- 13 hours ago
Man.On.Fire.S01E02.540p.X265.AAC [Full Movie] [Full Series]Full EP - Full
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Short filmTranscript
00:28Transcription by CastingWords
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02:36because
02:38when everything is on the line
02:40you always do better with someone
02:41that's trying to solve you
02:43than someone that's trying to save you
02:47I know that this is hard
02:49but for right now
02:51we're going to put all of our emotions
02:53behind and we're going to go out there
02:56and we're going to be a couple
02:58of surgeons
03:02surgeons
03:03surgeons
03:05Jokes.
03:36It's not a moral.
03:37It's not a moral.
03:39You'll be separated five minutes after the other.
03:49When you're in position, you don't do anything.
03:51You're going to send.
04:07Why haven't you asked me about what I saw?
04:10Time comes, I will.
04:14I would like to make sure you only have to relive that once.
04:39I thought I would.
04:40You're just getting my light of reality!
04:41That's the right to the right.
04:42And this is so hot.
04:58Some 1989, we should be aware of what we call.
05:03Some 1994, even overrun your kill zones.
05:04But it's almost as you choose this.
05:05And on Tuesday, it's almost as hard as the whole Joshi remains to merge.
05:05Four or us half minutes.
05:21Are they with us?
05:22Hey, we need to divert them.
05:24What?
05:24They're on the buildings and we got a car pacing us about a block away.
05:27The route is compromised.
05:29Divertment.
05:29Now.
05:34What's your diversion target?
05:36They've got a military facility on secure lockdown.
05:38Distance?
05:3912 kilometers.
05:40We need to drive.
05:42We need to drive.
05:45Are we good?
05:47Just keep your eyes real.
05:48That doesn't sound like an answer to my question.
05:51Mr. Mantenham as posições.
05:58We have only a search team.
06:08It's happening.
06:09You decide immediately.
06:10Come to the park.
06:11Come to the park on the right.
06:12On the right.
06:13On the right.
06:19On the right.
06:20With the river.
06:21Move.
06:23The moon will be in the right.
06:26I'm headed for distance.
06:30Hold on.
06:31I'm going to the park.
06:36Time to go.
06:36That's the end.
06:37More than that.
06:37Turn the park.
06:411.
06:472.
06:491.
06:53Oh, my God.
07:19My sincere apologies. Sadly, even after yesterday's act of violence, we still continue to receive threats from the FRP, given
07:27the circumstances. It seems prudent to conduct the interview here, and then we've arranged a military transport to fly directly
07:33back to the U.S., okay?
07:38In there?
07:40Yes.
07:44Go on, Paul. We're just gonna chat for a second.
07:53You can record the interview. I'll make sure all your questions get asked, but I don't want anyone else in
07:57the room when I'm talking to them.
07:59You seem to be under the impression that you have some authority here, Mr. Chrissy.
08:04You know, regardless of what you decided when you met me, you need to recognize that not only am I
08:10offering you my help, but that you need it.
08:13They had men staged all along the convoy route. That's a clear indication that there's a leak somewhere in your
08:18chain of command.
08:20And if you can't trust the men below you, you'd do well to reconsider the man in front of you.
08:31Would you trust the person I saw in that interview the other day?
08:37Job interviews are not my specialty.
08:41Unfortunately, this has turned into something I'm much more familiar with.
09:03I know that thinking about what happened is painful.
09:08So, just for the moment, let's not.
09:11As much as you can, I want you to stick to how you felt and what you saw before anything
09:18happened at the building.
09:19Before.
09:21That's where all the information that we need is waiting.
09:24Do you understand?
09:26Good.
09:28So when you woke up, you were at your boyfriend's?
09:30He's not really, ma'am.
09:35But, yeah.
09:39He snuck out.
09:41I wasn't planning on staying out.
09:43But then when I woke up, I...
09:46I realized if...
09:47If I didn't rush, Dad would be awake.
09:51And...
09:51Stay at number four.
10:00So you had to get on.
10:02I took Liam's motorcycle.
10:06I remember thinking I was going to make it.
10:09The streets were empty.
10:10I was going fast.
10:12And I was coming through this last turn.
10:14I had the light.
10:16But it's like I just sent something coming before I saw it.
10:20So I slammed the brakes.
10:21And then these two fans...
10:25They just came flying through the intersection.
10:27And then a motorcycle?
10:28Like a sport one?
10:30Or a racing one?
10:32Tell me more about the motorcycle.
10:35I think it was black.
10:38Like everything.
10:39The writer was in black clothes, black helmet.
10:43Yeah, that's all I remember.
10:45What about the vans?
10:47White.
10:48They look new or old?
10:49New.
10:49They look like work vehicles or some personal vehicles?
10:52Look, I don't know.
10:53Work, maybe.
10:55Okay, let's go back to that.
10:57Whatever that was at best.
10:59I took the bike around the corner.
11:03Maybe another half block and I parked it.
11:07I was basically staring right at the building.
11:11But he was there.
11:14Who?
11:18My dad.
11:20He was getting in his car and he saw me.
11:26And he was calling me and then...
11:28Okay, okay, let's stop right there.
11:30That's good.
11:31That's very good.
11:32Let's take a little break.
11:33Yeah.
11:35It's not right there.
11:36Mm.
11:39You didn't even ask her about the bombing.
11:41Suspects were gone before the bombing.
11:43Unless we do it the right way,
11:45strong emotions can warp memories.
11:46If I bring all her feelings up to the surface,
11:48that's likely to get us less useful intel and not more.
11:52I'm gonna get everything that we need.
11:55Right now, what I need from you
11:57are pictures of the most common white van
12:00sold in the last five years.
12:02I'm asking you for a little faith here.
12:06You think you want to get these people anymore
12:08and not do any more than she does?
12:11If you still have questions after I come out,
12:14I won't say anything if you want to go in
12:16and ask for yourself.
12:17Is that fair?
12:18Yeah.
12:23I'm also going to need a couple of rags or a small towel.
12:30What are we doing?
12:33I want you to think back to being on that bike.
12:39Now, 20 minutes ago, you were asleep.
12:43But from the minute you realized you had to get home,
12:46you've been wide awake, adrenaline pumping, yes?
12:49Yes.
12:49All right, and now you're so close.
12:52You reach that intersection,
12:54and then you slam on the brakes.
12:56Because you sense something coming out,
12:57does that make you feel?
12:58How does what make me feel?
13:00Something coming out of nowhere.
13:01You have to stop or you're going to get smashed.
13:03How do you feel?
13:06Shocked.
13:07Surprised.
13:08I...
13:14Point to the van, you saw.
13:15Look and point, don't think.
13:16Just remember.
13:43All right, now I want you.
13:58I saw his face.
14:08The writer just...
14:10just for a second, but I saw it.
14:12Okay, okay, good, Paul.
14:15Now just hold the story right there.
14:18Stay with the writer.
14:19Mm-hmm.
14:20Stay with the writer, Paul.
14:22Mm-hmm.
14:26Oh.
14:36Oh.
14:36Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
14:43They're good.
14:48What about these sketch artists?
14:50Sketch artists can be hit or miss.
14:52They end up creating false memories just as often as they bring something back.
14:56CIA has a good one she can sit with.
14:58For now, we should pull the traffic and security cameras in the area from the morning of the bombing.
15:03Maybe we get not only a sighting, but a plate.
15:06I'll put the word out immediately.
15:08Yeah, see, but that's the thing.
15:09How do you run down the lead when you know you got a leak somewhere?
15:12I'm due to brief President Carmo personally.
15:14We will hand-select a small team and make sure to keep the circle as tight as possible.
15:18For now, the plane is fueling.
15:20We'll be ready to return Paul to U.S. within an hour.
15:23I can't help but notice you only mentioned Paul.
15:26Given there is a leak, I can see the potential value in having an outsider assistance.
15:32But you need to understand that I am in charge.
15:36Listen, we both want the same thing.
15:38I can't help but notice that you didn't acknowledge that I will be in charge.
15:43You will be in charge.
15:45I will have a transport arranged for you after I brief the President.
16:00You know your friend Rayburn said you would see that having something to fight for would bring out the best
16:06in you.
16:09Did you believe?
16:12I have seen many situations, Mr. Creasy, where having something to fight for is what brings out the worst in
16:19people.
16:21And I suppose that's what continues to trouble me.
16:49Why can't you just come with me?
16:51No, you don't want that.
16:52I do.
16:54I promise I do.
16:55I have work to do here.
16:58But you...
16:58You're not only going to make it home safe, you're going to have a long life ahead of you.
17:02But for that to turn out well, you're going to have to find a way to leave all this behind.
17:05The way to do that, it starts right now.
17:07You get on that plane with your best memories.
17:12And you leave everything else, including me, right here.
17:16Never to be thought of again.
17:21You were there when...
17:24When I didn't have anyone else.
17:29It's not something I plan on forgetting.
17:37Okay, time for you to go.
18:00Okay.
18:02Okay.
18:09Okay.
18:28You're...
18:28I can't wait.
18:29You're...
18:30Like...
18:45...
18:46I don't want to stay.
18:58Get down! Get down!
18:59Get out! Get out! Get out! Get out!
19:16Get out!
19:17Get out! Get down!
19:21Get out! Get down!
19:51Get out! Get out!
19:55Get down!
20:04Oh, my God.
20:38Why is he turning?
20:57Jesus!
21:30Oh, my God.
22:00Oh, my God.
22:23Oh, my God.
22:31Crazy.
22:34Crazy.
22:36Crazy.
22:37All right.
22:38All right.
22:42Crazy.
22:44Crazy.
22:44Crazy.
22:44I'm dead.
22:46I'm dead.
22:47I'm dead.
22:50I'm dead.
22:52I'm dead.
23:08I'm dead.
23:11I'm dead.
23:11I'm dead.
23:16I'm dead.
23:31In a violent storm, in an endless fight
23:33Between right and wrong
23:34Come write songs like letters of war
23:58Do the bang!
24:05Good night, bro.
24:08She's dead!
24:24See you better.
24:44The president Carmo affirms that he won't let any attack stop the election.
24:49The research shows a big change in favor of the president and based on his crisis.
24:56You want something for you?
24:58No.
25:00Chá.
25:01Chá?
25:01No.
25:03Thank you for being here.
25:04I know she was a child, but I didn't want her to be so.
25:10I love her.
25:11I don't have any problem anymore.
25:13600 people were like that.
25:17I know you don't want to hear it, but I have to say again.
25:21You, friend, are still young.
25:23Your daughter is born.
25:25My wife went to the United States and said that she had many opportunities for public school.
25:30Your husband died.
25:31My wife was killed.
25:32And things just worse for you after that.
25:35And now this terrorism, crazy?
25:37When you look outside, do you think this is the best place to create your daughter?
25:42My friend, I'm talking about a return for you and for her.
25:46You know?
25:47I love you.
25:53Hello?
25:54Yeah, Melo.
25:55This is crazy.
25:55John, crazy?
25:56Yeah, you drove me around for several hours the other night?
25:59Yeah.
26:00Yeah, of course I remember.
26:03Are your friends okay?
26:05Listen, I need some help with driving.
26:08But you mentioned that you're also the kind of person who can find all sorts of things.
26:12And that's the kind of expertise I need right now.
26:17Mr. Crazy, I don't think it's smart to work with you.
26:19Yeah, well, smart or not, it pays well.
26:22And what is the payment for exactly?
26:24I think it's best we keep that on the needs of no basis.
26:27In Brazil, problems start when you get paid and you don't ask questions.
26:31Look, I got a girl who lost her family in the bombing and she saw the perpetrators, okay?
26:37Now they want her dead and I need to get her out of the country.
26:40So can you help me or should I find somebody else?
26:50What if I ask for something that's not money?
26:58Oh dear!
27:01Oh dear!
27:54Hello?
28:23No one followed me You leave a cell phone with my eye?
28:29Yeah, and I got these, like you asked.
28:35What's this?
28:36That's the beginning of something long and messy that doesn't need to concern you.
28:43Look, all I'm asking is that you find somewhere safe for us to assess things and then I'll make sure
28:48that your fee is taken care of.
28:49No fee. I told you what I need. Relocation with proper papers. Do we have a deal?
28:57Yeah, we do.
29:04I'm sorry. I thought I heard someone.
29:09Hi. I'm Alu.
29:16Po?
29:44Hello?
29:46It's really dark. No Brazilian involvement. I'm gonna get you and Poe home as quickly and safely as possible.
29:51Yeah, okay. Look, I'm gonna need some cash for protection and transportation.
29:54You got it. Done.
29:57And beyond that, you give me some exit options and I'll make an assessment.
30:04Are you saying you don't think it's safe to bring her back?
30:07I'm saying I don't know what I don't know and until I do, I can't commit to anything.
30:13Okay.
30:14Well, then, John, I think you need to ask yourself, is she really safe with you?
30:21I mean, this is fucking Rayburn's daughter.
30:22We're talking...
30:27Go for it. Go for it. Go for it.
30:30We're moving to another car.
30:34If you bang on the trunk, it'll be the last thing that you do.
30:47You know what we need? Music. What do you like? Pop, maybe?
30:55I can't turn it off.
30:57You don't like this one?
30:58I do. I just... I don't want to take songs I like and have them remind me of this.
31:15If you don't want to associate any of this with songs you like, maybe we'll switch it up.
31:25Well, the midnight headlight, find you on a rainy night.
31:29Street grade, upper head, slow me down, make it no time.
31:33I gotta keep rolling.
31:36I close a windshield, a whitebird, slapping at a tempo.
31:40Keeping perfect rhythm with the song on the radio.
31:45I gotta keep rolling.
31:47I need you for the flag of mine.
31:49I can keep rolling.
31:57That's it.
32:03It's the end.
32:07I can't keep rolling.
32:10No, it's the end.
32:13We're for the final hour.
32:13We're for the final hour.
32:14The final hour.
32:16I want to keep rolling.
32:16I'm sorry, but I'm sorry to interrupt you.
32:17Remember, you're gonna have to pay for this.
32:28Mr. Roger, it might not work.
32:34Welcome to a new home.
32:47Mr. Roger, it might not be a place to come in.
32:51Mr. Roger, it's a great place.
33:10Mr. Roger, it's a great place for us.
33:12Mr. Roger, it's a great place for us.
33:14Mr. Roger.
33:14Mr. Roger, it's a great place.
33:26Make yourself comfortable.
33:33I'm going to go talk to my cousin.
33:35I'll be right back.
33:38Are you sure about this?
33:42Be safe.
33:43Places like this are completely off the radar.
33:46You should try to get some sleep.
33:49All right, I still threw most of the drive here.
33:51Apparently, country music has a sedative effect on me.
34:04God, not you, too.
34:07My dad always used to try to get me to play.
34:11Who do you think told me?
34:14He talked about chess like it was a religion.
34:17No, not a religion.
34:18A metaphor.
34:22You have a plan.
34:23The other guy has a plan.
34:25And when you get surprised, you see who's smarter.
34:28Who reacts.
34:29Who attacks.
34:32You learn to play chess.
34:34You learn to play life.
34:42I think that might be the first time I've seen you smile.
34:50You could play.
34:53If you, um...
34:55If you want.
34:58You settle in.
34:59I'll be back.
35:00You're going to leave?
35:02Yeah, I gotta go take care of a few things.
35:06Are you talking about the man on the trunk?
35:10Yes.
35:12Can you just stay?
35:14I'll be more useful out there, not so much in here.
35:18Are you going to kill him?
35:20No.
35:21Just...
35:23Just talk to him.
35:25Like a surgeon?
35:29Something like that.
35:31Would he have killed me?
35:34Absolutely.
35:46Then I'll see you when you get back.
35:47Just know...
35:48I'll be back.
35:48I'm sorry.
36:08I want to be back.
36:22There's a place that you can work two blocks away.
36:27Did Poe eat anything?
36:30Other than American fast food she hasn't eaten since she got to Brazil.
36:34A hard case. My favorite.
36:40I have a daughter.
36:43And when my husband was killed, I had a neighbor who would come over to just talk to her.
36:49Talking is how she processed things.
36:52I think Poe is just like my daughter.
36:55If you want, I'm happy to stay with her.
37:00And just listen.
37:03All right, then.
37:04But you, you're just like me.
37:09When things are bad, what we seek is silence.
37:16Out of shop. Just around the corner.
37:19See you later.
37:38I brought something for you to eat.
37:44I'm not really hungry.
37:49Don't worry.
37:51I asked my daughter what an American who doesn't like Brazilian food would eat.
38:00These are Kushina.
38:03It's kind of like a, it's kind of like what you call a nugget.
38:09She came nugget, right?
38:11Hmm.
38:12Yeah.
38:19It's okay with me if you don't eat them.
38:21I never get to tell my daughter she's wrong, so it's almost better if you refuse them.
38:47She might be right.
38:48She might be right.
38:55How old are you?
38:58Sixteen.
39:01And coming to Brazil wasn't something you were excited about?
39:07You have me tell.
39:11Well, when you drive a car, you're not just meet lots of different people.
39:18You learn to really see them.
39:26What else do you see?
39:30Someone who needs a friend.
39:41You speak Spanish?
39:44Yes.
39:47You like the movies?
40:05that's bullshit car battery never broke nobody you want information it's not the battery that's
40:12key this was inside I see go so 40 unless you look that take time if you mix it hydrogen
40:31peroxide
40:32make something they call who go they piraña to service guys in last run yes no they just come into
40:40car me just oil and terrible is for the booth by it'll be go yeah they got everything out of
40:49me
40:53there's one scar right here put this on your forehead it's gonna eat away at your skin it's
41:04low to drip down once it get into your eyes slice up leave them in there once it's on you
41:14got about two
41:15minutes before it get into your eyes so talk fast no no hey hey hey don't look like that you're
41:21gonna get
41:27me dices that you want to try to talk
41:30can I say okay to a minute just come together I say that I'm going to be okay but it's
41:40just a
41:41good job with hannah so you know i'm good to go that you're done and I'm a big one that's
41:53so what's going on?
41:57It's the name?
41:57What's it going on?
41:57Yoko.
41:58Who's going on?
41:59Who's going on?
41:59I hope that it's his real name.
42:04You helped him with the bombardment too.
42:09Bombardment! Bombardment!
42:11I don't know anything about bombardment.
42:13I don't know anything about bombardment.
42:24The clock is ticking now, Chigo.
42:28You better come up with some answers.
42:33F.O.P.
42:35F.O.P.
42:35F.O.P.
42:35F.O.P.
42:39F.O.P.
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44:19F.O.P.
44:33F.O.P.
44:38There's a way I can get this guy to lead us to the people coming after Poe.
44:41So she's not going home?
44:42No. Not until I know everything we're up against.
44:45Okay, let's see what I can get.
44:49How is it?
44:52Not well.
44:54But she's in good hands.
45:13Is it time to go?
45:17Not yet.
45:27I need your help with something first.
45:31What?
45:35How do you feel about the sight of blood?
46:04How do you feel about the sight of blood?
46:08How do you feel about it that's okay?
46:09How do you feel about the sight of the blood?
46:22How do you feel about it?
46:23Yeast of your heart.
46:24If you're willing, you don't do that.
46:24Even if you're willing to celebrate your heart, if youобрv dancer, death of them.
46:26And Zoe's ticket is categoric.
46:30What is all the destination set of ghosts?
46:32Can someone find more statues and کاasan confronted again.
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