- 11 hours ago
How To Get To Heaven From Belfast S01E05 [Full Movie] [Latest Version]Full EP - Full
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00:28Transcription by CastingWords
00:45CastingWords
01:03CastingWords
01:04CastingWords
01:06CastingWords
01:14CastingWords
01:15Oh my God, she's done it.
01:19She's done it.
01:21My name's Margo.
01:22You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32Look, he's saying his good hand.
01:33He won't come now.
01:34He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gungerev to a vacant term.
01:46I said I knew you were watching.
01:50I'd like to keep working with this one.
01:53The other child?
01:54Nothing I can do for the other child.
02:13I love you.
02:15I love you.
02:19Oh, God.
03:14Oh, God.
03:17In the bathroom singing the blues, I won't clean up your place, I got my head all in your face,
03:23I got my head all in your face.
03:47Who the fuck are you?
03:52I'm Feeney.
03:55I'm your new best friend.
03:57You drug me.
03:59You undressed me.
04:00Uh-uh.
04:01You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:05The clothes you had on?
04:07Gotta burn them, I'm afraid.
04:09Mostly because it's like...
04:11Procedure.
04:12But also, well, they're kind of horrific, babes.
04:15Oh, coffee's ready!
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again.
04:24I take things from here.
04:26What?
04:26Oh!
04:30Look how cute these wee cups are.
04:34I don't understand.
04:35If you have questions, when I land on the scene, everyone's full of this.
04:40I couldn't be doing with that last night.
04:43So you stuck a syringe in my neck.
04:44I'm going to move on from this syringe thing, babes.
04:47It was late.
04:49You needed some sleep.
04:50I had shit to do.
04:52I made an executive decision.
04:54Now, will you please just sit down and have some coffee and a wee, tiny gold cup?
05:03Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, but we are 100% not making it off this flight of life.
05:17What exactly is she going to do to us in a confined space for loads of witnesses?
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38For fuck's sake!
05:41Linda.
05:42What are you doing, lovely?
05:43The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks, Charlie.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something out of that really quick?
06:01It's, uh, it's our mother's ashes.
06:06Yeah.
06:07Yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:18Linda!
06:20Linda!
06:22Linda!
06:23Linda!
06:25Linda!
06:26Lindsay!
06:29I'm here to go.
06:34I'm here to focus.
06:36Linda!
06:42Jesus.
07:09Hey, Saoirse, it's me, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working on it.
07:17I sent that too soon.
07:18I never know if I should delete and start again when that happens or if that looks a bit.
07:24Sorry, I did it again there.
07:26I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot.
07:33She didn't know anything about Jodie for it, or so she says, but she did tell me something, which was
07:37a bit...
07:38I don't believe this.
07:40Megan, anyway.
07:42I spoke to Margot.
07:43She told me when she was pregnant she was reading this book.
07:46The author was a psychiatrist she admired.
07:48Greta Gancále.
07:49So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman, she only published one book, and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:07How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:13Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:29No.
08:31Great.
08:35Why would we scatter her in the sea?
08:39She hated getting her hermit.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda?
09:00You always gave her bad advice to seatbelt.
09:02No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:04Well, occurring for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself out there
09:13and live your own life for fear of rejection.
09:18So, so, so, skinless.
09:22Woo!
09:25You know you want to do it.
09:26Go!
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario, I should say I've had
09:38a few proseccles.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:41She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew the big boat.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of Cabin Group staff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit!
10:10Look!
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:36Right.
10:37Right.
10:37Come on.
10:48Hello.
10:50All right, lads.
10:53Thank you, driver.
10:54I'm here.
10:54I'm here.
10:55I'm here.
10:55I'm here.
11:01I'm here.
11:19this person who called this woman she said uh greta knew your father that she knew something
11:26about his disappearance yes but the caller they didn't identify themselves no and that was the
11:32only time they contacted me what day did you receive this call the night of this month
11:41did they greta died i've since learned as much yes
11:46that's strange
11:50so did your wife ever mention my father or talk about having any dealings with a journalist no
11:55never would have been a long time ago she didn't mention anything
12:00well she would have been a teenager when he went missing around the same age as your daughter perhaps
12:07my daughter yes what do you know about my daughter well i i tried your house you went in but
12:14she was
12:15and i briefly leave my daughter out of this sorry i mean whatever this is you leave my daughter no
12:20i didn't even speak to her my mother has just died my wife has just died i didn't i didn't
12:24mean and you
12:25come in here with this insane story it's not a story inspector o'neill
12:32it's a fact someone did call me and someone gave me your wife's name
12:48i don't have time for this
12:55i understand i apologize sir it's not the right time perhaps
13:04i can wait
13:16yeah
13:20anything i can help with no
13:25no it's it's fine
13:47maybe it's time we talk to the guards maybe we should just tell them everything
13:50yeah but you see we can't tell them everything can we do because there's some bits we need to keep
13:53to
13:54ourselves like some quite big criminally type bit oh that name guy he might help
13:58but my phone's fucked oh shit my tea oh robin's works for fuck's sake jim i don't remember his
14:05number why is jim ringing me i don't know robin maybe because he's your husband and the father of
14:08your children hiya love how's things great yeah all under control here right sweden darling how is
14:17portugal hey baby let the free birds fly yeah a lot of a lot of irish here one second one
14:24in the name of
14:25i gotta go deal with this riot we need to focus girls okay what do we actually know what are
14:30the
14:30facts okay so we know that this thing belongs to judy we know that judy and gretta grew up together
14:35we know that they were connected what was the name of that tiny game come on tashban tashban that's
14:41right why are you talking about narnia what tashban it's from the chronicles of narnia yeah jack's
14:47reading it i forgot how messed up it is that lion is a freaking nurse i i i i gotta
14:53go love okay right
14:54bye bye bye bye bye yeah love you bye jesus christ what was it he was right what are you
15:05talking about
15:05yeah they couldn't have come from tashban because tashban doesn't actually exist girls
15:12every single thing she told us was a lie
15:28and with that it's goodbye jody perfect a passport pick is everyone on their best day it looks great
15:36like this by the way babes if i do say so myself the truth is you don't have to do
15:41that much what's
15:42that thing they say about lying a good lie stays close to the truth like with your name i always
15:50think it's best to go for something that sounds similar that way when someone calls you or you have
15:55to sign something it's less of a leap like psychologically so i'm thinking grania grania
16:03i think it's itchy babes i honestly do grania it's like an echo of the person you once wear i
16:11like that
16:12like a ghost of yourself that's actually quite profound that's me babes no the surname we have
16:19less freedomless we have to work off a list that's been cleared what i must have left it upstairs let
16:25me
16:25run and grab it gotta take the hardware with me i'm afraid babes it's not that i don't trust you
16:34it's just better safe than sorry type thing and i've been stung before people are like i just want
16:40to talk to my mother or sister or son or springer fucking spaniel just once just do you hear their
16:49voice like i get it babes but now you've thrown the whole operation and i'm starting to decide
16:55with whoever it is the one she did
16:59you're on the other side of things now i guess what's that well earlier you said that you were
17:05evaporated too all right yeah but i was so young how young 13
17:17yeah my parents they were both god i still haven't found a better way of putting this
17:28like they were kind of murdered babes i'm so sorry you don't need to know all the details
17:34trust me it will kill the crack overnight my environment became well not the safest
17:43and booker heard what happened and she decided to help me
17:50booker saved me i owe her everything i guess that's why i'm here doing what i do
18:01that's something else we have in common
18:05what is well you were young too when that marco woman stepped up i mean
18:16you know about that you know what happened with my mother we know everything babes
18:21what you're talking about
18:49you're going
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:02We'll be back in the morning tonight!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:39Run!
19:51Get out!
19:53Yeah!
19:55I, I, I, I, I, I, I!
19:57I, I'm so excited to see you.
20:00Oh!
20:05Oh!
20:07Ha!
20:08Oh!
20:13Oh!
20:14Oh!
20:17Oh!
20:27She's grand!
20:29She's grand!
20:32She's grand!
20:34She's grand!
20:37Why does she do that?
20:39Go, go, go!
20:41Go, go, go!
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:11Single-handedly drove the English out of Ireland, you know.
21:14No, wait.
21:15Not the English.
21:16Snakes.
21:18Wait, you know, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay.
21:43Well, I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00Anyway.
22:00You didn't see me.
22:01Neither did he.
22:03But, anyway.
22:05When I reached the door, there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18Alright, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've been trying to decode them.
22:29Decode.
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct.
23:01Anyway.
23:04I went to Greta's old school for a look, and there's this whole area of the grounds that's just sort
23:09of abandoned now, and there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it, and Greta, well, she'd have still been there the
23:32year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared, about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends, if I die today, then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53They are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do you that now, bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:23It could be on her clothes and her hair.
25:26You know what that means.
25:27And her hair?
25:29She's on her way here.
25:42Robin, shh.
25:43Stay beside that door.
25:44I don't want a priest walking in here and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:55Shh.
25:56Listen.
26:13Grab a weapon, quick!
26:21Come on!
26:28We're ready for a fucking exorcism, maybe?
26:34Who is she, girls?
26:36Is she playing at night?
26:46Moving on to seat 32A.
26:49Let's have Cass on set in five minutes, please.
27:05Come on.
27:09I look like an eaten mass.
27:11Terrible.
27:12It's so obvious.
27:13Excuse me.
27:14Yeah, I'm gonna have to see the brain.
27:15Excuse me.
27:16Scene 32A.
27:18Crucial, people.
27:19Crucial
27:20Sam.
27:21I'm not sure if you remember me.
27:23The Cop, I remember.
27:24I'm looking for Sierre.
27:25sure about why would i know where she is well because you work together and also
27:32aren't you engaged well i'm sure you've seen a lot more of her than me recently
27:37what you think i don't know what's going on
27:41there's nothing going on look i don't mind you don't mind i'd just like to be involved
27:49involved i think you'll find i have a lot to offer in that department okay well you genuinely
27:53don't know what you're talking about and i'm kind of afraid to ask oh come off it explains why she's
28:00been awol for days what does she's storylining season five and you're helping with research
28:06oh no pushing me out again so much for tv being collaborative listen boss um why are you in the
28:14wrong uniform no he's a guy we're shooting those scenes next week that's all location costume
28:17yeah this agent's in the wrong unit no he's not i'm not an actor i'm a real person no actors
28:22aren't real
28:22people he's an actual guard okay he's helping see us your storyline season five really we're gonna
28:27have to swap out scene 15 this rain's not stopping anytime soon oh no could you just have her call
28:31me
28:32seb darling my car's here taking that god awful telly interview love you darling what's 15 again
28:38exterior school bearing of the body okay fine hey ev sorry do you have a script
28:49can we get a move on people
28:56what is she playing at she knows we're in here
29:02sanctuary law she is obeying our right to claim sanctuary so long as we're in here she won't
29:08touch us so why the fuck would we leave
29:29hello i just want the box you've been swept up on something you deserve no part of
29:37i don't want to hurt you she tried to kill us the boat that was a warning if i really
29:43wanted you
29:44dead you would be i just want the box why what's in it what's all this got to do with
29:53grandma knowing
29:54that will affect you like a disease a fatal one all you have to do is come out here and
30:04hand me the box
30:07i don't know what's in it do that and i promise you will never see me again
30:15after a while you'll begin to question if any of this actually even happened
30:22if i ever actually existed
30:27what what will it be
30:45let me do it
30:57let me do it
30:59let me do it
31:02let me do it
31:28Why didn't you come inside?
31:30I don't do business in God's house.
31:34I don't trust him.
31:37I see.
31:45Well, we don't make deals with the devil.
32:00That's so cute.
32:02We chart a shop number.
32:04You gotta get the balance right with this stuff.
32:07It's more time consuming, but every stitch young can't be brand new.
32:12I'll sort the basics, because they haven't told me where you're going yet.
32:15So I don't know what conditions we're dealing with.
32:19I don't know.
32:35I don't know.
32:40It calls for concern here, babes.
32:42You're concerning me.
32:44I'm concerned.
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter.
32:59And she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:14Will I?
33:16You'll be okay.
33:17Some people are built to survive.
33:22That's what Bicker told me when my parents tried.
33:26She said...
33:28She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:41There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:51It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:11A wind for every miserable year.
34:16Oh, don't look so shocked.
34:19You recognize that in me.
34:20I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:45I wish you should recall somebody.
34:48Yeah, all right, love.
34:49You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:11How might someone like that react to you bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea.
35:21But I'm thinking, if we're hiding behind lots of people, she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37Why the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets.
35:48Or what?
35:49The Late Late Show.
35:50Oh, my God, The Late Late Show.
35:53I love Patrick Hilton.
35:55I love Patrick Hilton.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't give it all the fusses.
36:05Fine.
36:05I love Patrick Hilton.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move aside, please?
36:16Uh, we don't have tickets because these are the competition members.
36:19What are you talking about?
36:21Should be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Ah, typical.
36:30Aye.
36:31Well, tell me that you at least held some house seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Seen a lot of 30 Rocks.
36:42But you've yet to watch one episode of my show.
36:45Show's not funny.
36:47Hey, Regina.
36:49We're just down the end there.
36:50Sorry, thanks.
36:52We're just down the end there.
36:57Bye.
36:59Bye.
37:00Bye.
37:02Bye.
37:03Bye.
37:04Bye.
37:05Bye.
37:06Bye.
37:08Bye.
37:14Bye.
37:19Bye.
37:23Bye.
37:24Bye.
37:46Hey, would you ever turn that bollocks off?
37:52Happy St. Patrick's Day!
38:00Also on the show tonight, he went viral this week when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains and carried it down on his back to safety.
38:11His name is Sean O'Kelly!
38:14Ah, couldn't mind yourself, Sean!
38:16What a strange show.
38:20She plays detective Emma Fierce in the smash hit multi-award winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins!
38:33You are shitting me!
38:36Isn't that those three Belfast agents we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're on anywhere.
38:46This thing's still alive, right?
38:47Oh God, yeah.
38:48She cannot quack it.
38:50No!
38:50The show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:54Yeah!
38:57When you first read the scripts, did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03No.
39:04I actually struggled to see what the big deal was, but then I realised it was the audience's
39:09attachment to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions to make her relatable and the scripts were definitely elevated after
39:23that.
39:24I mean, we did a lot of work on them.
39:25We.
39:26And after all that, I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in to see you catch the elusive career killer in
39:39your own home?
39:41Actually, actually, a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise!
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here!
40:17Look!
40:18Look!
40:19Mummy's on TV!
40:20She really is!
40:21Ah, lads, will you stop?
40:22Your mum's in Portugal.
40:30So, Saoirse.
40:31Patrick Keating.
40:32Patty.
40:33Patrick.
40:33Patty Keating.
40:34P.K.
40:34Patty.
40:35Mr. Patty.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns?
40:48I guess lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:00Films.
41:01News stories.
41:04History.
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Sort of, you know, things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about?
41:20Give us an example.
41:22Well.
41:24Oh, maybe I shouldn't say that.
41:26Go on, I don't be a tease.
41:31When we were young, my friends and I, we did this pretty terrible thing.
41:37But only because we were trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah!
41:50I think this is a bad idea, Patrick Hilty.
41:54Tell us.
41:56Tell us!
41:57Tell us!
41:59Tell us!
42:00Tell us!
42:01Tell us!
42:02Tell us!
42:03Tell us!
42:04Tell us!
42:05Well, turns out the person we were trying to protect, she was lying.
42:13So now we've done this terrible thing, but we don't even, we don't even know why.
42:18If this were murder code, and you were Emma, I mean, what would you do?
42:24Well, I suppose, well, I suppose Emma would realize that she's overlooked something small, something that she initially thought was
42:37insignificant.
42:40But it turns out that it was the key to unlocking the case.
42:48The key to unlocking the box.
42:52She had it all alone.
42:54I had it all.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:04Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:15I can't remember.
43:16Picture.
43:17Picture.
43:17Picture.
43:18Picture.
43:18A painting.
43:19A painting.
43:20Picture of a painting.
43:28I've got it.
43:29Penny, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone talk.
43:35I really must get her some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:39Roll it there.
43:43Oh, please.
43:45Big panic at work.
43:46Right.
43:47Hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick again.
43:50We also saw Patrick too.
43:52Keep going.
43:53Keep going.
43:53What is he like?
43:55Let's go.
43:56Come on.
43:58Jesus.
43:59Seriously, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:06Me and Patrick, Katie.
44:09I love Patrick, Katie.
44:16We already saw the answer.
44:19We had it right in front of us.
44:22What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:32Um.
44:36Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:43Um.
44:43Two five.
44:45Zero one.
44:46Nine seven.
45:04Oh, my God.
45:20What happened to her?
45:22Baby.
45:23When you left me like this.
45:26And when you hold me like that.
45:28He was gone with the wind.
45:31He was gone with the wind.
45:31But it's all coming back to me.
45:34When you see me like this.
45:36What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:52Holy shit.
45:54Step out of the car!
46:23What do you want?
46:35What do you want?
46:42Wait!
46:57You keep going until I tell you to stop.
47:09You keep going until I tell you to stop.
47:47I tell you to stop.
48:20I tell you to stop.
48:21I tell you to stop.
49:02I tell you to stop.
49:13I tell you to stop.
49:23I tell you to stop.
49:24I tell you to stop.
49:47I tell you to stop.
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