- 1 hour ago
Mia And The Dragon Princess [Full Movie] [Vertical Drama]Full EP - Full
Category
š„
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:57new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn
00:02:46gave her a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:20alleinÓ
00:03:49POLICS
00:03:50I don't know.
00:04:20I don't know.
00:04:50I don't know.
00:04:51We have one of those.
00:04:53One less again.
00:04:58Get Mr. Walsh down here immediately.
00:05:04Hey!
00:05:06Listen.
00:05:13Get out of here!
00:05:16Get the boss!
00:05:18Get Mr. Walsh!
00:05:25Daddy, she's hungry!
00:05:27Catch!
00:05:42She did not pay for that spring roll!
00:05:43It's TJ, Gary.
00:05:46No!
00:05:48No!
00:05:50No!
00:05:51No!
00:05:52No!
00:05:53No!
00:05:54No!
00:05:54No!
00:05:54No!
00:05:56No!
00:05:57No!
00:05:58No!
00:06:03No!
00:06:06No!
00:06:11No!
00:06:16No!
00:06:45Toilet is blocked again and I've got a big meeting with us.
00:06:50He's in the bar waiting right now, and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think, you want me to lose this bar?
00:07:04Hmm?
00:07:07Fine. I'll do it, can you?
00:07:10Oh, I love the way you unblock a toilet.
00:07:12Hmm.
00:07:31Sorry, sorry.
00:07:34What is that?
00:07:41I don't speak. I'm really sorry. Listen, I don't...
00:07:46I'm recording.
00:07:48Um, do you know a coin?
00:07:55You're hiding for someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me.
00:08:09She's sitting with a woman, run through this way she's now.
00:08:12Lady in the medical gown?
00:08:13Yes.
00:08:13Yeah, she shoved me, went that way.
00:08:15She just left, you might still be able to catch her.
00:08:17Thank you, thank you.
00:08:19Marie!
00:08:20That was so exciting, I've never lost the police before.
00:08:24Oh crap.
00:08:26The Uniscape Killer on a Violet Rampage.
00:08:31Let's just get you inside.
00:08:32I think that there's food inside.
00:08:35Food?
00:08:37I have no idea.
00:08:41Here, take this.
00:08:43Catch.
00:08:45Wait, wait, no, no, no, no, no, I promise.
00:08:46Come here, wait.
00:08:47Good, good.
00:08:48Mmm, mmm, good.
00:08:51Oh no, no, don't, don't, don't.
00:08:58Catch.
00:09:02No, it's not the alien.
00:09:03Come on, the other one.
00:09:04Yeah, yeah.
00:09:05Yeah.
00:09:07What?
00:09:12What?
00:09:13You didn't do anything.
00:09:15You skipped the post.
00:09:18It's okay.
00:09:19It's okay.
00:09:19It's okay.
00:09:20It's okay.
00:09:23It's okay.
00:09:24Okay.
00:09:25Time to distract Eddie.
00:09:28Eddie.
00:09:28Eddie!
00:09:31Eddie!
00:09:33Eddie!
00:09:34Eddie!
00:09:36Eddie!
00:09:36Eddie!
00:09:36Hey, wait a minute.
00:09:37Skips it.
00:09:37There's loads of blocks to worry about it.
00:09:39I want to get it.
00:09:39I want to get it.
00:09:40Oh, careful!
00:09:42Oh my God, Eddie!
00:09:43Come on!
00:09:44Oh my God!
00:09:45Oh my God!
00:09:46Oh my God!
00:09:46Oh my God!
00:09:47Oh my God!
00:09:47Oh my God!
00:09:48Oh my God!
00:09:50Oh my God!
00:09:52Oh my God!
00:09:53Oh my God!
00:09:54Oh my God!
00:09:58I love you!
00:10:01Come on!
00:10:06Ah, ah!
00:10:10No!
00:10:16Oh!
00:10:17Oh!
00:10:17Oh, you look at the trail!
00:10:18Oh no!
00:10:20Oh!
00:10:26Oh!
00:10:35Oh...
00:10:36State of that shitting bar.
00:10:38Make it yourself, did ya?
00:11:06Yeah.
00:11:07Yeah, I like it too.
00:11:08This gives great-great-great-great-great-great-great-great-grandfather
00:11:13had a commission or something.
00:11:18Oh!
00:11:19You all right, buddy?
00:11:36Yeah, can I trouble you for another?
00:11:38Yeah, of course.
00:11:40Hey, how's Sydney going?
00:11:41Oh, you know.
00:11:43Another day on the right side of the grass,
00:11:46and, oh, look, they let me keep the spots.
00:11:50Very nice fair-dos.
00:11:51I hate the usual.
00:11:52Oh, yes, please.
00:11:53I think maybe something will discharge the light brigade.
00:11:57Oh.
00:11:59Oh.
00:12:00No worries, leave with me.
00:12:17Come on, I need to get you unhooked from this taser.
00:12:19Yeah.
00:12:20This is going to suck, but...
00:12:30Get off!
00:12:31I'm sorry.
00:12:32I think I understood that, and I'm really sorry.
00:12:34I'm so sorry.
00:12:36I'm so sorry.
00:12:37Dad!
00:12:39I'm so sorry.
00:12:41I'm so sorry.
00:12:41Bare words.
00:12:41Bare words.
00:12:41Breathe.
00:12:42There.
00:12:43Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:54Let's see.
00:12:59It's amazing what people use behind the pubs after cube pints, honestly.
00:13:04Well, these look like they'll fit, so I'll try these on.
00:13:14Okay, let's get you some real food, right?
00:13:17Um, what are you fancy?
00:13:18Scampi fries?
00:13:19Leaf crisps?
00:13:21Are you vegetarian?
00:13:22Because that's all we have.
00:13:24Order.
00:13:25The tea.
00:13:26Right.
00:13:27Um, you might be a mass murderer, and I'm here asking you about your dietary requirements.
00:13:31I'm an idiot.
00:13:32Okay, please stay hidden, right?
00:13:33I'll be right back.
00:13:38Hey, hey!
00:13:40Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo d'Angelo.
00:13:47Angel chis.
00:13:48Welcome, explorers, to the Smuggler's Tavern.
00:13:51The Pirate's Private Party Palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was in old London town.
00:14:02And it's here our walking tour of London should pause for refreshments and use of the facilities.
00:14:08Mine's a brandy Alexander if anyone's buying.
00:14:09Is it okay?
00:14:11No.
00:14:13No.
00:14:15Fair enough.
00:14:21No!
00:14:23No!
00:14:28Ah, gross banana bone sack!
00:14:35I need to talk to Skev about our deal.
00:14:38He's busy.
00:14:39She's getting it.
00:14:41I just said he's busy.
00:15:05I'm not selling.
00:15:06Mr. Walsh is offering you great time.
00:15:09I know it's been in your family for generations, but you need to think about it.
00:15:13I will not change my mind.
00:15:16Fine.
00:15:17Mr. Walsh won't be happy.
00:15:23Hey, look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by, but...
00:15:37What will happen this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:16:03Everything's over there.
00:16:11Everything's over there.
00:16:26Everything's over there.
00:16:32and six. Nice. Cocktails. Actually, you can find that our listening general knowledge
00:16:42expert knows a lot more than I do. I hear lots of the legends here are true. I miss
00:16:48the most mysterious place, this. Before the great fire of 1666. Lots of nefarious stuff
00:16:59and right here, I mean, this, this bar, it's built right on top of the lost rivers and caves of
00:17:07London.
00:17:09Lost? And they've rebuilt both fire. Apparently.
00:17:20To reach your destination, you must leave the shore. Ah, yes. The maxim of ferocious pirate,
00:17:27Catherine Morgan or Red Cat, she was known. Oh yeah, because she had nine lives.
00:17:39Cat discovered a baby kraken orphaned from its mother. She cared for this crackling,
00:17:45naming her Lucy. A fierce protector of the pirate who raised her.
00:18:11Red Cat spent years trying to find a friend. Eventually, Cat turned up here. Her last hope was that her
00:18:18friend would follow in her footsteps to the infamous smith.
00:18:21Cat smuggler's tavern, known as a black market for trading pillaged riches. Allegedly, she left a trail of clues should
00:18:29Marshanda return to claim her share, before Cat herself became nothing more than legend.
00:18:41The man being shot by Red Cat in the painting bears a likeness to Skip's forefather who owned the tavern
00:18:47at the time.
00:18:48Leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate than we know.
00:18:54Go.
00:18:57Cool. Uh, I'll take two of those crack nails, please.
00:19:01I reckon, it's a nice touch.
00:19:04Oh yeah, to have a seat.
00:19:05I reckon, I'll just talk.
00:19:09He's locked in the door!
00:19:11Uh.
00:19:25I hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape man.
00:19:29He feeds off self-esteem, this one, so I'd look out for that, yeah?
00:19:32Hey, Eddie, keep us yours on.
00:19:34Hey, check this out. See this four over there?
00:19:37So, she used to date him.
00:19:40And it looks like they've dragged new dates to the same place.
00:19:47Why don't you kick this date into phase two and just shit off to Nando's?
00:19:50You shit off to Nando's, you pass.
00:19:52Eddie, the water.
00:19:58Oh, hey, um, they've called down.
00:20:01Delivery's waiting, been up there for about 10 minutes.
00:20:03Ten minutes?
00:20:08Stick your apology.
00:20:21Hey, well done.
00:20:22Another delivery's been nicked.
00:20:23This one's on you, Edward.
00:20:25Oh, come on, don't be like that.
00:20:26Mia!
00:20:29I'm scared if Eddie does that hope.
00:20:30No, no, no.
00:20:31Ah!
00:20:34Ah!
00:20:37Ah!
00:20:37Run!
00:20:38Run!
00:20:39Run!
00:20:40This one.
00:20:45Hello!
00:20:46Ah!
00:20:50Ah!
00:20:52Ah!
00:20:53Ah!
00:20:57What? What's this?
00:21:29Corey, I'll pay it.
00:21:43I know that, Chris.
00:21:48Are you alright down there, Skip?
00:21:50I think so.
00:21:52Call an ambulance, Eddie.
00:22:03Hey, don't kill him! Don't!
00:22:10Yah! Yah!
00:22:15Help me!
00:22:29No, no, no, no!
00:22:32It's the same Chris as the rest of the next door.
00:22:36Hey, what does this mean?
00:22:39It's the same!
00:22:42It's the same!
00:22:44It's the same!
00:22:45Your vocals sound obliterated.
00:22:46That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:52I can fix this.
00:22:54Skip!
00:22:56Yo, hey, you can't be back here.
00:22:57Yep, just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALS can pay for.
00:23:06Oh, you?
00:23:09See, if I was fifteen years younger, I'd throw you about like an empty tracksuit.
00:23:14What's this?
00:23:19Gunpowder.
00:23:20And this is why you can't be back here.
00:23:24Alright.
00:23:30Hey, you're a polyglot.
00:23:32Maybe you can communicate with her what she's saying.
00:23:35I'll see what I can do.
00:23:36Might get some ice on that.
00:23:38There's no signal down there.
00:23:40I know.
00:23:40Right, I'll go and call the police.
00:23:41Yes.
00:23:49I don't think the police are gonna help her.
00:23:51What is she looking for?
00:23:55Hey, who are those guys?
00:23:59They're just some people who'd want to cash in on mummy's fortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm gonna have to sell.
00:24:16They'll let my father down.
00:24:19I can- I can help you.
00:24:20I've been saving up.
00:24:22Oh, Mia.
00:24:24No.
00:24:24I can- I can't do that again.
00:24:26Yes, please.
00:24:27Yes, you can.
00:24:28It's fine.
00:24:28You can owe me.
00:24:30I can't.
00:24:31Skip, please. It's fine.
00:24:32Mia?
00:24:34No.
00:24:36It's only a bar.
00:24:38It's a hope.
00:24:41I can't.
00:24:43I can't.
00:24:49It's not to you.
00:24:51I'm gonna help you.
00:24:54I won't be eating this anytime soon.
00:24:56So much for traveling the world.
00:24:59Come on, you.
00:25:02Let you go.
00:25:04Go.
00:25:06Okay, let's see how good this translation happens.
00:25:09Let me see.
00:25:09Good luck.
00:25:10You're welcome.
00:25:12Hmm.
00:25:13Good luck.
00:25:14Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:25What's this, eh?
00:25:26Who are you?
00:25:27Marshanda Damayanti.
00:25:29Marshanda?
00:25:30Marshanda.
00:25:31I'm Mia.
00:25:33Mia.
00:25:34Mia.
00:25:34Yes, Mia.
00:25:36Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50Weishen.
00:25:51Danger.
00:25:52Danger.
00:25:56Hey, Lisa could be here in a little bit.
00:25:58And I don't want my friend to get in trouble.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:04I have some bloody day, baby.
00:26:08Tell her that she needs to go and I'll come find her.
00:26:14Go.
00:26:15Should we be safe for that?
00:26:22None of you saw her.
00:26:24Especially you.
00:26:26Don't.
00:26:27Don't.
00:26:27Don't.
00:26:27You're not supposed to go anywhere until the police...
00:26:30Don't.
00:26:30Don't.
00:26:31Don't.
00:26:31Do you.
00:26:31Help.
00:26:32I will get you...
00:26:33I can't stop with the surprise that he's from.
00:26:36Wait, no.
00:26:37Ora, ora.
00:26:39I don't know what I have.
00:26:39Ora.
00:26:40Come on.
00:26:43Go on in.
00:26:45Mission, I can't.
00:26:50I can't leave them.
00:26:59What are you doing?
00:27:02No.
00:27:03Did you call the police?
00:27:05Yes.
00:27:05Yes, I did.
00:27:07And they are coming to take statements.
00:27:10So, everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming here.
00:27:19Huh?
00:27:20Why not?
00:27:21Shanda, she might be running for something.
00:27:23I think.
00:27:24For what?
00:27:26What is she looking for?
00:27:29Look.
00:27:30I don't know.
00:27:32Until I figure that one out, let's maybe not throw it under the bus, right?
00:27:36The thing on the wrist.
00:27:41Its crest.
00:27:41What is it?
00:27:46That crest is ancient.
00:27:48And it's been in that building upstairs long before it was a restaurant.
00:27:54They've been trying to buy me out.
00:27:56And they'll try anything, apparently.
00:27:59Look.
00:28:00I'm sorry, but the captain's quiet.
00:28:03They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:09Maybe she's involved with her.
00:28:10No, no.
00:28:13She's not with them.
00:28:17Then keep her out of sight.
00:28:21Why do you think this is going well?
00:28:22No, no, it's not.
00:28:24No, no, we'll just...
00:28:24We'll start again with Chloe.
00:28:25Me and Chloe.
00:28:26You told me not to get your hands off of me.
00:28:28No, no.
00:28:29The police said not to leave.
00:28:32Help me out.
00:28:35Mia?
00:28:38Help me out.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:52Fancy seeing you here.
00:28:54This is DC Cross.
00:28:56Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were all right.
00:29:03Come on.
00:29:04Come on.
00:29:04Come on.
00:29:04In here.
00:29:05In here.
00:29:06Stay in here.
00:29:06Stay in here.
00:29:07Stay in here.
00:29:07Stay in here.
00:29:07Stay in here.
00:29:07Stay in here.
00:29:08I'm gonna keep you out of sight.
00:29:28Well, looks like our suspect committed similar acts on your premises.
00:29:35You scared who is this guy?
00:29:37Theodore Walsh.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:44Who he did?
00:29:45As you know, Mr. Walsh, my associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece?
00:30:00We are just concerned.
00:30:09Well, maybe we should just wait for the police, eh?
00:30:12Sort this all out.
00:30:14There we are, the police.
00:30:16You got any ID?
00:30:22Isn't that how you do things here?
00:30:24Come here.
00:30:30Look at my face.
00:30:33This is all the ID you need.
00:30:35Take a good, long look.
00:30:36There we go.
00:30:46So, your niece?
00:30:49Yes.
00:30:50A hospital guard.
00:30:52Violet.
00:30:53Quite the character.
00:30:54Quite the character.
00:30:54Troubled your woman, I have to say.
00:30:56We were in the process of getting her some assistance.
00:30:59Psychiatric assistance.
00:31:00She had an episode.
00:31:02She had an episode.
00:31:03Randomly.
00:31:04Millennials.
00:31:09Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force?
00:31:22Uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44We have a schedule to keep up.
00:31:48Hey.
00:31:50Don't touch me.
00:31:51Don't touch me.
00:31:53Hey.
00:31:54Hey.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:04Where is she?
00:32:10She, um...
00:32:11She was here, Mr. Walsh.
00:32:15I, uh...
00:32:16I don't know where she is currently.
00:32:21Whoops.
00:32:22I'll get those up.
00:32:24Let's try again.
00:32:58Well, look who it is.
00:32:59Come on, darling.
00:33:12Why are you hiding in there?
00:33:23Mia.
00:33:25These men are dangerous.
00:33:28Hey!
00:33:29No!
00:33:29Stop!
00:33:30Oh!
00:33:31Gee!
00:33:32Wait.
00:33:33I'm sorry.
00:33:34I'm sorry.
00:33:42Mr. Walsh, I'm not who you're looking for.
00:33:45Mr. Walsh?
00:33:48Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:56She might still be in there.
00:34:04Made a new friend today.
00:34:07Hmm?
00:34:09I wonder what you both talked about.
00:34:44Mia!
00:34:46Mia!
00:35:10Told you she was there, boss.
00:35:11That's her.
00:35:11Oh, yes.
00:35:21I want you all out of my bar.
00:35:27Mia!
00:35:35Ready?
00:35:36Glass?
00:35:47Right now!
00:36:04No!
00:36:05No!
00:36:06No!
00:36:08Do we see if this thing works?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back!
00:36:16Get back!
00:36:17Take those two girls.
00:36:19No!
00:36:21No!
00:36:22No!
00:36:22No!
00:36:23No!
00:36:30No!
00:36:42No!
00:36:44No!
00:36:45No!
00:36:47No!
00:36:47No!
00:37:08I've been shocked.
00:37:12Oh, this is...
00:37:16Sorry.
00:37:19Clear.
00:37:21My browser history.
00:37:27It's gonna be.
00:37:29That's life.
00:37:31Sorry.
00:37:34Bring her to me.
00:37:36No witnesses.
00:37:39Kill them all.
00:37:57Kill them all!
00:38:02Go!
00:38:03Oh, okay!
00:38:05Keep out, man!
00:38:07Bray, support me!
00:38:07To me, I'm out of my way!
00:38:09Ah!
00:38:13Oh...
00:38:23Oh, my God!
00:38:40What is that?
00:38:41Oh, this really was this one to send centuries ago, you know that.
00:38:45Way out.
00:38:46Yes.
00:38:47Or something better than nothing.
00:39:01Let's go!
00:39:09It looks like a hatch.
00:39:22Ready?
00:39:26No!
00:39:27No!
00:39:28No!
00:39:32No!
00:39:33No!
00:40:16Let's go.
00:40:54Let's go.
00:40:55Let's go.
00:40:56It's going to be...
00:40:59It's not what they want.
00:41:01It's okay, we'll get you help.
00:41:03We'll get you the help you need.
00:41:05We are here.
00:41:07There's a way out.
00:41:08Let's go out.
00:41:10I'm not leaving your mind.
00:41:14The Olav river.
00:41:17The Olav river.
00:41:19What do you mean the Olav river?
00:41:22No!
00:41:25Run!
00:41:25No!
00:41:26No!
00:41:27No!
00:41:40No!
00:41:43No!
00:41:44No!
00:41:52No!
00:41:53No!
00:41:54No!
00:42:02Go see what's in there for me.
00:42:07No!
00:42:08No thank you, Mr. Walsh.
00:42:09We should leave.
00:42:14Okay.
00:42:19Come on!
00:42:21Get in warfare.
00:42:22What are we doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now.
00:42:35Come on.
00:42:36No!
00:42:37She works here.
00:42:38Come on!
00:42:38Look!
00:42:49Guys!
00:42:49There's another room back here!
00:42:55Come on, let's go!
00:42:58Hurry, hurry, hurry, come on, go!
00:43:05Let's go!
00:43:06Watch out the car, let's go!
00:43:10Help me!
00:43:24Go!
00:43:27Go, Benny!
00:43:27Hey!
00:43:27Hey!
00:43:28Come on!
00:43:29Hey, come on!
00:43:34Hey!
00:43:47Hey!
00:43:47Hey!
00:43:48Hey!
00:43:48Hey!
00:43:51Hey, Jim Long!
00:43:52Hey!
00:43:57Put the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:02Don't know.
00:44:04How long have you worked here and not had access to this room?
00:44:06I had no idea this was here until a minute ago.
00:44:08Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13They block it up.
00:44:15Tried shooting in.
00:44:16Oh, yeah.
00:44:43You shot me!
00:44:55I need a doctor!
00:44:59I'm sure I'm sure I've got a jerk.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, they're happy. He's updating.
00:45:06Yes, muskets. Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run.
00:45:16You should...
00:45:22All up, River.
00:45:24River?
00:45:26You think this pipe leads to one of the sunken rivers?
00:45:29All up, River's what Steve said.
00:45:30You lot need to get your pour at you straight.
00:45:32There is no all up, River.
00:45:35Near a sunken river's a tide being or something.
00:45:39Might as well just give it up.
00:45:42All up.
00:45:43All up is always part of a ship where the ropes are kept.
00:45:47The skips said all up, River, but...
00:45:49It could be a way out.
00:46:01Look.
00:46:02Is there anything we can do to keep your boss happy?
00:46:06It could be.
00:46:11Well, they're obviously looking for...what?
00:46:16Something Cap Maldon brought down here.
00:46:19Hundreds of years ago.
00:46:21Red Cap Maldon?
00:46:26What are you talking about?
00:46:27Red Cap's treasure.
00:46:30That's just a myth.
00:46:35Can-can.
00:46:38Can-can.
00:46:39Can-can.
00:46:43Your phone.
00:46:44Can you tell us this?
00:46:48Language not found.
00:46:50It's not a language in the app.
00:46:52Uh, maybe you can have her say something.
00:46:54And it'll translate that.
00:46:56Can you read this?
00:46:58Read it.
00:47:04Due destination advance.
00:47:07Coast departure urgent.
00:47:09No, no, no, no.
00:47:10I-I think I get it.
00:47:12It's read some words or written in some coded language.
00:47:16Skips it for the all up, River, and the pipes is all up, steel on it.
00:47:19I think Cat, Red Cap must have left that painting for someone, and Marciana knows something about it.
00:47:26I bet whatever the art is threw this pipe, and Skip realized it when he saw the hatch.
00:47:32Let's try and find it.
00:47:33Hey, what's that?
00:47:34Let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:37I think everything's over by some time, and we'll keep running.
00:47:41Okay?
00:47:42You're safe.
00:47:43We are safe.
00:47:45Right?
00:47:53Let's try and find it.
00:47:53Oh, come on. Come on. Come on.
00:47:55Get out of here.
00:48:08I'm that away, right?
00:48:11I really can't do this.
00:48:19save yourselves
00:48:21stop showing us
00:48:30quick
00:48:31stop
00:48:54boss, the room's empty
00:48:56they've disappeared
00:48:57I need
00:48:59well, well, well
00:49:03what have we here
00:49:06now what is the deal
00:49:07with that room
00:49:09well, how would I know
00:49:10I've never been in there
00:49:12and besides
00:49:13it's way too hench to fit
00:49:15through that shit
00:49:15you saying I'm not hench
00:49:17enough
00:49:18it's a fucking hatch
00:49:19what do you want
00:49:20good point
00:49:20what we want is the girl
00:49:23and most specifically
00:49:24something she has
00:49:25a little wrist device
00:49:26and what she can find
00:49:27with it
00:49:27but the chief concern
00:49:29is where they could have
00:49:30gone because they're
00:49:31not in there
00:49:33I think this one
00:49:35may be able to work it out
00:49:36me
00:49:37what makes you think that
00:49:39call it a hunch
00:49:48it's not my hat
00:50:01come on
00:50:07come on
00:50:08get home with it
00:50:10get home with what?
00:50:13where'd they go?
00:50:17there's a secret door
00:50:19in here or something
00:50:22find it
00:50:23find it
00:50:43keep moving
00:50:44keep moving
00:50:46keep moving
00:50:46we're getting there
00:50:46we're getting where?
00:50:49all the way
00:50:50we're getting the bad guys
00:50:52you're so ready
00:50:55come on
00:50:57don't push me
00:50:58stop
00:51:46Well, shit!
00:51:49He's done it.
00:51:51He's found the little escape room.
00:52:01I love you all.
00:52:02Oh, God.
00:52:02Stop pushing me!
00:52:04Come faster!
00:52:05I'm stuck!
00:52:06I'm stuck.
00:52:07Get out!
00:52:08I'm stuck!
00:52:08Ow!
00:52:20I hurt.
00:52:22I hurt, but you don't.
00:52:25No.
00:52:27No, no, no, no.
00:52:29Hey.
00:52:30No, no, no.
00:52:33What's going on? Why are we stopping while the lights out?
00:52:35Someone talk to me, please.
00:52:36No!
00:52:36No!
00:52:37My phone!
00:52:38What are you doing?
00:52:39It's got dead!
00:52:40My phone!
00:52:43Shit!
00:52:45Give me one!
00:52:46No!
00:52:47Oh, I'm gonna die.
00:52:49Oh, God.
00:52:51I'm gonna kill you.
00:52:52Breathe.
00:52:54Ah!
00:52:58Breathe.
00:53:00Breathe.
00:53:02Breathe.
00:53:06The door is mine.
00:53:08Oh, God.
00:53:14I'm going to die.
00:53:23You're going to die.
00:53:24Oh, my God.
00:53:25It's a good.
00:53:28I'm going to die.
00:53:28Oh, my God.
00:53:35She's good.
00:53:37The American girl is good.
00:53:41Hello!
00:53:44Something's coming.
00:53:49Something's coming!
00:53:53Are we good?
00:53:57I found a way out.
00:53:59It's crazy cool.
00:54:03It's not mine.
00:54:05Sorry.
00:54:06It doesn't mean anything.
00:54:08I don't know.
00:54:15You keep your interest in the end, okay?
00:54:22Which way?
00:54:24Pricewater.
00:54:25We'll get closer.
00:54:27They definitely get this way.
00:54:30I know, no.
00:54:32What do you guess?
00:54:34I wonder if you have a chance.
00:54:48I'm sorry.
00:54:49I'm sorry.
00:54:49I know that.
00:54:49I don't have the chance to see you.
00:54:51I know.
00:54:57I can't believe it.
00:55:02all this is under the bar under the bar and so far back we are no longer in so
00:55:07here's no shit just keep starting your gun supplies
00:55:15I heard voices they're coming
00:55:22the way out's that way well let's move yeah if they catch us we're dead someone's been paying attention
00:55:33follow the breeze
00:55:55I need to go this way no no we need to get out of here it's too dangerous
00:56:08I'm sticking with her but if you want to go you can go I'm still with you guys it seems
00:56:15safe
00:56:15we do hanging about come on it's that way you said follow the breeze the breeze is that way
00:56:24you're following the echo of the breeze
00:56:29makes sense to me
00:56:47I'll shut up slow down
00:56:55Mishandran
00:57:07Mishandran
00:57:19I don't know.
00:57:41My friend...
00:57:55My friend...
00:57:58My friend...
00:58:09My friend...
00:58:12That thing around her neck, that's what Walsh has been looking for.
00:58:16Walsh's father was a respected historian and archaeologist specializing in 18th century piracy.
00:58:24In particular, Red Cat Morgan and her vast riches.
00:58:30On one of his expeditions he discovered three small bundles of cloth all decorated with a distinct crest.
00:58:36In one, a pendant. In the other two, nothing.
00:58:42It led him to buy the Dragon Princess restaurant, thinking the crest was a sign of where the treasure, or
00:58:49at very least, the other two pendants were kept.
00:58:54That's why the symbol on the wrist matches the one in the Dragon Princess restaurant.
00:58:59He was wrong. It was a red herring and there was no treasure. There was no more pendants. He got
00:59:04the wrong place.
00:59:07It was an obsession that spread from father to son.
00:59:11All that spurred them on was that single pendant, which they knew was only one of three.
00:59:21Months ago, a geological expedition stumbled across Marshanda's ship.
00:59:26Walsh used all his underground connections to get Marshanda's body, and what she wore around her wrist.
00:59:32It was only then he learned what his father never knew.
00:59:36The wrist device contains a compass, which locks in on each of the pendants.
00:59:42When all three are brought together and inserted into the wrist device, the compass would guide the wearer to the
00:59:48final treasure.
00:59:51Marshanda's pendant guided her to Red Cat.
00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.
01:00:08I'm younger now. You're safe. I'll take care of you.
01:00:16Sister.
01:00:34So you don't want to go, right?
01:00:36Which way?
01:00:55You go, I fight.
01:00:57Good idea. She should fight.
01:00:58Shut up.
01:01:00She's great at it. What do you want from me?
01:01:02What are those?
01:01:03Max?
01:01:04Yeah.
01:01:04That must have gone down there.
01:01:05Nice.
01:01:06Yeah.
01:01:06Yeah.
01:01:07I can't leave her.
01:01:08I'll help her.
01:01:11Boo! Boo!
01:01:28Get them out of bed.
01:01:48You're a cashier.
01:01:52You're a cashier.
01:01:55You're a cashier.
01:01:55You're a dishier.
01:02:01Mr. Enter.
01:02:03Wait.
01:02:03You're a cashier.
01:02:06You're a sh pedal.
01:02:06I have an example.
01:02:06I'm gonna take care of her.
01:02:06I have an example at the other side of her and under their soldiers.
01:02:06You're going to take care of her and work.
01:02:06Theē¤¾å”'s mother's daughter started to take care of me.
01:02:06Are she going to take care of me.
01:02:06That is a very good idea.
01:02:13Stop them!
01:02:48I can't come back. Don't kill Lady. I'll be busy. I'm gonna get help. Run!
01:02:55They need your life. You do better than the others.
01:02:58I'm gonna get out of here.
01:02:59I'm gonna get Breeze. Go! Go!
01:03:00Alright.
01:03:07Run!
01:03:10No!
01:03:11No!
01:03:11No!
01:03:13No!
01:03:15No!
01:03:19No!
01:03:30No!
01:03:43Look out!
01:03:46No!
01:03:57Look out!
01:03:59No!
01:04:04No!
01:04:05No!
01:04:06No!
01:04:29No!
01:04:47We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:52Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:06No!
01:05:15No!
01:05:17No!
01:05:19No!
01:05:20No!
01:05:20I don't want to interrupt.
01:05:21Quick!
01:05:21Quick! Quick! Quick!
01:05:23Quick! Quick! Quick!
01:05:32Quick! Quick!
01:05:53You're not going to get away with this.
01:05:55You did.
01:05:55I thought you all did.
01:05:56We tried to slip a gun off one of them and then these two gave me the old Liam Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Is she going to be alright?
01:06:04She's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08None of she's out called.
01:06:09Worse than that.
01:06:10There's more of them waiting on the other side.
01:06:11We have to go.
01:06:12We need to get out of here.
01:06:12We need to fall in that breeze.
01:06:14Tough guys up there.
01:06:15Yeah, Will.
01:06:17We have these.
01:06:27Can we go?
01:06:29Left it in the car.
01:06:52It's going to be okay.
01:06:53We're going to get out.
01:06:55You guys.
01:06:56I found it.
01:06:58A way out.
01:06:59South Bank.
01:07:00I can see Peter Express.
01:07:01It's this way.
01:07:02Oh.
01:07:02If you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation.
01:07:10Or you'd be dead people.
01:07:17Get them out.
01:07:18Call the police now, buddy.
01:07:19You're not coming.
01:07:20I know.
01:07:23Passcodes one, two, three, four.
01:07:25Don't check my messages.
01:07:36What are you doing?
01:07:39I just thought we were...
01:07:40I just thought we were really good back there.
01:07:42I didn't know...
01:07:43Not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:51Sorry.
01:07:52You're a strange man.
01:08:09Not so fast or turn our faces to soup.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:30Where's Eddie?
01:08:31Resting easy with the Doc.
01:08:34Helping restore your little tavern to its former glories.
01:08:39There he is.
01:08:43Not playing with rocks, do you?
01:08:51Look at me.
01:08:57Stop, stop, stop, stop, stop.
01:09:00Put your hands down.
01:09:03Put your hands down.
01:09:08Please.
01:09:11Please.
01:09:12Please don't let your men hurt him.
01:09:15Please.
01:09:15Please.
01:09:16Honestly, we'll help you.
01:09:21Jesus!
01:09:21Jesus!
01:09:22They are!
01:09:39Bring me the wrist device.
01:09:51And it still works.
01:09:54We found Red's piece.
01:09:56And of course, my Shanidas.
01:10:15It's here.
01:10:17Bring our niece.
01:10:18And the barmaid.
01:10:20To keep her well behaved.
01:10:23Keep the rest here as a bit of extra collateral.
01:10:26If you behave, they'll live.
01:10:28If she behaves, you'll live.
01:10:35Can you?
01:10:42Is he family?
01:10:43Okay, Jake.
01:10:48You'll have you at this finish.
01:10:52Go on the coast!
01:10:53Do you have any bad Microphone?
01:11:10Why?
01:11:13Because I can, and he couldn't.
01:11:16Is that worth murdering my friends?
01:11:19Needs must.
01:11:20And I need her.
01:11:29So, I can't.
01:11:30I can't.
01:11:39I can't.
01:11:56I'm sorry.
01:11:56I don't know.
01:12:35Coordinates leading to riches.
01:12:39My riches.
01:12:45Aren't you rich enough?
01:12:47No.
01:12:49I want to be double rich.
01:12:56How do you let me know, Dad?
01:13:00With these scrolls in this particular order, I...
01:13:08You fucker.
01:13:11Do you remember the order they were in?
01:13:14No.
01:13:15I was keeping light in them.
01:13:17Does anyone remember the order they were in?
01:13:21Fuck.
01:13:23Years we've been working on this.
01:13:28Does it say what order they should be in?
01:13:31I can't read this shit.
01:13:33This is some dead pirate code.
01:13:52Mia, catch!
01:13:58I can't read this.
01:13:58Wait, that's me.
01:13:59The code.
01:14:09It's in silence.
01:14:11Let me help you open that.
01:14:13That's a baby trap.
01:14:16Come on, Mia.
01:14:17Come on.
01:14:21Come on, come on.
01:14:22Um, think, think, think.
01:14:23Come on, Mia, think.
01:14:24Mike!
01:15:13What do I see?
01:15:21I got the cuties.
01:15:32Hey, I don't suppose the goons holding Alfred's hostage will be a problem for you?
01:15:38Nah.
01:15:40Nah!
01:15:41You can't leave!
01:15:44I have money!
01:15:46Asshole!
01:15:50You can't leave me!
01:15:52Wait!
01:15:55No!
01:16:17Welcome to the Smuggler's Tavern!
01:16:19So, head to the toilets, empty those bladders before entering Benny's hatch and crawling
01:16:24through the claustrophobic labyrinth of Sebastian's tunnels.
01:16:27Yarr!
01:16:28Welcome mateys to the underground caves of Soho!
01:16:33Waterproofs are available just through here.
01:16:35It is quite claustrophobic, so you have been warned.
01:16:37No refunds.
01:16:38How much do pirates pay for their yearly aids?
01:16:42A buccaneer!
01:16:43Ha ha ha ha!
01:16:44Come on this way!
01:16:47Alright, Ralph.
01:16:50Be careful.
01:16:54Don't fuck the place up, Eddie.
01:16:59Ah, she's getting really good at that.
01:17:00I know it's the most pertinent sentence.
01:17:03Seriously though, be careful.
01:17:05I know it's the most pertinent.
01:17:10I've got pictures on my phone and the clouds, so we've got a plan B.
01:17:15Yo!
01:17:16Go to school!
01:17:19Nice.
01:17:20Amy.
01:17:25Thanks.
01:17:33What?
01:17:34What?
01:17:38What are you doing with the home of that?
01:17:40Yeah.
01:17:41Yeah.
01:17:54To be continued...
01:18:25To be continued...
01:18:53To be continued...
01:19:24To be continued...
01:19:50To be continued...
01:20:35To be continued...
01:21:08To be continued...
01:21:22To be continued...
01:22:08To be continued...
01:22:34To be continued...
01:23:08To be continued...
01:23:20To be continued...
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