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Detective.Hole.S01E06.540p.X265.AAC [Full Movie] [Free Online HD]Full EP - Full
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16:13I don't think they're going to be one of your customers there.
16:19Can we hear the first?
16:26Come.
16:27Let me hand it.
16:46One night to speed up truth.
16:50We had a promise paid.
16:53Four hands and then away.
16:55Both under influence.
16:58We had divine said.
17:01To know what to say.
17:04Mind is a grace of faith.
17:07To call for hands of above.
17:11To lean on.
17:13Wouldn't be good enough.
17:23One night of magic rush.
17:27The stars a simple touch.
17:30One night to surprise.
17:33And then we dream.
17:35Ten days of perfect tears.
17:37The sun will spit in blue.
17:40We had a promise paid.
17:43We were in love.
17:48To call for hands of above.
17:52To lean on.
17:54Wouldn't be good enough.
17:57To lean on.
17:59To call for hands of above.
18:03To lean on.
18:04Wouldn't be good enough.
18:09And you.
18:12You knew that I'd love the devil.
18:19And you.
18:23You kept us away.
18:25And you three minutes.
18:27Sleeping in the middle.
18:27Carrying death for my love.
18:34How is seven miles?
18:38I'm wasn't!
18:41I'm not.
18:42I'm not.
18:46I'm not.
18:51I'm not.
18:52I'm not.
18:52I'm sorry for my turn.
18:53Uh-huh.
18:54I'm sorry.
18:55Take care of your own hands.
18:57Take care of your spirit.
18:58I'm sorry for that.
18:59I'm sorry for you.
19:01Okay.
19:01Okay.
19:01I'm sorry.
19:02Because I'm sorry.
19:04I'm sorry, I'm sorry.
19:28Let's do it.
19:52Let's do my own work, let's take a bullet
19:55Let's take the street
19:57What do you want to do?
19:58Are you running?
20:03Oh.
20:03Oh.
20:04You don't know how to do this, or how to do this.
20:07You're turning the way away.
20:11You're like, isn't it?
20:12You're gonna be okay.
20:14You're like, oh you're like, no, you're leaving.
20:18You're going to turn against them obviously.
20:20To be continued...
21:26Klikken er 6.00, og dette er Nyheden.
21:29Politiet stÄr fortsatt uten spor i saken med to drap og en forsvinning i Oslo.
21:34En talskrunde for Fremskrittspartiet, Angord Ilen, sier at politiet mÄ gis utvidet handlingsrom.
21:42NÄr politiet ikke engang fÄr bÊre bort, stÄr de borteslÞse.
21:45Bare gÄ den veien.
22:01Hva er det du driver med? Du kontaminerer oss det.
22:23Hva er det?
22:33Hva er det du driver med?
23:02Baltimore!
23:04Yeah.
23:09I thought it was because of me and Oleg, but it's not.
23:19It's because of the death, right?
23:22It's the only thing people can do.
23:34It's the same thing.
23:43Harry?
23:47Harry, hold on to me.
23:51Hey, Beate.
23:53Tegn et petagram pÄ et folieark 72 grader mellom spissene,
23:56og sÄ flyr du av prosjektet pÄ metrommet. Jeg er det om femheter.
24:02Har du hĂžrt?
24:03Ja.
24:03Det er livet Ă„ se.
24:13Harry, jeg tenkte at du skulle ta han her for fĂžr.
24:16Han har jeg alltid.
24:20Hva holder du pÄ med?
24:23Jeg ser ikke om vÄr man gjorde som kelterne.
24:26Som kelterne?
24:34Da er prosjektoren litt nĂŠrmere.
24:36Ja.
24:38Are you okay?
24:42Kelterne brukte pentagrammene til Ă„ bestemme hvor katedalene skulle ligge.
24:47PĂ„ kassetten sier han at et femkantet kors skal vise vei, ikke sant?
24:51SĂ„ her.
24:52Camilla Lohen.
24:54Lisbeth Barley.
24:56Barbara Sensen.
24:57Det her er kartet han bygger etter.
25:05Det er en kode vi burde ha sett for lenge siden.
25:18Det er en kode vi burde ha sett for lenge siden.
25:26Han har kuttet en av fem fingre, har vĂŠrt av offrene.
25:29Drapene og forsvinningen skjedde i tre pÄfÞlgende uker, henholdsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det mer om her?
25:38Fem.
25:39Klokkeslett.
25:39Rundt fem.
25:40Det er det som er koden.
25:41Det er bare et siffer. Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser, men det er en likhet.
25:49Og det er ikke husnummer. Det er...
25:51Femte etasje.
25:53Femte etasje.
25:54Femte etasje.
25:54Men hvorfor fem? Er det et ondt tall?
25:58Ja, det er meget brukt. Heksekunst og satanisme og sÄrmagi.
26:04Vi har fem senser. Det er fem livs. Er det noe?
26:08Er det noe? Er det noe? Er det noe? Er det noe? Er det noe? Er det noe? Er det
26:13noe?
26:13Det viktigste mĂžnstret her er dette.
26:15Han tegnet et pentagram. La det over byen og lot stjernetagene her peke ut de stedene som han skulle drepe.
26:22Og sÄ ventet han. Til rett dag, til rett tidspunkt. Han kledde seg ut som et sykkelbud.
26:28Dro til UllevÄlsveien. Ringt pÄ femte etasje.
26:31Og den som svarte var Camilla Loh.
26:33Lisbeth Balli da? Om han plokker henne ute pÄ gaten, da vet han ikke at hun bor pÄ femte vÄningen.
26:37Han plokker henne ute pÄ gaten. Han stod inn i gangen, sÄ at sÄ kom heisen fra femte.
26:42SÄ han fÞlger han efter henne ute pÄ gaten og...
26:44Uansett da. Offrene er tilfellige. NĂžkkelen her er Ă„stedene.
26:49Om det var Willy Barli som hadde tatt heisen ned fra femte etasje den dagen og ikke kona, sÄ er
26:53det han som ville vĂŠrt offret.
26:54NÄ som vi har koden, sÄ vet vi ikke bare hvor de neste to drapene vil skje.
26:59Vi vet nÄr.
27:00NĂ„r?
27:01Og fem dager mellom hvert drap, det blir...
27:03PĂ„ lĂžrdag.
27:04Imorgon.
27:05Og han jobber med klokka. SÄ det neste Ästed er etter all sannsynlighet her. Det er studenthjem pÄ kampen.
27:12Jeg informerer rett og forskningsgruppa.
27:14Nei. Vi har ikke rÄd til enda en lokkasje. SÄ Tom og Delta sjekker studenthjemmet HB Alt, og jeg tar
27:20den femte adressen.
27:21Snakker du med?
27:22Ja, vi er her. Det er en masse ennÞmslegenheter, men studentene er pÄ samme lov. Det finnes ingen femte vÄning.
27:27Ja, det er jo hus inne pÄ selve situasjonsomrÄdet her. Men det er ikke noen femte etasjer her heller.
27:33Ok. Vi gÄr inn og ser hvor vi kan rygge til.
27:40God dag!
27:42Hei!
27:43Nei. Jeg kommer fra politiet. Jeg stiller en spÞrsmÄl.
27:46FĂžlge byplanskontoret ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort dem til studenthjem.
28:02Ja. Det er sĂžnnen min, da.
28:05Ja. Du, ja. Du har kanskje lest om de drapene pÄ de unge jentene de siste ukene.
28:13Ja. Jeg har jo hĂžrt at det har skjedd, men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selimorder, og at et av hans to neste mÄl fÄr en
28:23synlig lys.
28:29Ja, altsÄ. Kan sÞnnen din bo her hos deg i morgen?
28:34Ja.
28:35Eller om du kan bo i hans.
28:38Han bor i utlandet, han.
28:41Ja, blir det vanskelig, da.
28:43Men skulle det gÄ bra om noen av oss er her i morgen?
28:46Ja, det er hyggelig.
28:48Hva er det som skal skje i morgen?
28:58Sannsynligvis hyggelig.
29:01Takk.
29:02Hade du verkligen tenkt Ă„ si til henne at hun var neste som skulle dĂž?
29:14Det er bra Ä gÄ litt rundt grÞten, ibland.
29:17Helmpleide, og sÄnn sier det.
29:18Mm, sÄ du har hÞrt om det. Det er bra i alle fall.
29:21Jeg har vel aldri vÊrt sÄ god pÄ Ä prate med folk.
29:27Kona de ble skutt pÄ Kloss Hall.
29:29Det var ingen mening i det.
29:30Den ladningen gikk tvers gjennom hjernen, sÄ den...
29:53Hei, det.
29:54Hei.
29:55Er du den grĂžten?
29:56Tror du jeg fant ut av den koden?
29:59Ja.
30:02Men hva?
30:05Nei, det er...
30:07Det er som nÄr jeg kan lese teksten, men ikke helt skjÞnner hva det betyr.
30:11SĂ„nn?
30:12Som at han har gjemt etter offrene.
30:16Ja, sÄ kutter han av fingrene etter offrene pÄ venstre hÄnda i rekkefÞlge.
30:21Start med pekefingeren, sÄ langefinger, sÄ ringefingeren.
30:26Liden systematiker der.
30:28Ja, men hvorfor starter han ikke med tommefinger?
30:38Poder det som de kvinner, sant?
30:40Det knekker de fĂžr de knekker deg, ikke sant?
30:42Det har du sagt fĂžr.
30:42Jeg sa det ganske bra fÞrste gang jeg har Þvrigt, sÄ...
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:05I can't promise that.
31:09I'm pregnant.
31:16I...
31:23I...
31:25Please...
31:27Say something.
31:37Visit my mother.
31:39What?
31:40You're always wondering what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother.
31:51You have a mother in the city.
31:52You have a mother in the city.
31:52You have a mother in the city.
31:52Well, it's gonna have me to add her.
31:55What?
31:59But since you are carrying our child now, I need you to know exactly what I do, what
32:09I really am.
32:40What are you doing?
32:59What are you doing?
33:02Do you want to try something more?
33:05Yes, thanks.
33:07I know.
33:09We're not going to give you time.
33:12No, it's a matter of time.
33:16In general, it's important for you to have your child.
33:23It's important for you to have your child.
33:24How are you doing?
33:25It's important for you to have your child.
33:26It's important for your child.
33:26It's much better than your cup of coffee.
33:30This is what we were doing at home.
33:41I can't let him run on me.
33:46What?
33:47We're like together.
33:51I can't let him run on me.
33:52I can't let him run on me.
33:54He's missing my heart if he's missing my heart.
34:00If we want, we're going to love it, isn't it?
34:08Ari, I like to see on you.
34:13I like to see on you.
34:22I...
34:26I can't.
34:30I don't know what it is, but...
34:34I don't have it.
34:36Oh, it's a great place.
34:42It's fine, it's fine.
34:54It's fine.
34:59Oh...
35:00I know how to say it.
35:03What do you say for now?
35:08I wonder if you can get on the theater.
35:15Sorry, I'll just...
35:20You have a new letter.
35:23It's time 19.45.
35:30It was nothing.
35:45It was nothing.
35:53What happened to me?
35:56I don't know.
35:59What are you doing here?
36:03What are you doing here?
36:16What are you doing here?
36:21What are you doing here?
36:26What are you doing here?
36:32What are you doing?
36:35I'm doing so no one to say I do.
36:41Let me know how you're feeling with us if you have a long line.
36:44eye is he taking up?
36:55I know.
36:59Okay.
37:04What I'm trying to say is that...
37:11The dam has been dead in my life after something else.
37:16Now I'll help you.
37:20You can stop it now.
37:23I'll stop you, okay?
37:25No, if I don't manage to stop.
37:33If you don't die again,
37:39I won't stop you.
37:49It's better.
37:55If you don't die again,
37:57then I'll never drink again.
37:59It's better.
38:20I'm not going to lie.
38:22I'm not going to lie.
38:25I'm going to get a little bit of a mess.
38:30The guest has been told to close up between 4 and 6.
38:34Yeah.
38:36Is it good?
38:37Yes, we're coming to the tournament in 4.5 minutes.
38:4024 people in all, 1 on 3, gasp, gasp, gasp,
38:43ready to action on the bus.
38:45Do they have it when they're on or try to take it off?
38:50We'll wait until the clock becomes 5.
38:57I'm in the morning. I'm going to pick you up at 6pm.
39:01That's fine.
39:03What do you want to do?
39:05I thought a dress.
39:07The dress I bought in Hegdalsvein in May.
39:09It's dark.
39:11Yes, it's the dress you have.
39:13Yes, it's definitely the dress.
39:15Yes.
39:19But I...
39:23Yes?
39:26I said yes, because...
39:30I thought it was a good reason to...
39:36It's something I want to tell you.
39:38Okay.
39:41Yes.
39:43But we'll take it when we see you.
39:46Yes.
39:47Bye.
40:08Your celled.
40:09Do you want more to come out of your Ăgyptic?
40:12Yes, you are.
40:12If you don't want more to go to the house in the house...
40:13The house that has been on your house.
40:14The house is in the house and I have been on my house.
40:14Which means 303.
40:16She's a snubber, you know?
40:17If she's just sat down with me and she's sat down at my door,
40:18she's full.
40:19All the people were ready to go.
40:26It's like a tea.
40:28You like tea?
40:29I love tea.
40:31Good.
40:48Was it so like your son was young?
40:51He was very nice and nice and so on.
40:54He grew up together with me.
40:57I got married when I was 15 years old.
41:00Yes, that was a scandal.
41:05My son had to send him back.
41:09But how was it for you?
41:12He was so young and...
41:15So he just sent out his son and...
41:20They gave me a choice.
41:22As they said, but you have always a choice.
41:26I'm confused.
41:28I know and he knows.
41:33What's he doing today?
41:35He works with imports.
41:38I think he said he imports from East Europe.
41:41It goes well.
41:43But it's not always like that.
41:46I think you'll find it in your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He says a lot about himself.
41:59But I think he found a friend like him.
42:02He said he had a new one on the phone.
42:04He didn't say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first.
42:11And then he went to the town in the morning.
42:13And then he went back.
42:15To?
42:15To Pra.
42:17Yeah.
42:18Yeah.
42:39He's not even going to die.
42:41But we're not going to die.
42:45Yeah.
42:46I just don't know.
42:46I don't want to die.
42:48No, no, no.
42:48No one to die.
42:48No two to die.
42:48No, no no.
42:50Do you see the 303 going from there?
42:53No.
42:57I'll check the 303.
42:59I don't think there's a risk.
43:01No.
43:05Alfa to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Klaire 303.
43:10Klaire 303.
43:35The Teams, true.
43:40They have nightmares!
43:40303 clear, one girl and one girl.
43:43They have marked victimized of aENT and deadly life.
43:46I live.
43:47Fuck!
43:49Just take your clothes and take him back to position. Charlie 2.
43:53What was that?
43:59He didn't even go in there.
44:00He didn't go in there.
44:01He didn't go in there.
44:02He didn't go in there.
44:03Stand by.
44:16I'm akay, I scream.
44:36Muglioobiekt. Come in. Izecto, te Bravo too.
44:51The object is to put your hands in the wall.
44:53The weapon is to put your hands in the wall.
45:02The weapon is to put your hands in the wall.
45:06Help the police!
45:07Stop!
45:09Get your hands in!
45:11Get your hands in!
45:14I have no hands in the wall.
45:15Just a second.
45:27It's not him.
45:29What's that?
45:302-0-5.
45:32It's one of those we didn't contact with.
45:35On the list here, it's called Odd Einar Lillebostad.
45:38I think Odd Einar Lillebostad is coming back.
45:44Are you sure you're here?
45:46Are you friends?
46:03Yes.
46:04It's funny when Martin comes out of the hall.
46:06Yes, I think you're sick.
46:11It's funny when Martin comes out here.
46:14I have to think he's a little bit on my life.
46:15Since he's here, mille and I have to apologize.
46:15But he's been here for the last few weeks?
46:19Yes, a week in the last four weeks.
46:22No, it's actually often. Every 5th day he's been here.
46:26The last time he had a smile for me.
46:29It's just like we're talking about the stone on the very special way.
46:35Hey, this is a spontaneous event.
46:38We've been in Morocco with Georg, a guy I've met.
46:41We're going to live with his parents in a small village called Hassan.
46:47If not, bad telephone and network.
46:50I'll contact you once I come home. Just go.
47:11No, no, no, no.
47:13When I walk and I try to stop and I'm so strong out.
47:17When I'm high as kind and I turn my mind.
47:20Stop and check them out.
47:22I'm in fighting beef. I stain my sheets.
47:25I don't even know why.
47:27My girlfriend, she's at the end.
47:30She is starting to cry.
47:32When I walk and I try to stop and I'm so strong out.
47:36I'm high as kind and I turn my mind.
47:40Stop and check them out.
47:41Let me go on.
47:44Like I blister in the sun.
47:47Let me go on.
47:49Big hands, I know you're the one.
47:53Body and beats, I stain my sheets.
47:56I don't even know why.
47:58My girlfriend, she's at the end.
48:01She is starting to cry.
48:02Let me go on.
48:05Like I blister in the sun.
48:08Let me go on.
48:10Big hands, I know you're the one.
48:14In the water.
48:15Blue Three.
48:34Doom Train
48:34When I'm out walking, I try to stop and I'm so strong out.
48:39I'm high as a kite.
48:40I just might stop.
48:42To check it out.
48:44When I'm a-walkin', I strung my stuff and I'm so strung out
48:48And I'm high as the kind, I just might stop and check around
48:54Body and beach, I stain my sheets, I don't even know why
48:59My girlfriend, she's at the end, she is starting to cry
49:04When I'm a-walkin', I strung my stuff and I'm so strung out
49:14Body and beach, I strung my stuff and I strung my stuff and I strung my stuff
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