00:28Transcription by CastingWords
00:38CastingWords
01:06CastingWords
01:10CastingWords
01:11CastingWords
01:12CastingWords
01:20CastingWords
01:24It's not that he's coming there.
01:25No, he's not going to be there.
01:26He's not going to be there, he's not going to be there.
02:22No, he's not going to be there.
02:25No, he's not going to be there.
03:19He's not going to be there.
03:21No, he's not going to be there.
03:44No, he's not going to be there.
04:14No, he's not going to be there.
04:46No, he's not going to be there.
05:18No, he's not going to be there.
05:19No, he's not going to be there.
05:54No, he's not going to be there.
06:32No, he's not going to be there.
06:47No, he's not going to be there.
06:58No, he's not going to be there.
07:14No, he's not going to be there.
07:20No, he's not going to be there.
07:21No, he's not going to be there.
07:22No, he's not going to be there.
07:53No, he's not going to be there.
08:17No, he's not going to be there.
08:29No, he's not going to be there.
08:59No, he's not going to be there.
09:46No, he's not going to be there.
09:48No, he's not going to be there.
10:17No, he's not going to be there.
10:32No, he's not going to be there.
10:58No, he's not going to be there.
11:15No, he's not going to be there.
11:17No, he's not going to be there.
11:19No, he's not going to be there.
11:21No, he's not going to be there.
11:38When I'm on my own man, I'm on my own.
11:43Where are you?
11:45But it wasn't the worst. It was the data.
11:49It was sent in February.
11:56In May.
12:00What did you do?
12:01What are you doing here, then?
12:04Mm-hmm.
12:05I saw the scene that you shot on your sister,
12:09and you put your skin on him.
12:12It's a little to end with your job.
12:14Mm-hmm.
12:16But you said you should find him.
12:18Never more.
12:20Okay.
12:20He told us that he was on a ship with a stone form of diamonds
12:24and what hotel it was on.
12:27He just sat down and waited.
12:35And I told him that I needed a man
12:38who could find diamonds and weapons
12:41without a place in between.
12:43And then we told him that he would come to Oslo
12:46and put his clothes in a søppelbøt in the back of the 5th day.
12:50You knew that he was here,
12:52and that he never had a baby
12:53when you died.
12:55And that he took you four times.
12:58And then we played the cassette
12:59that you had to do in a post.
13:02A five-counter course.
13:04Give me a question.
13:05And I'll give you a answer.
13:08Then you send us a finger to your sister.
13:12Why is this so complicated?
13:14It'll be a secret.
13:16Why is this so complicated?
13:16Because I needed a terrible book.
13:19If the matter was not clear
13:21and Elizabeth just disappeared,
13:22then everyone had thought about me.
13:24Right?
13:24For it's always the man.
13:28Where is he?
13:30I'm sorry.
13:31Great.
13:34Set him down.
13:35Slipp him.
13:35Slipp him.
13:35Slipp him.
13:35Kast him back!
13:40Set him down.
13:42Set him down!
13:45That's how he reacted.
13:58I'm just a single man who has followed his heart.
14:03Can you explain what heart is most crumpled?
14:07Is it a heart that has never been able to love you?
14:10Or is it a heart that has never been able to love you?
14:25Hvor er hun?
14:27Hun er her.
14:31Hun er alltid her.
14:33Og det er dette du ikke forstår, for jeg har lagt opp en plass som bare jeg vet om.
14:38Som bare er for meg.
14:40Og for hun.
14:42Og jeg vil ha hun her for alltid.
14:46Jeg har lagt opp en sprit, Harry.
14:49Problemet mitt er at jeg bare prøvde å gjøre det hjem.
14:52Og hun forstår ikke.
14:55Hvem er det du snakker om da?
14:57Ok, reis deg opp.
14:59Hvem er det du snakker om?
14:59Hvem er det du snakker om?
14:59REIS DIG OMP, SAG!
15:05Snur deg.
15:14Denne nye Lisbeth.
15:17Nei, panikk.
15:21Kom.
15:23Så tror hun må ødelegge alt.
15:25Akkurat som deg.
15:32You're welcome here.
15:40Helt nødt. Helt nødt.
15:44The idea here is a perfect end.
15:49The public will never be able to get with you on the police station.
15:54You need a happy ending.
15:56If I don't have a happy ending, I will make a happy ending.
16:01It's my life motor.
16:05In this case,
16:08a death motor.
16:10Let's go down from...
16:13Five.
16:19You're so upset.
16:24Four.
16:29Five.
16:30What are you doing?
16:33It's not your problem.
16:35That's what I did.
16:36Three.
16:39You're a man of the time.
16:42Two, Helge!
16:46They are mine.
16:48Three.
16:55Three.
16:57Three, four,...
16:58Fj Å¡ky.
16:58...
17:07...
17:08I don't know.
17:42I don't know.
18:08I don't know what he's doing.
18:14He's doing it.
18:14He's doing it.
18:15I don't know what he's doing.
18:39I don't know.
18:42I don't know what he's doing.
18:55I don't know what he's doing.
19:12I don't know what he's doing.
19:41Hello.
19:43Hello, Harry.
19:44I have to ring you.
19:45I don't know what he's doing.
19:47I'm leaving.
19:49He's leaving.
19:50I'm leaving now.
19:52They just want to wait.
19:53I'm leaving.
19:54I know, Harry.
19:56I just know.
19:57I'm going to find him.
19:58Okay?
19:59Where are you?
20:01Dra home.
20:03Harry, I can't do it.
20:04Dra home and lock the door.
20:06You're not safe at the house.
20:07Stop on me.
20:09You can just stop on me.
20:10Dra home.
20:11Stop on me.
20:16Where are you?
20:18Ready to go?
20:22I'm here.
20:26Are you ready?
20:27Hey Harry.
20:28Hi, I'm here.
20:29I'm here to go.
20:31Yeah.
20:32Do you want to go to go?
20:32If you hear it, that's a real.
20:34Where are you?
20:35Where are you?
20:35You're here.
20:37Where are you?
20:38Where are you?
20:39Just put everything in your office.
20:44Tom, listen to the address.
20:47Tom, listen to the address.
20:47Tom, listen to the address.
20:48Tom, where are you?
20:49Quickly.
20:51I gave you a request that would change your life instead of doing it like this.
20:55It's your fault.
20:58Tom.
20:59How do you feel when you're in your mouth?
21:01My friend, I'm in the brosket.
21:05I think it's the soothing sound.
21:08Tom.
21:08It's like when you're a doctor.
21:10You have to take off the air duct.
21:13Hybern house, 406.
21:16So the house?
21:18Okay.
21:19I'm going to go here.
21:21In 20 minutes.
21:23Let the door open and sit on the door with your hands.
21:26Tom.
21:28Tom.
21:40Tom.
21:44Tom.
21:51Tom.
21:54Tom.
21:58Tom.
21:59Tom.
22:00Tom.
22:00Tom.
22:02Tom.
22:03Tom.
22:05Tom.
22:05Tom.
22:06Tom.
22:06Tom.
22:07Tom.
22:36What the fuck is that greener?
22:45I'm not sure how to play with a CD.
22:49No, I get it.
22:52China Girl?
22:53No, I'm not.
22:55It helps.
22:57Candy?
23:04Cry for love.
23:05China Girl?
23:07No, I don't know.
23:09It's too cool.
23:15Um...
23:16Cold metal.
23:26Good.
23:28It's not a city.
23:36Oleg, are you okay?
23:38I'm sure I'm okay.
23:41Are you okay?
23:43Excuse me.
23:44No, no, no.
23:45Stay there.
23:45What the hell is this?
23:47I thought you'd sit in the room.
23:51I'd like to go to the room.
23:55Watch out!
23:55Stop it!
24:03You're on your plan.
24:05What a hell of a plan.
24:08I think you'd have thought you'd have to live with me.
24:11You'd have to see me as a son.
24:14It doesn't sound like you knew it.
24:16It doesn't sound like you knew it.
24:18You forgot the part of your girlfriend.
24:20You've just killed her.
24:22You've just kidnapped her son.
24:23She was on the way to the side.
24:24So she's found her together with you.
24:26And when did you have her?
24:28No, no, no!
24:34I thought I knew you'd find us.
24:36It was hard to find us.
24:38I was sure you'd have gotten a mistake.
24:40Stop!
24:41Oleg!
24:41Oleg!
24:42Come back!
24:43Come back, or you'll be in.
24:44I don't have it!
24:46I'm going to drive with a friend, because there's almost no need to work.
24:50What are you talking about?
24:52Everything was taken out, for example, if I had to ring him in the camera overlooking.
24:57If I ringed Otto, I can just ring him in the camera.
25:02You're done.
25:08What do you do with the pistol?
25:11The camera shows me that I have grabbed a friend who has completely beaten you and kidnapped him.
25:17I'm going to take the camera off my head.
25:20I'm going to take the camera off my head.
25:21There's no sound effects on it.
25:32Take the head off my head.
25:34Try it on the button.
25:43I don't have a chance to film all this.
25:46I'm going to take the camera off my head.
25:50In me!
25:51In!
25:54In, sir!
25:58importantes
25:59Ù„ Din pistol varjeet.
26:01Tôi 강해요
26:09Do I get there?
26:11Yeah.
26:13Do you come back?
26:15Och?
26:17I know the gate.
26:18Oh yes!
26:18Ye者!
26:20God!
26:24Oh
26:52Amen!
26:55I'm alive!
26:57Hurry!
26:58Hurry!
27:00Hurry!
27:01Please hold on and keep it.
27:02Come here Harry.
27:03I can't stand for death in my head!
27:21I got it.
27:22Harry, Harry, you're coming.
27:24Stop it, Harry. Stop it.
27:26No, no, no!
27:43That's my way.
27:44No.
27:44Oh, my God.
27:47You're not going to die.
27:49No, I'm just going to die.
27:55Fuck, I'm going to die!
28:05I'm going to stop.
28:08I'm going back. I'm going back.
28:33I'm going to die.
28:44Yes, yes.
29:41Yes, yes.
29:55Yes, yes.
30:15When I go, I go alone.
30:27There ain't no one ever looking out for me.
30:38Just the sun, my only shadow.
30:50Are in the wind, out among the trees.
31:05Oh, my God.
31:09Oh, my God.
31:11Oh, my God.
31:13Oh, my God.
31:18Oh.
31:19Oh, my God.
31:23Oh.
31:39What could you say?
31:43I'm sorry.
31:44Is it over?
31:47It's over.
31:51Okay.
31:54Did you get it?
31:57I'm sorry, I'm sorry.
32:05I'm sorry.
32:08I'm sorry, please.
32:09I'm sorry.
32:14I'm sorry.
32:20I'm sorry, I'm sorry.
32:25I'm sorry.
32:28I'm sorry.
32:29I can't have you ever.
32:50Come back when you're done.
32:53Come back when you're done.
32:56I'll ring. I'll ring her.
32:58I'll ring her.
33:13It's like the right man should have.
33:15I found Ide at Lerl.
33:18I've found a toy of Harang.
33:28What are you doing, Chief?
33:31You're going to get a bit crazy now.
33:34The media will have a bit of you in the whole group.
33:37Even in America.
33:41Oh, that's right.
33:44Martin Amino will be back.
33:47I'm going to have him there until we get more information.
33:50I'm going to talk to you in the morning.
33:52Character.
33:54Can you hear me?
33:57Okay.
33:59I'm going to talk to you.
34:00Okay.
34:02He's also a friend of Eikeland.
34:06But we've lost him now.
34:08He's in good mood.
34:09If you don't say anything,
34:12you can't have a dash with Promille there.
34:18I've talked a little bit about CFO,
34:19and without further ado,
34:21they think that the messages from Hyperlus
34:25plus the messages to Aminov and Ole
34:28have been a lot.
34:34I'm not going to get any trouble,
34:35I'm not going to get any trouble.
34:39But I can't say anything else you could do
34:42with this.
34:42You've still welcomed me
34:43and took Aminov out of arrest
34:44and ran to the people in the village.
34:47I've got a secretary.
34:57In the neighborhood.
35:00I'm going to tell you.
35:03You're taking a bit more.
35:05From the time.
35:05By the time.
35:06Are you sure?
35:08Sorry, I didn't know what I was going to do.
35:11They had to take my little brother.
35:13Yes, I thought it would have to be something.
35:17But now you have the chance to do it.
35:20I'm going to do a thing now that Aftenposten can accuse you.
35:25But only if it happens with me or my own.
35:31Okay?
35:33Okay.
35:36And if your phone is off, you know what it is now.
35:43The death of the case is clear, but I don't understand completely.
35:49That was probably the Hoggjerne.
35:52But this is more like if he was on the phone after he died.
35:57It's like a knife has been broken around.
36:03I need to give him a explanation.
36:06About the pain?
36:07About the pain I laid out of and over or about the pain I had never happened?
36:12Oh, man.
36:12Oh God, that's it.
36:14We are all about the idea.
36:19How did you think that it wasn't a classic movie?
36:29I don't think about the proof. I think about the idea.
36:38Do you think Duke Ellington had to ask pianos?
36:42He said he didn't answer pianos completely.
36:45No.
36:52Cykkelbudmorderen...
36:53...was for godt stemt.
36:57It felt right, but not right.
37:04I did wrong, Harry.
37:08I apologize.
37:10I was going to say that I wouldn't have to tell you the papers.
37:18Yes, sir.
37:20You seem over-beginced.
37:23Have you gotten any other opportunities?
37:26Two.
37:35What?
37:41What?
37:47The truth is that we need you.
37:50I need you.
37:52What?
37:53I would be very naive and think that VÃ¥ler is the only one in the police involved in this.
38:01I would like you to continue to help us to find out who is behind you.
38:04I don't know.
38:05I don't know if I...
38:06No one wants to talk to people in their own way.
38:12But you will only report to me.
38:15I love you.
38:16Okay?
38:18But it would also mean that when you write the report, and talk about the press,
38:22so we should put a lock on it with VÃ¥ler's weapons.
38:28I understand that it's a lot to be.
38:30So it's of course all up to you.
38:34I understand.
38:37If you now likevel choose to take a taxi, can you say something about VÃ¥ler?
38:45About who could possibly be in there?
38:48Have you mentioned some names?
38:51What we can go on?
38:53No.
39:00Good job with Barley.
39:02He's always a man.
39:26Good job.
39:27It's always a man.
39:28Just a second.
39:30If this thing didn't get explained, and Lisbeth had been gone,
39:32so he never thought about it.
39:35For me, it's like he tells me that he's going to kill him.
39:40It's me.
39:43Because I've always chosen a man.
39:58Hi.
39:59Hi, it's me.
40:02Du...
40:03Lær nå hjem og gjør noe.
40:04Kan vi si middag i stedet for?
40:06Ja, ja. Det er null stress.
40:09Jeg elsker deg.
40:11Og du elsker meg.
40:13Ja, ja.
40:14Jeg gjør det.
40:23Beate og Luna er helt sikker.
40:26Mammen var aldri på lista av mistenkte.
40:27Det er jo...
40:28Det er første gang Beate ser han nå.
40:30Du er sikker.
40:32Ja?
40:33Hva gjelder det?
40:39Du drepte kona mi.
40:43Fem år siden jeg gikk du inn i banken der jeg jobbet, så skjøt du av høyre.
40:51Han ranet en bank for å skyte kona si.
40:53Vi ser den satt hele greia som en...
40:55Farse.
40:56Ja.
40:57Akkurat som Willy Barley.
40:59Så de arrangerte drapene så at vi ble leit etter noe annet.
41:02En seriemoder eller en banker, Annie.
41:06Nei.
41:22Nummeret du ringer er ikke lenger i bruk.
41:36Ja.
41:37Ja.
41:53Og det er jo.
41:56Det er jo.
41:57Jeg er det.
41:59Det er noe annet.
42:02Det er joet.
42:03Jeg er det.
42:45Hva gjør vi nå?
42:49Det vi gjør nå er å ligge helt lavt.
42:57Og så kommer vi tilbake.
43:04Oi, o, let's go.
43:06Oi, o, let's go.
43:09The positive state night.
43:11You're going through a time.
43:13You're going through a time.
43:14You're going through a time.
43:15You're going through a time.
43:16Let's speak fuck.
43:19The pilot in the backseat.
43:22The general city.
43:25The base in the backseat.
43:27Let's speak fuck.
43:47The pilot in the backseat.
43:54The general city.
43:58The base in the backseat.
44:00The big fuck.
44:03Hey, o, let's go.
44:06See them in the backseat.
44:09Yeah, det er Tom Wahler.
44:11Han lyckste upp på gatan här borta.
44:14Mm.
44:15VÃ¥rden tjente du han?
44:17Jeg minns at det var synd om killen.
44:19Han fikk mye stryk av sin farsa der hemma.
44:23Det gikk i rykten om at det var mye mer en så.
44:29Farsan var arbeidsløs.
44:32Muradet tror jeg.
44:34Søp ganska hårt.
44:37Mye mer en så kommer jeg ikke ihåg.
44:39Ja, okej.
44:40Han kallte deg Solo og han sallere var kompiser.
44:45Ja, det stämmer jo at jeg kallet Solo efter vår butik her.
44:48Men jeg og Tom Wahler var ikke kompiser.
44:52Da var det vel egentlig ingen som var.
44:54Ingen?
44:56Nei.
44:58Se, jeg vet ikke riktig varfor.
45:00Jeg minns at han var ganska snæll.
45:01Men jeg vet en sån her som hjelper gamla tanter over gatan.
45:05En litt scoutaktig typ så der.
45:06Men nej, han var ensam.
45:12Litt konstig jo.
45:14Sen, sen var det noget skumt med hans pappas død.
45:19Det er jo jævlig mærklig olyck jeg å råke ut for hemma.
45:23Amen.
45:26Ja, asså det er jo.
45:27Det er jo en sak å ramle på fyllan.
45:30Men rakt på en kniv som man håller i.
45:35Ja.
45:38Tak skal du.
46:00Teksting av Nicolai Winther
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48:09Teksting av Nicolai Winther
48:09Teksting av Nicolai Winther
48:09Teksting av Nicolai Winther
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