- 5 days ago
A group of people enter an old movie studio and are suddenly confronted with a variety of strange phenoma. Among other things they are transported through time
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Short filmTranscript
00:00:28Transcribed by ESO, translated by —
00:00:58Transcribed by —
00:01:28Transcribed by —
00:01:59Transcribed by —
00:02:29Transcribed by —
00:02:59Transcribed by —
00:03:28Transcribed by —
00:03:30Can't we wait a few minutes until my cameraman gets here?
00:03:34We can't wait too much—
00:03:48Mike, where have you been? We've all been waiting for you.
00:03:51I'm sorry, I had to cover an armed robbery on the other side of town. I just lost all track
00:03:55of time.
00:04:02Angela.
00:04:05Angela?
00:04:13I think we'll start in the main studio. This way.
00:05:11What a mausoleum.
00:05:13It hasn't been used in decades.
00:05:15Wonderful, isn't it?
00:05:18Mike, let's use this as the background.
00:05:24What was that?
00:05:26Probably rats.
00:05:27Rats?
00:05:29God, Roger, why'd you drag me down here today?
00:05:31Look, tagging along with a professor's got to be worth at least half a grade point.
00:05:36It'll give me an A.
00:05:37It might even pass you.
00:05:39So just be quiet and act interested, all right?
00:05:43Do you have enough light for me?
00:05:46Trust me, you'll be fine.
00:05:49Now, after my opening, I'll motion for Professor Hill to join me.
00:05:53It smells in here.
00:05:55It's just stale air.
00:05:57It could be residue from film processing chemicals.
00:06:01We used to do all that in-house here.
00:06:03Smells more like somebody died to me.
00:06:06Unfortunately, it's the building that's going to die.
00:06:10Within a year, this will just be another modern chrome and glass tombstone.
00:06:15Mike, can you hurry up?
00:06:16I don't want to be stuck in this dump all day.
00:06:20The right side.
00:06:22Ready?
00:06:24Three, two, one.
00:06:27This is Angela Markell, News 3, with the Midwest Historical Society,
00:06:32inside the soon-to-be-demolished Dunbar Film Studios.
00:06:36With me is Professor...
00:06:43Angela?
00:07:06Angela, wait!
00:07:14Karen, stop!
00:07:16You don't know where you're going!
00:07:32Angela, damn it, stop!
00:07:34Now!
00:07:39Now!
00:07:40Wait!
00:07:52You don't know where you're going!
00:07:54You know where you're going!
00:07:54Go D.
00:08:03I know where you're the WithinS prison is!
00:08:03This one's gone.
00:08:04This one's gone.
00:08:06You never know where you're going!
00:08:07I know where you're going.
00:08:16But 그림, where you're going in.
00:08:16Angela!
00:08:24Angela!
00:08:58Angela!
00:09:23Come on, lady, I don't need this shit.
00:09:38Angela!
00:09:48Help me, am I?
00:09:53Angela, just keep talking.
00:09:55I'm trying to find you.
00:09:56Mike!
00:10:01Help me!
00:10:07Please!
00:10:34Oh, God!
00:10:36Oh, God!
00:10:37I saw you, I heard you, but you were so far away.
00:10:40So far away!
00:10:42Okay, I was all right.
00:10:43All right.
00:10:44You looked right at me.
00:10:45You started to move away.
00:10:46I called you, but you just looked at me.
00:10:48Angela, stop!
00:10:49It's over now.
00:10:50You're all right.
00:11:02What happened to the others?
00:11:05We must have gotten separated somehow.
00:11:07Does anyone have an idea where we are?
00:11:10Well, if I remember the blueprints correctly,
00:11:13we should be in the old production wing.
00:11:16What the hell happened back there?
00:11:19I don't know.
00:11:21Vagrants, street people, gangs.
00:11:23Could be anybody.
00:11:25Is there any way out of here?
00:11:27I'm sure there is, but it isn't locked or boarded over.
00:11:30Well, what about the others?
00:11:31Who knows what happened to them?
00:11:32And what if those killers come after us?
00:11:34Run like hell.
00:11:35How do you outrun a spear?
00:11:37I'd like to see you try that from...
00:11:52I don't know.
00:11:53Hello?
00:11:55Help us, please.
00:11:56Somebody.
00:11:57Hello?
00:11:58Hey.
00:12:00Look at this.
00:12:02It's fresh.
00:12:03Police, somebody's been here recently.
00:12:05Operator.
00:12:06Operator, help us.
00:12:07We're...
00:12:09I got someone.
00:12:10Tell them that we're in this building and we can't get out.
00:12:16Roger!
00:12:17Get out!
00:12:21What the hell?
00:12:23Out!
00:12:29Mike, what happened in there?
00:12:30What's going on in here?
00:12:31I don't know, Angela.
00:12:32Something's really screwy here.
00:12:34Let's just get back to the other people, okay?
00:12:35Okay.
00:12:49What?
00:12:50Oh!
00:12:54Boy, am I glad to see you.
00:12:56Same here.
00:12:57Where are the others?
00:12:58Her guess is as good as mine.
00:12:59Roger, get me out of here now!
00:13:02Would you be quiet?
00:13:03I'm with her.
00:13:03We've got to find a way out of here, but fast.
00:13:05Oh, what do you think we've been trying to do?
00:13:07Hey, guys.
00:13:08We're wasting time.
00:13:09Let's go.
00:13:15Oh, shit!
00:13:16It's all right.
00:13:17We'll look for another way out.
00:13:18Well, all we found is these fucking boarded up windows.
00:13:21There has to be an exit somewhere.
00:13:22A back door.
00:13:23A loading dock.
00:13:24Something.
00:13:24We've seen nothing to indicate that they wouldn't be boarded up also.
00:13:27Well, maybe we'll find the others.
00:13:29Well, maybe somebody's already found them.
00:13:31What do you mean?
00:13:32Well, maybe they're dead.
00:13:34It's all right.
00:13:35We'll find another way out.
00:13:37But it won't be through these windows.
00:13:40Let's go.
00:13:53What do we do now?
00:13:55This way.
00:13:56This way.
00:14:02Did you see how those windows were boarded over?
00:14:05What?
00:14:07What do you mean?
00:14:07They were boarded over from inside.
00:14:09It's as though they were meant to keep people from getting out instead of in.
00:14:30they're in.
00:14:31What the hell?
00:14:36Professor Lewis.
00:14:48the film boat yeah
00:14:53the return of dj and uh oh corman gang bisqueen reef nordsik's big break see you next wednesday
00:15:06arcos outlaws we hit the jackpot now that's all trash look what i found star is born 1954 complete
00:15:16complete napoleon 1927 oh my god complete
00:15:24london
00:15:29my god what is it london after midnight
00:15:40why are you with some nitrate let's hope not
00:15:49safety stock
00:15:55hold up your light london after midnight
00:16:06damn it what's the matter it's only part one
00:16:19hg we don't have time to look through all this we gotta come back later why we gotta keep up
00:16:26with
00:16:26everybody else come on let's go we'll come back later hey where are you going with that
00:16:33i'm taking it with me no no no no no no no if you take that out of here
00:16:38the archive people i'll take that away from you well let's let's come back later with a big truck
00:16:43quietly don't tell anybody what we found just come back get it all take it back to our own basement
00:16:50okay hide it all right
00:17:08hey wait a minute what is it we'll go this way
00:17:18these look like offices this was the executive office area certainly seen better days
00:17:29after midnight
00:17:36bowery after midnight
00:17:58what the hell did we walk into don't you mean where more like when
00:18:06miss miss miss miss
00:18:10trust me walt stick with the rabbit the mouse will never work excuse me
00:18:22what happened where did all the people go wherever they went they took all the furniture with them
00:18:28professor hill what's going on here i don't know exactly
00:18:32lane wasn't this from the early 60s
00:18:34uh 1957 i think huh 1957 1958 there's nothing newer than 1960. in here
00:18:55i knew we'd find one on board a window in this place wait look out the window
00:19:00i don't see it ain't just fog that's just it all there is out there is fog
00:19:04so what we know it's outside do we
00:19:08i'm going out are you coming but what if it's too far down
00:19:11oh no no we never left the first floor can't be more than eight or ten feet shouldn't we check
00:19:15it out first why it's just a window geez what's the matter with you do you want to stay in
00:19:20this
00:19:30oh
00:19:31what the hell was that stuff it smelled like some kind of acid
00:19:41oh my god he's still out there what the hell are you doing what are you doing that's something
00:19:47he nearly killed us but wait he couldn't last long in that
00:19:53maybe he got through maybe there's nothing we can do for him now
00:20:00look we'll leave the shutters unlocked in case he tries to make his way back
00:20:18Professor Hill what what's wrong Mr. Prescott what is it are you all right it
00:20:23burns oh I must have gotten a face full of that fog I'll be okay but your hands
00:20:31they're all red must be from the fog it'll burn can you see well enough to
00:20:38continue I'll be okay yes let's continue
00:20:59do you think Wayne could have made it I don't know if you move fast enough maybe
00:21:07Christ I didn't even see that stuff come into the room
00:21:17this place is like a maze everywhere you turn there's another damn hall it was designed on
00:21:21a square pattern each hall ends at the beginning of another the designer of this place must be the
00:21:27same guy that works in all those carnival halls of mirrors this one thing I've learned it's a
00:21:31common sense is never a prerequisite for architecture judging by what we've seen
00:21:35neither is good taste on the blueprint that Sam
00:21:42are you and Sam close he was a nice guy we worked together for a couple years
00:21:50Catherine Elliott Mike Romero what brings you here well I'm with the city's
00:21:55redevelopment commission you mean they're gonna try and fix this place up at one time
00:22:00some reason it never happened the blueprints that Sam hit we brought show every little
00:22:09nook and cranny of this place we could sure use those now we could use an uzi and a grenade
00:22:13launch or more
00:22:20what is it I don't know I thought I saw something god no not again
00:22:27it may be the others wait here I'll go see
00:22:32just wait here everything will be all right
00:22:35I'm going with you
00:22:38what if it's not the others then the odds are better for two of us
00:22:41I'm pretty feisty for an architect
00:22:56what if someone comes
00:22:58we haven't seen anyone in this part of the building yet
00:23:00see the way I got it figured those people that attacked us in the studio took off before
00:23:04the cops could come then what are the architect and the camera doing looking for shadows
00:23:11we've got to get out of here I've got to get back to the six o'clock
00:23:23what the hell happened here this uh this thing from from the mirror it's uh she just
00:23:33the thing from the mirror I read it just reached out and grabbed her
00:23:39what you mean grabbed her
00:23:40this this hand like thing
00:23:44what thing
00:23:45I don't know it just it came out it was a hand
00:23:48but it only had three fingers
00:23:51Mr. Weller
00:23:53did you see what happened
00:23:56Weller
00:24:12yes I did
00:24:21I don't believe it
00:24:26is she going to be all right
00:24:27no I won't be all right
00:24:29look I don't know what the fuck is going on around here
00:24:32but we got to get out of here right now
00:24:33all right all right just calm down
00:24:34if we panic we'll be easy targets
00:24:36what do you think we should do then
00:24:38I think we should calm down and think about this
00:24:45you okay
00:24:48good as can be expected I guess
00:24:49Catherine
00:24:51Catherine
00:24:56I knew I could you
00:25:04what happened here
00:25:05I'm not sure
00:25:08what do you mean you're not sure
00:25:09I don't know
00:25:11maybe it was those crazies that attacked us
00:25:13was it them
00:25:14no
00:25:15I mean I don't know
00:25:16why don't you know
00:25:17look I wasn't here when it happened all right
00:25:20they tell me that someone or something
00:25:23came through that mirror and grabbed her
00:25:25someone's missing
00:25:26what
00:25:27someone's missing
00:25:28is there anyone else with you
00:25:31no
00:25:33Wayne's
00:25:33where is he
00:25:35he's dead
00:25:36we don't know that
00:25:37what else could have happened to him
00:25:39you may have gotten out
00:25:40not for that stuff
00:25:41all right all right save it
00:25:42the important thing is now that we're all together
00:25:44we find a way out of here
00:25:45just who put you in charge
00:25:47look have you got a better plan
00:25:50anybody speak up
00:25:55come on
00:26:00go
00:26:01go
00:26:10go
00:26:12go
00:26:12go
00:26:12go
00:26:24go
00:26:45Cam, it's locked.
00:26:47Hold that.
00:27:15The elevator shaft.
00:27:16The exit to the roof should be nearby, then.
00:27:19Over here.
00:27:23Give me your flashlight.
00:27:31The only way I could get into my locker at high school.
00:27:33I kept forgetting my combination.
00:27:39Stand still.
00:27:42You'll be okay.
00:27:44Moisten your fingers and clean out your eyes.
00:27:48Better?
00:27:50Yeah.
00:27:51That's some wicked shit out there.
00:27:52So much for that brilliant idea.
00:27:54Now we'll do things my way.
00:27:57Let's go down to the garage.
00:28:06What do you think?
00:28:09Mike?
00:28:10What is it?
00:28:12Oh.
00:28:14I'm not sure.
00:28:16You're not upset about the change of command, are you?
00:28:19No.
00:28:20Anyway, I don't think I was cut out to be a general.
00:28:40I can't believe I followed him up there.
00:28:43He could have killed us.
00:28:44Well, it seemed like a good idea.
00:28:46It seemed like nothing.
00:28:47What the hell does a damn cameraman know about this building?
00:28:50My grandfather designed it.
00:28:52I've been studying it for years.
00:28:54If anyone knows anything about this place, it's me.
00:29:16Nothing.
00:29:56All right, let's keep on moving.
00:29:58Where the hell are we going?
00:29:59We're going down to the main entrance.
00:30:01We should be able to get out the front doors.
00:30:12Come on!
00:30:43Come on!
00:30:46Come on!
00:30:54It's a film reel!
00:30:57Did you find anything?
00:30:59Just these papers, huh?
00:31:00I can't even make those out.
00:31:02That must be where he jumped from.
00:31:04Is that the crazy that attacked us?
00:31:06Maybe.
00:31:07Maybe that he's not responsible for what happened to Angela.
00:31:11I didn't know better.
00:31:14What are you thinking, Mike?
00:31:16I don't know.
00:31:17I don't know.
00:31:17It's just...
00:31:19It seems like we've been cut loose in time.
00:31:22That's ridiculous.
00:31:23I know.
00:31:25It just seems like nothing exists except the fog and the building and what's in the building.
00:31:29But what's in the building doesn't belong.
00:31:33I mean, look at him.
00:31:35He looks like he's been staggering around here for years.
00:31:37But that's not possible.
00:31:39You're nuts.
00:31:40All this strain must be making you crack.
00:31:44Maybe.
00:31:51I mean, look at his eyes.
00:31:55You're next.
00:31:58What about Jeremy?
00:32:03It's too late for him.
00:32:05We've got to think about ourselves.
00:32:45We've got to think about ourselves.
00:32:54We've got to think about ourselves.
00:33:00We've got to think about ourselves.
00:33:01We've got to think about ourselves.
00:33:03We've got to think about ourselves.
00:33:03We've got to think about ourselves.
00:33:03We've got to think about ourselves.
00:33:03We've got to think about ourselves.
00:33:04We've got to think about ourselves.
00:33:04We've got to think about ourselves.
00:33:06We've got to think about ourselves.
00:33:07We've got to think about ourselves.
00:33:07We've got to think about ourselves.
00:33:10We've got to think about ourselves.
00:33:17This whole damn place is an anachronism.
00:33:22What happened to all the people here?
00:33:24I doubt they ever existed.
00:33:32No, I can't stand there.
00:33:35No, no, I can't stand there.
00:33:39Dad, Dad, help.
00:33:40Dad, help.
00:33:41Stop, stop, stop.
00:33:42No.
00:33:44Stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it,
00:33:48stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it,
00:33:49stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it,
00:33:53stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it,
00:33:53stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it,
00:33:53stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it,
00:33:55stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it, stop it,
00:33:57stop it, stop it, stop it, stop it, stop
00:34:06Get up!
00:34:08Get up!
00:34:13Get up!
00:34:15Get up!
00:34:19Get up!
00:34:22Let me please.
00:34:24Get up!
00:34:26Get up!
00:34:38What the hell was that thing?
00:34:41Looked like an oversized cockroach.
00:34:43I'll bet this place is full of them.
00:34:45Great. It's not enough with everything else in here.
00:34:47We've got to deal with metamorphic killer cockroaches.
00:34:49Which is why it's so imperative that we know where we're going.
00:34:53What do you mean?
00:34:54I mean, we need a plan of action. We can't just wander around like this.
00:34:56If that crazy doesn't get us, the fucking bugs will.
00:34:59He's got a point.
00:35:00What have you got in mind?
00:35:05How many floors did you say there were to this place?
00:35:07Two, in a basement.
00:35:09When we were in the elevator service room, I looked down the elevator shafts, and I saw five floors.
00:35:14Well, that can't be. This building only has...
00:35:16No, no, no. Those are the sublevels.
00:35:18Sublevels? What sublevels? They weren't indicated on the blueprint.
00:35:21There was no need to. They were designed to service a subway system.
00:35:25You mean there's a subway under here?
00:35:26No, it was never finished. Construction was abandoned after less than a year.
00:35:30Then what's behind those two lower doors?
00:35:31Probably nothing. The tunnels were filled in once the project was scrapped.
00:35:35Are you sure?
00:35:36There was never any talk of anything below the basement.
00:35:39That doesn't mean the tunnels don't exist.
00:35:41Look, let's go downstairs and see if we can't find an entrance to those levels.
00:35:44If the tunnels do exist, they may lead us under the fog.
00:35:47Maybe even to the other side.
00:35:48If there's an exit, a tunnel, or even another side to the fog...
00:35:51We don't have a hell of a lot to lose.
00:35:53Oh, you've said that before.
00:35:55I still mean it.
00:36:12They don't know their ass from a hole in the ground.
00:36:15Come on.
00:36:24There's got to be a basement entrance around here somewhere.
00:36:31Mike, here!
00:36:40It's locked.
00:36:41Can't we break it down?
00:36:41Well, this thing's solid steel.
00:36:44There's stairs going down behind this.
00:36:46Any other way to the basement?
00:36:47No, only this and the elevator.
00:36:50The elevator.
00:36:52We climb down.
00:36:54Give me something to pry these doors open with.
00:36:57Hey, how's this?
00:37:01Where's Roger and Jeannie?
00:37:03I don't remember them coming downstairs with us.
00:37:05Oh, fine.
00:37:07Keep working on the doors.
00:37:08I'll go look for them.
00:37:09I'll go with you.
00:37:11Well, I'm no use here.
00:37:13Besides, you could use an extra set of eyes.
00:37:21Why did you drag me with you today?
00:37:24We could have gone to the movies like we planned, but no.
00:37:27You had to brown-nose your professor.
00:37:29I'm sick and tired of hearing about this movie shit.
00:37:33Hell.
00:37:34Might as well have my dad by this place and tear the damn thing down.
00:37:51Wait a second.
00:37:52My feet are killing me.
00:37:54Break.
00:37:55Yeah.
00:38:00Why quite do you suppose they ran off?
00:38:02I mean, Jeannie was scared to death.
00:38:04Don't you recognize that kid?
00:38:07That is young Roger Agar, who is probably very used to getting his own way.
00:38:12Agar, of course.
00:38:13Agar and Temple Industries.
00:38:15I didn't connect it.
00:38:16He's panicking.
00:38:18I used to see a lot of that when I was on assignment in the Mideast.
00:38:21What were you doing in the Mideast?
00:38:23Just shooting the news.
00:38:25Trying to keep my ass in one piece.
00:38:28Anyway, Roger's just a scared kid.
00:38:29He wants to take his toys and go home.
00:38:31Oh, you think Jeannie's one of his toys?
00:38:34Something like that.
00:38:36I don't know.
00:38:36Maybe she smells money.
00:38:38She follows him around like a puppy.
00:38:40Now, wait just a second.
00:38:42I've been following you.
00:38:45Hell, you're no puppy.
00:38:48And I don't have any money.
00:38:51Tell you what.
00:38:52We get out of this and I'll buy you dinner.
00:38:55Dinner.
00:39:22Great.
00:39:23Now we're lost.
00:39:24No, we're not.
00:39:25Just a little further.
00:39:26Let's go back and find the others.
00:39:28Come on.
00:39:45What is it?
00:39:47What is it?
00:39:48There was another bug.
00:39:49Well, you forget the damn bugs.
00:39:57What is this junk?
00:40:01Looks like more of that film shit.
00:40:04Let's go.
00:40:07Come on.
00:40:18I told you they didn't know what the hell they were talking about.
00:40:28Shit.
00:40:31I don't see any fog.
00:40:39Jeannie!
00:40:40Jeannie, help!
00:40:43Thanks.
00:40:45Thanks.
00:40:57I love you.
00:41:00Oops.
00:41:28What is it?
00:41:30I don't know.
00:41:30I just have the feeling someone's watching us.
00:41:47I could have sworn this is the room it went into.
00:41:49Me too.
00:42:08I'll be damned.
00:42:11I don't know where it could...
00:42:21Oh, Jesus Christ.
00:42:23Oh, my God.
00:42:24What the hell could have done this?
00:42:34Oh, my God.
00:42:39It's Jeannie.
00:42:44Where's Jeannie?
00:42:45I don't know.
00:42:47This looks like only one person.
00:42:51Oh, Mike. His head. Where's his head?
00:43:19Oh, Mike.
00:43:31Watch out.
00:43:33Move.
00:44:00What the hell were those things?
00:44:02I don't know, but they sure weren't very well put together.
00:44:05They don't smell so hot either.
00:44:13Let's get a little light on the subject.
00:44:18Mike!
00:44:26Quick! In here!
00:44:36This way!
00:44:47Who are you people?
00:44:49We just sort of got lost in here.
00:44:51It's a long story.
00:44:53Great.
00:44:54I don't know if I have to chase a purse snatcher in his rat trap.
00:44:56I run across two loonies.
00:44:57Wait a minute. You just ran in here?
00:44:59What about the fog?
00:45:00What fog?
00:45:01It's the middle of summer.
00:45:02Just what the hell are you people doing in here anyway?
00:45:04Just trying to get out.
00:45:07Alive.
00:45:08Mike, you're hurt.
00:45:09No, that's nothing.
00:45:11No, that's nothing.
00:45:11Here.
00:45:12Hold up.
00:45:15Tie it tight.
00:45:23Do you know those people back there?
00:45:25No.
00:45:25No, not at all.
00:45:27Probably just more drugged up hippies.
00:45:29This convention duty is a real pain in the ass.
00:45:31The riot's got everyone working overtime.
00:45:33Riot?
00:45:35At the convention.
00:45:36You been out of town or something?
00:45:37What convention is this?
00:45:39Geez, the Democratic National Convention.
00:45:42Hey, live with me.
00:45:42Are you people high or what?
00:45:44I swear the whole fucking country's going nuts.
00:45:47I just hope Nixon wins.
00:45:49He'll clean up this crap and get the country on the right track.
00:46:06Wait.
00:46:07Wait.
00:46:08Let's try it here.
00:46:11It's no use.
00:46:12We need more leverage.
00:46:15No.
00:46:16Well, take it easy.
00:46:17It's us.
00:46:19Police?
00:46:19Oh, thank God.
00:46:21Get us out of here.
00:46:22Please.
00:46:22Get us out.
00:46:24What happened to you two?
00:46:26Where's Roger and Jeanie?
00:46:27Dead.
00:46:29We would be, too, if you hadn't stepped in.
00:46:32Can you get us out of here?
00:46:33What's the big deal?
00:46:34Quit messing with the elevators and just walk out.
00:46:36Well, what about the fog?
00:46:38What fog?
00:46:38It's a nice day out.
00:46:40You people are on something, aren't you?
00:46:42No, we just want to get out of here.
00:46:44So get moving.
00:46:46Hell, let's just break a window and drop to the street.
00:46:48Officer, my God, wait a second.
00:46:57No, wait.
00:46:58Oh, come on.
00:46:59Look, little lady.
00:47:00Let's just quit messing around.
00:47:02Get the hell out of here.
00:47:06Mike!
00:47:07Hey, hey, hey.
00:47:08Officer, I'm sorry, but I can't let you open that window.
00:47:11Why the hell not?
00:47:12Officer, we've all experienced the fog.
00:47:15It killed one of us.
00:47:16I've been burned by it.
00:47:17You just keep talking about this fog.
00:47:19What fog?
00:47:20All right, let me...
00:47:21Get over here.
00:47:22Open the window just a little bit.
00:47:25I'll stick this out.
00:47:26I'll show it.
00:47:28Cover your face.
00:47:29Your eyes.
00:47:31Set.
00:47:33One.
00:47:34Two.
00:47:35Three.
00:47:47The hell is that shit?
00:47:48That stuff wasn't out there when you came in.
00:47:50No.
00:47:51All right, look.
00:47:51Somebody better fill me in on what the hell's going on around here.
00:47:54Later.
00:47:54Right now, we've got to get those elevator doors open.
00:47:56Look, we think there may be tunnels underneath the building that lead under the fog.
00:48:00The only thing we know for sure is that it can't be any worse than what we found up here.
00:48:19Come on.
00:48:24But how do we get down?
00:48:27Wait a minute.
00:48:30I think this will work.
00:48:33That's tough enough.
00:48:34Tie off the other end.
00:48:35I'll slide down and open the entrance to the next level.
00:48:44Got it?
00:48:45Yeah.
00:48:52Okay, there should be an emergency latch on the upper left side.
00:48:55Slide it up and the door should open.
00:48:59I got it.
00:49:00Okay.
00:49:01Who's next?
00:49:03I'll go.
00:49:06We might need these.
00:49:20It doesn't look like anybody's been down here for a while.
00:49:24Uh, Professor Hill?
00:49:25Kara, what's wrong?
00:49:26I feel faint.
00:49:27My God, she's exhausted.
00:49:29She's not the only one.
00:49:31We could use a little rest.
00:49:32We all need one.
00:49:34All right, just a few minutes.
00:49:35Those things could still track us down here.
00:49:47All right, it looks safe enough.
00:49:52It's okay.
00:49:53It looks like a vault.
00:49:55I think we'll be safe in here.
00:50:02I think we should close the guard just in case.
00:50:04I'll do it.
00:50:05I'm not tired.
00:50:06Besides, I'm too confused after all the crap you've been handing me already.
00:50:09All right, 30 minutes.
00:50:10No more, no less.
00:50:13And then they came out of nowhere.
00:50:14They were all dressed alike.
00:50:16Mm-hmm.
00:50:16They're certainly not hippies.
00:50:19This is strange material.
00:50:21And green blood yet.
00:50:24Christ.
00:50:25Where did these creatures come from?
00:50:27Come on.
00:50:36Boy.
00:50:38Aren't we a pair?
00:50:39We look like Mr. Spock threw up on us.
00:50:43Sometimes I think you take things too lightly.
00:50:46Honey, I have to.
00:50:47If I didn't, I'd go nuts.
00:50:49Need to do that in your kind of work?
00:50:51All the time.
00:50:54You know, it's funny.
00:50:55That's one of the reasons I moved back here.
00:50:57To get away from that kind of thing.
00:50:59Geez, if I wanted this kind of excitement, I could go to Lebanon or Nicaragua.
00:51:03I could even move back to New York.
00:51:07Great Scott.
00:51:08What happened to you?
00:51:09I don't want to talk about it.
00:51:11I don't want to even think about it.
00:51:13It's okay.
00:51:14You're gonna be all right.
00:51:15No, we're not.
00:51:16We're all gonna die.
00:51:17No, you're not.
00:51:18You think those old subway tunnels still exist?
00:51:22I don't know.
00:51:24Maybe they do.
00:51:25Maybe they don't.
00:51:26I mean, none of this.
00:51:27Nothing we've seen should exist.
00:51:32You know, I've never tell him this.
00:51:35But I'm beginning to think Mike might be right.
00:51:38We...
00:51:39We seem to be caught and spent a distortion of time.
00:51:42That sounds like one of Wayne's stupid science fiction movies.
00:51:47Wayne.
00:51:49I can't get him out of my head.
00:51:52He'd still be alive if I hadn't brought him.
00:51:56Everyone would be if I had dragged them here.
00:52:01Grandstanding professor trying to get himself on television.
00:52:03I don't know what I mean.
00:52:04Can we go on?
00:52:3230 minutes already?
00:52:38What is it?
00:52:39There was someone over there.
00:52:40There's nothing there now.
00:52:43You probably had a bad dream.
00:52:45I mean, this building...
00:52:46I wasn't dreaming.
00:52:47Nothing's been in or out of this room.
00:52:49Plus, I went to the walls.
00:52:51In this place, that's a very real possibility.
00:52:53Well, whoever it was is gone now.
00:52:55I think we should be, too.
00:52:57We've all had enough...
00:52:59You were supposed to wake us after 30 minutes.
00:53:01So?
00:53:02It's only been 10 minutes.
00:53:03Like hell, it's been over two hours.
00:53:05Oh, get out of here.
00:53:06It's running fine.
00:53:07It's only 10.15.
00:53:09I've got 4.30.
00:53:117.28.
00:53:13How about 1.20?
00:53:16It must have been a magnetic disturbance of some kind.
00:53:19That wouldn't affect a digital watch, would it?
00:53:21This is weird.
00:53:23This is too weird.
00:53:26Shit, I've been walking this beat for years...
00:53:27and I ain't never even heard of the Dunbar Brothers' place.
00:53:30Everybody's watches are screwed up.
00:53:32I ain't never even seen a watch like that before.
00:53:34Look, I want some explanations about the shit that's been going down around here.
00:53:37You don't have any explanations.
00:53:40All we have are guesses.
00:53:43Can you give me today's date?
00:53:45The date?
00:53:45It's the 26th of August.
00:53:47What year?
00:53:48What do you mean, what year?
00:53:49It's 1968.
00:53:51Well, well, that explains Nixon.
00:53:53What do you mean by that?
00:53:54Somebody better explain what the hell's going on here.
00:53:58Officer, what city are we in?
00:54:00Chicago.
00:54:02What the hell is going on here?
00:54:03Where are you people from, anyway?
00:54:06About 600 miles and 18 years away.
00:54:10What the hell are you people talking about?
00:54:12Look, it's all just guesswork.
00:54:14We really don't know anything more than you do.
00:54:15But the one thing I do know is that we've got to get out of here.
00:54:18Officer?
00:54:41Holden, you've still got some explaining to do.
00:54:44Dr. Hill, where do you think those sub-level entrances should be?
00:54:47Well, there should be a construction entry at the other end of the building.
00:54:51They probably filled it up years ago, though.
00:54:54There's only one way to find out for sure.
00:54:56Let's go.
00:55:17Why don't we just climb down the elevator shaft to the next level?
00:55:20If they filled those in, we'd be met by tons of rock when we opened the doors.
00:55:23Even if they weren't clear, I'm sure they must have welded
00:55:26those elevator doors shut years ago.
00:56:08London After Midnight, Part Two!
00:56:26H.G.? H.G.? He was right behind us. I know he was.
00:56:31It's all right. We'll find it.
00:56:32No, we won't. This building's got him. Just like it's got the others. Just like it's going to get us.
00:56:40What the hell is that?
00:56:41H.G.? Is that you, H.G.?
00:56:44Sounds more like a woman. It could be a trap.
00:56:48Wait here. I'll check. Not alone, you won't.
00:56:50Look, just give me 30 seconds.
00:56:51I'll give you five seconds to shut up.
00:56:54Let's go.
00:56:58Everybody, just stay put.
00:57:00Catherine.
00:57:00Just stay here.
00:57:16Don't be afraid. I won't hurt you.
00:57:35It's okay. Everything's all right. We're lost here just like you are.
00:57:40Wait. Who?
00:57:42It's my friends and I.
00:57:43Is she okay?
00:57:44I think so.
00:57:45Who is she?
00:57:46She's okay. It's okay. He's a police officer. See?
00:57:54Mary.
00:57:57Mary.
00:57:57Mary.
00:57:58Mary.
00:57:58Mary.
00:57:58Thank God. Thank God I found you.
00:58:04Arthur.
00:58:07Arthur.
00:58:13Arthur.
00:58:14Arthur.
00:58:17Arthur.
00:58:18Your face.
00:58:19What happened to your face?
00:58:21You looked.
00:58:22Older.
00:58:23I know.
00:58:24You know this woman?
00:58:27Yes.
00:58:30This is Mary Prescott.
00:58:31My wife.
00:58:33Wife?
00:58:34You didn't tell me you were searching for someone in here.
00:58:38I didn't know we were.
00:58:39Why did you go?
00:58:41I've been lost in here for hours.
00:58:44Where's Mark and Linda?
00:58:47Mark's dead.
00:58:48I don't know about Linda.
00:58:52I took this from him after he attacked us.
00:58:55You mean you knew that crazy man?
00:59:00I didn't recognize him at first.
00:59:04Not till he was dead.
00:59:05Will someone please tell me what the fuck is going on here?
00:59:08I'll tell you what I know.
00:59:11Mike's guessed most of it.
00:59:13Not about her I haven't.
00:59:14Where does she fit into this?
00:59:17Fifteen years ago,
00:59:18Mary and I,
00:59:19along with another couple,
00:59:20Mark and Linda,
00:59:20were vacationing in England.
00:59:21Wait a minute.
00:59:22What the hell does this have to do with anything we're going through?
00:59:25Quiet.
00:59:25Let him finish.
00:59:28We were exploring an old castle that the locals had said was haunted.
00:59:33I left my camera in the car and went back to get it.
00:59:37Just as I got outside,
00:59:38a strange noise filled the air.
00:59:41The same noise we heard in the studio upstairs.
00:59:45The entire castle vanished.
00:59:48Just for a moment.
00:59:50And slowly reappeared.
00:59:52I ran back inside,
00:59:53but the building was empty.
00:59:58Why is she here now?
01:00:02After her disappearance,
01:00:03I began studying reports of similar occurrences.
01:00:08I found a pattern,
01:00:09a traceable pattern.
01:00:12And I knew what was going to happen to this building today.
01:00:15You mean you let us come in here knowing that some of us might die?
01:00:19I swear,
01:00:19I didn't know anything about the fog or the creatures or anything else in here.
01:00:24All I knew was that the time shift of the castle would intersect today with the time shift of this
01:00:29building.
01:00:29Sounds like some sort of Bermuda Triangle thing.
01:00:32Yes, the same phenomenon, just a different place.
01:00:36Arthur, what about the other things in here?
01:00:38I don't really know.
01:00:41I imagine that they've been caught in time shifts like we have.
01:00:48Conceivably they could be from anywhere.
01:00:49Any time, any world.
01:00:52Arthur, you wouldn't have come in here unless you thought you could get her back out.
01:00:57Time shifts occur in about a split second of time in our world.
01:01:02When that second is up,
01:01:05this building, like the castle, will return to its proper location and place in time.
01:01:09All right. But how do we get out?
01:01:13I believe that if we are near an exit when the building stops,
01:01:17we can escape before it sweeps its inhabitants into another shift.
01:01:22But wait a minute.
01:01:24Why does she think it's only been a couple of hours when that crazy man, Mark,
01:01:29he looked like he'd been through years of hell?
01:01:31I may be the cause of that.
01:01:34I think I represent a physical link between the two shifts, Mary's and ours.
01:01:40I must have thrown the whole thing out of whack,
01:01:42causing random time shifts to sweep throughout the building.
01:01:48We've encountered some of them.
01:01:50So did Mark with very destructive results.
01:01:53Why the hell didn't you say something earlier when we could have...
01:01:56Would you believe me then?
01:01:57I'm not sure I believe you now.
01:01:58It doesn't matter what we believe.
01:02:00It's our only hope.
01:02:02I don't understand.
01:02:03We've got plenty of time to understand.
01:02:05Right now we need to find H.G. and find those tunnels.
01:02:28That damned H.G.
01:02:31Why would he take off by himself in a place like this?
01:02:33Well, maybe he's still behind us.
01:02:36Maybe we should wait for him to catch up.
01:02:38That's worth a try.
01:02:38Let's give him five minutes.
01:02:39And if he doesn't show up, what then?
01:02:41Then we move on.
01:02:43I mean, we keep an eye out for him, but we move on.
01:02:45I don't see what else we can do.
01:02:47All right.
01:02:51That's as good as a guess.
01:03:00Boy, there's a couple with a lot of catching up to do.
01:03:04Would be strange, wouldn't it?
01:03:06Hey!
01:03:08Hey!
01:03:08Hey, buddy!
01:03:25I don't like the looks of this.
01:03:52Why in the hell would he run into this mess?
01:04:01God, it stinks up here.
01:04:04I've smelled that before.
01:04:07Oh, Jesus, God.
01:04:19Get out of here!
01:04:20Oh, Jesus!
01:04:23Oh, my God!
01:04:25It's H.G.
01:04:30Run!
01:04:30Get out of here!
01:04:31Go!
01:04:32No!
01:04:37Move!
01:04:37No!
01:04:37No!
01:05:13Wait! Help us! Don't beat us!
01:05:47Did that hold? It's a solid steel fire door. Nothing could get through that.
01:05:51Nothing? There's no way to find out.
01:06:04There's no way to find out.
01:06:07Over here!
01:06:20I'm sure this is it. It's got to be. The electrical boxes, the pipes.
01:06:24They used the emergency exit as a utility conduit.
01:06:28It should run the entire length of the subway tunnel.
01:06:31And up to the surface?
01:06:32Yes, up to the surface.
01:07:11There's no way to find out that the travel engine is done.
01:07:14We can see in the end of the day.
01:07:17I've been playing with this, too.
01:07:17I've got a hard time.
01:07:18But, I was really excited to be in the park.
01:07:18It's round and down.
01:07:23There's no way to find out.
01:07:23You have to go along.
01:07:26I'm going to find out.
01:07:38I knew it! I knew this was up here somewhere.
01:07:42Now, on the other side of this, there should be a staircase that leads directly up.
01:07:49Jesus, I guess they're really nailed in here.
01:07:53Whoever put these in obviously didn't want us to get out this way.
01:08:29Oh!
01:08:41Airmen!
01:08:41The lock's broken!
01:08:43Hold this!
01:08:50All right, but that won't hold them too long.
01:08:53If you can get out to the hall, we can barricade that door.
01:08:55All right.
01:08:56All right.
01:08:58Thanks.
01:09:19Where the hell this wall come from?
01:09:21All right, back the other way.
01:09:32Let's go.
01:10:02Look, I'm sick of this.
01:10:03Do you know where we're going or don't you?
01:10:04What the hell do you want from me?
01:10:05You think I knew about that back there?
01:10:06Because if you don't, from now on, you're going to listen to me.
01:10:08Over here.
01:10:15Which way?
01:10:16What difference does it make?
01:10:17Another dead end can make a lot of difference.
01:10:19I'll check in here.
01:10:22Any sign of him yet?
01:10:23No, not yet.
01:10:25It's a dead end.
01:10:26Mine, too.
01:10:26What do we do now?
01:10:27Here they come.
01:10:31This is getting fucking ridiculous.
01:10:32We're running out of doors.
01:10:33Bring us something up here to block this door.
01:10:35What difference does it make?
01:10:36We're all dead anyway.
01:10:37Oh, no.
01:10:38It's not over until the fat lady sings.
01:10:44I wonder when they start using those things.
01:10:46Come on with that thing.
01:10:48Wait a minute.
01:10:49A minute's about all we've got.
01:10:50I think I found a way out.
01:10:52Move that thing back.
01:10:53What?
01:10:54Why?
01:10:55Just move it back.
01:10:58Bring everybody through there.
01:11:09Come on.
01:11:11Come on.
01:11:16After you.
01:11:17It's your charge.
01:11:18Keep away.
01:11:23Come on.
01:11:24Oh.
01:11:25Get it, man.
01:11:26Come on.
01:11:27Come on.
01:11:27Come on.
01:11:28Come on.
01:11:29Come on.
01:11:29Come on.
01:12:17Determined little bastards, aren't they?
01:12:29downtown subway project.
01:12:33A. Sack Newsome architect.
01:12:36Tentative completion May 1929.
01:12:44Sack Newsome.
01:12:45And I know that name.
01:12:48I should think you would.
01:12:50Every architect in this area should know that name.
01:12:53He built half this city.
01:12:56Of course, most of it's torn down now, but if not for him, this would just be another forgotten
01:13:00cow count.
01:13:02But that's a little thing.
01:13:03Oh.
01:13:06He was my great grandfather, you know, on my mother's side.
01:13:16Sack Newsome.
01:13:17That's Hungarian.
01:13:22That's Hungarian.
01:13:24This whole city where immigrants in those days, uneducated, illiterate, smart enough to know they, they wanted more than they
01:13:37had, not afraid to work for it.
01:13:41Hill, you know something about a way out, don't you?
01:13:46From here.
01:13:48The tunnels.
01:13:52They should have been filled in years ago.
01:13:54Well, that subway was my grandfather's dream.
01:14:01It turned out to be a nightmare.
01:14:05This is where he died, you know.
01:14:09Down here.
01:14:11So that's why the tunnels were never completed.
01:14:14In a way, he and several of his workers disappeared down here.
01:14:21All the workers were immigrants, too, so the story started.
01:14:26Curses.
01:14:28All that old world nonsense.
01:14:32God.
01:14:33Maybe it wasn't nonsense.
01:14:37Anyway, the whole project died with my grandfather.
01:14:42Papa!
01:14:43Oh!
01:14:58I am alone now.
01:14:59My two companions have already met their fate with a creature that must have been sent from the very bowels
01:15:07of hell by Satan himself.
01:15:10I have returned to seek sanctuary here in the queue.
01:15:16Because my condition prevents me from going any further.
01:15:21Please tell my wife that I love her.
01:15:25Signed, Arnie Sacknesson.
01:15:27September 22nd, 1928.
01:15:33The Indians said that spirits walked this land.
01:15:37My grandfather's workers said it was cursed.
01:15:42They were there both right.
01:15:46Q.
01:15:47What do you suppose he meant by Q?
01:15:51Q.
01:15:52Q.
01:15:54Quesdrov.
01:15:57It's Hungarian for refuge, safe place.
01:16:04The tunnels should, there should be several of the tunnels.
01:16:12All will be safe like this one, and eventually lead you to the surface.
01:16:21Look for them.
01:16:25They'll get you out.
01:16:26But you're coming with them.
01:16:29No.
01:16:35I'm tired.
01:16:36I'm tired.
01:16:50No.
01:16:51No.
01:16:54No.
01:16:55No.
01:16:56No.
01:16:57No.
01:17:03I don't know.
01:17:29another one that speaks for itself how do you know it's not just going to lead to another one
01:17:35of those being nests i think we can trust sack news and symbols i wonder if he experienced the
01:17:41same things we have i think sack news and his men survived this building's last time shift for
01:17:48quite a while of course the board of doors the blocked windows they fought as long as they could
01:17:54then they hid out in the subterranean systems that they built until they died just like we're going
01:17:59to they didn't know about the time ships we do wait a minute do you feel that feel what air
01:18:07maybe that
01:18:08is our way out
01:18:13so
01:18:19so
01:18:24so
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01:18:53our cars go our cars let's just get to that damn door
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01:19:39we've got to go back what are you talking about
01:19:41wow i didn't tell you i was part of the last time shift 15 years ago i've got to go
01:19:46back with mary
01:19:47no
01:19:47he's right let's go
01:19:54remember us
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