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05:32What are you doing?
05:33Okay?
05:34Yes, you will have all reports.
05:35Look at the information.
05:39Keep the medicines.
05:43Ma'am, the drug is from Ordo.
05:46It's been for 6-8 hours.
05:48Before that, you won't give any statement.
05:51Okay.
05:54Get up.
06:27Hello Madam.
06:29Are you at the railway station or did you know how to go?
06:34Now, if you know it, you know it, madam.
06:36And if you know it, you know it.
06:41Afzal is your man.
06:42Which Afzal?
06:43The Afzal who was following the sergeant.
06:46Is he your man?
06:48What are you saying, madam?
06:50I don't understand who you are.
06:51I'm saying that the sergeant's information
06:53you are being concealed with me.
06:54What do you do?
06:57Conce...conce...
07:00Madam, my name is Ingra Ji not so good.
07:05I haven't come from direct service.
07:13You are getting personal, Sathir.
07:17I don't agree.
07:23You are getting personal.
07:24I don't think you might take it away.
07:26Please.
07:29How are you doing?
07:31I am getting personal.
07:34Mother, you are the time of BP?
07:37It's in the time of BP.
07:38Let's go.
07:41Go ahead, ma'am.
07:49Sir, today I have been telling her
07:52I said, I don't agree.
08:21Don't say this case like chingam, he's going to kill me.
08:27If you do anything, you should do anything.
08:30You tell me about my final.
08:33I'll kill you.
08:34I'll kill you.
08:37You'll kill me.
08:39I'll kill you.
08:41Okay sir, if you're talking about it, you'll have to stop.
08:46Yes sir.
08:48I'll kill you.
08:51I'll kill you.
09:10Hi.
09:18I love you.
09:23Okay.
09:34I'm sorry but I can't wait.
09:35That's what I'm sorry.
09:36I'm sorry.
09:36I can't wait.
09:36I can't wait.
09:38I'm sorry.
10:11Well done, Rita.
10:15So finally, Aditya went on, right?
10:51Look at me.
10:52Look at me.
10:55That boy, he was perfect.
10:58Why?
11:00Who are you giving me?
11:02I don't deserve any happiness, Rita.
11:09Don't I?
11:12I thought, if you're going to go to your house, you'll go to Sudar.
11:16But no.
11:19You're just like him.
11:21Good for nothing, idiot.
11:24No, you go.
11:25Go.
11:25Stop.
11:27You will never be happy.
11:29Never.
11:29Stop.
12:08Yes
12:14Who is he saying?
12:32Who's told you all this?
12:33What madam?
12:35We're talking about this in social media.
12:38Bloody God!
13:05It's not so exclusive.
13:22There's just one angle.
13:28Anand.
13:31There was another person with Sajid.
13:35His name is Anand.
13:40Our coffee is done.
13:41Why?
13:49Are you okay?
13:50Yes, I just realized I'm really late.
13:53Sorry.
13:56No!
13:58Don't be silly.
13:59I'll come back for a second.
14:07I think Sajid is the one.
14:09I feel like someone else is the one.
14:11Right?
14:13Someone's finally here.
14:15Yeah, unlike someone who's never been on the field.
14:19Facts.
14:20Yes.
14:21Shitich.
14:23Anita, we were jammed for an angle on the recent killings.
14:27Shitich.
14:28I think this serial killer is a classic case of the intersection of drug addiction and crime.
14:33Simple.
14:36Simple?
14:37Seriously?
14:40No one's become an addict.
14:42Have you been to an orphanage or a rehab?
14:45Anita, please.
14:46What's your angle?
14:48Guys, the crime branch has conducted a shoddy investigation and Sajid is escape court.
14:52How do you know this?
14:54Sources.
14:54Please don't ask who.
14:55Canika.
14:56Hmm?
14:57I got a call from this guy.
14:58Ex-cutter gang member.
15:01He's saying that he has some exclusive news about Sajid.
15:04What's your name?
15:05Chandu Nayak.
15:10I'm sorry.
15:14Oh, my God.
15:17This is a stupid movie.
15:19Oh, yeah.
15:20I think we've become some, you know, a lot of things happen.
15:24I'm sorry.
15:25Oh, my god!
15:25You're here.
15:26You're here.
15:26You're here.
15:26I'm ready.
15:27You're here.
15:29You're here.
15:32I'm here.
15:36I have to meet the other people who have lives here.
15:54I have to get back to Sajid.
15:55Sajid.
15:56If anything happens, you will go to Chandu.
16:01This is the one you came from.
16:02It's called the power of the soul.
16:03He was an adult in a distracted by a river.
16:07He came to the room and was a kid using his head.
16:14He was faking outside the bed under the bed.
16:16He was an artist.
16:20He's not a servant.
16:24He was tired in his last year.
16:28Where was the name?
16:29It would have happened here. What was his name?
16:33Sita, Gita, Nashamukti Kendra.
16:38Hey, hey, stop.
16:43Do you know what I'm talking about?
16:49You're the orphanage, right?
16:51You're the orphanage.
16:54Sajid didn't say to me,
16:57but I know everyone knows.
17:01He didn't have a photo of Fernando's hand.
17:06He didn't work like Sajid.
17:13Hey, tell me.
17:14You're the orphanage, huh?
17:16Come on, Halkak.
17:18You're the orphanage, huh?
17:35Listen.
17:37I will handle Rita.
17:41Just go get him.
17:42Okay, sir.
17:43Okay.
17:52Congratulations, Rita.
17:54Another big case solved.
17:55Well done.
17:56I don't think the case is solved.
17:58You said it yourself.
17:59It's not a serial kill.
18:00And we are just jumping to conclusions now, sir.
18:03Well, I was wrong.
18:04Anyway, let's close it.
18:06Listen.
18:07I called you for a favor.
18:09Don't pounce on me, huh?
18:11I want to meet the home minister of Kedhkar.
18:15He's a film grad and doing a video in Film City.
18:17Just hop in for some time, huh?
18:20Please?
18:21For my sake?
18:22Sir, I would have loved to help you,
18:24but honestly, I have no time right now, sir.
18:25I'm sorry.
18:25Hey, Rita.
18:26Kedhkar has called me myself yesterday.
18:29And I could not say no.
18:31Neither can you, isn't it?
18:32Sir, we are in such an important case, sir.
18:35For me, the case is not solved, sir.
18:36I'm really sorry.
18:37I can't do this.
18:38Okay, right?
18:38You'll handle Vikram's further.
18:40You just go and show your face.
18:42Okay?
18:47Fuck.
18:47Okay.
18:52Nurse.
18:53Over-dose is, sir.
18:54Time is going to go.
18:55The patient has not recovered yet.
18:57What?
18:57He has come to the hospital.
18:59That's just so much.
19:00But...
19:00What do you want to take him to walk away?
19:01Then he will leave the other side.
19:03This is so much for me.
19:04Don't worry.
19:05Sajid.
19:07Huh?
19:09Huh?
19:11Huh?
19:11Huh?
19:12Huh?
19:12Huh?
19:13Huh?
19:18Huh?
19:19Huh?
19:19Huh?
19:20Huh?
19:20Huh?
19:22Huh?
19:23Huh?
19:25What a on-screen presence is in your own, ma'am.
19:27You've got this character.
19:28This aura of this really powerful personality.
19:30By the way, my girlfriend is a huge fan of yours.
19:33So, I want to use this historic and iconic moment from the Pilawadi raid,
19:37with the kid and you walking on the ramp with this big picture.
19:42Oh!
19:43me. We don't have all day so please hurry. Okay, yeah, sure. Thank you, thank you.
19:55What do you think Nish Pandey? I don't have any idea of what he's trying to do. He's trying
20:05to give Vikram the lead on this case, Matre. Why did he give me a promotion? Because I'm
20:10a woman. He's made a f***ing PR prop out of me! I'm looking at him.
20:19Open the case of Fernando's case. Open the confession of Sajid. Fernando had a wrong job with
20:28a girl. And what did he write in the investigation file? It was a job of theft. Wallet was stolen.
20:36What happened? It's a botched up investigation, Matre. And it's very evident. What did he get in
20:40Fernando's room? Wig? Lipstick? Dede's perfume? Talcum powder? Why? Why would he keep Fernando
20:48here? Ma'am. He's already ready. This is it ma'am. The pilavadi moment. We're just going to
20:57recreate that. Okay? You just have to pick the kid up, walk there and we're going to crane up.
21:01As soon as we crane up, we're going to see the expanse. Let's do it. Sorry. Okay.
21:06HMU, yaar. Wig, thik, karo. Sorry, sir. Come in. God! I'm at the monitor.
21:17Okay, please. Hurry up. Okay. All right. Going for take. Come on. Ma'am. We're going for take. Ma'am.
21:32Ma'am. Ma'am.
21:35Thank you. Ma'am. Get up. Ma'am. Ma'am. Arim. Thank you. Take care. Arim. Arim.
21:43Arim. Arim.
21:49F***.
21:54What the hell Rita? You can't leave the truth just like that. I gave Gergore my word. Just go back.
22:11No!
22:16No!
22:17No!
22:17No!
22:18No!
22:18No!
22:19No!
22:19No!
22:19No!
22:19I have a hair sample in Prabhat, right?
22:21It's a very good one!
22:24I don't understand that, if I have a fight,
22:28So why are they wearing it?
22:36Take it, madam.
22:38The commissioner is very sensitive.
22:40If you go out for a while, you will have a lot of problems.
22:43Sorry, madam. I don't understand.
22:46What do you understand?
22:47The register for girls from 2005 to 2015.
22:51Now.
22:52Madam, this is a boys' orphanage.
22:54Huh?
22:57When?
22:58From the beginning.
22:59It's written.
23:12So why did Sajid say that the girl is wrong?
23:19Check their records.
23:20Let's check.
23:22If you get something, call me.
23:23Yes, madam.
23:29Yes, madam.
23:46See, you're a girl, Sajid.
23:48You were in juvenile.
23:49This is a murder case.
23:51See, what did you say?
23:53He was wrong with a girl.
23:56You were in juvenile.
23:57He did wrong with Fernando.
23:57He did wrong with a girl.
23:57He was a girl from the crime scene.
23:58And what did you write in the investigation file?
24:01It was a job of theft.
24:02This is his job.
24:07Fernando's cut is not possible to be Sajid's.
24:27Sajid was cutting his left hand.
24:29Sajid was cutting his left hand.
24:33No!
24:59Sajid was cutting his left hand.
25:01If Anant was a girl, why would Vic wear it?
25:04Madam, this is a boy's orphanage.
25:06Vic, women's perfume, calcium powder.
25:09Why?
25:10With a girl.
25:11A girl.
25:12I've been there!
25:15Robert, what's on the street?
25:17What's on the street?
25:32I'm sorry.
25:33I'm sorry!
25:34I'm sorry!
25:35I'm sorry!
25:35I'm sorry again!
25:36He would be like...
25:37The man.
25:37The man's lasting experience with his other stuff.
25:40He was in the city!
25:41Do you want to die in your life?
25:51Do you want to die in your life?
25:54Tell me.
25:58Do you want to die in your life?
26:05Tell me.
26:06Do you want to die?
26:10Tell me.
26:14Tell me.
27:02Do you want to die?
27:29Do you want to die in your life?
27:33Do you want to die in your life?
27:39Do you want to die in your life?
27:43Do you want to die in your life?
28:06Do you want to die in your life?
28:10Do you want to die in your life?
28:32Yes, Maat-ra.
28:59Did you track the number?
29:00Yes, I did, madam.
29:01This is the last number of 20 years.
29:03The police department issued it.
29:06What's his name?
29:08Inspector Jayacharya.
29:09Encounter Specialist.
29:16Okay.
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