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How To Get To Heaven From Belfast S01E05 [Full Movie] [Long Version]Full EP - Full
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00:28Transcription by CastingWords
00:45CastingWords
01:05CastingWords
01:15my god she's done it she's done it my name's marco you did very well you're a very clever girl
01:27so don't hurt me she thinks she's stupid that's not true
01:31he won't come now he's never coming now who won't come god
01:42you don't think you're clever he is a gangorev to a vacant term she said i said i knew you
01:47were
01:47watching i'd like to keep working with this one the other child nothing i can do for the other child
02:04so
02:13so
02:23Here we go.
03:14Here we go.
03:39Here we go.
04:03Here we go.
04:14Here we go.
04:20Here we go.
04:38Here we go.
04:51Here we go.
05:12Here we go.
05:35Here we go.
05:37Here we go.
05:37Here we go.
06:06Here we go.
06:16Here we go.
06:37Here we go.
06:46Here we go.
06:48Here we go.
06:48Here we go.
07:07Here we go.
07:09Hey, Saoirse, it's me, eh, Liam. Excuse the voice note, I didn't want to call in case you were working
07:15at me. I sent that too soon. I never know if I should delete and start again when that happens
07:20or if that looks a bit.
07:24Sorry, I did it again there. I think maybe I just have really big fingers. Anyway, look, so I spoke
07:32to Margot. She didn't know anything about Jodie for it or so she says, but she did tell me something
07:36which was a bit...
07:38I don't believe this. Me again. Anyway, I spoke to Margot. She told me when she was pregnant she was
07:44reading this book. The author was a psychiatrist she admired. Greta Gankale.
07:49So she, Margot that is, she decided she'd name her child after her. But here's the thing.
07:56Jesus Christ. Sorry, here's the thing. This woman should only publish one book and it was written more than a
08:02decade after Greta was born. So that can't be right, can it? I'm not really sure what it means, but...
08:07How the fuck have you done that again? Maybe just give me a call back, Saoirse.
08:13Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport. Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this. Ready?
08:30No.
08:31Great.
08:35Why would we scatter her in the sea? She hated getting her hair wet.
08:40I would, you know what she hated. You never saw her. You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark. She loved it. There was her happy place.
08:50I'm gonna have to ask you all to take it down a notch for me, girls. I can deal with
08:53this if you wanna let the pilot know what's going on.
08:55Well, sure. I'll open the door to the cockpit now. Who the hell trained you, Linda? Al Qaeda?
09:00You always gave her bad advice to seatbelt now. Well, you were always ripping the back out of me. Get
09:04back down!
09:04Well! Curran for her was the worst decision you ever made. It only exacerbated your avoidant personality and gave you
09:11an excuse to never put yourself out there and live your own life for fear of rejection!
09:29We're not drunk. Not really. We were acting. It was an act!
09:33Girl, if you are gonna subject us to any kind of breathalyzer type scenario, I should say I've had a
09:38few proseccoes.
09:39That woman was trying to kill us. She's a psychopath!
09:40She locked us in a boat. A big boat. She blew it up. She blew that big boat off!
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of cabin crew staff. She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda? That's what I wanna know. You have to help us.
09:57On you go.
09:59Okay, then. Well, thanks for listening, lads.
10:09Shit! Look!
10:14Okay, we have to go now.
10:16Without our bags? No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin. That is actually immoral.
10:22Absolutely cracker looking only is what it is.
10:29Okay. Okay.
10:35Right. Come on.
10:48Hello.
10:50Good night, lads.
10:53Thank you, Draper.
10:54I'm gonna give you a hug.
11:20This, uh, person who called this woman, she said, uh, Greta knew your granddad.
11:24your father? That she knew something about his disappearance, yes. But the caller, they
11:30didn't identify themselves? No, and that was the only time they contacted me. What day did you
11:34receive this call? The night of this month. Did they, Greta died? I've since learned as much, yes.
11:47That's strange. So did your wife ever mention my father, or talk about having any dealings with
11:54a journalist? No, never. Would have been a long time ago. She didn't mention anything. Well, she would have been
12:02a teenager when he went missing. Around the same age as your daughter, perhaps. My daughter? Yes. What do you
12:10know about my daughter? Well, I tried your house. You went in, but she was, and I briefly... You leave
12:16my daughter out of this. Sorry? I mean, whatever this is, you leave my daughter out. No, I didn't even
12:20speak to her. Her mother has just died. My wife has just died. I didn't.
12:24I didn't mean... And you come in here with this insane story? It's not a story, Inspector O'Neill. It's
12:33a fact. Someone did call me, and someone gave me your wife's name.
12:47I don't have time for this. I understand. I apologise, sir. It's not the right time. Perhaps. I can wait.
13:19Yeah? Anything I can help with? No. No, it's... It's fine.
13:47Maybe it's time we talk to the guards. Maybe we should just tell them everything.
13:50Yeah, but you see, we can't tell them everything, can't we, darling? Because there's some bits we need to keep
13:53to ourselves.
13:54Like some quite big criminally-type bit. Oh, that name, Daddy. He might help.
13:58But my phone's fucked. Oh, shit, my key.
14:00Oh, Robin's works.
14:02For fuck's sake, Jim. I don't remember his number.
14:05Why's Jim ringing me?
14:06I don't know, Robin, maybe because he's your husband and the father of your children.
14:09Hiya, love. How's things?
14:12Great, yeah. All under control here.
14:15Ryan's sleeping, darling.
14:17How is Portugal?
14:18Hey, baby, let the free birds lie!
14:21Yeah, a lot of Irish here.
14:23One second, though.
14:24What in the name of...
14:25I've got to go deal with this.
14:26Ryan!
14:27We need to focus, girls, okay?
14:29What do we actually know?
14:30What are the facts, okay?
14:31So we know that this thing belongs to Jodie.
14:33We know that Jodie and Greta grew up together.
14:35We know that they were connected.
14:37What was the name of that town again?
14:40Come on, Tashban.
14:41Tashban, that's right.
14:42Why are you talking about Narnia?
14:43What?
14:44Tashban, it's from the Chronicles of Narnia.
14:47Yeah, Jack's reading it.
14:48I forgot how messed up it is.
14:49That lion is a friggin' nurse.
14:52I've got to go, love, okay?
14:54Right, bye, bye, bye, bye.
14:55Yeah, love you, bye.
14:56Bye.
14:56Fuck.
15:00Jesus Christ.
15:02What was it?
15:03He was right.
15:04What are you talking about, yeah?
15:06They couldn't have come from Tashban.
15:08Because Tashban doesn't actually exist, girls.
15:12Every single thing she told us was a fuckin' lie.
15:28And with that, it's goodbye, Jodie.
15:31Perfect.
15:32A passport pick is everyone on their best day.
15:35It looks great like this, by the way, babes.
15:37If I do say so myself.
15:39The truth is, you don't have to do that much.
15:41What's that thing they say about lying?
15:44A good lie stays close to the truth.
15:48Like with your name.
15:49I always think it's best to go for something that sounds similar.
15:53That way, when someone calls you, or you have to sign something, it's less of a leap, like, psychologically.
15:58So I'm thinking...
16:01Gráinne!
16:02Gráinne?
16:03I think it's suchy, babes.
16:04I honestly do.
16:06Gráinne.
16:07It's like an echo of the person you once wear.
16:10I like that.
16:12Like a ghost of yourself.
16:14That's actually quite profound.
16:16That's me, babes.
16:17Now, the surname we have, Les, Freedomless.
16:20We have to work off a list that's been cleared.
16:22What?
16:23I must have left it upstairs.
16:25Let me run and grab it.
16:28Got to take the hardware with me, I'm afraid, babes.
16:32It's not that I don't trust you.
16:34It's just better safe than sorry type thing.
16:37And I've been stung before.
16:39People are like, I just want to talk to my mother, or sister, or son, or springer fucking spaniel.
16:47Just once.
16:48Just to hear their voice.
16:50And I'm like, I get it, babes.
16:52But now you've thrown the whole operation, and I'm starting to decide, well, whoever it is, the one she did.
16:59You're on the other side of things now, I guess.
17:02What's that?
17:03Well, earlier you said that you were evaporated, too.
17:08Oh, right.
17:09Yeah.
17:10But I was so young.
17:12How young?
17:15Thirteen.
17:17Yeah, my parents.
17:19They were both.
17:22God, I still haven't found a better way of putting this.
17:27Like, they were kind of murdered, babes.
17:31I'm so sorry.
17:33You don't need to know all the details.
17:35Trust me, it will kill the crack.
17:38Overnight, my environment became, well, not the safest.
17:43And Booker heard what happened.
17:46And she decided to help me.
17:50Booker saved me.
17:53I owe her everything.
17:55I guess that's why I'm here.
17:58Doing what I do.
18:01That's something else we have in common.
18:05What is it?
18:07Well, you were young, too.
18:09When that Margo woman stepped up, I mean.
18:16You know about that?
18:17You know what happened with my mother.
18:19We know everything, babes.
18:44You know what happened.
18:53Oh, yeah.
18:58Cheers, lads!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre.
19:28For fuck's sake!
19:29I'm not even wearing green.
19:31Supposed to bring you bad luck.
19:34Think of it already.
19:39Run!
19:57I'm not even wearing green.
20:00I'm not even wearing green.
20:01I'm not even wearing green.
20:05I'm not even wearing green.
20:06I'm not even wearing green.
20:08I'm not even wearing green.
20:10I'm not even wearing green.
20:13I'm not even wearing green.
20:14I'm not even wearing green.
20:16I'm not even wearing green.
20:18I'm not even wearing green.
20:19I'm not even wearing green.
20:23I'm not even wearing green.
20:25I'm not even wearing green.
20:27She's grand!
20:34She's here.
20:36Why does she do that?
20:59Thanks.
21:00Sure you think one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:03That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No way.
21:15Not the English.
21:16Snakes.
21:18Wait you now, Donald.
21:19You're quite upbeat for a fellow with a missing da.
21:22He went missing when I was a baby.
21:24Settled into it.
21:28Mmm.
21:29Would you like a straw?
21:31Do you think I'd glass one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:42Okay, well...
21:44I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:52I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh...
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But...
22:04Anyway.
22:05When I reach the door,
22:06there's no answer.
22:08For some reason he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times he talks about what I thought was something like sad girl or mournful woman.
22:41But then I found out that the school that Greta attended was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00It's my instinct, anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:40Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember, Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared.
23:49About how he thinks Greta was involved.
23:51Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:57I want you to tell me what the hell is going on here.
23:59Fuck it.
24:00I'm coming to Belfast.
24:01See you at the studio.
24:02No idea.
24:03No idea.
24:06No idea.
24:25No idea.
24:27If this is how it ends,
24:30no idea,
24:31if you die today,
24:35i don't want my conscience to be clear you're not dying sir sir
24:41my head is banging i might have some painkillers in my bum bag okay at some point we need to
24:47address the fact that you've started wearing a bum bag now these are mums they're prescription
24:52only they are really strong class we need backup i'm calling jim what's jim gonna do you that
24:59my bitch i'll have jim for breakfast how's it going you've reached jim's phone where the hell is he
25:06he's gone out who the hell does he think he is wait you're tracking jim obviously i haven't
25:12trusted him since the whole affair thing there was no fucking affair thing shit she's tracking us
25:21she's tagged us somehow it could be on her clothes in her hair you know what that means
25:27in her hair she's on her way here
25:42robin stay beside that door i don't want a priest walking in here and seeing my fandango
25:47what's your fandango doing out can everybody just keep their fandangos under wraps please
25:55shh listen
26:14grab a weapon quick
26:15constipative
26:22come on
26:23come on
26:24come on
26:27are we ready
26:29for a fucking exorcism maybe
26:34she girls
26:36is she playing at night
26:46Moving on to seat 32A.
26:49Let's have cars on set in five minutes, please.
27:09I feel like an eating mess. Terrible.
27:12It's so obvious. Excuse me.
27:14Yeah, I'm gonna have to see the brain. Excuse me.
27:16Scene 32A. Crew show.
27:19And people, crew show.
27:20Tiff, I'm not sure if you remember me.
27:23The cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also...
27:32Aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:48Involved?
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53I genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:58It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16No.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:23He's an actual guard, okay?
28:24He's helping Saoirse storyline season five.
28:26Really?
28:27We're gonna have to swap out scene 15.
28:28This rain's not stopping anytime soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Burying of the body.
28:41Okay, fine.
28:44Hey, eh, sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:57She knows we're in here.
29:02Sanctuary law!
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:16PHONE RINGS
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat.
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greva?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do.
30:01All you have to do is come out here and hand me the box.
30:08Do that and I promise you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:22If I ever actually existed.
30:27What will it be?
30:29What will it be?
30:38What will it be?
30:58What will it be?
31:00What will it be?
31:01At . . . .
31:23GO!
31:28Why didn't you come inside?
31:30I don't do business in God's house.
31:35I don't trust him.
31:37I see.
31:42Well.
31:46We don't make deals with the devil.
31:59Oh, that's so cute.
32:02We charge a shop number.
32:05You've got to get the balance right with this stuff.
32:07It's more time consuming, but every stitch young can't be brand new.
32:12I'll sort the basics, because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:29Too soon.
32:29It was my understanding that when I'm settled to my daughter, she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39You're giving me cause for concern here, babes.
32:42You're concerning me.
32:44I'm concerned...
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:54With no guarantees!
32:57She's my daughter, and she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are built to survive.
33:22That's what Bickery told me when my parents died.
33:26She said...
33:27She knew I was deafening because I cleaned it all up.
33:33Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:40There was such a terrible mess.
33:44They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
34:00What do you mean?
34:02They were fast asleep.
34:09Thirteen times?
34:11A wound for every miserable year.
34:16Well, I don't look so shocked.
34:19You recognize that in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:46She shouldn't have called somebody.
34:48All right, love.
34:49You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes,
35:05and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:11How might someone like that react to you, bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea.
35:21But I'm thinking, if we're hiding behind lots of people,
35:24she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin,
35:28and I'm morally quite sketchy, like I work in television.
35:30Oh, speaking of which,
35:32Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam,
35:36now that he's a consultant.
35:37Why the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets?
35:48Or what?
35:49The Late Late Show.
35:50Oh, my God.
35:52The Late Late Show.
35:53I love Patrick Hilty.
35:55I love Patrick Hilty.
35:59Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine.
36:05I love Patrick Hilty.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move us out, please?
36:16Uh, we don't have tickets because these are the competition numbers.
36:19What are you talking about?
36:21Should be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Ah, typical.
36:30Aye.
36:31Well, tell me that you at least held some house seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Seen a lot of 30 Rocks.
36:43But you've yet to watch one episode of my show.
36:45The show's not funny.
36:47How would you know?
36:49We're just down there.
36:50Sorry.
36:51We're just down there.
36:56We'll be back.
37:00We should be okay.
37:01We'll be back.
37:02Bye.
37:06Bye.
37:10Bye.
37:40Hello, ladies and welcome to The Late Late Show.
37:43Let's do it for our band, folks. Look at Jonathan there.
37:47Hey, would you ever turn that bollocks off?
37:52And happy St. Patrick's Day.
38:00Also on the show tonight, he went viral this week when he rescued a blind sheep stuck in the mud
38:06halfway up the Wicklow Mountains and carried it down on his back to safety.
38:11His name is Sean O'Kelly.
38:13Ah, couldn't man yourself, Sean.
38:16Where was she, Jeff?
38:18What a strange show.
38:20She plays detective Emma Fierce in the smash hit multi-award winning television series Murder Code.
38:26Let's have a huge welcome for the one and only Marnie Mullins.
38:34You're shitting me.
38:36Isn't that those three Belfast agents we questioned?
38:40God, I think you're right.
38:41Are you sure?
38:42Sure, I'm sure.
38:44I'd recognise you're on anywhere.
38:46This thing's still alive, right?
38:47Oh, God, yeah.
38:48So you cannot whack it.
38:49Now, the show has such a huge following.
38:53Shall we all love a bit of Murder Code?
38:57When you first read the scripts, did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go.
39:02No.
39:03I actually struggled to see what the big deal was.
39:06But then I realised it was the audience's attachment to my character, Emma.
39:12My character, Emma.
39:14That was the big pull.
39:15So I made a few suggestions.
39:17The tag wars.
39:17To make her relatable.
39:19And the scripts were definitely elevated after that.
39:24I mean, we did a lot of work on them.
39:25We.
39:25And after all that, I think we knew we'd made something truly special.
39:30Well, special is right.
39:31I mean, what was it?
39:32Something like 10 million viewers tuned in to see you catch the elusive career killer in
39:39your own home?
39:41Actually, actually, a lot of that scene was improvised.
39:46That is it.
39:48That is it.
39:53Oh, my God.
39:56That's our writer, Saoirse Shaw.
40:00Surprise.
40:01Saoirse Shaw, writer of Murder Code.
40:05Ladies and gentlemen, let's get her down here.
40:08Hmm?
40:17Look.
40:18Look, Mommy's on TV.
40:20She really is.
40:21Ah, lads, will you stop?
40:22Your room's in Portugal.
40:23Oh, my God.
40:29So, Saoirse.
40:31Patrick Kielty.
40:32Paddy.
40:33Patrick.
40:33Paddy Kielty.
40:34P.K.
40:34Paddy.
40:35Mr. Paddy.
40:35You take a breath.
40:36Yes.
40:38Jesus.
40:39Jesus.
40:40So, tell us, uh, tell us this.
40:42Where do you get your inspiration?
40:44All these complicated plots and twists and turns?
40:48I guess, uh, I, lots of things inspire me.
40:52Books.
40:53Yeah, look, Seb, just calm down.
40:55I'm just loading up now.
40:56Give me a second.
40:58Yeah, got it.
41:01Films, news stories, uh, history, uh.
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake.
41:13Yeah, sort of, uh, things that happen in real life.
41:17Even.
41:18Let's talk about that.
41:20Talk about.
41:20Give us an example.
41:22Well.
41:24Oh, maybe I shouldn't say that.
41:26Go on, now, don't be a tease.
41:31When we were young, my, my friends and I, we did this pretty terrible thing.
41:37But only because we were, we were, uh, trying to protect someone.
41:43Go on.
41:44Oh, I get in trouble here.
41:45Sure, isn't that what live TV's for?
41:47Yeah.
41:50I think this is a bad idea, Patrick Hinty.
41:54Tell us.
41:56Tell us.
41:57Tell us.
41:59Tell us.
42:00Tell us.
42:01Tell us.
42:02Tell us.
42:05Well, turns out the person we were trying to protect, she was lying.
42:13So now we've done this terrible thing, but we don't even.
42:16We don't even know why.
42:18If this were murder code and you were Emma, I mean, what would you do?
42:24Well, I suppose, well, I suppose Emma would realize that she's overlooked something small, something that she initially thought was
42:37insignificant.
42:40But it turns out that it was the key to unlocking the case.
42:48The key to unlocking the box.
42:51Locking the box.
42:52She had it all alone.
42:55I had it all alone.
42:56She already knew the answer.
42:58I already know the answer.
43:00Of course you do.
43:02You've seen it.
43:03Where have you seen it?
43:05I don't know.
43:07Think.
43:13I don't remember.
43:15I can't remember.
43:16Picture.
43:17Picture.
43:17Picture.
43:18A painting.
43:19A painting.
43:20A painting.
43:20A painting.
43:21Picture of a painting.
43:28I've got it.
43:29Paddy, it was actually a pretty challenging shoot.
43:32I assume.
43:33I had these sort of panic attacks, but I had someone talk about it.
43:35I really must have had some media training.
43:37Back at five.
43:38Don't go anywhere now.
43:39Roll it there.
43:43Oh, please.
43:45Big panic at work.
43:46Right.
43:47Hello.
43:47Let's go.
43:48We've got to get you.
43:48Let's go.
43:49I saw Patrick.
43:50Hey, we all saw Patrick too.
43:52But keep going.
43:53Keep going.
43:53What is he like?
43:54What is he like?
43:55What is he like?
43:55Let's go.
43:56Come on.
43:58Jesus.
43:59Seriously, those things could kill a horse.
44:01You're such a liability.
44:03I think I solved it.
44:05We solved it.
44:07Me and Patrick, Katie.
44:09I love Patrick, Katie.
44:16We already saw the answer.
44:19We had it right in front of us.
44:22What?
44:24The symbol in Portugal.
44:26Did you take a picture?
44:29Wait.
44:32Um.
44:37Was there a number on it?
44:38Yes.
44:39Yes, there was a number.
44:40It's a date.
44:41I'll call it out.
44:43Um.
44:43Two five.
44:45Zero one.
44:46Nine seven.
45:04Oh, my God.
45:20What happened to her?
45:22Baby, when you left me like this
45:25And when you hold me like that
45:28It was gone with the wind
45:31But it's all coming back to me
45:34When you see me like this
45:36What the hell is going on here, girls?
45:38It's actually quite difficult to know where to start.
45:41Charles Sampson.
45:42Start there.
45:43What do you know about Charles Sampson?
45:45Watch out!
45:46Oh!
45:47Oh!
45:52Holy shit.
45:54Step out of the car!
45:57Oh!
46:23What do you want?
46:28What do you want?
46:29What do you want?
46:37Yeet!
46:38Drake!
46:41Me!
46:58You keep going there telling you to stop.
47:26You keep going there telling you to stop.
47:27You keep going there telling you to stop.
47:42You keep going there telling you to stop.
47:43You keep going there telling you to stop.
47:44You keep going there telling you to stop.
47:44You keep going there telling you to stop.
47:44You keep going there telling you to stop.
47:45You keep going there telling you to stop.
47:46You keep going there telling you to stop.
47:47You keep going there telling you to stop.
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