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Man.On.Fire.S01E02.540p.X265.AAC [Full Movie] [High Quality]Full EP - Full
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00:28Transcription by CastingWords
00:58CastingWords
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02:33CastingWords
02:36because
02:38when everything is on the line
02:40you always do better with someone
02:41that's trying to solve you
02:43than someone that's trying to save you
02:47I know that this is hard
02:49but for right now
02:51we're going to put all of our emotions
02:53behind and we're going to go out there
02:56and we're going to be a couple
02:58of surgeons
03:02surgeons
03:03surgeons
03:05Jokes.
03:36It's not a moral.
03:37It's not a moral.
03:39You'll be separated five minutes after the other.
03:49When you're in position, you don't do anything.
03:51You're going to send.
04:07Why haven't you asked me about what I saw?
04:10Time comes, I will.
04:14I would like to make sure you only have to relive that once.
04:38yan team
04:39It's about to fly to the left side.
04:42I'm is playing up
04:43by the left side.
04:44Then I'm in position.
05:13Greasy?
05:13Greasy?
05:22Hey, we need to divert them.
05:24What?
05:24They're on the buildings and we got a car pacing us about a block away!
05:27The route is compromised!
05:29Divertion, now!
05:34Where's the diversion target?
05:36They've got a military facility on secure lock down.
05:38This is–
05:3912 kilometers.
05:40We are going to be followed. We need to drive.
05:43We need to drive.
05:45Are we good?
05:47Just keep your eyes, Bill.
05:48That doesn't sound like an answer to my question.
05:51Sir, maintain the positions.
05:58We only have a search team.
06:09It's running. You decide right now.
06:11Control the clock. Control the clock on the right, on the right, on the right.
06:20Follow me.
06:24I'm going to the end of the guard.
06:27Hold on.
06:30It's over.
06:40All right.
06:42I can't wait.
06:43All right.
07:07Guys ready?
07:19my sincere apologies sadly even after yesterday's act of violence we still continue to receive
07:25threats from the frp given the circumstances it seems prudent to conduct the interview here
07:30and then we've arranged a military transport to fly directly back to the u.s. okay
07:39in there yes go on paul we're just gonna chat for a second
07:53you can record the interview i'll make sure all your questions get asked but i don't want anyone
07:57else in the room when i'm talking to you seem to be under the impression that you have some authority
08:02here mr creasy you know regardless of what you decided when you met me you need to recognize
08:09that not only am i offering you my help but that you needed they had men staged all along the
08:14convoy
08:15route that's a clear indication that there's a leak somewhere in your chain of command
08:20and if you can't trust the men below you you'd do well to reconsider the man in front of you
08:31would you trust the person i saw in that interview the other day
08:37job interviews are not my specialty
08:41unfortunately this has turned into something i'm much more familiar with
09:03i'm not thinking about what happened is painful so just for the moment let's not as much as you can
09:12i want
09:13you to stick to how you felt and what you saw before anything happened at the building before
09:21that's where all the information that we need is waiting do you understand
09:27good so when you woke up you were at your boyfriend's he's not really who i am
09:35but yeah
09:39he snuck out i wasn't planning on staying out but then when i woke up i
09:46i realized if if i didn't rush dad would be awake
09:50stay at number four
10:00so you had to get on
10:02i took lamb's motorcycle
10:05i remember thinking i was gonna make it
10:08the streets were empty i was going fast
10:12and i was coming to this last turn yeah i had the light but it's like i just sent something
10:18coming
10:18before i saw it so i slammed the brakes and then these two fans
10:24they just came flying through the intersection
10:27and then a motorcycle like a sport one or a racing one
10:32tell me more about the motorcycle
10:35i think it was black
10:37like everything the writer was in black clothes black helmet
10:41um yeah that that's all i remember
10:45what about the vans
10:47white
10:47they look new or old
10:48new
10:49they look like work vehicles or some personal vehicles
10:52look i don't know work maybe
10:55okay let's go back to that
10:57what happened after the best
10:59i took the bike around the corner
11:03maybe another half block and i parked it
11:06i was basically staring right at the building
11:11but he was there
11:14who
11:18my dad
11:20he was getting in his car
11:22and he saw me
11:26and he was calling me and then
11:28okay okay let's stop right there
11:30that's good
11:31that's very good
11:32let's take a little break
11:35stop right there
11:39you didn't even ask her about the bombing
11:41suspects were gone before the bombing
11:43unless we do it the right way
11:44strong emotions can warp memories
11:46if i bring all the feelings up to the surface that's likely to get us less useful intel
11:50and not more
11:51i'm going to get everything
11:53that we need
11:54right now
11:55what i need from you
11:57are pictures of the most common white van sold in the last five years
12:02i'm asking you
12:04for a little faith here
12:06you think you want to get these people anymore
12:08and not do any more than she does
12:11if you still have questions
12:13after i come out
12:14i won't say anything if you want to go in and ask for yourself
12:17is that fair
12:23i'm also going to need a couple of rags or a small towel
12:30what are we doing
12:33i want you to think back
12:35to being on that bike
12:37now
12:3920 minutes ago
12:42you were asleep
12:43but from the minute
12:44you realized you had to get home
12:46you've been wide awake
12:47adrenaline pumping
12:48yes
12:49yes
12:49all right
12:50now you're so close
12:52you reach that intersection
12:54and then you slam on the brakes
12:55because you sent something coming out
12:57does that make you feel
12:58how does what make me feel
13:00something coming out of nowhere
13:01you have to stop
13:02or you're going to get smashed
13:03how do you feel
13:06shocked
13:07surprised
13:14point to the van you saw
13:15look and point
13:15don't think
13:16just remember
13:43all right now i want you
13:58i saw his face
14:08the writer just
14:10just for a second
14:11but i saw it
14:12okay
14:13okay
14:14good
14:14now let's hold the story right there
14:17stay with the writer
14:19stay with the writer
14:21stay with the writer
14:25oh
14:26oh
14:36oh
14:37oh
14:37oh
14:37oh
14:43they're good
14:48what about the sketch artists
14:50sketch artists can be hit or miss
14:52they end up creating false memories
14:54just as often as they bring something back
14:56CIA has a good one she can sit with
14:57for now
14:59we should pull the traffic and security cameras
15:01in the area from the morning of the bombing
15:03maybe we get not only a sighting
15:04but a plate
15:06i'll put the word out immediately
15:08yeah see but that's the thing
15:09how do you run down the lead when you know you got a leak somewhere
15:12i'm due to brief present karma personally
15:14we will hand select a small team and make sure to keep the circle as tight as possible
15:18for now the plane is fueling
15:20and we'll be ready to return pole to us within an hour
15:23i can't help but notice you only mention pole
15:26given there is a leak
15:28i can see the potential value
15:29in having an outsider assistance
15:32but you need to understand that i am in charge
15:36listen we both want the same thing
15:38i can't help but notice that you didn't acknowledge that i will be in charge
15:43you will be in charge
15:45i'll have a transport arranged for you after i brief the president
16:00you know your friend rayburn said you would see that having something to fight for
16:04would bring out the best in you
16:09did you believe
16:10i have seen many situations mr creasy
16:15where having something to fight for
16:17is what brings out the worst in people
16:21and i suppose that's what continues to trouble me
16:49why can't you just come with me
16:51nah you don't want that
16:52i do
16:54i promise i do
16:55i have work to do here
16:57but you
16:58you're not only gonna make it home safe
17:00you're gonna have a long life ahead of you
17:01but for that to turn out well
17:03you're gonna have to find a way to leave all this behind
17:05the way to do that it starts right now
17:07you get on that plane
17:09with your best memories
17:12and you leave everything else including me right here
17:16never to be thought of again
17:21you were there when
17:24when i didn't have anyone else
17:29it's not something i plan on forgetting
17:37okay time for you to go
17:56thank you
17:58thank you
18:00okay
18:02okay
18:04okay
18:04okay
18:04okay
18:04okay
18:04okay
19:13Get out! Get out! Get out!
19:15Decoa! Decoa!
19:17Levante as estadas!
19:19Abaixa! Get down!
19:21No!
19:21No!
19:22No!
19:30No!
19:31No!
19:31No!
19:32No!
19:44No!
19:52No!
19:53No!
19:54No!
19:54No!
19:58No!
20:00No!
20:03No!
20:06No!
20:12No!
20:16No!
20:25No!
20:27No!
20:30No!
20:32No!
20:38No!
20:42No!
20:44No!
20:44No!
20:45No!
20:45No!
20:57No!
20:58No!
20:59No!
21:08No!
21:12No!
21:17No!
21:30No!
21:32No!
21:35No!
21:38No!
21:40No!
21:42No!
21:42No!
21:43No!
21:48No!
21:55No!
21:59No!
22:00No!
22:05No!
22:06No!
22:09No!
22:17Just trying to take out the engine.
22:19Hold on tight!
22:20Right!
22:30All from our-
22:31Greasy.
22:35Greasy!
22:37Order! Order!
22:43Crazy! Crazy!
22:45I'm dead!
23:03Oh, my God!
23:05Crazy!
23:14Corp!
23:15Crazy!
23:16Give them back to the creator
23:17And out of shape
23:18So living in a small family
23:19It is on a mission
23:20I've been giving it
23:21Deep, but it's a
23:22One-hourly division of peace
23:24In the rhythm of life
23:25I breathe
23:26I'm fighting with the fire and sound
23:27That band's better
23:28Till the final bell agrees
23:29Your heart was born
23:31In a violent storm
23:32In an endless fight
23:33Between right and wrong
23:34Come write songs like
23:36Let us a war
23:37Some
23:58Do the bank
23:59Good night, boy
24:23See you later.
24:46...afirma que não deixará que nenhum ataque interrompa a eleição.
24:49As pesquisas mostram uma grande mudança em favor do presidente
24:53e com base na sua gestão da crise.
24:56A posição forte...
24:57Você quer que eu faça alguma coisa pra você afirmar?
24:59Não.
25:00Chá, quer chá?
25:01Não.
25:03Obrigada, você tá aqui, viu?
25:05Sei que ela não é criança, mas...
25:07não queria que ela ficasse sozinha depois de tudo isso.
25:10Adoro ficar com ela, não é problema nenhum.
25:13600 pessoas foram assim.
25:17Eu sei que você não quer ouvir isso, mas eu tenho que falar de novo.
25:21Você, amiga, ainda tá jovem.
25:23Sua filha tá criada.
25:25Gabi.
25:25A minha prima foi pros Estados Unidos e ela falou que ela tem muitas oportunidades de escola pública.
25:30Gabi.
25:30Seu marido morreu assassinado.
25:32E as coisas só pioraram pra você depois disso.
25:35E agora esse terrorismo, louco?
25:38Bom, quando você olha lá pra fora, realmente você acha que esse é o melhor lugar pra você criar sua
25:41filha?
25:42Hum?
25:43Amiga, eu tô falando de um recomeço pra você e pra ela.
25:46Sabe?
25:53Não, eu tô falando de um recomeço pra você.
25:54Olá, mello.
25:55Isso é Creasy.
25:55Jogos, Creasy?
25:56Você me levou por um por meio de horas a dia a noite?
25:59Sim.
26:00Sim, claro que eu lembro.
26:03Are your friends okay?
26:05Listen, I need some help with driving.
26:08But you mentioned that you're also the kind of person who can find all sorts of things.
26:12And that's the kind of expertise I need right now.
26:17Mr. Creasy, I don't think it's smart to work with you.
26:19Yeah, well, smart or not, it pays well.
26:22And what is the payment for exactly?
26:24I think it's best we keep that on our needs and no basis.
26:27In Brazil, problems start when you get paid and you don't ask questions.
26:31Look, I got a girl who lost her family in the bombing and she saw the perpetrators, okay?
26:37Now they want her dead and I need to get her out of the country.
26:40So can you help me or should I find somebody else?
26:50What if I ask for something that's not money?
26:58Oh, dear.
27:01Oh, dear.
27:54Hello?
28:23No one followed me.
28:27You leave your cell phone with my arm?
28:29Yeah, and I got these, like you asked.
28:35What's this?
28:36That's the beginning of something long and messy that doesn't need to concern you.
28:43Look, all I'm asking is that you find somewhere safe for us to assess things and then I'll make sure
28:48that your fee is taken care of.
28:49No fee.
28:50I told you what I need. Relocation with proper papers.
28:56Do we have a deal?
28:57Yeah, we do.
29:04I'm sorry. I thought I heard someone.
29:09Hi. I'm Alu.
29:16Po?
29:44Hello?
29:46Hello?
29:46It's really dark. No Brazilian involvement. I'm gonna get you and Poe home as quickly and safely as possible.
29:51Yeah, okay. Look, I'm gonna need some cash for protection and transportation.
29:55You got it. Done.
29:56And beyond that, you give me some exit options and I'll make an assessment.
30:04Are you saying you don't think it's safe to bring her back?
30:07I'm saying I don't know what I don't know and until I do, I can't commit to anything.
30:13Okay.
30:15Well, then John, I think you need to ask yourself, is she really safe with you?
30:20I mean, this is fucking Rayburn's daughter.
30:25Where's...
30:27Go for it. Go for it.
30:29We're moving to another car.
30:34If you bang on the trunk, it'll be the last thing that you do.
30:46You know what we need? Music. What do you like? Pop maybe?
30:55Can you turn it off?
30:57You don't like this one?
30:58I do. I just...
31:00I don't want to take songs I like and...
31:04Have them remind me of this.
31:15If you don't want to associate any of this with songs you like, maybe we'll switch it up.
31:25Oh, well, the midnight headlight, find you on the rainy night street,
31:29Up ahead, slow me down, make you know it fine.
31:33I got to keep rolling.
31:37I close a windshield wiper, slapping out of tempo,
31:40Keep in perfect rhythm with the song on the radio
31:45I'm keepin' goin'
32:11Don't worry, you're safe here
32:14The favela has its own police
32:16And my cousin's an important member
32:22You're gonna have to pay for this
32:28Mr. Roger
32:30It might not work
32:34Welcome to your new home
32:41How can you adapt
33:06No other vähän
33:09This fence目前
33:10Black
33:10fence
33:26Make yourself comfortable.
33:34I'm going to go talk to my cousin.
33:35I'll be right back.
33:38Are you sure about this?
33:42Be safe.
33:43Places like this are completely off the radar.
33:46You should try to get some sleep.
33:49All right, it's tough to most of the drive here.
33:51Apparently, country music has a sedative effect on me.
34:04God, not you too.
34:07My dad always used to try to get me to play.
34:11Who do you think taught me?
34:14He talked about chess like it was a religion.
34:17No, not a religion.
34:19A metaphor.
34:22You have a plan.
34:23The other guy has a plan.
34:24And when you get surprised, you see who's smarter, who reacts, who attacks.
34:32You learn to play chess.
34:34You learn to play life.
34:42I think that might be the first time I've seen you smile.
34:50You could play if you, um, if you want.
34:58You settle in.
34:59I'll be back.
35:00You're going to leave?
35:02Yeah, I've got to go take care of a few things.
35:06Are you talking about the man on the trunk?
35:10Yes.
35:12Can you just stay?
35:14I'll be more useful out there, not so much in here.
35:18Are you going to kill him?
35:19No, just, just talk to him.
35:25Like a surgeon?
35:29Something like that.
35:31Would he have killed me?
35:34Absolutely.
35:46Then I'll see you when you get back.
35:52I'll see you.
35:53I don't know.
36:23There's a place that you can work two blocks away.
36:27Did Poe eat anything?
36:30Other than American fast food she hasn't eaten since she got to Brazil.
36:34A hard case. My favorite.
36:40I have a daughter.
36:43And when my husband was killed, I had a neighbor who would come over to just talk to her.
36:49Talking is how she processed things.
36:52I think Poe is just like my daughter.
36:55If you want, I'm happy to stay with her.
37:00And just listen.
37:03All right, then.
37:04But you?
37:06You're just like me.
37:09When things are bad, what we seek is silence.
37:16Out of shop. Just around the corner.
37:19See you later.
37:21Come on.
37:36Hey.
37:39I brought something for you to eat.
37:44I'm not really hungry.
37:49Don't worry.
37:51I asked my daughter what an American who doesn't like Brazilian food would eat.
38:00These are Kushina.
38:03It's kind of like a...
38:05It's kind of like what you call a nugget.
38:09She came nugget, right?
38:11Hmm.
38:12Yeah.
38:19It's okay with me if you don't eat them.
38:21I never get to tell my daughter she's wrong, so it's almost better if you refuse them.
38:47She might be right.
38:48She might be right.
38:55How old are you?
38:58Sixteen.
39:01And coming to Brazil wasn't something you were excited about?
39:07You have me tell.
39:10Well,
39:12when you drive a car,
39:14you know, just meet lots of different people.
39:18You learn to really see them.
39:26What else do you see?
39:30Someone who needs a friend.
39:41Wow.
39:42Do you speak Spanish?
39:44Yes.
39:47Do you like the movies?
39:51How do you realize when someone has seen a lot of movies?
39:58Yes.
39:59Do you see if they take a battery from a car
40:01and they tell you that they're going to work on you?
40:06That's bullshit.
40:07The car battery never broke nobody.
40:09You want information?
40:11It's not the battery that's key.
40:13It's what's inside.
40:15but
40:16I see
40:16though
40:18sulfuric
40:22Unless you are
40:25That'll take time.
40:27But if you mix it
40:30hydrogen peroxide
40:31makes something they call
40:33jugo de piraña.
40:47They got everything out of me.
40:52Do this one scar, right here.
40:57Put this on your forehead.
41:01It's going to eat away at your skin.
41:03And slowly drip down.
41:06Once it gets into your eyes, it lights out.
41:10Literally.
41:14Once it's on, you got about two minutes before it gets into your eyes.
41:18So talk fast.
41:19Hey, hey, hey, move like that.
41:21You're going to get this all over.
41:23What are you doing, bitch?
41:24I'm talking.
41:25I'm talking.
41:26I'm talking.
41:27You tell me you want to try to talk?
41:30Yes.
41:30Yes.
41:31Yes.
41:35You tell me you want to try to talk about it.
42:04You did it with the bombardeo too.
42:09Bombardeo.
42:10Bombardeo.
42:10I don't know anything about bombarding.
42:12I don't know about bombarding.
42:13I don't know anything about bombarding.
42:25The clock is ticking now, Chico.
42:28You better come up with some answers.
42:33FYP.
42:35That's the people of OZMAD.
42:37Yes, OZMAD.
42:39I don't know.
42:42I work with the police from outside the river.
42:45Osman, we contacted him after the
42:47government of paying us for a coup.
42:49We didn't know how to do it.
42:51Until tomorrow, pare, please.
42:53Please, pare. I'm talking.
42:55You didn't know how to get to the base.
42:57Osman, it was the attack of the convoy.
43:00He said that the base was where it was going to be.
43:03Please, please.
43:05He said that he was going to be with little personnel
43:07for the attacks that the IP was doing everywhere.
43:11Please.
43:12Please!
43:13Please!
43:15Please!
43:18Please!
43:19Please!
43:23Please!
43:30How do I find Osman?
43:33The issue here is this Mr. Creasy.
43:35I need your assurance that he's being extracted as well.
43:38It's one thing when he was offering to work with us.
43:40It's another to have a loose cannon who's gone completely unresponsive
43:44while I'm having to deal with terrorists and tragedy.
43:47Not to mention an upcoming election.
43:49Honestly, President Carmo, I spoke to Creasy,
43:52and right now he doesn't trust anyone.
43:54Even if Creasy delivers us the girl,
43:57everything I know about him leads me to believe that he's not leaving
44:00until the people that brought that building down are dead.
44:06Director Moncrief, I wonder how your government would react
44:10if you had a foreign national on the loose in your country,
44:13operating independently, without authority,
44:16and in a way that potentially jeopardized your investigation
44:19and response to a massive terror attack.
44:26I'm sure we would contain him using whatever means necessary.
44:33Hey. How did he go?
44:35I made a car.
44:36Why? What happened?
44:38There's a way I can get this guy to lead us to the people coming after Poe.
44:41So she's not going home?
44:42No. Not until I know everything we're up against.
44:45Okay, let's see what I can get.
44:49How is he?
44:52Not well.
44:54Which is in good hands.
45:13Good timing to go?
45:17Not sure.
45:24Not long.
45:28I need your help with something first.
45:31What?
45:35How do you feel about the sight of blood?
46:12How do you feel about the sight of blood?
46:50How do you feel about the sight of blood?
47:19How do you feel about the sight of blood?
47:49How do you feel about the sight of blood?
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