00:28You
00:38You
01:06You
01:09My daughter
01:11I
01:12Be
01:15Soft
01:17Vision
01:18You
01:21Sle
01:23K
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04:42I'm duty pay.
04:46So...
04:46I'll give an exclusive.
04:48Or you'll know that you'll know before.
04:52Do you get coffee?
04:54I don't like coffee.
04:57You don't have to put it in.
05:00Okay.
05:02We'll get it.
05:12A good night.
05:32What do you want to do?
05:34It's a lovely man.
05:35You see.
05:39That's good.
05:43Okay.
05:44Ma'am, we have a drug overdose.
05:46It takes 6-8 hours.
05:48Before that, I can't give any statement to you.
05:51Okay.
05:54Let me...
06:11I know.
06:14Okay.
06:22I know.
06:26I know.
06:29How do I know?
06:30Was there at the railway station?
06:31How did you know?
06:34If you know, you know, ma'am.
06:36And if you know, you know, I know.
06:38That's what I'm saying, Madam.
06:40Afzal is your man.
06:42Which Afzal?
06:43That Afzal who was following Sajid.
06:46Is he your man?
06:48What are you saying, Madam?
06:50I don't understand.
06:51I'm saying that you're going to conceal the information from Sajid.
06:54What do you do?
06:57Conce...
07:00Madam, I'm not really good for Ingra Ji.
07:03I'm not really good.
07:05I'm not coming from direct service.
07:13You're getting personal, Sathir.
07:17I don't agree.
07:22You're getting personal.
07:25Keep me out of my case.
07:34It's my, Madam.
07:36It's time for BP.
07:37It's time for BP.
07:39Go...
07:42Sajid, Madam.
07:49Sir, today I told her.
07:52I told her.
07:53I told her. I don't agree.
07:55Stop.
07:57What are you, Vikram?
07:59Huh?
08:00The media is getting frustrated.
08:01You're getting emotional.
08:04Sajid, DCP is the first case.
08:06Sir.
08:07He's lying here.
08:09And you're talking to me.
08:10You're telling me.
08:11He's telling me.
08:12I'm telling you.
08:14Sir, how many years I've been working with you?
08:16I've never gone wrong.
08:18Madam, sir.
08:20Please, Madam Madam.
08:22Don't judge me.
08:23Don't judge me this case.
08:24He's killing me.
08:25He's killing me.
08:27If the rest is a waste and you are making the final decision,
08:30tell me the final decision.
08:33Now I am killing.
08:34How will I kill you?
08:39You will kill me.
08:40You now kill me.
08:41You kill me.
08:42Sounds right, sir.
08:42If you're talking about it,
08:45I'll stop.
08:46I'll stop.
08:47I'll stop.
08:47Come on, sir.
08:49Nano, don't die.
08:50I'm going to go down now.
09:11Hi.
09:40I'm going to go down now.
09:50I'm going to go down now.
10:11Well done, Rita.
10:15So finally, Aditya has gone now, right?
10:20I'm going to go down now.
10:41How perfect this dress was.
10:50Look at me, look at me.
10:55That boy, he was perfect.
10:58Why?
11:00Who are you giving me?
11:02Me or you?
11:06Don't I deserve any happiness Rita?
11:09Don't I?
11:12Don't I?
11:13I thought, if you're going to go to your house, you'll go to Sudar.
11:16But no!
11:19You're just like him.
11:21A good for nothing idiot.
11:24No, you go.
11:25Go!
11:26You will never be happy.
11:29Never!
12:08Yes.
12:10Hello, good morning madam
12:13You told the case to solve the Pravadrath
12:17Who is talking about the case?
12:18Who is talking about the case?
12:18Bhaaskar madam
12:19From OI News
12:21Okay madam, this is the angle of the Sajid serial clip
12:23How many people have been killed?
12:26Pravadrath
12:27Manohar Swami
12:27Dinesh Pradhan
12:29Ravid Desai
12:30Bhavanjadav
12:32Who stole you all this?
12:34What madam?
12:35This is the case in social media
13:04This is the case in
13:06It's not as exclusive as much as it is.
13:22There is only one angle.
13:28Anand.
13:31He was one other person with the Sajid.
13:35His name is Anand.
13:40Our coffee is done. Why?
13:49Are you okay?
13:50Yes, I just realized I'm really late.
13:53Sorry.
13:54Did I have a step? I'm very sorry.
13:57No!
13:58Don't be silly.
13:58I'll never come.
14:00I'll never come.
14:06I think Sajid is the one.
14:09I feel like there is another proof of sharing.
14:13Someone is finally here.
14:15Yeah, unlike someone who has never been on the field.
14:19Facts.
14:21Shithij.
14:23Anita, we were jammed for an angle on the recent killings.
14:27I think this serial killer is a classic case of the intersection of drug addiction and crime. Simple.
14:36Simple?
14:37Seriously?
14:40No one becomes an addict.
14:42Have you been to an orphanage or a rehab?
14:45Anita, please.
14:46What's your angle?
14:48Guys, the crime branch has conducted a shoddy investigation and Sajid is the escape court.
14:52How do you know this?
14:54Sources. Please don't ask who.
14:56Kanika.
14:56I got a call from this guy.
14:59Ex-cutter gang member.
15:01He's saying he has some exclusive news about Sajid.
15:04What's your name?
15:04What's your name?
15:05Chandu Nayak.
15:34Uh, okay.
15:48Yeah, it's true.
15:50Like in the building, he said that the man was living here.
15:54Sajid.
15:56I'm sorry.
15:58Okay.
15:58To get me with Sajid.
16:00Yeah, he said that the man was living here.
16:02This will come to Sajid.
16:03This is your name.
16:04He was a big girl and a big girl.
16:07He was here to do a walk.
16:10He was in the morning and was in the morning.
16:12He was in the morning and was in the morning.
16:14He was a big girl.
16:17What a man.
16:18He said to him,
16:20He was not a first man.
16:24He was dead in the last year.
16:28Where is he?
16:30He was here.
16:31What was his name?
16:32He was the only one, Sita, Gita, Nashamukti, Kendra.
16:38Hey, hey, stop.
16:44I know about you.
16:50You are the orphanage, right?
16:54I didn't say to Sajid,
16:57but I know everyone knows.
17:02I've seen a photo of Fernando's hand.
17:08Sajid's work wasn't as good as Sajid.
17:13Hey, tell me.
17:16It's a little bit.
17:18It's a little bit.
17:53I don't think the case is solved, Sajid.
17:59It's not a serial kill.
18:00And we are just jumping to conclusions now, Sajid.
18:03Well, I was wrong.
18:04Anyway, let's close it.
18:06Listen, I called you for a favor.
18:09Don't pounce on me.
18:10Yeah.
18:11You want to meet your home minister, Kendra.
18:15He's a film grad and doing a video in Film City.
18:17Just hop in for some time, right?
18:20Please, for my sake?
18:22Sir, I would have loved to help you, but honestly, I have no time right now, sir.
18:25I'm sorry.
18:25Hey, Rita. Kendra had me phone myself yesterday.
18:29And I could not say no.
18:31Neither can you, isn't it?
18:33Sir, we are in such an important case.
18:34For me, the case is not solved, sir.
18:36I'm really sorry, I can't do this.
18:37Okay, right?
18:38You'll handle Vikram's future.
18:40You just go and show your face.
18:42Okay?
18:47Fuck.
18:52Nurse.
18:53Over-dose, sir.
18:54It's time.
18:55The patient hasn't recovered yet.
18:57What?
18:57You've come to the room.
18:59It's just so much.
19:00But...
19:00What do you want to take a walk?
19:01You'll leave the other side.
19:03It's so much for me.
19:04Don't worry.
19:05Sajid.
19:07Huh?
19:11Huh?
19:11Huh?
19:15Huh?
19:16Huh?
19:17Huh?
19:18Huh?
19:18Huh?
19:19Huh?
19:19Huh?
19:20Huh?
19:21Huh?
19:25Huh?
19:27I mean...
19:27I mean...
19:27You've got this character.
19:28This aura of this really powerful personality.
19:30By the way, my girlfriend is a huge fan of yours.
19:33So...
19:33I want to use this historic and iconic moment from the Pilawadi raid.
19:37With the kid and you walking on the ramp with the big picture...
19:40No.
19:42Me.
19:44Oh.
19:48We don't have all day, so please hurry.
19:50Okay, yeah, sure.
19:55Oh, guys.
20:05He's trying to give Vikram the lead on this case, Matre.
20:07Madam.
20:08Why did you give me a promotion?
20:10Because I'm a woman.
20:11He's made a fucking PR prop out of me.
20:14Madam, you're watching me.
20:19Open Fernando's case file.
20:21Open Sajid's confession.
20:25Fernando was doing wrong with a girl.
20:28With a girl with a girl.
20:31And what's in the investigation file?
20:33It was a job of theft.
20:35Wallet was stolen.
20:36What happened?
20:36It's a botched-up investigation, Matre.
20:39And it's very evident.
20:40What's in Fernando's room?
20:42Wig, lipstick,
20:44DD's perfume, talcum powder, why?
20:45Why?
20:47Why would you keep Fernando here, sir?
20:49Ma'am.
20:51You're already ready.
20:55This is it, ma'am.
20:56Tapila wadi moment.
20:56We're just going to recreate that.
20:57Okay?
20:58You just have to pick the kid up, walk there,
21:00and we're going to crane up.
21:01As soon as we crane up,
21:02we're going to see the expanse.
21:03Let's do it.
21:04Sorry.
21:05Okay.
21:05Oh, HMU, man.
21:06Wait.
21:07Sorry, sir.
21:08Come in.
21:09God!
21:09I'm at the monitor.
21:11Yeah, Diti.
21:11I need it.
21:12I need it.
21:15I need it.
21:16I need it.
21:17Okay, please.
21:18Hurry up.
21:24Ready for the day.
21:25Okay.
21:27All right.
21:27Going for the day.
21:28Come on.
21:29Ma'am.
21:29We're going for the day.
21:31Ma'am.
21:32Ma'am.
21:36Ma'am.
21:37Ma'am.
21:38Ma'am.
21:38Oh, ma'am.
21:39What are you doing?
21:40Arim.
21:42Arim.
21:43Arim.
21:54What the hell, Rita?
21:55You can't leave the shoot just like that.
21:57I gave Kirkar my word.
21:58Just go back.
22:11I have to wait.
22:15I have to wait.
22:16We're trying to wait.
22:17Oh.
22:17Okay, Madam.
22:19I have to wait until you have the hair samples.
22:21I have to wait.
22:23I don't get the one thing to come.
22:25I don't think I have to get the same idea, Madam.
22:26If Anand is a girl,
22:28why are they wearing their hair?
22:30Huh?
22:36Come on, madam, you are very sensitive to the commissioner.
22:40If you want to raise your hand, you will have a lot of problems.
22:44Sorry, madam, I don't understand.
22:46What do you understand?
22:48Registered to girls from 2005 to 2015.
22:51Now, just now.
22:53Madam, this is a boys' orphanage.
22:55Huh?
22:57When?
22:57From you.
22:58From the beginning.
22:59It's written.
23:11Then why did Sajid say that he was wrong with the girl?
23:19Check their records.
23:21Call me something.
23:23Yes, madam.
23:46Sir, this is a girl, Sergeant.
23:48He was in juvenile.
23:49This is a case of a murder and murder.
23:51Look, Sergeant, what did you say?
23:53He was wrong with the girl.
23:55He was wrong with the girl.
23:56He was wrong with the girl.
23:57He was wrong with the girl.
23:57Don't do that.
23:59And what did you say to her?
24:00What did he say to her?
24:01It was a job of theft.
24:03His job?
24:06Fernando's cut is not possible to get his son's.
24:11Keep going!
24:13Move!
24:15Move!
24:21Move!
24:27Sajid left hand cuttah thah Sajid lefty ayamadho
24:32No!
25:02Why are you wearing a wig?
25:04Madam, it's a boy's orphanage.
25:06Wig, woman's perfume, calcium powder.
25:09Why?
25:10With a girl.
25:42Why are you wearing a wig?
25:46Why are you wearing a wig?
25:54Why are you wearing the wig?
25:58That's the same.
25:58Why?
26:00Why are you doing this?
26:05Go.
26:06Are you kidding me?
26:10Go.
26:13Go.
26:14Go.
26:30Go.
27:00Go.
27:02Confession.
27:07Just as 10 years ago, Fernando had given a case.
27:21Fernando understood that you are not working with her.
27:27Who is Anand?
27:31He will not save this time.
27:38He will save.
27:55Madam, Madam.
28:00Where are you?
28:04Manohan Swami, Dinesh Pardhan, Sahir Mongha, Manish Sivastav.
28:10I'm not talking.
28:12I'm telling everyone.
28:16Okay.
28:18Madam!
28:20Madam!
28:21Madam!
28:22Madam!
28:23Madam!
28:23I'm killing you!
28:32Yes, Madam.
28:33You've got two Anandh records, Madam.
28:35One was admitted in 2007 and the other was admitted in 2010.
28:38The one who was admitted in 2007, was adopted in 2009.
28:43She is still in the Gulf and is doing a job.
28:46But the one who was admitted in 2010, is not an out-date.
28:51But the one who was admitted, is her name?
28:54Lalita.
28:55Sorry.
28:55Lolita.
28:57Just a phone number left, Madam.
28:59Have you been tracking?
29:00Yes, madam.
29:01It's been 20 years old.
29:03The police department has issued it, Madam.
29:06Who's name?
29:08Inspector Jayacharya.
29:09Encounter Specialist.
29:16Okay.
29:50The Catholic Church of painstress.
29:51The Catholic Church ofれない sources and ofない places,
29:51The Cold has sentencingàncer.
29:52heeft a strange theme of telling the people over and over 첫 summoning espíritus.
29:59The friends of he previously did Seagram.
30:00Now, occasionally enter Kingsman's mission,
30:07the 관리를, we have to find the keypositive field.
30:08You're aware, darle and火…jor
30:08be nice. Who
30:09hopes tolane, Immerse,
30:09anyone really makes
30:09sense.
30:19I don't know.
30:46One G.A.
31:12H R S E R A S E S E F R A T O D A T O K
31:16I G A N Y A
31:17Uljha Sathha
31:20Aankhho Ka Pehra
31:22Pehro Se Udka
31:25Chal Chho L E Kul Aasma
31:28H R A S E S E
31:32S O Ne S E Th E
31:34Ciango M E
31:36Roti hoi gumsam ka hi
31:41Tu ne chua to mel gaya koi asuma
31:53Tu hai to hai roshan nambhira
31:58Aankho me hai khwaabo ka dhira
32:04Bhegi si mehasil me khulsa gaya asuma
32:13Gahin to chupi thi baatیں
32:18Siskiyong ki woh ghera ya
32:22Ab hum chal mita de
32:28Jho sabhi thi nishaniyan
32:34Gahin to chupi thi baatیں
32:38Siskiyong ki woh ghera ya
32:43Ab hum chal mita de
32:48Jho sabhi thi nishan
32:52Jho sabhi thi nishan
32:58Jho sabhi thi nishan
32:59Jho sabhi thi nishan
33:06Jho sabhi thi nishan
33:08Jho sabhi thi nishan
33:09Jho sabhi thi nishan
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