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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Series]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:18Someone took a cell.
08:36What do you got?
08:37What do you got?
08:54L-E-S-R
09:03L-E-S-R-1
09:25Hey, I thought you might be thirsty
09:27Thank you
09:29You getting ready?
09:36Yeah
09:38You're not scared?
09:40No
09:43No, I am
09:44But I remember why I'm doing it
09:50What is...
09:51What is L-E-S-R-1
09:55L-E-S-R-1
09:57It's left, straight forward
10:00Stereo on the right, first four
10:03My dad used mnemonics all the time
10:05To remember everything
10:08We even had a family mnemonic
10:10Made out of the first letters
10:12Of all of our names
10:14Cause you know we
10:15We moved around a lot
10:16So he always said
10:19No matter where we are
10:21As long as we're together
10:23We're always
10:26We're always
10:27We're always in the studio
10:55Son
10:55Son
10:55Son
11:06Son
11:06Son
11:06Son
11:33I'm so excited about this guest today.
11:35Super empolgada.
11:37É um prazer aqui estar com vocês.
11:39É só a primeira vez com a gente, né?
11:41Bom dia, Brasil. Hoje eu vou ensinar.
11:44Somos testemunhas de uma crueldade inimaginável.
11:49E nós vamos responder com força total nesse dia tão sombrio na história de nossa nação.
11:55Em que mais de 600 vidas inocentes foram ceifadas por esses crimes abomináveis.
12:01Nós vamos caçá-los.
12:03E o americano John Chrissy.
12:05E as pessoas que o ajudaram.
12:25E as pessoas que o ajudaram.
12:27E as pessoas que o ajudaram.
12:32You're a fool. Yeah, yeah, who they'll do you boy
12:47Let's go to work to the van let's go let's go let's go let's go let's go
13:20Oh
13:21Crazy
13:39He said it make his way back just go
14:05What are you doing?
14:07As pistas. We didn't leave anything. If that's not going to work
14:13What are you doing?
14:16Pickle
14:17Go go go
14:21Oh
14:22Fuck
14:23Wait, wait, wait, wait, wait, wait
14:30Get out of here
14:32Oh
14:39Oh
14:44Oh
15:21Oh
15:29Hey, are you okay? Yeah, fine fine fine
15:38Where's Vico? He jumped out of the van in the garage
15:42What? Why? He was afraid that no one had left the necessary clues
15:47No, I could have handled that
15:49I could have handled that
15:50I'm sorry
15:54Fuck
15:59It's the way
16:03It was supposed to be the easy part
16:14Where's Bo?
16:29Where's he?
16:32Where's he?
16:35Get out
16:39This is bullshit, you know
16:41You can't just keep me here like a prisoner
16:45Davi, dash fotos aqui
16:48Crissy hit this place earlier today
16:52The middle of the city in broad daylight with the entire world looking for him and he robs an apartment
16:57Whatever was in here he thought was worth the considerable risk
17:01Money
17:02I could think of 20 other ways he could get his hands on cash, huh?
17:07Well then what?
17:13I don't know
17:17You know
17:19For all your talk of understanding how Crissy operates and all that shit you don't seem to be any better
17:25at figuring out his next move than the rest of us
17:31Prepara todo mundo que a gente vai sair
17:34We picked up one of the guys that hit the condo with Crissy
17:39We want to get out of this room, come talk to him and get some actionable information
17:42Because if we don't figure out what Crissy's up to, I have a strong feeling he's going to show us
17:47And I don't think we're gonna like it
17:50Bora
18:11What's going on?
18:15I got in
18:17You found a password?
18:19That's a good thing, huh?
18:23I just wanted to see their faces again
18:29Thought it would make me feel better, but uh
18:31Thought it would make me feel better, but uh
18:35I...
18:37It's like all the memories that have been poisoned
18:39I just wanted to see their faces again
18:46I don't know.
19:18Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:33It's supposed to be a Christmas card.
19:39My dad thought we only needed a camera and a tripod.
19:43My brother is out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing.
19:58And my mom took the camera and just gave it to a stranger.
20:09It's all I did.
20:15At the end, when he gave the camera back,
20:19he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56That doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:04Yeah.
21:07He was gonna be there.
21:23I will.
21:29Really?
21:30Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio,
22:04but nothing closer.
22:06Untraceable.
22:13Are you good?
22:17Yeah, I'm good.
22:29Mom.
22:38Well?
22:41His name is Vico from a local favela.
22:44He hasn't said much, and I haven't let the locals ask.
22:47What are we waiting for?
22:49I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53It's happening now.
22:54We'll interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:04I'm sorry, sir.
23:04Don't interrupt me.
23:06I'm sorry, but I'm in a connection here that I think you'll want to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you got a lot going on right now, Mr. President, so I'm not going to keep you for
23:34too long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know, it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatner.
24:00And I'm going to make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:15Because I am coming to see you, Mr. President.
24:20And by then, it will be too late.
24:52I want an honest assessment.
24:54Mr. President, is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:04But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's going to kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:33Sir, we will get this handled.
25:36I can assure you.
25:49Zora.
25:51Sit down.
25:53That's the fuck.
25:56Nothing's paying for.
26:00Pagar?
26:02Say it.
26:03Responde.
26:05They paid me for a steal.
26:07What did they have in the coffer?
26:09There was only a key to a bank account.
26:13I'm sure.
26:14I'm sure.
26:14I'm sure I opened it.
26:15The pocket and I found it.
26:18I'm even wondering how they'll pay with this shit.
26:22They were hoping to find money in the pocket.
26:26And now they're hoping to find money in this box.
26:31It wasn't money.
26:32It was something they wanted to sell.
26:36Like?
26:38I don't know.
26:40But I heard them talking about a recording.
26:43Or a vita.
26:45Yeah.
26:47Do crazy talking about the president.
26:49President Carmo?
26:51It was the president Carmo?
26:52Yes, it was the president Carmo.
26:54Who was the crazy?
26:55Ferraz.
26:58Ferraz.
26:59Look at me.
27:01Are you sure it's a recording of the president Carmo with Ferraz?
27:05I don't know.
27:06Why?
27:06What is it?
27:10Get out of here.
27:12I'm sorry.
27:16All the equipment are in the bank.
27:17All the equipment are in the bank.
27:18The B.C.I.
27:19Cofre 4488.
27:20Come on.
27:21.
27:22.
27:24.
27:24.
27:24.
27:25.
27:26.
27:27.
27:35.
27:38Let's go!
27:40Get up!
27:40Let's go!
27:59Let's go!
28:33Fuck.
28:57Hello gentlemen, I know this isn't the voice that you were expected to hear, and that's
29:05just the beginning of all your problems. I'm afraid that if you're still listening to this
29:12part of the recorder, that you've already released the toxins that will kill you.
29:18What?
29:21Now you might be feeling a slight burnish insulation in your nostrils. I want to assure you that
29:28it will not last long. In 230 minutes you will be dead.
29:33It's toxic! Let's go now!
29:53Hello? Come in?
29:55Yeah, Chrissy. Go in. Our success targets are incoming.
30:03Copy that.
30:19Do you know your partner?
30:21Yeah. I go in, I make sure they see me, and draw security so they can get to happen.
30:27I have a girl.
30:33You ever want a place?
30:35Yeah. You grew an eye on set.
30:48Hey, I'll be okay.
30:59Crazy check-in.
31:03Alright, we set, we set, we set.
31:05Alright, we set, we set.
31:14Let's go.
31:25I think it's a major.
31:34We're here.
31:57We're here. We're here. We need more.
32:13Shit.
32:18Polko, come in.
32:21What are you doing here?
32:22Please, someone found me, but they're not here yet.
32:26All right, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Polko, get up, get up.
32:37No, I can do this.
33:09I can do this.
33:11Fuck you.
33:13Fire!
33:15Fire!
33:16Fire!
33:17Fire!
33:25What's your location, Paul?
33:43Paul, what's your location, Paul?
33:53Oh, you can hear me on one more way?
33:58Stand down, Christy, I've got her. Security's been drawn off. You have the green light for Tap and Bella. We're
34:03headed to the staircase.
34:04Okay, go.
34:05Caralho!
34:14Fuck, Vico!
34:26How did you get out of here?
34:27I'm crazy, I didn't know why.
34:31We're moving to the meeting point.
34:33Stay fast, stay fast, stay fast!
34:35Hey, if Poe's here, the insult's crazy.
34:40This is a fucking sham.
34:44Moment, what's happening?
34:50All right, lock it down. Get on the radio, lock it down.
35:13Aaaaaah!
35:15Alright, why?
35:20Havara?
35:22Aaaaahhh!
35:22Let's go.
36:04Let's go.
36:25Let's go.
36:39Headed out now.
36:41Shit!
36:43Please!
36:45Exit one, pole nine, floor two.
36:47We're at northwest.
36:48We will be resistance.
36:49Okay.
36:49We're on our way.
37:20Stop fucking cheating!
37:33Get out of the way!
37:35Get out of the way!
37:39Stop!
37:40Stop!
37:42Let's go with the girl.
37:44Kill everyone!
37:56Are you okay?
37:58Go, go, go, go, go, go!
38:15Are you okay?
38:16Yeah!
38:16Stay here!
38:28Chrissy, Chrissy, we're pinned to the second floor in Southern area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:46Are you okay?
38:48Yeah!
38:52Are you okay?
39:02Yeah!
39:15Give me a gun.
39:17Here.
39:23We can either hold down with a grenade.
39:25We can't do both.
39:26Come on!
39:27Melo, now!
39:28Go!
39:29Go!
39:33Go!
39:43Go!
39:45Go!
39:46Go!
39:47Hold on!
39:47Hold on!
39:48This is not fire!
40:14I got to give it to you.
40:16That tape...
40:17That tape was some expired shit.
40:19Yeah, that's the crazy I used to know.
40:22You know?
40:23One who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with you?
40:42Yeah.
40:42I think you should be.
40:46Go!
40:47Oh oh!
41:02Oh
41:03I'm not a single
41:05I'm not a single
41:05I'm not a single
41:06Get out of here!
41:22Greta, you've got a hard couple kids!
41:26Greta!
41:34I don't want to die!
41:37Get back up, help them!
41:40No!
41:41No!
41:43No!
41:44Greta!
41:46Greta!
41:48Greta!
41:53Greta!
41:55Greta!
42:16Greta!
42:32Let's go, let's go.
42:52Bosta! Bosta, pai!
42:54E porra!
42:59This is for my bar.
43:05E porra, pai!
43:15Bosta!
43:21Bosta!
43:22Bosta!
43:27Bosta!
43:29Bosta!
43:33Bosta!
44:10Shut her mouth.
44:21Shut her mouth.
44:50Shut her mouth.
45:19Shut her mouth.
45:20Shut her mouth.
45:30Shut her mouth.
45:35Go, go, go.
45:39Go left, go left.
45:41Come on.
45:42Come on.
45:42Come on.
45:43Come on.
45:46Come on.
45:47Come on.
45:47Come on.
45:48Creasy.
45:48Just go.
45:48I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:52Oh, shit.
46:39Stop right there.
46:40Don't move.
46:41move. You shoot her, you dead. One second. Yes, I know. Meaning that you've killed Teppan,
46:55I'm not seeing a lot to look forward to. So, drop your fucking gun or the last thing you
47:05see will be another dead Rayburn. Drop it! Good boy. Now, stand up. I'll give you the
47:33honor of going first. Stay there!
48:11Yes!
48:13Yes!
48:18Oh my God!
48:25Oh my God!
48:35Oh my God!
48:36I got to kill my axe-
48:39Oh my God!
48:41Oh my God!
49:08Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17You're okay.
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:30You did good.
49:33Christy.
49:34Oh, my God.
49:54Oh, my God.
50:11Oh, my God.
50:12Hey, mãe, eu quem eu achei.
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Estava falando para a Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura?
50:25Imaginei eu.
50:27Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah, não.
50:30A gente não vai para lugar nenhum.
50:32Então, vocês acham que as coisas vão melhorar com a saída do carno?
50:35Acho difícil de acreditar, hein?
50:36Tô preocupado.
50:38Eu também.
50:39Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:43Grandes merda.
50:45Vibração.
50:47Não foi para ser fã nem de parco, não.
50:49Ivan disse que você precisa trabalhar em inglês antes de qualquer coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:01Se você preferir aprender russo, então vai trabalhar também.
51:21A última vez que eu vi a minha família, eu não estava no melhor.
51:28E às vezes, eu me sinto que esse descanso vai me derrubar.
51:35Porque do que aconteceu com eles, eu não tenho nada a curtir.
51:41Não as escutas para expor.
51:44Mas eu venho para a ideia de que, porque eles me apoiaram como eles fizeram,
51:51minha família me deixou com tudo que eu pudesse ter pedido.
51:58Você não sempre percebe o que você tem,
52:02até que alguém tenta levar isso.
52:08E você não sempre percebe o que você precisa,
52:12até que você está enfrentando algo muito grande para fazer.
52:20O que a minha família me deu é a força para continuar.
52:27E o que eu aprendi de meus amigos
52:30é que eu nunca tenho que fazer isso sozinha.
52:32O que eu não sei?
52:50O que eu acho que você está enfrentando?
52:53O que eu acho que você está enfrentando?
52:55O que eu acho que você não é muito grande para fazer.
52:57O que eu acho que você tem que fazer isso?
53:00O que eu acho que você tem que fazer isso.
53:01Hey.
53:03Hey.
53:05You know if you want, you can just stay here, have lunch with everybody else.
53:14No.
53:15No, I want to go.
53:18If I could use some time away from Grandma's house.
53:21Yeah?
53:21Yeah.
53:28Give me a minute.
53:31Okay.
53:35Yeah.
53:36John, Director Moncrief.
53:38How are you?
53:39I've already done two debriefs and I'm not answering any more questions.
53:42John, that's not why I'm calling.
53:43Look, I have tremendous respect for what you were able to do and a fair amount of egg
53:48on my face and one of our guys.
53:49That's the reason you had to do it.
53:51Okay.
53:52Well, I accept your apology.
53:57Not an apology, John.
53:58It's an invitation.
54:00I got a situation developing I'd like you to take a look at.
54:04Pretty sure you already have guys with that.
54:06I don't, but they're actually long listened to that.
54:09No one else has had first-hand experience with these guys.
54:13And I do.
54:15Yeah, you ran into them in Mexico City.
54:19I guess the only question is, if that's something you're ready to revisit.
54:27Tell me what you got.
54:28Tell me what you got.
54:29Let's get started.
54:32Let's get started.
54:34Let's get started.
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