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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Episodes]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19Somebody took us to see her.
08:36What do you got?
08:54L-E-S.
09:02L-E-S.
09:06S-R-1.
09:23Hey.
09:25I thought you might be thirsty.
09:28We'll be together.
09:33You're getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is L-E-S-R-1?
09:57It's left, straight forward, stereo on the right, first four.
10:01No.
10:02No.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always, we're always in the
10:27studio.
10:56I don't know.
11:17I don't know.
11:47I don't know.
11:48I don't know.
11:50I don't know.
11:52I don't know.
12:04I don't know.
12:06I don't know.
12:34I don't know.
12:37I don't know.
12:38I don't know.
12:47I don't know.
12:49I don't know.
12:50I don't know.
13:38I don't know.
13:42I don't know.
13:49I don't know.
14:07I don't know.
14:07I don't know.
14:08As pistas.
14:08A gente não deixou nada.
14:10Se isso não vai funcionar.
14:12Vai.
14:12Vai.
14:12What are you doing?
14:16Pico!
14:18Go! Go! Go!
14:21Oh, fuck!
14:23Go! Go! Go!
14:53Go! Go!
15:12Go! Go! Go!
15:27Hey!
15:29Are you okay?
15:30Yeah, fine, fine, fine.
15:36Shit.
15:38Where's Pico?
15:39I jumped out of the van in the garage.
15:42What? Why?
15:43He was afraid that no one had left the necessary clues.
15:46No, I could have handled that.
15:49I could have handled that!
15:51I'm sorry.
15:54Fuck.
15:58It's the way.
16:03It was supposed to be the easy part.
16:14Where's Poe?
16:15Oh, my God.
16:30Where's the place?
16:35Let's go.
16:39This is bullshit, you know.
16:41You can't just keep me here like a prisoner.
16:45Davi, give me a shot here.
16:48Chrissy hit this place earlier today.
16:52The middle of the city in broad daylight with the entire world looking for him and he robes an apartment.
16:57Whatever was in here he thought was worth the considerable risk.
17:01Money.
17:02I could think of 20 other ways he could get his hands on cash.
17:07Well then what?
17:13I don't know.
17:17You know, for all your talk of understanding how Chrissy operates and all that shit,
17:24you don't seem to be any better at figuring out his next move than the rest of us.
17:31Prepara todo mundo que a gente vai sair.
17:34We picked up one of the guys that hit the condo with Chrissy.
17:39We wanna get out of this room.
17:40Come talk to him and get some actionable information.
17:43Because if we don't figure out what Chrissy's up to, I have a strong feeling he's going to show us.
17:47And I don't think we're gonna like it.
17:50Bora.
18:10What's going on?
18:14I got in.
18:17You found a password?
18:19That's a good thing, right?
18:23I just wanted to see their faces again.
18:29I thought it would make me feel better, but, uh, it's like all the memories that have been poisoned.
18:58I just wanted to see their faces again, if you're looking for a little brother.
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It was supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, Anna.
20:01My mom took the camera and just, she just gave it to a stranger.
20:09That's all I did.
20:15But at the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56And that doesn't mean that you won't have pay.
21:01But you don't have to go through that alone.
21:04Yeah.
21:07Yeah.
21:08No one's gonna be there.
21:23No one's gonna be there.
21:24I will.
21:28Really?
21:31Really?
21:31Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it,
22:02they could walk the call back to Rio,
22:04but nothing closer, untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Mom.
22:38Well?
22:41His name is Vico from a local favela.
22:44He hasn't said much, and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President,
22:51we don't know what Chris may have told him.
22:53It's happening and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity,
23:02making a mockery of...
23:04Don't interrupt me.
23:06Don't interrupt me.
23:06I'm sorry, but I'm in a connection here
23:08that I think you'll want to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President,
23:33so I'm not going to keep you for too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatna.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then it will be too late.
24:35I just called to make sure that you have the opportunity that the Redburns and all those other families in
24:40that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:02But...
25:04I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's gonna kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir.
25:34We will get this handle.
25:36I can assure you.
25:49Sir.
25:52Sir.
25:53Sir.
25:54Sir.
26:09Sir.
26:11Sir.
26:11Sir.
26:13Sir.
26:14Sir.
26:18Sir.
26:21Sir.
26:35Sir.
26:46Sir.
26:47Sir.
26:58Sir.
26:59Sir.
27:00Sir.
27:01Sir.
27:02Sir.
27:03Sir.
27:04Sir.
27:05Sir.
27:05Sir.
27:08Sir.
27:15Sir.
27:19Sir.
27:20Sir.
27:21Sir.
27:21Sir.
27:21Sir.
27:23Sir.
27:24Sir.
27:35I'm going to kill him.
27:38Get out!
27:39Get out of here!
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burning sensation in your nostrils.
29:25I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:34It's toxic!
29:35Let's go now!
29:53Melo, come in.
29:56Yeah.
29:57Chrissy.
29:58Gloria.
30:00Our success targets are incoming.
30:02Copy that.
30:18You know your part?
30:21Yeah.
30:22I go in.
30:23I make sure they see me and draw security so they can get to happen.
30:28I have a girl.
30:33Everyone in place?
30:35Yeah.
30:36You were and I was set.
30:48Hey, I'll be okay.
30:59Chrissy, check in.
31:03Alright, we set, we set, we set.
31:34We're here.
31:43We set, we set, we set.
31:47Let's go.
31:48Quick, quick.
31:52Let's go.
31:57We're dealing with what we're dealing with here.
31:59We're dealing with the violence.
32:01We need to deal with more.
32:02We're dealing with more.
32:15What are you doing?
32:18Polk, come in.
32:21What are you doing here?
32:22Please, someone found me, but they're not here yet.
32:26Alright, just walk away, we'll find something else.
32:28Just give me a second, okay?
32:33Polk, get up, get up.
32:37No, I can do this.
33:10Fuck you.
33:13Fire!
33:15Fire!
33:16Fire!
33:17Fire!
33:24What's the location for?
33:32What the fuck?
33:43Polk, that's your location, Polk.
33:49Let's get up.
33:51Let's get up.
33:51Let's go!
33:53Oh, you can hear me on one more way?
33:58Stand down, Christy, I've got her. Security's been drawn off. You have the green light for Tap and Velo.
34:02We're headed to the staircase.
34:03Fire!
34:05Okay, c-
34:05C-
34:05C-
34:07C-
34:08C-
34:09C-
34:10C-
34:10C-
34:11C-
34:24C-
34:26How did you get out of here?
34:27I'm a crazy guy, I didn't want to get out of here.
34:31We're moving to the meeting point.
34:33Get out of here, get out of here!
34:36Hey, if Poe's here, then so it's crazy.
34:40This is a fucking sham.
34:44What's happening?
34:50Alright, lock it down. Get on the radio, lock it down!
34:56What is this?
34:57I can't even see you now.
34:59They're out of here.
35:02Shhh!
35:02Shhh!
35:03Shhh!
35:05Shhh!
35:06Shhh!
35:18Shhh!
35:19Shhh!
35:21Shhh!
35:23Shhh!
35:28Shhh!
35:30Shhh!
35:33Shhh!
35:35Shhh!
35:37Shhh!
35:40Shhh!
35:44Shhh!
35:45Shhh!
35:45Shhh!
35:46Shhh!
35:46Shhh!
35:47Shhh!
35:48Shhh!
35:50Shhh!
35:51Shhh!
36:05Ready?
36:06You go to guard him!
36:06Stop him, son!
36:09Can't he?
36:12Come on, put on him!
36:15Get him!
36:16We'll go!
36:17We'll go!
36:17Get him!
36:18We'll go!
36:18Take him!
36:18Get him!
36:20Get him!
36:20Go!
36:21Let's go!
36:21We'll go!
36:21Let's go!
36:21Get him!
36:22Okay.
36:26Let's go.
36:39Headed out now.
36:41Shit!
36:43Major!
36:45Exit one, pole nine, floor two.
36:47We're headed northwest. We will be resistance.
36:49Okay. We're on our way.
36:51Hey!
36:52Hey!
36:55Hey!
37:04Oh!
37:05Oh!
37:19Stop fucking shooting!
37:24I'm pulling! I'm pulling!
37:34Get out of the way!
37:35Get out of the way!
37:39Get out of the way!
37:42Let's go with the girl!
37:44Kill everyone!
37:56Go!
37:57Are you okay?
37:58Go! Go! Go! Go! Go! Go! Go! Go!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy, Chrissy, we're pinned to the second floor in Southern area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:35Yeah!
38:47Are you okay?
38:48Yeah.
38:59Let's go!
39:23We can either hold them or the grenades.
39:25We can't do both.
39:26Come with me.
39:27Melo.
39:28Now.
39:28Go.
39:29Go.
39:33Go.
39:34Go.
39:36Go.
39:37Go.
39:46Go.
39:48Go.
39:48Go.
39:48Say that's fire.
40:14I gave it to you.
40:15That tape?
40:17That tape was some expired shit.
40:20Yeah, that's the crazy I used to know.
40:23You know?
40:23One who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:38So I think it's time we start talking about your options.
40:40You think I'm negotiating with him?
40:42Yeah.
40:42I think you should be.
41:02I'm not getting out of here.
41:04But we're getting out of here.
41:05And you're not cutting if I won.
41:06Let me go.
41:09You're getting out of here.
41:11I'm going to go.
41:35I don't know what he does.
41:42No!
41:44Precise!
41:48Precise!
41:49Precise!
41:53Precise!
41:55Precise!
41:57Precise!
42:32Precise!
42:33Arroba, pai! Arroba, caray!
42:59This is for my bar.
43:15This is for my bar.
43:16This is for my bar.
43:22Get up! Get up!
43:52Get up!
44:10Shut her mouth!
44:22Get up!
44:53Get up!
45:35Go, go, go!
45:36Go, go, go!
45:40Go left, go left!
45:43Ah!
45:45Shit!
45:47Just go!
45:47Creasy!
45:48Just go on, be right there!
45:49No, Creasy, I can't just leave you like this, Creasy!
45:51Just go on, Paul!
45:52I can't just leave you like this, Creasy!
45:52Shit!
45:58No!
46:06Shit!
46:22Shit!
46:39Stop right there!
46:40Don't move!
46:45You shoot her, you're dead, one second...
46:50Yes, I know!
46:53Even that you've killed Teppan, I'm not seeing a lot to look forward to.
46:59So...
47:02Drop your fucking gun!
47:04Or the last thing you see will be another dead Rayburn!
47:09Drop it!
47:13Stop!
47:14Stop!
47:18Stop!
47:21Stop!
47:25Good boy.
47:28Now...
47:29Stand up.
47:32I'll give you the honor of going first.
47:36Stand up!
47:47Stop!
48:03Stop!
48:04Ah!
48:06Oh, my God.
48:36Oh, my God.
49:05Gracie? Gracie? Oh, my God. Oh, my God. Oh. Oh, my God. Okay, just stay with me, okay? Okay. You're
49:18okay? No, just stay with me. It's okay. Oh, my God.
49:22Oh, my God.
49:32Oh, my God.
49:33Gracie? Oh, my God.
49:48Oh, my God.
50:09Oh, my God.
50:12Oh, my God.
50:12Oh, my God.
50:13Oh, my God.
50:13Oh, my God.
50:15Oh, my God.
50:16Oh, my God.
50:18Oh, my God.
50:19Oh, my God.
50:21Oh, my God.
50:29Oh, my God.
50:36Oh, my God.
50:39Oh, my God.
50:44Oh, my God.
50:46Oh, my God.
50:48Oh, my God.
51:12Oh, my God.
51:15Oh, my God.
51:17Oh, my God.
51:22Oh, my God.
51:25I wasn't at my best.
51:28And sometimes it feels like that regret is going to swallow me whole.
51:35Because of what happened to them, I have nothing to bury.
51:41No ashes to spread.
51:44But I've come around to the idea that because they raised me the way they did,
51:50my family ultimately left me with all that I could have asked for.
51:58You don't always realize what you have until somebody tries to take it away.
52:08And you don't always realize what you need until you're facing something too big to tackle alone.
52:20What my family has given me is the strength to go on.
52:27And what I've learned from my friends is that I never have to do so alone.
52:38And I feel like my family's life is an important thing to say.
52:45And I walk in a RPG and try this way.
52:45And I love you.
52:45I don't know.
52:46I don't know, but I'm the one that's always been willing to say so alone.
52:48I never have to see you.
52:49I don't know.
52:50I don't know.
52:51I don't know.
52:52I think the first time you talk about me this is another way.
53:02Hey.
53:03Hey.
53:05You know if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:16No, I want to go.
53:18If I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yo.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do and a fair amount of egg
53:48on my face and one of our guys was the reason you had to do it.
53:51John, that's not why I'm calling.
53:51Okay, well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys for that?
54:06I do, but they're actually long listening to that.
54:09No one else has had first-hand experience with these guys.
54:14And I do?
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is...
54:21If that's something you're ready to revisit.
54:27Send me what you got.
54:49Are you still going?
55:17I hope that you did it for us...
55:17You got all the fancy numbers every day.
55:17Besides, I said to...
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