlikely to come your way.
01:02:26Yeah, well I thought she might have changed.
01:02:28Or you took matters into your own hands?
01:02:30No.
01:02:31Are you in possession of the brooch now?
01:02:32No.
01:02:32Do you know who it is?
01:02:33No.
01:02:34Where were you at 2am the night your mother died?
01:02:36Here.
01:02:36In the forest.
01:02:38At 2am.
01:02:39Well that's how I like it.
01:02:45Like I said, I fulfilled my contract, enough to get me back on the circuit.
01:02:50Look, I have a flight booked for France tonight, I should really go home and pack.
01:02:54What about Frodo?
01:02:55Frodo was my beard, if you like.
01:02:57I need my dining partners to be themselves and not overcompensate and try too hard and blow my cover.
01:03:02He did well.
01:03:04Out of interests, Romano Reyes, how did it rate?
01:03:08The food was excellent, the service was quaint, but the entertainment?
01:03:12That was next level.
01:03:17Compliments on Luigi.
01:03:18Cheers bro.
01:03:20Being a trainer is thirsty work.
01:03:28She's amazing.
01:03:30She takes so much pleasure in running.
01:03:33I'll get meaty homie.
01:03:34Thanks bro.
01:03:39Audrey Reynolds, aka the mystery diner, was 10km away during the actual time her mother was killed.
01:03:47Running at 2am?
01:03:49Yep.
01:03:49The optimal time after car loading.
01:03:52Oh.
01:03:52What's the latest on Trudy?
01:03:53Well I checked Dugs, Trudys, Reyes, and Eileen and Lawrence claim not to have seen either of them.
01:03:59They've gone to ground.
01:04:00They'll have left Brokenwood.
01:04:02Well nothing says guilt like leaving town.
01:04:14Good morning!
01:04:32Can I see you?
01:04:34İlkeşemdere.
01:04:39Güzel.
01:04:40Hüçtü.
01:04:44Beni
01:04:45Mestiktenin.
01:04:46Sen ülkedeki.
01:04:47Çünkü bu içindeki.
01:04:47İlkeşemdere.
01:04:48İlkeşemdere.
01:04:49Ne.
01:04:49Mektir.
01:04:49İlkeşemdere.
01:04:50Mektir.
01:04:51Mektir.
01:04:52Mektir.
01:04:54İlkeşemdere.
01:04:55Mektir.
01:05:01Mektir.
01:05:02Bu meyaz, aşkım.
01:05:04Bu da bu bir tanıştık.
01:05:06Bu da bu?
01:05:08Eğitim de ben de ayaklarım.
01:05:10Belki bu benim için iyi bir tanıştık.
01:05:13Bu da bir tanıştığınız için,
01:05:15150,000 kısımdan da yayılmalı değil.
01:05:17Bütün bu da money var.
01:05:19Bu ne?
01:05:20Bu ne?
01:05:21Tamam, bu ne?
01:05:22Bu ne?
01:05:26Mum, benimle…
01:05:29Ne?
01:05:38İzlediğiniz için teşekkür ederim.
01:06:00İzlediğiniz için teşekkür ederim.
01:06:32İzlediğiniz için teşekkür ederim.
01:06:35İzlediğiniz için teşekkür ederim.
01:06:47İzlediğiniz için teşekkür ederim.
01:06:49İzlediğiniz için teşekkür ederim.
01:07:23İzlediğiniz için teşekkür ederim.
01:07:24İzlediğiniz için teşekkür ederim.
01:07:31İzlediğiniz için teşekkür ederim.
01:07:32İzlediğiniz için teşekkür ederim.
01:07:35İzlediğiniz için teşekkür ederim.
01:07:37İzlediğiniz için teşekkür ederim.
01:07:38İzlediğiniz için teşekkür ederim.
01:07:40İzlediğiniz için teşekkür ederim.
01:07:42İzlediğiniz için teşekkür ederim.
01:07:44İzlediğiniz için teşekkür ederim.
01:07:48İzlediğiniz için teşekkür ederim.
01:07:50İzlediğiniz için teşekkür ederim.
01:07:56İzlediğiniz için teşekkür ederim.
01:08:09İzlediğiniz için teşekkür ederim.
01:08:13İzlediğiniz için teşekkür ederim.
01:08:14İzlediğiniz için teşekkür ederim.
01:08:16İzlediğiniz için teşekkür ederim.
01:08:18İzlediğiniz için teşekkür ederim.
01:08:43İzlediğiniz için teşekkür ederim.
01:08:45İzlediğiniz için teşekkür ederim.
01:09:16İzlediğiniz için teşekkür ederim.
01:09:46I think we're done here.
01:09:49It was then I may have crossed a line.
01:09:52You lost.
01:09:55Ya bitch!
01:09:57Get out of my brother's tritorium!
01:10:00Seen in a restaurant, they're locked!
01:10:12Let's keep things sterilized, shall we?
01:10:14Just hand it over.
01:10:15Take it.
01:10:17Ow!
01:10:18Get out of my head!
01:10:19Get out of my head!
01:10:23Go on, you stupid!
01:10:33What have you done?
01:10:36Call an ambulance!
01:10:38Call an ambulance!
01:11:01That's all I can remember.
01:11:02Until Ray woke you up in the morning and Betty Reynolds lay dead.
01:11:07She stabbed me.
01:11:09So you keep saying.
01:11:10I know.
01:11:10Do you think I'd stab myself?
01:11:12Well, and then someone else arrived and stabbed Betty.
01:11:15If it was someone else, who might that be?
01:11:18Talk to Lawrence.
01:11:19Lawrence Streetgold?
01:11:20If it wasn't for him, none of this would have happened.
01:11:26Trudy.
01:11:28I could be miles away right now.
01:11:30But I chose to come here.
01:11:32Just talk to him.
01:11:33We did.
01:11:34He wasn't there.
01:11:35Unless you know something that I don't.
01:11:37I had a feeling you might say that.
01:11:44You can call that ambulance now.
01:11:51Sims.
01:11:52Bring in Lawrence Streetgold.
01:11:54Sure.
01:11:54On what?
01:11:55All right.
01:11:55Can we get some service around here?
01:11:59I'm going to call you back.
01:12:01Well?
01:12:03Doug?
01:12:04What the hell?
01:12:05Put the gun down, Doug.
01:12:06You're going to charge him for what?
01:12:08For what?
01:12:08For being a prick.
01:12:09Mr. Streetgold, are you okay?
01:12:11Do I look okay?
01:12:12Lose the gun, Doug.
01:12:13Doug, what the hell are you doing?
01:12:15Citizen's arrest.
01:12:16You lot weren't doing anything.
01:12:17Okay, we need you to put it down.
01:12:20Well, do you think it'll blow his brains out?
01:12:22Well, yeah.
01:12:24If I was going to do that, I would have done it when I first rumbled him.
01:12:32Doug.
01:12:33Lawrence.
01:12:34New to Constancy Services?
01:12:36Yeah, I guess you better come in there.
01:12:39Leave your bloody clothes on, though.
01:12:42When you sat over the phone, you wanted me to look over your books.
01:12:46Yeah.
01:12:47I was actually wanting you to take a close look at this.
01:12:51Here we are, doing what you lot couldn't.
01:12:53Okay, Doug, this is your last chance.
01:12:55Put the gun down.
01:12:58Oh, come on.
01:12:58It's not even loaded.
01:13:00What the hell?
01:13:01He'd hit your gun, though, didn't he?
01:13:03Oh, you maniac.
01:13:04Oh, you're a puncher.
01:13:05Hey, you want to go?
01:13:06Hey, you.
01:13:07That's enough.
01:13:09You're in deep trouble, Doug.
01:13:10Me?
01:13:11What about him?
01:13:12He kills Betty Reynolds and puts the blame on Drew.
01:13:14That's a lie.
01:13:15We'll tell that to the judge.
01:13:16You tell it to the cells.
01:13:18Breach of the peace.
01:13:19Wreckless use of an illegal firearm.
01:13:21But it's not even loaded.
01:13:22Take him to the cells to call off.
01:13:24Oh, come on.
01:13:30Thank you.
01:13:31Lawrence, not so fast.
01:13:34What?
01:13:35Since you're here...
01:13:47I've managed to calm Doug down.
01:13:49As usual, trying to do the right thing in the most inappropriate way.
01:13:54You're a menace, Doug.
01:13:56One day, someone's going to actually get hurt.
01:13:58I did.
01:13:59I don't know if you noticed, but Trudy got stabbed.
01:14:01Was it your idea to bust her out of hospital?
01:14:03She was stranded in there.
01:14:05Like a ewe in a muddy paddock.
01:14:07You don't just leave them there.
01:14:09You had to do something.
01:14:11Trudy, if there's anything I can do.
01:14:13Yeah, there is.
01:14:15Is she going to have a window that opens?
01:14:18Someone's bound to climb out.
01:14:19I've charged Doug with disturbing the peace and reckless use of a firearm.
01:14:23Even though...
01:14:25Oh, no!
01:14:30What?
01:14:31No!
01:14:33Put it away!
01:14:34Not here.
01:14:35Not now.
01:14:37Let's get on with it, then.
01:14:40You want to know about the Nielsen Diamond brooch and whether or not I somehow stole it while
01:14:46killing Betty Reynolds and stabbing Trudy Nielsen.
01:14:49Did you?
01:14:50No.
01:14:51Because I had no incentive to do it.
01:14:54It's my understanding that it's worth a lot.
01:14:56It is?
01:14:58$150,000.
01:14:59If that's the price you put on sentimentality.
01:15:01Meaning?
01:15:02It is indeed worth a lot to Eileen.
01:15:05It was a gift from her first husband, her first true love.
01:15:09What price did they put on that?
01:15:10Priceless.
01:15:11But only to Eileen.
01:15:13Are you saying it's a fake?
01:15:15Albeit a very good one.
01:15:17When I conducted an audit for Eileen, amongst her papers, I found this.
01:15:27Purchased in 1976 for $5,000.
01:15:31Which is a lot of the time.
01:15:32Which means it would be worth around $150,000 now without question.
01:15:35We already know this.
01:15:36Except what you don't know is it's a fake.
01:15:41Not according to this.
01:15:43The certificate is a fake.
01:15:46If you look at the registration number, top right-hand corner, the 12-digit number.
01:15:53I count only 11.
01:15:55Precisely.
01:15:56The brooch, the paperwork was all a ruse from her first husband to impress Eileen.
01:16:02Did you tell her this?
01:16:03And shatter a grieving widow's illusion of her once great husband?
01:16:08Look, Charlie Nielsen was a man who struggled at business.
01:16:12Good intentions, poor execution.
01:16:14But in the end, I mean, he was guilty of fobbing a fake brooch to his wife for the wedding
01:16:19anniversary when he had his back against the wall.
01:16:23But the point is, why would I kill a woman over a fake brooch?
01:16:28Yet you allowed Trudy to think it was something worth reclaiming.
01:16:31I knew how much that brooch meant to Eileen.
01:16:34So I figured if I play the money factor or motivate her kids to take action to get the thing
01:16:40back, I feel terrible.
01:16:43If Lawrence Treadgold is telling the truth, then Eileen Spencer believes that that brooch is worth $150,000.
01:16:51But then she would have to be capable of stabbing Betty Reynolds and her own daughter.
01:16:57And where is the brooch now?
01:16:58Hidden, waiting for the fuss to die down, then traded offshore.
01:17:03But it's a fake.
01:17:05She doesn't know that.
01:17:07And if she thinks it's real, then that's a strong motivation.
01:17:11So Eileen Spencer stabs her own daughter?
01:17:15Or gets her own daughter to do the dirty work.
01:17:28I've been thinking, and you can take this or leave it, but the person who stabbed Trudy Nelson was probably
01:17:32the same person that killed our Betty Reynolds.
01:17:35Thanks, Todd.
01:17:36I'll take that on board.
01:17:38Coffee up.
01:17:39Cheers.
01:17:41You think I should?
01:17:42Yeah, now let's do it.
01:17:46Is it Frodo's birthday?
01:17:47No, it's a tear-up.
01:17:48Life's not so bad, even though it sucks cake.
01:17:51Another true love has slipped from his grasp.
01:17:53And Luigi has an act for baking.
01:17:54I guess it's the Italian thing.
01:17:57Do you think it matters that it looks like a wedding cake?
01:18:00Hey, Frodo.
01:18:02It's to your new day.
01:18:03Oh, jeez, guys, you shouldn't.
01:18:06Apologies.
01:18:07Apologies.
01:18:08Apologies.
01:18:10Where are you?
01:18:11Your opera?
01:18:12It's got to be a metaphor.
01:18:14I'll get a spade.
01:18:14I'll clean it up.
01:18:15Yeah, I'll give you a hand.
01:18:19I'm sorry.
01:18:19I'm so sorry.
01:18:21Don't worry.
01:18:21It's all my fault.
01:18:22It always is.
01:18:42Frodo, can I borrow you for 20 minutes?
01:18:44What for?
01:18:45To test a theory.
01:18:47A theory on what?
01:18:47Space and time.
01:18:49Quantum physics.
01:18:50Could be my new specialty.
01:18:56Oh, watch your step, Frodo.
01:19:03Frodo, can you fit in that?
01:19:05If I get in there, you're not going to fill it with cement, right?
01:19:08It hadn't crossed my mind.
01:19:21This must have been how the earliest space travelers felt.
01:19:25So I'm thinking at some point you're going to tell me why I'm doing this and how it relates to
01:19:30quantum physics?
01:19:31Yeah, all in good time, Frodo.
01:19:32All in good time.
01:19:40Wait here.
01:19:41At the crime scene, there were four discernible sets of shoe prints.
01:19:46Ray, who arrives in the morning.
01:19:49Betty Reynolds, who was found dead.
01:19:52And Trudy Nielsen, who suffered a serious injury but left the scene through the front door.
01:19:58Whoever left this print exited through the back door.
01:20:02And, as it happens, this print is a match for the size and tread of the shoe that you are
01:20:08wearing.
01:20:09We know that Trudy and Betty arrived together and that Ray arrived the following morning through the back door.
01:20:15Which means that the owner of this print was already in the restaurant when the fatal assault took place.
01:20:20We know that the owner of this shoe was not in the bathroom because Trudy had checked.
01:20:27Meaning the only place that the owner of this shoe could be was under the stage.
01:20:34And that person had to be no bigger than Frodo to fit in.
01:20:39What is your relationship with Betty Reynolds?
01:20:42I didn't have one. I'd never met her.
01:20:45So how did you come to be in the same room when she was killed?
01:20:48After Ray fired me, I didn't know what to do, where to go.
01:20:53I had nowhere to sleep.
01:20:55Because the restaurant was your home.
01:20:57As soon as I got the job, I slipped Ray's key off of his ring one day and I got
01:21:02a copy made.
01:21:03It was a way to save money and, I mean, you know his alarm code.
01:21:08Five, six, seven, eight.
01:21:09Too easy, right?
01:21:12So after Ray shut the place, I went back in.
01:21:20I needed to get out of my heels and sequins.
01:21:35And I fell asleep.
01:21:37And then I woke to voices.
01:21:40Coffee?
01:21:41Keeps me up.
01:21:42Like Frank used to, all night.
01:21:45I figured if I just stayed still, they would do what they had to do and leave.
01:21:50It was none of my business.
01:21:52I just needed a place to sleep.
01:21:54And then I heard the fight.
01:21:56You bitch!
01:21:57Get out of my brother's triturium!
01:21:59See the arrest for a little one!
01:22:01Ow!
01:22:02Get out of my mouth!
01:22:03Get out of my mouth!
01:22:04Go, you stupid cow!
01:22:20Oh, no!
01:22:24Oh, no!
01:22:24Oh, no!
01:22:41İzlediğiniz için teşekkür ederim.
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