- 13 hours ago
Vanished S01E01 [Full Movie] [Recommended]Full EP - Full
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Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:48To the moon should take about thenen
02:52And your dreams
03:26Transcription by CastingWords
03:56CastingWords
04:06CastingWords
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04:24CastingWords
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04:27Excuse me. Hi, my name is Alice Munro and I need help. My boyfriend, Tom Parker, he works for this
04:35charity and he's missing. Can someone help me? Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One minute, please.
04:49Hi, this is Tom Parker.
04:59Alice?
05:00Yeah, hi.
05:02I'm Alex Durant. I've heard so much about you from Tom.
05:06You have? You know Tom?
05:07Yes, of course. We used to work together in the field before I became a student.
05:13Metaphorically speaking. What happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36We can route calls through here so you don't have to pay international charges, but...
05:41I know he's coming here after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday, and...
05:52especially Tom, after what he's been through.
05:55What do you mean?
05:58How's he been? Since the incident.
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:12Okay. I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you
06:20kept me out of it.
06:20Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor, alone in the middle of the night. She was very sick, had no one to
06:49help her. So Malik ran for four miles, all the way to where the SOS team was staying, and got
06:55Tom to drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse, so with his mom's sake, Malik dropped out
07:07of school, scavenging for food.
07:11He tried to take care of his family, and Tom saw what was happening, and Tom being Tom, he promised
07:20Malik that if he went back to school, he would make sure his family was taken care of, but unfortunately,
07:29bandits raided the camp.
07:35They took women and children, and no one knew who had survived, and Tom was obsessed. He spent weeks searching
07:46for Malik and his family, and eventually they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, 10 clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in. We got him a counselor, we tried to give him support, but
08:18something in him had shifted, yeah?
08:21He disappeared, sometimes for days. There have been discussions to take him out of the field, but he wasn't himself
08:26anymore. He just seemed lost.
08:30Yalas, I don't think he ever really came back from what happened.
08:40Sorry, I, uh, I, uh, you, you didn't know any of this?
08:47Alan, I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes, sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up. If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
09:51I'll see you next time.
10:29I'll see you next time.
10:47Hello?
10:48Hello?
10:49Hey, Helen, it's, um, Alice.
10:51Hello, Alice.
10:52Has your boyfriend returned?
10:53No, he hasn't.
10:55Uh, but does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Orly?
11:02Where did you find that?
11:05I was looking in Tom's notebook, and it's, it was in there.
11:08Orly?
11:09It could be anything.
11:11It could be anything or anyone.
11:12Anything else in the notebook.
11:15Not really.
11:16I was just on a post-it note.
11:18I was just on a post-it note.
11:18Okay.
11:19Leave it with me.
11:20I will look into it.
11:51How do you know it's a boat?
11:52Oh, I don't.
11:54It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then, they run away to the sea with their buddies.
12:17Et voilĂ .
12:20Orly.
12:29Anyone here?
12:31Bonjour.
12:33Hello.
12:34Y'a quelqu'un?
12:35Well, what are we gonna do?
12:39What the heck?
12:40What?
12:41Oh.
12:42Every good journalist carry them.
12:45Oh, my God.
12:46Keep lookout.
12:48Keep lookout.
12:50Yes.
13:13Oh, my gosh.
13:16Oh, my gosh.
13:23Oh, my gosh.
13:30Oh, my gosh.
13:52Oh, my God.
13:58Is it his?
14:06Alice.
14:08Alice.
14:10Alice.
14:13Alice.
14:15Fati.
14:33it's uncle brian he's in london
14:38it's uncle brian he's in london
14:42who are you going to tell me about that i was wondering what you'd notice
14:47he may be useless with cars but he could talk a dog of a mitra a dog
15:10yeah i came as soon as i could hi um yeah i spoke to jordan
15:18you were right tom did make a call on thursday morning
15:24and he wanted to be put through to one of his colleagues
15:31alice there is no easy way to say this
15:35no um i met her actually
15:40that that woman that you're
15:42were they are they
15:47it's really not in my place to speculate
15:50come on
15:58he's not thinking rationally
16:07so what happens now
16:12my god is he will show up somewhere
16:14or makes contact with someone in the next 48 hours
16:18and then you both need to decide what happens next
16:23if i were you i would go to all
16:26go to all
16:27there's no need to hang around i must say
16:30if he turns up
16:31he'll be the first one to know
16:32okay
16:35okay
16:37alice um
16:38i wish i had better news i'm sorry
16:41no it's okay you've been very kind to me
16:43thank you
16:48call me for ma
16:49yeah if you need anything at all
16:53then you're going to be here
16:54again i'm sorry
17:04yeah i'm sorry
17:17no it's okay
17:20and i'm sorry
17:22it's okay
17:22yeah i'm sorry
17:22no it's okay
17:25I don't know.
18:41I don't know.
18:52If an attractive woman invites you to a party on a Friday night, you go.
18:57Sister, one day we will be free from fighting, violence, people crying in the street.
19:11We will be free from fighting, violence, people crying in the street.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:31Oh yeah, oh yeah.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00Come on, Jeff.
20:04Come here.
20:10Yeah, this was built by the Nepeteans.
20:15Oh, so was that 9th century?
20:174th century.
20:18AD?
20:19BC.
20:21Cool.
20:22Did you say the Nepeteans?
20:23Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what all it was.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course it's gorgeous
20:37rock-cut architecture.
20:39When it was annexed by the Romans, it fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is that interesting to you.
21:02Very.
21:12Andy?
21:14You guys looking forward?
21:17No, I did.
21:19Got you.
21:21Go.
21:23Stay.
21:26Don't get ready.
21:27All right?
21:28Don't you leave.
21:31Don't you leave.
21:33Don't you leave.
21:35Listen, let's go.
21:35He's coming back.
21:37Don't you leave.
21:38He's coming back.
21:40Don't be blessed.
21:41He needs to help.
21:51I love you.
21:51He's coming back.
21:52Can't you go?
21:53What's going back?
21:54How are you feeling?
21:54How the heck?
21:54I love it.
21:55Hey, or you love you?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give his address to a stranger, but how do you know Maurice Giroux?
24:33I don't. He was the conductor on a train I took recently and I need to tell...
24:37Yeah, okay. I'm sorry, Ann. When was it? I... I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay. Sorry.
24:54I think she slept together about a month ago. It wasn't a big deal, kind of casual, but now it
24:58is a big deal because I'm pregnant with Maurice's child. I need to speak to him right now.
25:06I don't know if he was a kid.
25:15I'm sorry. I'm sorry about my colleague, sorry. Of course, I'll give you his address.
25:22Sorry.
25:23Go ahead.
26:05Stop.
26:06Stop.
26:07Stop.
26:22Stop.
26:34Non mais bé.
26:35Qu'est-ce que tu fais?
26:36Je t'es perdu peu de bordel.?
26:38Non
26:38mais il ne fait pas parler. Je
26:40te promets que tu n'auras jamais comme la mienne. Alex,
26:4320 minutes. Antique,
26:45soit 20! X Frozen?
26:4620 minutes...
26:47Tu n'es
26:47pas connu pour deux à Bua? Ça d'être
26:49longue sur 8 ans ? Ha ou est on
26:50le fous !
26:54Get out of my way.
27:27Get out of my way.
27:29Come on, let's go.
27:31What are you doing?
27:32I call the police!
27:32Oh!
27:34You hear me? Are you sick?
27:35Come on, let's go!
27:37Get out of my mind!
27:39What did I say?
27:40You could talk like this again?
27:42Just like that?
27:43I call your mother!
27:44I call your mother!
28:14What did I say?
28:16I call your mother!
28:17I call her.
28:18I call her.
28:30I call her.
28:38Good morning, Mr. Giroux!
28:42Oh.
28:43Oh, yeah.
28:56Oh my god, oh my god.
29:15Oh my god, no, no, no, no, no.
29:19Okay.
29:26What the fuck?
29:32Madame?
29:35Vous ĂŞtes qui?
29:37Madame, Madame, hold on.
29:38Wait, wait, wait, hold on, it's okay, I know.
29:41What, did you...
29:42turning around?
29:43I'm sorry, I know, I just got in here.
29:46I need to hold it.
29:47Alice!
29:48Alice!
29:50Alice!
29:52Alice!
29:53Alice, you're so mad, I'm coming.
29:55Alice!
29:58Alice!
30:00Alice!
30:02Alice!
30:02Alice!
30:03Alice?
30:03Alice!
30:03Alice!
30:05Alice!
30:10Alice!
30:10.
30:11.
30:11.
30:12.
30:13Look, see!
30:13It's the same thing!
30:14You're right!
30:15You're right!
30:16Oh!
30:18Oh!
30:18Oh!
30:21Oh!
30:22You're right!
30:24Oh!
30:28Oh!
30:30Oh!
30:31Oh!
30:32Oh!
30:34Oh!
30:35Oh!
30:36Oh!
30:38Oh!
30:39Oh!
30:44I'm sorry, I cried!
30:46Don't worry, I'll take care of you.
30:54I'm going to get to the front and the front row here.
31:00Matt, Matt, she's going to get rid of it.
31:02Come on, we're going to the street.
31:55I'm okay.
32:00I'm okay.
32:04It's not a matter of policies, it's a matter of marketing.
32:07Why did you get so cynical?
32:10Here's your money.
32:15Something has happened, I need to see you right away.
32:18Alice, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular. He had very dark hair with, like, a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:09She's at the hotel room, room 218.
33:14Go to her now.
34:00What?
34:01I was right about the conductor.
34:03What?
34:03I went to his apartment, but when I got there, he was already dead. Someone slit his throat.
34:09Who have you spoken to?
34:12Just one person from Tom's charity. He's coming, actually, to meet me right now.
34:16Alice, which hotel? Which hotel are you staying at?
34:20Peron.
34:20I'm coming now.
34:22Do not speak to anyone.
34:24You hear me?
34:25Do not speak to anyone.
34:28Do not speak to anyone.
34:59I'm coming now.
35:27I'm coming now.
36:16I'm coming now.
36:20Now!
36:20Quick!
36:22Quick!
36:23No!
36:33Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Grace.
36:41Oh, my God.
36:42Grace, please, slowly.
36:44Oh, my God.
36:44You're safe, please.
36:48Mr. Rand.
36:49The works at SOS?
36:51No, he's been helping me.
36:53I cannot protect you if you do not want to be protected.
36:56I can't protect you if you do not want to be protected.
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess, but...
37:04I guess Inspector Drax, no?
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:31Okay, you better start telling me some truths or I'm going to call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:47First, first, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a bete noire for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:57Tom.
39:00Yes.
39:04I have reason to believe.
39:08Oh, you are so far off on this one, Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I with her, the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh, I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too... too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay, so Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Gero's murder.
40:27Oh my God, this is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
40:50Un crime brutal a bouleversé Marseille ce soir.
40:53La police a ouvert une enquĂŞte après la dĂ©couverte du corps de Maurice Gero, 45 ans, retrouvĂ© sans vie Ă
40:59son domicile en début de soirée.
41:01Selon les premières informations, une femme aux cheveux bruns aurait été vue quittant les lieux peu après l'agression.
41:07Elle est désormais activement recherchée et considérée comme principale suspecte.
41:10You have nowhere to go.
41:12Nous recherchons activement la suspecte numéro un.
41:16Une américaine dénommée Alice Monroe, la trentaine.
41:20Vous avez la mĂŞme information concernant cette personne.
41:22La mĂŞme information.
41:24Contactez la police.
41:27La police.
41:28La police.
41:35La police.
41:36La police.
41:41La police.
41:44La police.
41:45La police.
41:46La police.
41:47La police.
41:49La police.
41:49La police.
41:50La police.
41:50La police.
41:51La police.
41:52La police.
41:52La police.
41:53La police.
41:53La police.
41:53La police.
41:54La police.
41:54La police.
41:54La police.
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