Indian Idol -Season 16- Episode 59- 9th May 2026

UrbanPlayNetwork

Transcript

00:00:00The only one who is in the past is the only one who is in the past.

00:00:09This is not a problem.

00:00:11What is this?

00:00:13Something like that has written in your position.

00:00:15What are the judges?

00:00:16Hey, who are the judges?

00:00:20Judges?

00:00:21I don't know.

00:00:22You are going to get angry, Adi.

00:00:23You are going to get angry too.

00:00:27Why is that?

00:00:27Because every time you ask yourself, we are going to get angry too.

00:00:32You are going to get angry too, Adi.

00:00:35That we are our hosts.

00:00:39That we are our hosts.

00:00:46Ashrafali! Ashrafali! Ashrafali! Ashrafali!

00:00:49Ashrafali! Ashrafali!

00:00:50Ashrafali!

00:00:51Ashrafali!

00:00:51Who is this?

00:00:52What? He will be a driver.

00:00:53You are not here.

00:00:54He can be alive.

00:00:59RO enemy!

00:00:59You are not here, Adi.

00:01:00He is alive!

00:01:01He is alive!

00:01:03He is alive!

00:01:03And he is alive!

00:01:06Aaaaaaaaa4

00:01:08What is this?

00:01:09Mario cute son!

00:01:15What something!

00:01:18He is here!

00:01:19What?

00:01:21Don't you even look at work.

00:01:23Oh my God!

00:01:26What?

00:01:31Oh my God!

00:01:33Oh my God!

00:01:36Oh my Manoj, brother!

00:01:47Oh my God!

00:01:48I thought that you would also sleep and not be wearing a mask.

00:01:54Today, you are in casuals.

00:01:56Yes, exactly.

00:01:57Adi, Indian Idol is my home.

00:02:01And when my friends come home,

00:02:03they don't see their clothes.

00:02:08Wow!

00:02:09So, these judges have talked about your replacement,

00:02:12so I will tell everyone,

00:02:14that there is no one in this world,

00:02:16Aditya-like smart.

00:02:19Thank you, sir.

00:02:23Aditya, this is the one.

00:02:26Okay.

00:02:27Narayan, Nar.

00:02:31Aditya-like smart,

00:02:33Aditya-like surreal.

00:02:36Aditya-like no funny.

00:02:38Your butt resolvers are no funny.

00:02:39This is of Brahma Hannega Halota anchor

00:02:41whose replacement is no funny.

00:02:43He ain't.

00:02:45The Right-care sense of overacting.

00:02:51Has the money needed to have her.

00:02:53No money is my first loss.

00:03:02I am done.

00:03:05Yeah

00:03:08Philly ahead us. Oh, it's okay, but I a arch hum

00:03:12Concee music director Jodi code the legendary composer duo

00:03:16Uncohom celebrate car. Neville a hint. They do my family. Thank you. I'm like I do yeah, Mary film okay,

00:03:22please shut up. We're Jodi

00:03:26Sub se palace of a moment music vinegar record in on a banana. Wow, but I a corner

00:03:34From the legendary shankar jay kishan ji co celebrate karne waale taliyan bajaya shankar jay kishan

00:03:39You for Jodi head in the past of the palace of film ome music dene ka record B. Hey, wow

00:03:55Or kisie bhi Jodi says dadha film fair watch jitne ka record bini ke naam. Hey, no film

00:04:01Awards

00:04:21Presenting Abhishek with tum mujhe you pull on a power game

00:04:31Tum mujhe yon bhula na pao ge

00:04:39Haan tum mujhe yon bhula na pao ge

00:04:46Jab kabhi bhi sungo ge geet meere

00:04:53Sung sung tum bhi gun guna oge

00:05:00Haan tum mujhe yon bhula na pao ge

00:05:07Oh tum mujhe yon bhula na pao ge

00:05:10Oh tum mujhe yon bhula na pao ge

00:05:23Bahaare bho chandli ratae

00:05:29Hame kiti jho piyar ki baate

00:05:35Ho un nazaro po e

00:05:40Yaj bird ray

00:05:42Tum mh valu

00:05:45The 보시면

00:05:47Bhaare bho chandli rataen

00:05:50Haan tum mujhe yonh bhula na pao ge

00:05:57Oh tum mujhe yonh

00:06:07।

00:09:20Sanjida is the word.

00:19:22Today, your outfit was the same as your song.

00:19:25It was rooted yet modern.

00:19:29Exactly like your outfit today.

00:19:31But I must say that you listen to these songs very much.

00:19:35You definitely have to be a fan of that era.

00:19:40and the artists,

00:19:41and the artists,

00:19:42as you listen to these songs,

00:19:45as much as you listen to them,

00:19:48and you do that.

00:19:50But having said that,

00:19:52after that,

00:19:52what you transition,

00:19:54that is a mark of a fabulous artist

00:19:58who is going to get to the end of it.

00:20:02100%.

00:20:02Thank you so much.

00:20:39Chorus, guys, such a...

00:20:41That part is so crazy that when the band was closed,

00:20:43and I felt it would have been an original music.

00:20:46Listen once.

00:20:46Listen to this song, Allah Mere Tawbah.

00:20:51Allah Mere Tawbah.

00:20:54Allah Mere Tawbah.

00:20:56Allah Mere Tawbah.

00:20:57Allah Mere Tawbah.

00:21:00Allah Mere Tawbah.

00:21:02Such a tasty part.

00:21:04Really refreshing.

00:21:07Incredible. Speaker poured all the way.

00:21:09Thank you so much, sir. Thank you.

00:21:12When this song was made,

00:21:13it was offered to Lata Ji.

00:21:15Yes.

00:21:17When she heard the composition

00:21:18and the lyrics, she said

00:21:20it's a little vulgar.

00:21:23Not my taste.

00:21:25It's not me.

00:21:27Shankar Jai Kishan Ji tried to explain

00:21:28that when you're singing,

00:21:30it won't be a vulgar.

00:21:31But they didn't sing.

00:21:35Shankar Jai Kishan Ji went to Asha Ji.

00:21:37The first thing is that

00:21:38you will see that we have not

00:21:40made vulgarity.

00:21:42It's a great song.

00:21:44It's a great song.

00:21:45It's a great song.

00:21:46It's a great song.

00:21:49Asha Ji said,

00:21:50all of the key words you've said,

00:21:52it's a vulgarity.

00:21:55I will make sure that the song is vulgar.

00:21:56Wow.

00:21:57What a joke.

00:22:02When we listen to this song

00:22:04after so many years

00:22:04and listen to Masha Ji,

00:22:05I feel like, wow!

00:22:07How simple, how silly, how sweet,

00:22:08how sweet the song is.

00:22:10Exactly what you did.

00:22:11You took care of that thing.

00:22:13That it won't happen

00:22:14that it will increase

00:22:15and it will be vulgar.

00:22:16Great song.

00:22:17Great song.

00:22:19Allah, my love.

00:22:42Allah, my love.

00:22:43I have asked you

00:22:44who are the most good in the music detectors

00:22:46So, Shankar Jayakishan Ji

00:22:48was given his name.

00:22:49Please welcome

00:22:50The Living Legend

00:22:51National Award

00:22:53and Padmashtri

00:22:55Legendary

00:22:55Kalyan Ji

00:22:56Anand Ji

00:22:57duo

00:22:57Anand Ji

00:22:58Veer Ji

00:22:59Anand Ji

00:23:00Shea

00:23:00Chih

00:23:17Namaste Anand Ji

00:23:18As always, it's an honor to have you, sir.

00:23:21It's very nice

00:23:21of you, and then,

00:23:23you have to be here

00:23:23and get your nod.

00:23:25One time,

00:23:27Anand Ji

00:23:28Thank you very much.

00:23:58When they say, how are they?

00:23:59They say, hey, I called the first person.

00:24:02I don't have any questions.

00:24:04I play with the first person.

00:24:07I play with the first person.

00:24:08I play with the first person.

00:24:10After that, when they join in the theater,

00:24:13they call me Jay Kishen.

00:24:15Jay Kishen, they call him Guruji.

00:24:18I speak with respect every time.

00:24:22When I do this, when I do this,

00:24:24when they call it for pictures,

00:24:27they say, this is what music is happening.

00:24:30What is music?

00:24:30I did not do it all.

00:24:31Perhaps music has all been taught.

00:24:32What do they play in London?

00:24:34They play the violin.

00:24:35They play the song, they play the song.

00:24:39They play the song, they play.

00:24:40A song is going to fly,

00:24:41they bring the Laldupatta.

00:24:47This song was made before.

00:24:48So I stand by the song.

00:24:50Oh everybody, I think the words in this movie will look up already.

00:24:55I really think that's another one.

00:24:58This is another thing.

00:24:59It's a little bit.

00:25:02Yes, I've got to check it out.

00:25:07It's a little bit.

00:25:11I want to be a little more.

00:25:15I want to be a little more.

00:25:16I want to be a little more.

00:25:17I want to be a little more.

00:25:20I think I'm not a man, he's a man, he's a man, he's a man.

00:25:26Vishu sir, you have made so many titles of the film.

00:25:29Yes.

00:25:30I mean, I hate love stories,

00:25:32but how can a title song be made?

00:25:34Hear it from them.

00:25:35Talent.

00:25:36And recently, Pathan.

00:25:37The iconic Pathan.

00:25:39Shreya, you have made so many titles of the title songs.

00:25:41Sayara, now, in reality.

00:25:43How big a song is that?

00:25:44I have also written many titles,

00:25:46I think it will only be written 10 times.

00:25:47But the question is that in 75 years,

00:25:50the trend of the title songs started,

00:25:52where was the start of it, when it was, and when it was.

00:25:56Who was the first title song made in Hindi cinema?

00:26:00Shankar Jay Kishan.

00:26:03Before that, it was not a dream that the title songs were also made.

00:26:06In 1949, the film of Barsat.

00:26:09And the song of Barsat will all of you remember.

00:26:12In Barsat, we meet with you, Sajan.

00:26:14We meet with you in Barsat.

00:26:16So, this was the first title song in a Hindi film.

00:26:20Shankar Jay Kishan, Bina Ka Geet Mala Me,

00:26:22Pura B Saal Tak Trend Karte Rhe.

00:26:2520 years.

00:26:26Then, you will never get to see one of these things,

00:26:29where they've never been in this work.

00:26:32This is the big one of Shankar Jay Kishan's.

00:26:34Sangeet says, Shabd Maun.

00:26:37Presenting Diva Kar Chaube with Tumse Acha Kown.

00:26:54Oh, Tumse Acha Kown Hai.

00:26:58Dilo Dighar Loo, Jaan Lo.

00:27:02Hum Tumare Hai Sanam.

00:27:05Tum Hame Pehchan Lo.

00:27:08Tum Hame Pehchan Lo.

00:27:21Sangeet Two –

00:27:22Once Young Story.

00:27:22Tumse Aacha,

00:27:25As aOC ka?

00:27:25Tai már danse aasa powiedzieć,

00:27:26tell her turn diráir

00:27:26everything called Earth.

00:27:33Tumse A splash.

00:27:38See tomorrow day.

00:27:47You shall have tetra,

00:27:49Tumse A lumse RJ ochet ta.

00:28:02Oh

00:28:48Oh

00:28:49Oh

00:28:50Oh

00:28:52Oh

00:28:54Oh

00:28:56Oh

00:28:57Oh

00:28:58Oh

00:28:59Oh

00:29:02Oh

00:29:02This

00:29:03Oh

00:29:18Oh

00:29:20Oh

00:29:21Oh

00:29:24Oh

00:29:25Oh

00:29:26Oh

00:29:26Oh, who is the good one from you?

00:29:34Don't forget us, we are yours, we are your son

00:29:39You can't forget us

00:29:42Oh, who is the good one from you?

00:29:47Don't forget us, we are your son

00:29:52You can't forget us

00:29:55Oh, who is the good one from you?

00:30:17Oh, who is the good one from you?

00:30:18Don't forget us, we are your son

00:30:24You can't forget us

00:30:28You can't forget us

00:30:42Who is the good one from you?

00:30:51Who is the good one from you?

00:30:58You can't forget us

00:31:03You can't forget us

00:31:16Who is the good one from you?

00:31:20You can't forget us

00:31:53Wow!

00:31:56It's a master class.

00:31:58What kind of music is to translate to the body movement?

00:32:01Because I'm talking about dance.

00:32:03It's amazing.

00:32:04It's a genius.

00:32:05If you go home and watch this song in the video, what did you do?

00:32:09The fact is that Raffi Saab was very different for Shami Ji.

00:32:18If you don't know that this is actually picturized,

00:32:22you can show Shami Ji.

00:32:25Because Raffi Saab has always kept their style in their songs.

00:32:31And you were doing that very beautifully.

00:32:37And I can see Shami Ji in that whole madness that he has.

00:32:47Dibhakar, you are expressive.

00:32:50And you were different from each other.

00:32:53There were various variations.

00:32:55There were musical improvisations.

00:32:57But in the expression, you were different from each other.

00:33:00That was very good.

00:33:01God bless you.

00:33:02I really enjoyed it.

00:33:03Thank you, ma'am.

00:33:03Thank you so much.

00:33:05Dibhakar, you are a little bit like Shami Kapoor.

00:33:07You are a little bit like Shami Kapoor.

00:33:33No.

00:33:33You are a little bit like Shami Kapoor.

00:33:34This is a good thing.

00:33:35But friends, if you are like Shankar Jayakishan,

00:33:37then the time changes.

00:33:39The world changes.

00:33:40The friends don't change.

00:33:42I remember a story.

00:33:43They have been a family though.

00:33:43Oh, I love Shami Kapoor.

00:33:47The first love of Shami Kapoor.

00:33:49And I remember as Shami Kapoor talked about Shami Kapoor.

00:33:55And I probably see Shami Kapoor.

00:33:57The first love of Shami Kapoor.

00:34:05And one of the other things I remember saying,

00:34:10मैं हूँ ना जैकिशन मैं करूँगा कन्यादान

00:34:14पल्लवी जी की डोली शंकर जी ने अपने कंधों पर उठाई

00:34:18लेकिन वो कहां जानते थे के इन ही कंधों पर जैकिशन की अर्थी भी उठानी पड़ेगी

00:34:27शादी के सिर्फ आठ साल बाद शेहनाईयों का शोर मातम में बदल गया

00:34:32जैकिशन दुनिया से चले गए और शंकर हमेशा हमेशा के लिए अकेले हो गई

00:34:37पर दोस्ती दोस्ती तो दोस्त के जाने के बाद भी जंदा रही

00:34:42शंकर के म्यूजिक रूम में हमेशा दो हार्मोनियम और दो तबले रखे हुए मिलते

00:34:47यहां तक के शंकर ने जिन फिल्मों का म्यूजिक अकेले कंपोस किया उनमें भी अपने साथ जैकिशन का नाम दिया

00:34:57शंकर जैकिशन ने सब कुछ साथ जिया

00:35:00क्या संघर्ष क्या सफलताएं क्या खुशी क्या गम अजीब दास्ता है ये कहां शुरू कहां खतब

00:35:07presenting अंकिता महुआ गिरी

00:35:39अजीब दास्ता है ये

00:35:43महा शुरू कहां खतब

00:35:47ये मंजिले है काम से

00:35:52ना सबच सके ना हम

00:35:58अजीब दास्ता है ये

00:36:02महा शुरू कहां खतब

00:36:06ये मंजिले है काम से

00:36:11ना सबच सके ना हम

00:36:31ये रोशनी के साथ क्यों

00:36:36धुआ उठा जिराग से

00:36:39ये रोशनी के साथ क्यों

00:36:46धुआ उठा जिराग से

00:36:50ये खाब देखती हू मैं

00:36:55ये जब पड़ी हू खाब से

00:37:00अजीब दास्ता है ये

00:37:05कहां शुरू कहां खतब

00:37:09ये रोशनी है काम से

00:37:14ना मोसमच सके ना हम

00:37:39मुबारक के तुम हे के तुम

00:37:43किसी के नूर हो गए

00:37:52किसी के इतने पास हो

00:38:00कि सबसे दूर हो गए

00:38:07अजीब दास्ता है

00:38:11कहां शुरू कहां खतब

00:38:15ये मन्सले है कौनसे

00:38:19का वो समच सके ना हम

00:38:24अजीब दास्ता है ये

00:38:30कहां शुरू कहां खतब

00:38:39Oh

00:39:03Oh

00:39:33Oh

00:39:49जब वो मिले मुझे पहली बार

00:39:53उन से हो गई आखे जार

00:39:56जब वो मिले मुझे पहली बार

00:39:59उनसे हो गई आखे जार

00:40:02Oh

00:40:33How did my heart get up?

00:40:36How did my heart get up?

00:40:42From my eyes, my heart got up.

00:40:56How did my heart get up?

00:41:00How did my heart get up?

00:41:03How did my heart get up?

00:41:04The singer says,

00:41:05the singers are very funky,

00:41:06they are not funky.

00:41:07This is a big drama queen.

00:41:11They had to maintain both departments.

00:41:15The singing and the expression on the face

00:41:17were very loved.

00:41:19It was very good.

00:41:21How did my heart get up?

00:41:23How did my heart get up?

00:41:24How did my heart get up?

00:41:26And Ajeeb Daastah.

00:41:29I think,

00:41:30if there is a song in the yesteryear

00:41:32that is in all of us,

00:41:34Ajeeb Daastah becomes that song.

00:41:36Everyone loves that song.

00:41:38Even today.

00:41:39Everyone knows this song.

00:41:40So well done.

00:41:42I love you, Ankita.

00:41:43God bless you.

00:41:45Ankita, you will be one of the greatest singers ever

00:41:48our country will have.

00:41:49in the near future.

00:41:50Thank you so much sir.

00:41:52You are the one.

00:41:53I am telling you.

00:41:55Thank you so much sir.

00:41:58Thank you so much sir.

00:50:21Exactly.

00:50:22Exactly.

00:50:23Exactly.

00:50:24Exactly.

00:52:47Judges, what do you know?

00:52:50Javed Sir was doing a lot of shaitania in school.

00:52:54And teachers were punished.

00:52:56So, what do you think about Javed Sir's punishment?

00:52:59What?

00:53:01What?

00:53:03If the answer is Javed Jafri,

00:53:07then I don't want any part of this.

00:53:10I don't want to solve this.

00:53:13Jafri, Jafri, Jafri, Jafri.

00:53:19This was the answer, seriously?

00:53:25That's the answer, Javed Sir.

00:53:27So, before that, Javed Sir,

00:53:28wear a boxing gloves,

00:53:29and wear my mouth,

00:53:31or wear a duet from everyone.

00:53:33So, thank you with Miss Me Bosses.

00:53:41Javed Sir.

00:53:52I'm going to be here.

00:53:57I'm going to be here.

00:54:00I'm going to be here.

00:54:03Now, if you're here,

00:54:03So, all that is I am going to be here.

00:54:05We see you.

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01:14:49Thank you, Shankar.

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