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Bos Ili Hadžija - Epizoda 22 - Bosanska serija

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00:11To be continued...
00:30Life is, brothers, old bandit,
00:32there when it starts, everything is broken.
00:35And you don't want to beat yourself,
00:38be alive, don't want to beat yourself.
00:41We're going to get gas to the sky,
00:44a lot of wonderful everywhere around us.
00:49To your life, it's not something,
00:52or you're a fan or you're a boss,
00:55you're a fan or you're a fan or you're a fan.
01:00To your life, it's not something,
01:03or you're a fan or you're a boss,
01:06you're a fan or you're a fan or you're a fan.
01:10Pzeopcije
01:21Pzeopcije leže na stolu,
01:24snađi sve, znaš parolu,
01:27parola je, poznata oko,
01:30cilje visoko, u trižestoko.
01:33Pali motor do daske, galas,
01:36How beautiful are you all around us?
01:41This life isn't something,
01:44or you're a fan or you're a boss,
01:47you'll be the only one.
01:55Good, good, good, good, good, good, good.
01:59Check.
02:02And...
02:03It's all over.
02:05How are you?
02:07Good, how are you?
02:09How can I help you?
02:11This is Stamparija,
02:13from Murga and Stravnik.
02:15Could you ask me?
02:18He's sitting, his boss.
02:19I'm Murgin boss.
02:20I'm here.
02:22What's your job?
02:23What's your job?
02:24What's your job?
02:26Do you know about a copy of a machine?
02:29I'm not, I'm sorry.
02:30I'm not mad at all.
02:31That's why I'm not a fan of a machine.
02:33I'm not mad at all.
02:35I'm not mad at that.
02:37You're a fan of your business.
02:38I'm not mad at that.
02:39That's not the same.
02:40Murga is very weak in the field.
02:43I'm not a fan of a machine.
02:45I'm not a fan of a machine.
02:45I'm not a fan of a machine.
02:45I'm already doing this.
02:48I'm watching a video on the internet
02:49of Murga that was watching
02:51when I was streaming television.
02:53Wait, is it when I'm in the manjaar?
02:56Yes, yes.
02:57You're watching it?
02:58I'm giving it a hit from the train station to the buss.
03:03I'll be leaving.
03:04You can't let people go to the internet.
03:05No, no, no!
03:06What are the actions?
03:08What kind of people?
03:10Someone who managed to win the city,
03:13someone who was in the city.
03:15That's the standard.
03:16Yes, but there are people who are angry.
03:18No, no, no.
03:19No, no, no.
03:20That's right, young people. I'll see Murgu and Kosinan Sakic.
03:24I'll see Kosinan Sakic.
03:26Where's the young man?
03:28Sirane! Here you go!
03:29Here you go, Rođe!
03:31Where are you, Rođe?
03:33What is Rođe?
03:35Dear Sadine, where are you from?
03:37Where are you from, Rođe?
03:39Why did you call me on that call?
03:42Or you don't have internet on the planet?
03:45That's right, Rođe!
03:48Ah, you saw him?
03:50I'm going to tell you that you're an internet star.
03:53The video on TV is always a lot, Arane.
03:55And you ask me, where are you from?
03:57I love you, where are you from?
04:00Where are you from, where are you from?
04:01What's going on, Rođe?
04:03Do you know my situation?
04:05Do you see me as I am?
04:08Wait, wait, wait.
04:09I see you, you're familiar with me.
04:10Do you have two women?
04:13Yes, yes.
04:13Do you know what I mean?
04:16Do you know what, Rođe?
04:18Where are you, Rođe?
04:18We are the most famous in the region.
04:21It's worse.
04:22Yes, I am.
04:23Yes, yes.
04:23Yes, yes.
04:24Yes, yes.
04:26What are you, Rođe?
04:29What is Rođe?
04:29What is Rođe?
04:30What is Rođe?
04:32We have come here to shoot together.
04:34Yes, no.
04:36Yes, no.
04:37What is Rođe, Rođe?
04:38We were able to take two-three jacks,
04:41and I left you.
04:42And I left you from there.
04:43I left you.
04:45I left you.
04:46Yes, I left you.
04:47Yes, I left you.
04:49I don't know how to do it.
04:51If I hit you,
04:52I will do it again.
04:54I will do it again.
04:56I will do it again.
04:57Rođe,
04:57I was working on German.
05:00Yes, yes.
05:00I am going for three months.
05:02I'm running, running, running, running.
05:04and running, running away with someone and not paying our rent.
05:08Yes.
05:09I brought you back with Ukraine.
05:11Just wanted to ask you from the where you have to pay.
05:14Rođe, don't do a woman.
05:15Let me go.
05:16You have to manipulate me,
05:17but you have to take the U
05:19If you take the U,
05:20but the people who could talk about this,
05:24you should have to talk about it.
05:26Yes.
05:27If you have a problem with a woman,
05:29I have to do a problem.
05:31I have to do it when I came to the U.
05:34And the other one.
05:34How is this one?
05:36Yes, yes, yes, yes.
05:38Yes, yes, that's not what that is.
05:41It was a rythmian.
05:43What a lot of work.
05:44That's a joke.
05:46That's a joke.
05:48She's a joke.
05:50She's a joke.
05:52Who knows?
05:54And she's a woman.
05:58She's a humanitarian organization.
05:59She's a joke.
06:02Tell me what happened here.
06:04I have no job.
06:06I have no job.
06:07What if I have no job?
06:08I have no job.
06:09I have this one, a single job.
06:11For the past few years, I only pay him to pay.
06:14No, my brother.
06:16I don't want to be lazy.
06:19Why am I a man?
06:20I'm a man, but I'm a man.
06:21What should I mean?
06:23What should I mean?
06:24I know what you're doing.
06:26I know what you're doing.
06:28I know what you're doing with drugs.
06:30Yes, sir.
06:31No.
06:31My son came to me.
06:33I here with authorized drugs.
06:33They come kids personally.
06:35Even if you Bethany, do you cry?
06:37Go check that shit.
06:39You can't get them to my doctor.
06:41I'm living in my business with drugs.
06:46Really a lot of people need to be fined here.
06:50You can't forget something.
06:51You be sure I start to ngosmer 30.
06:52Right, there.
06:52You can't.
06:53You have to doDet48decins.
06:54I feel intact.
06:56You look at all the things I am.
06:56There he is, thank you.
06:57I really have to do IT now.
06:59I'm telling you what we're doing now.
07:02Excuse me, if I could, for a stupid question.
07:06How do you think, Arane, to go to work
07:09and leave two women home?
07:12I told them to go to Germany.
07:14I don't want to do it anymore.
07:17I don't want to do it anymore.
07:19When it comes to us,
07:21I said Murga.
07:22If I could, I could.
07:25Everyone has to do it!
07:26Yes, yes!
07:28You know what, contact?
07:29What?
07:30Maybe you need to go to Germany or you can go to Germany.
07:34That's what I'm talking about.
07:36I'm talking about it.
07:36I'm standing there!
07:39I'm talking about it!
07:40I'm talking about it.
07:43I'm talking about it!
07:44I'm talking about it.
07:44I just thought I would call it a little bit more.
07:49Well, hello, how are you doing?
07:52I've given you a little bit more.
07:53I'm counting on this.
07:57I'm talking about it.
07:58I'm talking about it.
07:59I'm talking about it.
08:01Now I'm telling you that.
08:02Not before, I have to talk about it,
08:04God know what you said.
08:05Go, you're listening.
08:06Put up the fuck, fuck it!
08:09You're talking about your two wives.
08:12And Murga is looking for experience with her own wife.
08:18Wait a minute, you know me?
08:20Like I saw you on TV.
08:22Yes, yes, yes.
08:24My wife knows how she is.
08:27Murga is a family.
08:29We are going to sell you.
08:30We are going to go to Sarajevo.
08:32No!
08:33Yes, you are born.
08:37We are going to look together
08:38and there is a lot of fun.
08:40Yes, yes, yes.
08:42Tell me who is better.
08:44I don't know who is better.
08:46I don't know.
08:47But, maybe, maybe,
08:50maybe, maybe, maybe,
08:51I don't know what's going on.
08:56When we are looking at the fun,
08:58we don't know that Murga is a lot of fun.
09:02You know what,
09:03you know,
09:03you have six-hooks in the world.
09:05Okay, there is Murga,
09:07we have family,
09:08we need to stay in two cars.
09:10Okay, who are you?
09:11No, Dvojica.
09:12Yes.
09:13We have two sisters and children.
09:15The mother came to her
09:17in the village,
09:19from our village.
09:20The first car.
09:22Yes.
09:22And she said,
09:23yes, you are going to her.
09:24Come on.
09:25We went to the middle school together.
09:27What am I doing?
09:28What are you doing?
09:29Let's eat it.
09:30I'm going to eat it here.
09:32There is a big portion.
09:33No, we were getting together.
09:35Yes.
09:36Yes, thank you sir,
09:37my brother.
09:37And we keep saying stop at my place.
09:39Your daughter is stuck over my Jai.
09:41Yes.
09:41Yes, I don't know how I have two wives are in.
09:44And she lives in the way.
09:46I start with you.
09:47No you, I know.
09:50Oh, who come on...
09:51What are you doing now?
09:51No, I don't know.
09:53You know,
09:54there is a lot of friends.
09:55No, I don't know.
09:55There is a lot of friends.
09:57I don't know.
10:01There is a lot of friends.
10:03There is a lot of friends.
10:04I'm a bureaucratist. I'm a man.
10:08That love, that people love living, that's my brother.
10:12I'm not sure what I'm saying. I'm just going to do it.
10:15I'm just going to do it.
10:16I'm going to do it.
10:18I'm going to do it.
10:20I'm not sure.
10:22I'm going to do it.
10:25I'm going to do it.
10:27It's a political policy.
10:30It's important to say it.
10:31Yes, love.
10:37I didn't know that you were together.
10:41I didn't say anything.
10:42I didn't say anything.
10:42I didn't say anything.
10:44Not yet, but soon.
10:51What are you going to do?
10:54How many years?
10:56How many years?
10:57How many years?
10:59How many years?
11:01How many years?
11:04How many years?
11:05How many years?
11:27The world changed as you tried to test it.
11:30We were out of the pit.
11:32I have to say it.
11:32I have to say it.
11:33I'm going to say it.
11:38She is working until she is young.
11:40She is working when she is young.
11:42I'm going to say it.
11:44I'm going to say it.
11:45I'm going to say it.
11:46I'm going to say it.
11:49I will say it.
11:50I don't have anything against you.
11:53You have to say it.
11:54That's a little bit.
11:56I don't know what to do.
11:59I don't know what to do.
12:00I don't know what to do.
12:01I don't know what to do.
12:02But I don't know what to do.
12:05No, I'm just kidding.
12:07But it's not like that.
12:08But it's not like that.
12:09It's not.
12:10Because a woman can lead a successful career,
12:13and a marriage.
12:14It's not just a machine for work.
12:17What is a woman's career?
12:19What is a woman's career?
12:21What is a woman's career?
12:22You're a man.
12:24You're a woman.
12:24You're a woman.
12:25You're a woman.
12:27You're a woman.
12:29You're a woman.
12:31You're a woman.
12:33I'm sorry, you don't have anything to say.
12:38You really don't have anything to say.
12:40You don't want me to get rid of this Neandertal.
12:44He is my family.
12:46I'm not a man, dear.
12:48You don't have anything to say.
12:49You don't know what to do.
12:50I'm just saying that every woman is a woman.
12:52It's not a woman.
12:53It's not a woman.
12:55I know what I want from a woman.
12:57I've got everything I want.
13:00You learn to cook.
13:03You're a child.
13:04You're my wife.
13:06You're a woman.
13:06You're a woman.
13:11You're a woman.
13:12But you're a woman.
13:14You're a woman.
13:18You're a woman.
13:20I don't understand that.
13:21You're a woman that looks like a woman.
13:23Let me have a mask on my nose.
13:25It was very happy to meet you.
13:27I've got to go.
13:28What is wrong?
13:29I'm a bad one more.
13:31I'm not a bad one.
13:32A little bit.
13:33No, I don't think that I need to harm them.
13:38No, you're just a victim of the patriarchal,
13:42you're just a victim of the patriarchal.
13:44Talk about it, boys, with his friend.
13:46His wife will be very grateful.
13:50Thank you very much for the truth.
13:53Helena!
13:54Would you like to ask me if I could go to the council?
13:56No.
14:03You've got a feeling of relief.
14:05You're not saying anything.
14:06You're not saying anything.
14:07Yes, I'm sorry.
14:09You have a chance to think about it.
14:11You have a chance to think about it.
14:12Yes, yes.
14:12It's a matter of what I say.
14:15It's a matter of what I say.
14:17Oh, my father.
14:19You know what I can?
14:20I can't kill you.
14:22I can't kill you.
14:24I can't kill you.
14:24You can't kill me.
14:27Yes.
14:29You're gonna go tell me and have a treat for three people,
14:32you can't take anything to drink.
14:34Say hello.
14:35Where are you going with my hands?
14:36I can't kill you.
14:38Look, how do you feel like that?
14:39No, she's not hurt.
14:41She's not hurt.
14:42She's not hurt.
14:43She's not hurt.
14:44You're hurt, she's not hurt.
14:46I'm a good guy.
14:48I need you to relax.
14:50Now, you've got a little bit.
14:52Let me get rid of it.
14:54Let's go for a little bit.
14:55You know what I'm going to do?
14:58I'll have to take a break from Njemačku
14:58and I'll have to take a break.
15:00You're the most famous
15:02and the most famous ones.
15:04Take the torch.
15:07You're welcome.
15:10I'm a little bit of a appetite.
15:12Let's go.
15:14Let's go.
15:15Take the time.
15:19We'll see.
15:20Let's go.
15:21Let's go.
15:22Oh, my mother.
15:25Who's going to clean up my heart?
15:41Let's go.
15:43Let's go.
15:44Let's go.
15:45Let's go.
15:47Let's go.
15:47Let's go.
15:48Let's go.
15:48Let's go.
15:49Hello.
15:55Amela.
15:56I'm a little bit.
15:59I'm a little bit.
16:00I'm a little bit.
16:00I don't know why.
16:03I've got my USB stick.
16:08I'm a little bit.
16:09I can see you.
16:11huh.
16:17Let's go.
16:22Let's go.
16:24Let's go.
16:26Tovo je.
16:28Now what?
16:30You mean,
16:31here.
16:35Who can Ile conception?
16:36We'll try to figure it out immediately.
16:41Okay.
16:41Yes.
16:44Yes.
16:48Yes.
16:49Yes.
16:49Yes.
16:49Yes.
16:50Yes.
16:51Yes.
16:52Look at me, don't you think you're wrong.
16:56They're not something like these.
16:58How do you think?
17:00I worked in a professional studio.
17:03I thought, you know, it's a bit sterile.
17:10Profesionalists nowadays work for money.
17:12It's capitalistic.
17:13It's all about money.
17:16It's all about money.
17:17I think it's better to be amateurish.
17:20Amateurs work with heart, with soul, with stress.
17:24It's the energy of the product.
17:26Okay.
17:27What are you suggesting?
17:28I don't know.
17:31You can do a new set of photographs with an amateur.
17:37I think you're an amateur.
17:41Yes.
17:42I'm an amateur.
17:43I didn't know that.
17:45Okay.
17:46If we don't have anything, we don't have to look for new ones.
17:49Would you like to bring a new client to you?
17:54Why don't you do yoga?
17:55Well, I was a goal to bring it to me,
17:58because we're making things first.
17:59A lot of people who do it for years.
18:00I'm saying that these photographs are very sterile.
18:05I don't have to look for yoga.
18:07I'm never going to do yoga.
18:09I think I can't remember this.
18:11And how do you feel the pride in the product?
18:16Do you understand me?
18:17Then you can attract the new clientele.
18:20No, you don't want to do anything.
18:21We will make this room.
18:24This is the purpose of the photo session.
18:28What does it mean?
18:30What do I need to do?
18:32Here we go.
18:34Hi, Gigi.
18:36My dear Amela, you are you?
18:39Hello, I am.
18:41Good morning, I am Gigi.
18:44We don't know anything.
18:46We don't know anything.
18:47I know you from the television.
18:50You are doing yoga, right?
18:52Yes.
18:53I am not doing yoga, but yoga.
18:56Just one thing.
18:57That's it, yoga.
18:59I would like to try it.
19:04Amela, the set is ready.
19:09Okay.
19:09A-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a
19:09-a-a-a-a.
19:15Opa.
19:20Isvini, znaš li šta mi sad pada na pamet?
19:24Samo ne znam, bili gospoda Jujida na to pristala.
19:29I understand.
19:30They said that you wanted to try yoga.
19:33We can do that.
19:34We can show you a couple of things
19:36and we can do it for the catalog.
19:39I don't know if I knew it.
19:42You don't blame yourself, Jaime.
19:44He's amazing.
19:45I know him when he was a child.
19:47He knew him when he was a kid.
19:51He was so nervous.
19:51He was so nervous.
19:53He was so nervous.
19:54I'm going to talk about my son.
20:01I'm going to take care of him.
20:01I'm going to take care of him.
20:03You don't need anything.
20:04The outfit is ideal.
20:11Okay.
20:15Wait, wait.
20:17You're so nice.
20:19What do you want?
20:21I'm just getting caught.
20:23I'm just getting caught.
20:25Here I am.
20:27Here I am.
20:29Hello.
20:31Hello.
20:36Let's go to the table.
20:41That's it.
20:44Here we go.
20:45The other side.
20:46And the other side.
20:50Here we go.
20:51Here we go.
20:52Let's go.
20:53What do you think?
20:54Let's go to the floor.
20:59Here we go.
21:06Here we go.
21:09Let's go.
21:10Let's go.
21:11Here we go.
21:13Here we go.
21:14Here we go.
21:15Okay.
21:23Aftons.
21:24Mama can the top of the door.
21:26That's all right.
21:29Is it right?
21:31Where is it?
21:31Yes.
21:34Did you see the top of the door?
21:36There's something wrong.
21:42What is it?
21:45Yes.
21:48What's this, dear? Fucky, old and young.
21:50Fucky, what's happening in the work?
21:53We'll shoot a catalog for yoga.
21:55What's that? It's a requisite.
21:58What's this?
21:58What's this?
21:59It's called yoga. I don't know.
22:01One, one.
22:03Yoga is an essential part.
22:07It's an essential part.
22:09It's a stupid thing.
22:10That's okay.
22:11It's not a problem.
22:12Yoga.
22:12When one asks you to talk about it at the shop,
22:14you can do that in the right direction.
22:17That's it.
22:18Talk to me about this,
22:18what do you do?
22:21What do you do?
22:22It's not that you can say it all.
22:24What do you do?
22:25What do you do?
22:26He's supposed to leave everyone here.
22:28Let me go to two women.
22:30Take it away.
22:31You're not a prophet.
22:33Let me piss.
22:35You're no longer.
22:35I'm sorry.
22:36I'm sorry.
22:37I don't know,
22:38I'm always getting tired and get back my phone.
22:41I'll tell you something.
22:41Let me tell you!
22:42You don't take it, she'll take it.
22:45I've seen it, it's not a choice.
22:49She'll be in love with you.
22:51Oh my God, she'll be in love with me!
22:54How will she be in love with me?
22:56She'll be in love with me, she'll be in the Advocatskola,
23:02she'll be in love with me.
23:04She'll be in love with me,
23:04and she'll be in love with me.
23:05She's been asked to pay for our love,
23:07and I don't need anything to do with me.
23:09Can you help us with women's population?
23:14A few of us from yoga.
23:16No, please, I don't have to do yoga.
23:19I pray for my yoga studio,
23:21that it's not that it's only for women's yoga.
23:24Here we go.
23:26I don't need it, I don't need it.
23:28I'm a good trainer for you.
23:30I think I'll be in love with you.
23:32I'll be in love with you,
23:34I'll be in love with you.
23:38What?
23:40I don't want to go, I'll be in love with me.
23:43No, no!
23:44I'll be in love with you.
23:47I don't want anyone to die here in love with you.
23:48Because we can team up at three.
23:51That's not what we're doing.
23:52I'll be in love with you.
23:53Maybe we'll look on something new.
24:01I'll be in love with you.
24:04I'll be in love with you,
24:06how many people are sold here?
24:07So how many people are-
24:10Just push.
24:11He's like a trigger.
24:15Okay, let's go to the position.
24:18Okay.
24:22I'm going to have to find all these negative genes.
24:30That's what I'm saying.
24:33Is it his car and two women and children?
24:37Or is it his own and his freedom?
24:39I don't know.
24:40I have to ask my mother.
24:41It's a difficult question.
24:44I'm going to have my wife.
24:49I'm going to have a bridge.
24:51What bridge?
24:52Down there.
24:53What bridge?
24:55What bridge?
24:56Bravo, Jiđo.
25:01What are you doing?
25:02I'm going up.
25:03How are you doing?
25:04Up.
25:05Up.
25:05Up.
25:06Okay.
25:08Okay.
25:10Guys, can you take a picture of me a little bit?
25:13I'm going to have my brother.
25:15Okay.
25:16We're ready for three minutes.
25:18Let's go.
25:20Let's go.
25:32Let's go.
25:34You're right.
25:37Let's go.
25:38You're right.
25:39I'm going to have a little bit late.
25:41What are you doing?
25:43What's going on over your life?
25:47He's going to be wrong.
25:47It's a little bit.
25:50But I'm going to be off the kennel.
25:53Maybe I'm falling off.
25:54She didn't see me in the middle of the middle of the night.
25:58She was walking towards me like a Turkish village.
26:01I wrote her songs, I wrote her flowers on adres.
26:04And now, after so many years, she became mad.
26:09She came from her head to her head.
26:13That's how she is.
26:14She likes them.
26:15She likes them.
26:16And she likes them when she likes them.
26:21All the same.
26:23That's all.
26:24When I go back to the movie, you know what her story is?
26:29She got her, she got her, she got her.
26:32She got her all around her.
26:34Why did you fly to her right now?
26:37Why didn't you leave it to her right now?
26:41Why didn't you leave it to her right now?
26:42I didn't get her right now.
26:46She got me right now.
26:48That's another story.
26:49She got her, she got her.
27:00She got her.
27:02She got her, she got her.
27:11Who are you?
27:14Yoga Academy. Amela Sedin.
27:17What are you?
27:20What is your life?
27:23From amateur to TV for only 5 days.
27:29But you can see Sedin is a young yoga master.
27:33This is a bit wider and a bit wider.
27:34Where are you going?
27:35I'm going to get you out of the shorts.
27:39No, I don't think so.
27:40Why not?
27:43Come on.
27:47I'm going to get you out of the game.
27:50I'm going to get you out of the game.
27:51I'm going to get you out of the game.
27:52Now you can see why his two women can live together.
27:57Oh my God.
27:59I'm going to get you out of the game.
28:00I'm going to get you out of the game.
28:03I'm going there.
28:03I'm going there till the time my son will get away.
28:09There's a house before me.
28:13Where the house will get back to.
28:17Where are you going there?
28:19Come back on the couch.
28:20There's no stop there.
28:21The world's big.
28:21The woman who's big.
28:22The woman who is trying to say that
28:23is not important.
28:24What's that?
28:25Oh my god!
28:34Rođo!
28:35It's time for the rest of us.
28:38What's going on?
28:40What's going on?
28:41What's going on?
28:42Back to Belgrade.
28:44What's going on?
28:44Wait, what's going on in Belgrade?
28:46What's going on in reality?
28:48It's about 5000€ a month.
28:51Let's see what I'm going to do.
28:51I'm going to buy it for me.
28:54I'm going to buy it for you.
28:56I'll buy it for you.
28:57I'm going to buy it for you.
28:59Hey, you are my friend.
29:01I've got to get you here.
29:02I've got to know.
29:03You're right.
29:04You're right.
29:05You're right.
29:07I'll be right back.
29:08You're right.
29:10Let's go.
29:11You're right.
29:12You're right.
29:14Let's go.
29:15Go, go, go, go.
29:19Go, go.
29:19Go, go, go.
29:20Let's go, go.
29:20Let's break your horse.
29:21Happy birthday.
29:24Hey!
30:00Hey!
30:22La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
30:26la, la, la, la, la, la, la, la, la, la, la.
30:32Sve opcije leže na stolu, znaš i sve, znaš parolu.
30:38Parola je poznata oko, ciljaj visoko, udviš i stoko.
30:44Pali motor do taske gas, virike sjajne svuda oko nas.
30:52To je život, to nije štos, ili si hađija, ili si boss, sve ga će biti, samo neće nas.
31:02To je život, to nije štos, ili si hađija, ili si boss, sve ga će biti, samo neće nas.
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