- 23 minutes ago
The Night Manager - Series 2- Episode 6 Watch Isode
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Short filmTranscript
00:00His name is Jonathan Pine.
00:04You'll have support teams.
00:05Identify them and deal with them.
00:08Yes, it's me.
00:08I have guests.
00:10I'll leave you my findings.
00:12For your hard work.
00:14Game over.
00:15What about the guarantees I asked for?
00:18I can't give you any of those.
00:19You played me.
00:20I wire Matthew Harris
00:22fifty million dollars
00:24to be a free man.
00:27Tomorrow morning, you'll agree to hand yourself in.
00:30If you don't, I will destroy you.
00:32I know Roper's your father.
00:34Did Roper tell you about his other son?
00:36He's used you, Teddy!
00:38There's a coup being planned in your country, Consuelo,
00:40and you're gonna help me stop it.
00:41It's an electromagnetic weapon.
00:43Tomorrow the weapon will be dropped by parachute.
00:45It'll fly to Cabrera's camp.
00:47You have to stop it from getting there.
00:49Your English friend has been listening in on the house,
00:52which means he's inside the operation.
00:54I want Jonathan Pine.
01:27He's such a exhausting Alors.
01:32I have to see you on the θ מה later phone.
01:44I TTROMAKE
01:44The Poets Content
01:44The Poets
01:45That is a fully organized
01:46The Poets
01:46The Poets
01:47The Poets
01:52The Poets
02:02Uh, can we run the cow over?
02:06Ah, here he is.
02:08What a...
02:10Sit down, have a pastry.
02:12I'm not hungry.
02:14So, what's going on?
02:16All is going to plan.
02:19I want you to go to the Cabreras and tell them.
02:21Deliveries tonight, bang on schedule.
02:23You leave in an hour.
02:25Take one with you.
02:27Okay, and you?
02:29I will follow in due course.
02:31I have a small matter that requires my attention.
02:37I'll call the Cabreras to let them know.
02:47Okay, Eduardo.
02:49Hi.
02:50How are you doing?
02:52I'm here with Mr. Gilberto.
02:54I need to tell you to tell Cabreras that everything is according to the plan.
02:56We're fine.
02:59Everything, everything.
03:01Be careful, Teddy.
03:03I'm going to go with Mr. Carrascal.
03:06We'll see you at the meeting point.
03:08Okay.
03:15Done.
03:22Okay, I called Consuelo, and she told me there's an abandoned firing range about 25 miles east of the city.
03:28It's called San Marco.
03:29We can land the plane there.
03:31Okay.
03:53Grumple stilt skin.
03:55Okay.
03:57Okay, let's do that.
03:59Oh.
03:59Okay, let's go.
04:02Okay, let's go.
04:0250 million join the party before it's too late
04:09no deal but I'll be seeing you soon I hope
04:12sooner the better I miss that smile
04:53I'll be right back
05:27I'll be seeing you soon I hope sooner the better
05:31I miss that smile okay Sally reopen the connection with London tell Basil we're
05:38diverting the plane then pick up Consuelo I want a reception committee on the
05:41ground Colombian and international I want it
05:49I'll call you when it gets a teddy
06:04how far is it in any normal country two hours in Colombia four
06:17are you there can you hear me yes yeah they found us I got out I'm on a bus headed
06:21towards someone to help me I need your help what do you mean where's Tom I don't know I
06:26he ran I gotta go I'll call you back what happened we need to make a detour
07:20Where are you?
07:21I'm almost there.
07:22When you get off the bus, walk into the parking lot.
07:25I'll be able to see you.
07:31I'll be able to see you.
07:32Matthew Ellis.
07:33You're right.
07:35You're right.
07:36You're right.
07:37You're right.
07:39Everything is solved.
07:41What are you doing, Juan?
07:43Relax.
07:43Relax.
07:53Esta operación es mía, Juan.
07:57Yo la inventé.
07:59Y me merezco saber qué mierda está pasando.
08:01Así es que me vas diciendo, ¿no?
08:04Nuestra princesita de Miami ha vuelto al juego.
08:07Eso es todo lo que tienes que saber.
08:08Dale.
08:09Gilberto confía en esa puta, de verdad.
08:11Pues sí, dígate que tú también deberías estar agradecido con ella.
08:14¿Y por qué, Juan?
08:15¿Cómo que por qué?
08:18Tu papacito inglés te controla con un solo dedo.
08:22Dale.
08:29¡Vamos!
08:44¡Vamos!
08:45¡Vamos!
08:46¡Vamos!
08:54¡Vamos!
08:55¡Vamos!
09:14Le voy a llamar a los Cabrera.
09:17Decirles que ya llegamos.
09:18¡Vamos!
09:20¡Vamos!
09:31¡Vamos!
09:37¡Vamos!
09:38¿We mau le busquen?
09:38¡Vamos!
09:39I'll go.
09:50Yeah.
09:55Okay, I'm delayed picking up Roxana.
10:28Okay, I'm here.
10:30I can see you.
10:31Where are you?
10:34Matthew, where are you?
10:37Hello.
10:39I'm in the blue car to the left, about 30 yards from you.
10:43He's in the blue Opal Astra at the end of the car.
10:45Go, go.
10:58Goodbye, Roxana.
11:00And good luck.
11:03You're gonna need it.
11:05Here we go.
11:16Someone in the car!
11:35All right, Juan?
11:37What was wrong?
11:39What happened?
11:40Matthew Ellis escaped.
11:42I believe it had been the evening to help you.
11:44¿Y quién, Juan?
11:47¿Cuánto tiempo llegan los Cabrera?
11:49¿Cómo vas a ver?
11:51¿Pero vienen, sí o qué?
11:52Por supuesto que sí, Juan.
11:55Eduardo, ¿de verdad llamaste a los Cabrera?
11:59No lo puedo creer.
12:01Muéstame tu teléfono.
12:02Por supuesto que no.
12:03¿Tu teléfono?
12:03Que no.
12:07¿Qué haces?
12:08Pues como que me toca llamar a mí, ¿no?
12:10Venga, Juan, no es necesario.
12:12No confías en mí, de verdad.
12:16Toma.
12:17Tómalo.
12:21Malparido.
12:27Levántate.
12:29Es una mierda, Juan.
12:31Malparido yo.
12:32¿Eh?
12:33Tú sabías el plan de Roper, ¿no?
12:36De ir a Inglaterra sin decirme nada y dejarme aquí, mierda.
12:39Por supuesto que lo sabía.
12:41Es una mierda.
12:42Tú eres el único huevón que lo tenía, ni pute.
12:44Pero por favor, por favor, escúchame, te dije.
12:48No vales nada, mierda.
12:50Te lo suplico.
12:51¿Qué suplicas, Juan?
12:52No lo hagas, por favor.
12:52No te quiero matar.
12:53No lo hagas.
12:54Es que tranquilo, se me mete al carro.
12:56Está bien, por favor.
12:57Gracias.
12:59Tranquilo.
12:59¡Cuido!
13:01¡ able ser!
13:18¡Vacepa!
13:20¡Vacepa!
13:20¡Vacepa!
13:22¡Vacepa!
13:24No lo hagas.
13:54Photos and coordinates from Jin.
13:56You take the car.
13:58I'll find my own way.
14:02You've been kind to me, Martin.
14:04You didn't have to be.
14:09You've been kind to our people.
14:13So anything I can do?
14:16Just find Tarver, okay?
14:18Okay.
14:19And let me know where you are.
14:41We have to postpone.
14:43Nothing is being postponed.
14:45I have a deadline and I intend to meet it.
14:47It's too risky.
14:49Until you find him, I'm pulling the operation.
14:52What did you say?
14:54You heard.
14:56Myra, darling, I wonder if you know how to cook a frog.
15:01If you chuck him into boiling water, the little bugger just jumps right back out again.
15:06But if you ease him in at room temperature and gradually crank up the heat, he doesn't notice a thing.
15:12Until his brain is gently boiling in its own juice.
15:16You're the frog in this analogy because you hadn't figured that out.
15:21You're going to regret speaking to me like that.
15:24Is that a threat, Myra?
15:27You pondering a spot of treachery?
15:29Well, then remember this.
15:31You ordered the killing of Rex Mayhew in his Surrey home.
15:35If I go down, I'll happily take you with me.
16:11Where is he?
16:13Where is he?
16:17Help me.
16:46What is going to happen to him if all this works?
16:51You know what?
17:01I was there, in the office that night in Cartagena.
17:07I saw you.
17:09When you were alone.
17:11Hurting yourself.
17:17You shouldn't have seen that.
17:19You don't have to be that person, Teddy.
17:23You can disappear into those hills.
17:25Back to your sister.
17:28Be Eduardo Vidal again.
17:33No one will ever know he can be free.
17:41But not with him alive.
18:04When did you fall in love with him?
18:07Was it in London?
18:09First encounter.
18:11Or was it when he pulled his Lazarus act here in Columbia?
18:15You fell into his arms and in his arms you stay.
18:19I didn't tip him off.
18:20Well then how did he know?
18:21Who told him?
18:23Is there a plan?
18:24Is he coming here?
18:26On his white charger?
18:28Is that the lure?
18:30See, Frisky and I have some experience in this area.
18:33If we want someone to share their secrets, we tend to find a way.
18:36I didn't tip.
18:38Enough!
18:38Off!
18:39I warned you.
18:41I made it perfectly clear.
18:42Don't touch me!
18:43Let me make something clear.
18:44You're right about Matthew Ellis.
18:47He is so easy to fall in love with.
18:48But I chose not to.
18:51Maybe I was wise to his true intentions.
18:53Or maybe I'm just not capable of love.
18:55But either way, I didn't lose my heart to him.
18:58And if someone did, it wasn't me.
19:13Take it back to the house.
19:24Oh, you beauty.
19:49I didn't see you coming home.
19:53Hey!
19:54Did you do...
19:55I'll take it.
19:58Let go from outside.
20:04Go to the distance.
20:05No, go.
20:13I'll go.
20:16How's everything going?
20:23Carlos.
20:25What a rascal.
20:27Algo que le tengo que enseñar, Jose.
20:29¿Qué?
20:30¿Qué pasa?
20:37Out.
20:38Out.
20:40¿Qué es lo que pasa?
20:45¿Y este quién es?
20:49¿Quién es?
20:50Esta gonorrea se hace llamar Matthew Ellis.
20:53El hijo de puta nos engañó.
20:55Nos dijo que era un inversionista.
20:57Hace dos días lo puse en un avión para París.
20:59Lo que no entiendo, Jose,
21:01es como mierda estaba ayer desayunando con Rupert.
21:05Dice que lo siguieran.
21:07El imbécil manejó hasta acá
21:08y se alquiló una habitación de hotel aquí cerca.
21:10En el camino, el señor Carrascal lo intentó llamar.
21:13Me sacó un arma.
21:15¿Y?
21:16Por eso Juan ya no está con nosotros.
21:18Tráiganlo.
21:20Vamos.
21:25Uno.
21:26Vamos.
21:27Vamos.
21:28Vamos.
21:32Vamos.
21:44Vamos.
22:01This is Jane. It's happening. You need to come now.
22:20I'm at the rear exit. Orange Kia, now.
22:41I've turned my hands out.
22:45Who are you? What's your name?
22:50It's Matthew Ellis.
22:51Sorry?
22:52Matthew Ellis.
22:55What's your name?
22:58It's Matthew Ellis.
23:00Not according to this, Mr. Birch.
23:04Liar. You're supposed to be in Paris, Matthew.
23:07With your ex-wife and your beautiful little daughter.
23:10What the fuck were you doing yesterday, eh?
23:13Having lunch with this man.
23:14Preservation under Andrew Birch.
23:17Who is he?
23:20Answer.
23:20Who is he?
23:21It's just an old friend.
23:22His name is Giles Merriman.
23:32Who is he?
23:34Who is he?
23:35Who is he?
23:38Who is he?
23:43His name is Richard Onslow.
23:49Roper.
23:51And why did you meet him?
23:52Just business.
23:53Ah, business.
23:54When you came here, you called him from the hotel phone.
23:57Didn't you?
23:58Escuchen esto.
24:00Listen to this.
24:02When we meet again, the Carreras will be dead.
24:05You and I will be on British soil.
24:07Not a mosquito or Colombian in sight.
24:11And Jose Cabrera?
24:13No regrets?
24:14Jose Cabrera is a cowboy.
24:16He's not fit for civilized company.
24:19I'll be seeing you.
24:20Soon, I hope.
24:21Sooner the better.
24:22I miss that smile.
24:53All right.
24:54Okay.
24:56I work for British intelligence.
24:57How do you know Roper?
25:01Egypt.
25:01Nine years ago, I infiltrated an operation of his.
25:04I recruited him out of the counter.
25:06Been working there ever since.
25:07What are you doing here?
25:10If I tell you, I want guarantees, I'll walk away with a Sistana.
25:14Flight back to London.
25:16Huh?
25:19Fuck!
25:21Fuck!
25:33You've been running weapons deals for the last two years.
25:36Six shipments.
25:38To support a rebel army.
25:40There's a military plane coming here tonight.
25:44You think it's gonna airdrop the last shipment, an electrical weapon, to ignite your war, but there will be no
25:53weapon.
25:55What the fuck do you mean?
25:59It's a trap. It's Roper's idea. The plane will parachute in 50 combat paratroopers, Special Forces Brigade La Humla.
26:08What will they do?
26:13They'll kill every single one of you.
26:31It's important that the plane lands somewhere totally secure.
26:36No one knows about this place, right?
26:38No.
26:40It hasn't been used for decades.
26:44Okay.
26:57Call your team. Tell them to bring cameras and we're gonna make this a show.
27:14Come on, Basil. Don't let me down.
27:17Come on, Basil. Don't let me down.
27:39Let's go, Basil.
27:42Come on, Basil.
27:46We'll be right back at you.
27:46Thank you, Basil.
27:49You're welcome.
27:58Doors and Internation.
27:59Okay?
28:00Yeah.
28:02All good.
28:05Yeah, I just got back, and I am absolutely knackered.
28:11Being taken to a flat they've got for me.
28:13Some bloody warehouse conversion and sodding batters-y.
28:18I could come over and help you settle in.
28:20I would love that, but not tonight, my love.
28:24I am getting up at the crack house of sparrows tomorrow to go up to Oxfordshire.
28:27I'm helping out an old friend.
28:31Well, how about I come over tomorrow instead?
28:34We can have dinner.
28:35Darling, I'll call you back.
28:36Excuse me, where the hell is this?
28:38The dress-all was given.
28:40It's what a head office gave me.
28:41Well, clearly head office is balls-dark.
28:51Hold on.
28:52We'll just go and find out.
29:09Jesus Christ.
29:11Evening, your lordship.
29:15Oh, God.
29:16Oh.
29:17Oh, I wouldn't bother trying to call Myra Cavendish if I were you.
29:19We've got half an army out there.
29:27What do you want?
29:29Well, first I've got something to show you, and then you and I can have a chat.
29:45Confirm, Chief. Cargo's in the air.
29:46Fine.
29:50Victor, get the Jeep ready. Five minutes.
29:53Yes, sir.
29:54Juan Miguel.
29:55Would you be kind enough to book me a car to Bogota Airport tomorrow morning, 11am?
29:59Si, senor.
30:00Gracias.
30:19My mother was a woman of great economy.
30:23My father's auction house was struggling, as it often was in times of recession.
30:27She could change our lifestyle overnight.
30:31Out went the champagne, in came the cheap stuff from Italy.
30:36She once persuaded the local picker, who never drank champagne in his life, poor chap.
30:43A glass of Bulma's cider was actually Dom Perignon.
30:51She would start washing the sheets once a month.
30:55At boarding school, I got sandwiches instead of the roast beef.
31:00I pride myself on being an adaptable man.
31:04When circumstances demand, I shed a skin and pick up a new one.
31:10No regrets.
31:12No nostalgia for the past.
31:16Nothing is so precious that it can't be sacrificed.
31:19Nothing and no one.
31:23My father was sentimental.
31:27But you're not.
31:28No.
31:30No, his death cured me of that.
31:35I'm shedding a skin now, next to you.
31:40Hm.
31:43What did I do?
31:53Victor, let's go.
31:56Car's ready.
32:07What have you got yourself involved with, Sandy?
32:10Regime change on foreign soil?
32:12British diplomat being murdered in his own back garden?
32:16What's the parole board gonna say?
32:21I have no idea what you're talking about.
32:25Oh, how was the Columbia trip?
32:27Flying visit, I hear.
32:29Was it seeing the old man?
32:35You see, I already know about the coup.
32:37I know there are arms being smuggled, I know there's British money involved.
32:41But what I still haven't got is hard evidence connecting Richard Roper with Myra Cavendish and the Columbian Plot.
32:48But you get me that.
32:50And you can walk away.
32:52Squeaky clean.
32:52You might even get to see your kids again.
32:54But you fail me on this.
32:57I will put you away for the rest of your fertile fucking life.
33:03Stop taking the bullet for Richard Roper, Sandy.
33:06Cause I tell you this for free.
33:08He will never take one for you.
33:18Night, night.
33:35Cardo.
33:41Dame un segundo con este malparido.
33:46It's personal, Carla.
33:49Okay.
34:01Roper's on his way.
34:03Let me see.
34:19We went too far.
34:21It was necessary.
34:27Hey.
34:28Listen to me, okay?
34:30Deceiving Jose is one thing.
34:32Lying to Roper is another.
34:35When you're with him, you have to make him believe that you still love him.
34:42He's the man in the black car.
34:45The father you've always adored.
34:47You show him nothing less than the devotion he deserves.
34:55Like a dog.
34:58Like a dog.
35:06Just have faith.
35:12Goodbye, Matthew.
35:19Have faith.
35:25Okay?
35:26Let's go.
35:36Carlos!
35:45We'll go.
35:53We're going to go.
35:57Not only.
35:59We're going to go.
36:05Come on, I'm sorry.
36:08No, no, no, no, no, no, no, no.
36:38No, no, no.
37:05No, no, no, no, no, no, no, no, no, no.
37:08This has been a long time coming.
37:11Worth the wait, I hope.
37:13I hope so too.
37:16And there is the young master.
37:20Planes in the air.
37:22Everything go according to plan here?
37:24Everything went perfectly.
37:26Where's Carrasco?
37:29I'm going to the drop zone to make sure it's ready.
37:34Bollocks.
37:39He's doing coke in the bushes somewhere.
37:41Probably.
37:42Let's go.
37:45Here's your army.
37:49Ready for action.
37:53Hey.
37:55How old are you?
37:56How old are you?
37:5813.
37:5913.
38:03Kings of America.
38:05That's just it.
38:07Kings of America.
38:10Libertad.
38:11Blood.
38:22Come on, Richard. Have a seat.
38:25Well, thank you, Jose.
38:27Beer.
38:28Or champagne.
38:30Beer would be very nice.
38:31Yes, yes, thank you.
38:32Good night, gentlemen.
38:35Good night, Consuelo.
38:36Good night, Consuelo.
38:36Very good, Trujillo.
38:37I like your efficiency.
38:38I want photos of absolutely everything.
38:41I want evidence of those English weapons in the Caribbean.
38:56Now look at that.
38:57Bang on time.
39:00Why don't you do the honors, Jose?
39:06This is Stout Cortes.
39:08Over.
39:28Subject.
39:34How's that?
39:35How's that, eh?
39:39Shall we?
39:44Good night, Consuelo, come here.
39:51The plane's turning east.
39:53He's heading our way.
39:55Okay.
39:56We need one of these over here.
39:58Let's make sure we get everything, please.
40:00Let's make it happen.
40:01All right, Teddy.
40:07You still angry with me?
40:09No.
40:13I was doing some thinking.
40:14I would.
40:17I made a mistake with Matthew Alice.
40:19I'm sorry.
40:21Well, we've all done that sometimes, haven't we?
40:26All I ever wanted was to please you.
40:28And you do.
40:30We're here now.
40:32That's what matters.
40:34Let's pick the Duke.
40:35Well, why not?
40:37No sky like a jungle sky.
40:49Up. Let's go.
40:51Up. Let's go.
41:03Hope you come along.
41:09I do have insurance policies in place.
41:15Where did you get that photograph?
41:18Oh, I've been busy, madam.
41:20Do you want to see what else I've got?
41:22The case for the prosecution.
41:25Got emails from you to Adam Hollywell.
41:27I've got texts to Miami, Medellin.
41:30Got phone records.
41:33Alms lists.
41:35And a handwritten note from your luxurious London address.
41:39Connecting you to Roper's Dirty Plot.
41:42All I need now is the shipment itself.
41:45And that's on its way, isn't it?
42:06There's a plane in the Columbia night sky right now, with a shiny British weapon for Roper's Rebel Army.
42:14But Jonathan Pine's sending it to me.
42:17And when it arrives, there's going to be an international scandal.
42:19Your operation will be exposed.
42:21Your investors will be publicly shamed.
42:23And Richard Roper will be no more.
42:26And as for you, you ordered the execution of Rex Mayhew.
42:30One of the gentlest men to ever grace this earth.
42:33If it were my choice, you'd be home-drawn and courted on Westminster Bridge for all to see.
42:38But the service wouldn't survive that.
42:41So, tomorrow morning, I want you out.
42:44Resignation letter on the desk.
42:46You can piss off.
42:55Well, let's go.
43:10I despise your kind, do you know that?
43:12It's mutual.
43:13I've nothing to apologise for.
43:17I serve my country.
43:19I do the job asked of me.
43:21And I would happily do it again.
43:23Seriously, where the fuck is Karasko?
43:26On the hill?
43:28He will be the first one to see the plane.
43:30No, you do the honors, Richard.
43:32Like the welcome fires.
43:33Richard Roper is not a job you do.
43:37He's a choice you make.
43:39You get into bed with Roper, you get into bed with weapons of death,
43:42poison gas, the murder of children who barely breathe God's air.
43:47You have condemned yourself to the lowest circle of hell,
43:50and I will take fucking pleasure in hearing you scream.
44:12I don't wanna hear this, it'll be good.
44:15This is London.
44:18This is Consuelo Arbenz.
44:20Head of the Colombian Supreme Court.
44:23I have a visual on the plane.
44:25And we're ready to document the arrival of your British weapon.
44:33The plane's late.
44:35Maybe there's a headwind.
44:38There's no wind.
44:40We should be here.
44:42Maybe it won't come at all.
44:45What do you mean by that?
44:47Jose, if that's a joke, your timing is fucking awful.
44:50I wish it was.
44:56Carlos, mijo, traigame el inglés.
45:00What did you just say?
45:01What Englishman?
45:03Frank Andrew Birch.
45:06I'm sorry, Richard.
45:10They were watching us at the restaurant.
45:13They followed me here.
45:16They know everything.
45:19The second plane's another location.
45:21You are making a very big mistake.
45:23I don't know what this man has told you,
45:24but he is a British intelligence agent.
45:27I know who he is.
45:28No, you don't.
45:29I'm telling you, this is a trap.
45:31I know.
45:31You don't know anything.
45:33I know that if I allowed that plane to drop its cargo,
45:37I'd be a dead man.
45:39But you wouldn't care, would you?
45:41I'm just another Colombian mosquito.
45:42Don't.
45:43Shh.
45:46Keep up, Dickie.
45:48Game's over.
45:48Shut the fuck up.
45:51All right, Jose.
45:52I'll give you that one.
45:53You're not to blame.
45:54But I want you to listen to me very carefully.
45:57That plane's cargo contains exactly what I promised,
46:00a state-of-the-art British electromagnetic pulse weapon.
46:03It took off from a military airfield this afternoon on its way here.
46:06Teddy, tell them.
46:12Teddy, tell them!
46:14What?
46:16What do you want me to say?
46:19That you lied to me?
46:20About everything?
46:22That you've been using me?
46:26That you always planned
46:27to go back to England
46:30to your only son, Danny?
46:36The one that you love so much?
46:39Let me tell you something.
46:41Dad,
46:42you will never see that kid ever again.
46:46You die tonight
46:48under my Colombian sky.
46:51And I will bury you myself.
47:05You are very good.
47:11Well, come on then, Teddy.
47:13Let's not disappoint Mr. Birch.
47:15He's come a long way for this.
47:17Show him what you're made of.
47:18Show him the blood you come from.
47:20If it were done when tis done,
47:22then twere well it were done quickly.
47:25Tell you what,
47:26why don't I count you down?
47:29One thousand!
47:30Teddy, come on!
47:32Nine hundred and...
47:38I do believe that's mine.
47:42Don't...
47:42Hey, hey, hey!
47:43Don't fucking move!
47:45Don't move!
47:46Don't move!
47:46Trust me, Hazer.
47:47This is a call you want me to take.
47:55Evening, Frisky.
47:57You're fucking late!
47:59Sorry, Chief.
48:00Bring her in, will you?
48:06Now, where were we?
48:16What's that?
48:18That, my friends, is an aeroplane.
48:24The refuerzos, Carlos!
48:25The refuerzos, Carlos!
48:27The refuerzos, Carlos!
48:29You fucking stay still!
48:30There are no soldiers, Jose.
48:32I...
48:33What is he doing here?
48:36See?
48:37There are two sides to every story.
48:39Just as there are sometimes two aeroplanes
48:42with two very different cargoes.
48:47Watch the cops, Jonathan.
49:00Watch the cops.
49:02Come, get up!
49:03We run, get up!
49:04Come, get up!
49:04Get up!
49:04Hey!
49:04Come, get up!
49:07We're on our 뿐만
49:08Let's go, get up!
49:11Let's do it! Let's do it!
49:32Won't you go and open your present, Jose?
49:35You'll never doubt me again.
49:41You'll never doubt me again.
49:42Quiet! Quiet!
49:52Hello, I need a help.
50:11Let's do it.
50:16Papa!
50:17Where's the alarm?
50:18As I promised.
50:33He sent us a fucking red rose.
50:41Case dismissed.
50:45Guess I'll see you around.
50:48Must visit you in France one day.
50:56You're a real big game hunter, aren't you, Jonathan?
51:01First my American sweetheart in Mallorca.
51:05Now my very own son.
51:08Always the prize trophy.
51:11Just like you're hell-bent on plunging a stake into my fucking heart.
51:17You demand love by tyranny, Richard.
51:23It'll only get you so far.
51:26Well, we'll see how far it gets me.
51:32As for you, Eduardo.
51:37When you were a baby,
51:40you had the face of an angel.
51:51Te perdono.
51:54I forgive your immortal soul.
52:01But not your mortal one.
52:02No!
52:03No!
52:32No!
52:38Just so you know, Jonathan.
52:41My alpha was real.
52:47We could have done so much together.
52:51Richard.
52:52Live that piece of shit to you.
52:54Get out of here!
52:56Get out of here!
52:57Get out of here!
53:00Get out of here!
53:03Get out of here!
53:04Find him!
53:07Go!
53:08Let's go!
53:10Get in!
53:12Get in!
53:15Help me!
53:24They're all I say.
53:25I can't lose them.
53:26Hold on!
53:33Llévatelo!
53:34Llévatelo!
53:34Go!
53:36Get in!
53:39Get in!
53:40Get in!
53:40Get in!
53:42Get in!
53:46Get in!
53:56Go!
53:57Go!
53:57Go!
53:58Get the Levant!
54:00Come in!
54:25Nothing is so precious that it can't be sacrificed.
54:29Nothing and no one.
54:33I'm shedding a skin now, next to you.
54:46I've dug deeper into the Hollywood fires and there's something else.
54:49There's something beyond Roper.
54:51There's a bigger game, Mum.
54:53And I haven't.
55:34There's something beyond Roper.
55:37There's something beyond Roper.
55:45There's something beyond Roper.
55:51There's something beyond Roper.
55:55There's something beyond Roper.
56:07There's something beyond Roper.
56:14There's something beyond Roper.
56:15There's something beyond Roper.
56:32There's something beyond Roper.
56:39There's something beyond Roper.
56:44There's something beyond Roper.
56:56There's something beyond Roper.
57:08There's something beyond Roper.
57:08I've seen you.
57:11Ready?
57:13Where are we going?
57:14I thought I'd bust you out of jail for the weekend.
57:17Give you a tour of the new place at Oxfordshire.
57:19Did Sandy show you the pictures?
57:21Yeah.
57:24Um...
57:24It looks cool.
57:26There's a tennis court at the back.
57:28Well, I should warn you.
57:30I've been practicing.
57:36Seatbelt.
57:39Oh, Danny, there was something I wanted to ask you.
57:43How would you feel about us getting some dogs?
57:48Sounds good.
57:51In Colombia, the death toll has risen to 600 overnight
57:55as civil war rages following Monday's sudden power cut.
57:59As thousands flee Medellin in panic, the army...
58:03And now, you masters of war, you that build all of our guns, you that build the dead planes,
58:33you that build the big bombs, you that hide behind walls, you that hide behind walls, you that hide behind...
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