- 21 minutes ago
Vanished S01E01 [Full Movie] [Full Episodes]Full EP - Full
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Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49Tens
02:50You
02:50Will
02:50To
02:50You
02:50Will
02:50To
02:50Yes
02:52And
02:53To
02:54To
02:54You
02:59To
03:07To
03:08To
05:44There's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday and especially Tom after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but when Tom comes back all happy and healthy, I'd prefer if you kept
06:20me out of it.
06:20Just tell me what happened, please.
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old.
06:37He lived in one of the camps where things were already hard, but that night it got even worse.
06:43His mom went into labor alone in the middle of the night.
06:47She was very sick.
06:48Had no one to help her.
06:49So Malik ran for four miles all the way to where the SOS team was staying and got Tom to
06:56drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse.
07:03So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and then Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:26But, unfortunately, bandits were ready to camp.
07:35They took women and children.
07:38No one knew who had survived.
07:42And Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, 10 clicks outside of the camp.
08:07We all have our breaking point, and that was Tom's.
08:11At least, I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor.
08:16We tried to give him support.
08:18But something in him had shifted.
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:40Sorry, I...
08:41I...
08:42You didn't know any of this?
08:45No.
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets on your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
09:51I'll see you next time.
10:29I'll see you next time.
10:54I'll see you next time.
11:18I'll see you next time.
11:51How do you know it's a boat?
11:52Oh, I don't.
11:54It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:11And then, they run away to the sea with their buddies.
12:16And here's what I'm going to do.
12:28And here's what I'm going to do.
12:39And here's what I'm going to do.
12:45Oh, my God.
12:46Oh, my God.
12:46Keep lookout.
12:48Keep lookout.
12:49Keep lookout.
12:50Beautiful.
13:00Thank you, everybody.
13:01Here's what I'm going to do.
13:01I'm going to do.
13:04It's going to do.
14:10Alice!
14:12Alice!
14:15Kerti!
14:33It's Uncle Brian. He's in London.
14:38It's Uncle Brian. He's in London.
14:42Who are you going to tell me about that?
14:45I was wondering what you'd notice.
14:46Alice.
14:47Alice.
14:48He may be useless with cars, but he could talk a dog of a mitra.
14:51A dog. A dog.
15:06A dog.
15:10I came as soon as I could.
15:12Hi.
15:13Um, yeah. I spoke to Jordan. You were right? Tom did make a call on Thursday morning.
15:24And?
15:24He wanted to be put through to one of his colleagues.
15:31Alice, there's no easy way to say this.
15:35No, um, I met her actually. That... that woman that you're... were... were they... are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:58He's not thinking rationally.
16:07So... what happens now?
16:12My God is he will show up somewhere.
16:14Or makes contact with someone in the next 48 hours.
16:18And then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around, I must say.
16:30If he turns up, you'll be the first one to know.
16:33Okay?
16:35Okay.
16:37Alice, um, I wish I had better news. I'm sorry.
16:41No, it's okay. You've been very kind to me. Thank you.
16:48Call me for Ma, yeah?
16:51If you need anything at all.
17:04Call me for Mr.
17:11I don't know.
17:43I don't know.
18:15I don't know.
18:36Who is that?
18:37I invited him.
18:40Hi.
18:42Hi.
18:42Tom.
18:44Profit.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday night,
18:56you go.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:30Come on.
19:38Yeah, this is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah, why?
19:53I think your job is safe.
19:57Oh, really?
20:00Come on, Jeff.
20:05Come here.
20:09Yeah.
20:11This was built by the Nepotians.
20:15What's that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:21Cool.
20:22Did you say the Nepotians?
20:23Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I want to know.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it, as is.
21:00Isn't that interesting to you?
21:03Very.
21:13Andy?
21:14You guys are looking forward?
21:17No, I didn't.
21:19Nachi?
21:19Not at all.
21:21Go.
21:22Let's start.
21:24Yes, Adam.
21:27Catch.
21:28Adora.
21:34He's coming back.
23:51Excuse me.
24:00Excusez-moi.
24:02Excusez-moi.
24:04I need help.
24:06Please.
24:07Hello.
24:10Hello.
24:13Hi.
24:13I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:17Oh, I'm sorry.
24:18He left around an hour ago.
24:21Do you know where I could find him?
24:22Why?
24:24Uh, it's personal.
24:26Do you have an address or a number or something?
24:29Oh, I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33He was the conductor on a train I took recently, and I need to tell...
24:37Yeah, okay.
24:38I'm sorry, when was it?
24:39I...
24:40I can't just give out his address, you understand?
24:43Yes, of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal, because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:02What did she say?
25:03What did she say?
25:04Oh, yeah.
25:06She said she was born by Maurice.
25:08What?
25:09What?
25:10What's going on?
25:14What is this?
25:15What?
25:16What is this?
25:16Sorry.
25:17I'm sorry about my colleagues.
25:18Sorry.
25:19Of course.
25:20I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:24Yeah.
25:25Good.
25:26Good.
26:05Stop, stop, stop.
26:34Mon bébé, qu'est-ce que tu fais ? Je t'ai perdu, c'est quoi le bordel ?
26:38Viens là , pourquoi tu veux pas me parler ? Je te promets que t'en viras jamais comme la mienne.
26:43Alex, 20 minutes. Laisse-moi 20 minutes.
26:4620 minutes ? Comment ça, 20 minutes ? J'ai pas connu pour deux, toi.
26:49Pour deux, c'est le téton gay, ça.
26:50Bah, tu vas me foutre, on va t'éconner.
26:51S'il te plaît, je t'en reviens.
26:56Tu vois, tu as une douce.
26:59Tranquille, ça va, oh.
27:02Tu vas te blesser là , arrête.
27:04Ça se voit qu'elle en a jamais tenu.
27:06Ouais, ça se voit.
27:08C'est comme ça qu'on te tient plutôt.
27:10Comment vous pouvez avoir confiance ?
27:14Comment on fait maintenant ?
27:19Regarde-moi que je te parle.
27:27Go and dance the beach at the house, go and dance the beach at the house.
27:31Don't you call me the police!
27:32Oh!
27:34You hear me?
27:35You sound?
27:35Come on, you're dead!
27:37Oh, no, no!
27:38Shit, I'm brainless!
27:39What do you mean, I've got to talk about it!
27:40You're not even talking about it.
27:42So, just in the room?
27:43Well, you know, I call your mother.
27:48All right, I'm calling your mother.
28:51Hello?
29:12Oh my God, oh my God.
29:14Oh my God.
29:17No, no, no, no, no.
29:19Okay.
29:26What the fuck?
29:34Oh my God.
29:41Oh my God.
29:45Oh my God.
29:47Oh my God.
29:50Oh my God.
29:51Oh my God.
29:52Oh my God.
30:09Oh my God.
30:12Oh my God.
30:13Watch this!
30:13Is this the one you saw earlier?
30:14Yes!
30:14Let's go.
30:44It's racist, sir, on t'a crié.
30:46Don't inquiet, I'll take care of you.
30:54I'm going to check the recon and the cruelest of this guy.
31:00Matt, Matt, she's going to die by the way.
31:02Come on, we're going to the car on the road.
31:43I'm going to die by the way.
31:54I'm going to die by the way.
32:15Something has happened, I need to see you right away.
32:18Alice, is everything okay? I thought you'd left.
32:21No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead.
32:28Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular. He had very dark hair with, like, a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
32:51Okay.
33:07She saw you.
33:09She's at the Hotel, room 218.
33:14Go there now.
33:15Let's go there now.
34:00what i was right about the conductor what i went to his apartment but when i got there
34:06he was already dead he someone slit his throat who have you spoken to um just one person from
34:13tom's charity coming actually to meet me right now alice which hotel which hotel are you staying at
34:20peron i'm coming now do not speak to anyone you hear me do not speak to anyone
34:45so
34:58so
35:14I have a delivery for Alice Monroe.
35:51I have a delivery for Alice.
36:00I have a delivery for Alice.
36:33I have a delivery for Alice.
36:34Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:39Freeze.
36:41Oh my God.
36:42Freeze, freeze, slowly.
36:44Oh my God.
36:45You're safe, Alice.
36:48It's Durand.
36:48The works at SOS.
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax...
37:04Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a pet noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:06I have reason to believe.
39:09You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I'm with her.
39:28The truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41It suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:13We're looking at the suspect number one.
41:16An American named Alice Monroe, the trentaine.
41:20You have no information concerning this person.
41:22You have no information.
41:24Contact us.
41:28You have no information.
41:39Hello!
41:56This is the doctor's office.
41:57It's safe to poke yourself enough to care about all you.
41:58clams orchard.
41:58If you are on the inside, please.
41:58You and I will.
41:59our Indy vitamin P0. He is a
42:07digital. The engineer is
42:07evencitadan girl. He will use
42:08to deflect orders.
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