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Patience S02E04 (2026) [Full Movie] [Trending]Full EP - Full
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Short filmTranscript
00:01Welcome.
00:04That seems to be good.
00:06There you go. Thank you so much.
00:08Bye, Lola. Have fun.
00:20Here we are.
00:26Ready? Three, two, one.
00:30I'll just get Lola settled.
00:32Sure.
00:51All right, Chicken.
00:54I'll just go find you, Dad.
01:03922, York.
01:05933, Church Fenton.
01:07942, Garforth.
01:09959, Leeds.
01:111008, New Pudsey.
01:131018, Bradford Interchange.
01:141029, Halifax.
01:161041, Hebdenbridge.
01:181102, Burnley, Manchester Road.
01:201112, Akrington.
01:221120, Blackburn.
01:241140, Preston.
01:261149, Kirkham, Wesson.
01:281157, Pudson, Lafayette.
01:301224, North.
01:401048, New Pudson, Lafayette.
01:411250, Red Bull, South.
01:421292, Calvary, South.
01:441830, Long-sing.
01:451775, New Pudson, Troux, North.
01:451882, New Pudson, The Glendor.
01:482170, New Pudson, Los Angeles.
01:481882, New Pudson, New Pudson, New Pudson.
01:511882, New Pudson, New Pudson, New Pudson.
01:57Hey.
01:58Hello.
01:59Hey, Patience.
02:00Hi, Patience.
02:00Hi.
02:01We should do a gig here.
02:02Oh, we should.
02:03Absolutely.
02:03It's epic.
02:06So beautiful.
02:08So beautiful.
02:09If you'll follow me, I'll take you to the very spot
02:12where a local squire was accused of devilry
02:14and bricked into the abbey wall.
02:17You can still hear his muffled screams today.
02:20It's me.
02:21I'm the squire.
02:25You don't mind it if these guys join, do you?
02:30No.
02:33Sorry, everyone.
02:34Had to get that out of the system.
02:36You all right?
02:36Yeah, just about.
02:38All right, OK.
02:38This way now.
02:52No.
02:53No.
02:53No.
02:53No.
03:10No.
03:17No.
03:19No.
03:20No.
03:21No.
03:21No.
03:22No.
03:23No.
03:23No.
03:23No.
03:27No.
03:28No.
03:32No.
03:35No.
03:36No.
03:37No.
03:38No.
03:38No.
03:39No.
03:40No.
03:41No.
03:41No.
03:44No.
03:44No.
03:46No.
03:49No.
03:50MUSIC PLAYS
04:15Victim?
04:17I'm Philip Braxton. He's a specialist engineer.
04:21Uh, hi. How can we help you?
04:24I'm Martin. I'm a colleague of Phil's.
04:27I hope the officer said you would want to speak with me.
04:30Yeah. Dear Santa.
04:32I'll see you in a minute.
04:34So, tell me, how long have you worked?
04:35So, what do we think?
04:37Well...
04:38Looks like he sustained a traumatic brain injury from a blow to the head.
04:43He would have died within a minute.
04:46Is this the murder weapon?
04:47Yeah, I say so. From its dimensions.
04:50Blood's a bit of a giveaway.
05:01He was a good bloke.
05:02He's great with his kids.
05:05Have you found her? The daughter.
05:07Daughter?
05:08The mother drops her off every Wednesday. She would have been here.
05:11She's, um... she's autistic.
05:17Right, well, here we are. Thanks very much.
05:19Hope you had fun.
05:20And either way, thanks for getting me out of the house.
05:23Um...
05:24Oh, thank you very much.
05:28Oh, that's a really cool picture with the lights behind you.
05:30Can I have your phone?
05:31Yeah, yeah, yeah.
05:32Oh.
05:39Oh, nice of you.
05:41I look great.
05:43Nothing a filter won't play.
05:44Right, come on.
05:45I'm freezing.
05:47This place is definitely haunted.
05:48Oh, yeah.
05:49Later as you do.
05:50See ya.
05:51See ya, losers.
05:52Thought you were a loser.
05:53Yes.
05:56I like your friends.
05:57Yeah.
05:59Yeah.
06:00They're idiots.
06:02Wish I hung where you are sometime.
06:04My... my friends?
06:06Yeah.
06:07I wanna meet them.
06:10Okay.
06:11Okay.
06:30Yeah, um, sorry to ruin the evening.
06:34Why don't you do then?
06:38Uh, give me a call later, yeah?
06:40Yeah.
06:41Bye.
06:42Bye.
06:44All right, headphones.
06:45Love a boy not staying?
06:47No.
06:47It's his night off.
06:49Come on.
06:50We need you.
06:58Hey, boss.
06:58We found this in the bin.
07:00It's the wife's phone.
07:00Claire Braxton.
07:01We put a call out, but her car's still parked in the street outside.
07:04So what are we thinking?
07:05What?
07:05She killed her husband and then fled on foot?
07:08We...
07:09Was that her with her daughter?
07:10Yeah, Lola Braxton.
07:12She's 11 years old, autistic, predominantly non-verbal.
07:15We're sweeping the area, but there's no sign of either of them.
07:17And we can't assume we're together.
07:19What do you think?
07:21Sorry?
07:22What do I...
07:23What do I think of what?
07:24Well, I thought you might have a hunch where their daughter is,
07:26because you're both, you know...
07:28We're...
07:28Both.
07:29Well, you know, you're...
07:31You're...
07:32Autistic?
07:35Well, no.
07:36I mean, we're not all the same.
07:38I don't know what she's thinking.
07:40Yeah, I don't have time for you to get all offended.
07:41I'm just...
07:43asking for your input.
07:44Please.
07:47Okay.
07:49Erm...
07:51I guess...
07:53I guess when I was younger, I liked to find small spaces to hide in.
07:56So I could feel the walls around me, but always near my dad, because it felt safer.
08:09So we're looking for an 11-year-old girl.
08:11Lola Braxton.
08:13And we think she might be hiding in a small space.
08:16So spread out and be thorough.
08:18Lola!
08:18Lola!
08:19You're in trouble!
08:20Lola?
08:22Are you in here?
08:29Lola?
08:33Lola?
08:36Lola?
08:38Lola?
08:42Lola?
08:43Lola!
08:43Lola, are you in here, love?
09:02Lola?
09:03Lola?
09:05Lola?
09:08Lola?
09:09Lola, are you okay?
09:15Lola?
09:17Lola.
09:17Lola?
09:19Lola?
09:19Lola?
09:19Lola?
09:20Lola?
09:24Lola?
09:30Lola?
09:32Lola?
09:34It's a way of self-soothing.
09:37Yeah, communication is a bit of an issue.
09:39There are no other witnesses? No.
09:41Right now, everyone who's passed through this museum
09:43in the last few hours is a suspect.
09:49The mum's phone's not given us much and nothing from the house search,
09:52given the level of risk I've contacted MPU.
09:55There is an older sister as well.
09:56She works near the station in a kebab shop, Diablos.
09:59They're ringing her over now. Good.
10:01Get on to local hospitals, stations.
10:03Well, I spoke to a couple of her friends.
10:05Doesn't look like a domestic.
10:06Apparently things were pretty good between them.
10:08Yeah, but, you know,
10:10you don't know what goes on behind closed doors, though.
10:19Jesus.
10:20Both parents gone in one afternoon.
10:32Evie, I'm Detective Inspector Monroe.
10:34Yeah, where's Lola? Where's my sister?
10:36Have you found my mum?
10:36We're doing everything we can, I promise.
10:38We've got a social worker who's gonna come
10:40and look after you and Lola at your house
10:41until we find your mum.
10:42Wait, no, I can look after Lola. I'm 19.
10:45OK, but with Lola's needs, you still have to be assessed.
10:48Please.
10:49Sit.
10:54OK, listen.
11:00We need to move fast,
11:01so I'm gonna have to ask you some difficult questions, alright?
11:04What do you mean?
11:05How did your mum and dad get on?
11:07Did they argue?
11:08Were there tensions in the house?
11:10What?
11:10I just want you to be totally honest with us, Evie,
11:13because I wouldn't be doing my job properly
11:14if I didn't consider all the possibilities.
11:16Oh, so you're saying that my mum killed my dad?
11:18You're joking.
11:20OK.
11:21You're just ruling things out, Evie.
11:23Can you think of any reason
11:25why your mum would disappear?
11:27Well, if you're saying that she ran off,
11:28it's probably because she couldn't handle
11:29the stress of Lola anymore.
11:31Would she say that?
11:31No.
11:34No.
11:36But you don't understand.
11:37It's so full on.
11:39She saps mum's time, energy, money,
11:41everything she takes.
11:43Everything.
11:53Yeah, just wait here, girl.
11:55Are you OK?
11:57Hi, I'm Kirsty.
11:58I'm the social worker.
11:59Hi, Kirsty.
11:59I'm Deo Munro.
12:00Um, her father was killed today
12:03and the mother's gone missing.
12:04And the younger one's autistic
12:05and the older one really,
12:06really doesn't want you to be here,
12:07so that's a tough one.
12:08OK.
12:08Do you want to get them out of the car?
12:10Yeah.
12:14Hi, Lola.
12:15I'm Kirsty.
12:16I'm the social worker.
12:16Come on, let's get you inside.
12:20Hi.
12:21What's going on?
12:21I'm Deo Munro.
12:22And you are?
12:23Not a family friend.
12:24Is everything all right?
12:26Er, the girl's father was killed earlier today.
12:30Oh, my God.
12:31Come on, Evie.
12:31Hi.
12:32Thank you, girl.
12:34Hi, Evie.
12:35I am so sorry, love.
12:37Ooh.
12:39Oh.
12:40Oh.
12:40Poor thing.
12:40I've got to go check on Lola.
12:42Yeah.
12:42Do you live nearby?
12:45Er, yeah.
12:46I'm a neighbour.
12:47Oh, right.
12:47When was the last time you saw the girl's mother?
12:49Claire?
12:50Not for a few days, I think.
12:52Well, if you hear anything, let me know.
12:53Yeah.
13:06So this should be around the time they arrived.
13:10You still don't know where the mum is?
13:15No.
13:15I do.
13:16And I'm not sure she's coming back.
13:21You think she's dead?
13:25Just doesn't want to be found.
13:30Oh, look.
13:31There, it's them.
13:33Well done.
13:42Billy, can you go back, please?
13:44Er, yeah.
13:46Just two seconds.
13:51There.
13:53She's wearing a rucksack.
13:55What?
13:56Lola.
13:58The girl, she...
13:59She's wearing a backpack.
14:00But when we found her, there wasn't one.
14:03So where's it gone?
14:15So you think the rucksack is still in the museum?
14:17Er, yes.
14:18The CCTV footage showed Lola entering with it.
14:21But when we found her, it wasn't there.
14:23Okay.
14:23So what does it look like?
14:24Er...
14:25Well, it's orange with black straps.
14:27Two side pockets both empty.
14:28Front pocket also empty.
14:29And it's got a black hat on the front of it.
14:31Okay.
14:32Good work.
14:33Right.
14:33We're looking for an orange rucksack with black straps.
14:36Spread out, everybody.
14:38Now, boys, check down there.
14:40They'll see the carriage left.
14:46Any luck?
14:47No.
14:48The Ironman Road's still checking the workshop, though.
14:50Okay.
14:51Er...
14:51Let's head down there.
14:52Walk the grid, so to speak.
14:54Yeah.
14:55And...
14:55Sorry.
14:56Actually, DS Winter...
14:59If you ever date someone properly, would you introduce them to your friends?
15:05I think so.
15:06Yeah, why?
15:07Well, it's just that Elliot wants to meet them.
15:11Well, that's a good thing, isn't it?
15:13Well...
15:14I don't know.
15:15I mean, why would he...
15:16Why would he need to meet my friends?
15:18Well, maybe he just wants to get to know you a bit better.
15:25Yeah.
15:26Yeah.
15:27Yeah, I guess so.
15:30Thanks.
15:33Wait a minute.
15:34What do you mean if I ever was to date someone properly?
15:37Wait.
15:50Wait.
15:54Wait.
15:57Wait.
16:15There you are.
16:20There's about 300 in there.
16:23And they found traces of marijuana in the ruxet.
16:26The little girl has been used as a drug mule.
16:29Seems like it, yeah.
16:31And have we identified where the bank's from?
16:35Well, as you can see, there's not much to go on.
16:43So what are you thinking?
16:44Father runs into debt, trying to care for his daughter,
16:47so starts selling drugs and then runs into trouble with a rival dealer.
16:52And how's the mother involved?
16:54We just don't know, sir.
16:55And at this point, you know, she could be a victim or a suspect.
17:01All right. Thank you.
17:07Yeah, I should be with you now.
17:09Let me know if you hear anything.
17:11All right. All right.
17:14Hi.
17:15I double-checked the archive.
17:16There's nothing on Philip or Claire Braxton.
17:20All right, well, it was a long shot.
17:24What if, um, what if Clyde didn't want to be found?
17:29Well, what do you mean?
17:33Um, well, Evie said that she couldn't handle the stress of raising Lola,
17:39and so maybe, maybe that made her want to disappear.
17:46Well, I think it's much more likely that her disappearance is connected to her husband's murder.
17:53Yeah, it feels like the only one with any answers is Lola.
17:56I think it's much more likely that she's been told.
18:15I think it's much more likely that she's been told.
18:17Yeah.
18:18Yeah.
18:18Hi.
18:18Erm, sorry. We're looking for Lola. We've got something for her.
18:25Yeah. Go.
18:30Ah, look at that!
18:33Look at the gold. That's good.
18:37That's one for the collection, yeah? Yeah.
18:45Thanks. That was nice of you.
18:47Yeah, my brother loves Chains too.
18:50That's actually one from his collection.
18:53Oh, don't worry. She can keep it.
18:55Billy also collects loyalty cards.
18:57Yeah. Why?
19:00I guess it's a way of finding ardour in the chaos sometimes.
19:04You know, it's just my head is...
19:09922 York, 933 Church Fenton, 942 Galfourth,
19:13947 New Timbergate,
19:16959 Leeds,
19:171080 Pudsey,
19:191018 New Southsons,
19:211029 Haricots,
19:221014 Hapton Bridge,
19:24Lola to be in Rochester, okay?
19:26Oh, Lola. It's okay.
19:27Okay, can you show up?
19:28Just try and breathe.
19:30Try and breathe.
19:35There's nothing there.
19:45Every Wednesday at four they come,
19:46like clockwork.
19:48Less same.
19:50Same outfit, same rucksack.
19:52A load of routine, Phil will call it.
19:54And then where did they go?
19:56Um, the maintenance yard.
19:58She'd get in one of the trains and look out the window like it was a real journey.
20:03Very sweet.
20:04And your door's security, are you?
20:06What does that entail?
20:07Bag checks, mostly.
20:08Staff? Visitors?
20:10Everyone.
20:11So you'd have checked inside Lola's work, sir?
20:14Well, no.
20:16She was a little one and she didn't like to be touched, so...
20:22Okay, right.
20:25Well, bloody air defendants, God.
20:28Mum would know what to do.
20:30Um, Evie, can I just try something?
20:33No, it's fine.
20:34It's fine.
20:34Can I just try?
20:35No, no, I'm okay.
20:36I've got it.
20:37It's fine.
20:38Evie, best if we step outside, yeah?
20:45It's okay.
20:45I promise.
20:47Okay.
21:00Do you want to join me in here, Lola?
21:31What do you want to join me in here, Lola?
21:43I like it in here.
21:48You know, when I was younger, I used to hide under my bed.
21:55I still do sometimes.
22:31What are you doing with the photo box?
22:34Um, Lola gave it to me.
22:38She's never given it to anyone before.
22:43Um, it's like a security blanket.
22:47It was, um, I think it was her mum's idea.
22:53Well, my mum gave me a special box too.
23:16Thank you, Lola. Thank you.
23:23We know Lola bought the backpack every Wednesday.
23:25Saw her dad for two hours.
23:27Just enough time for him, we assume,
23:30to swap the cash for cannabis.
23:32It's like Philip uses Lola as a drug mule.
23:35Only this time something goes wrong, I'm gonna kill him.
23:39Yeah, but why leave a bag of money behind?
23:42Yeah, and how does a missing mum tie into all of this?
23:46Chuck us a kebab.
23:51What do we get?
23:53Christ.
23:55Look.
23:59It's the same.
24:00So the bag used to hold the money came from Diablo's.
24:03And who do we know who works there?
24:10So, we found the rucksack, Evie.
24:12How long have you been dealing?
24:14No comment.
24:17Did your parents know that you were using your sister to transport drugs?
24:21No comment.
24:25Evie, your father has been killed and your mother is missing.
24:29I think the time for no comment has passed.
24:32This is a total joke.
24:34Why are you wasting your time talking to me when you should be out there looking for my mum?
24:37Yeah, we are.
24:38And we need you to help us.
24:41This is a murder investigation.
24:43I'm not with a drug squad.
24:46Talk to me.
24:48How did it work?
24:49So you put the money in the rucksack.
24:51Someone at the museum exchanged it for drugs.
24:53Who was it?
24:57Just a car I knew from school.
25:00And why did you do it?
25:01Diablo's not paying you enough.
25:04I didn't even need that money.
25:05I gave it to my dad.
25:10Okay, so...
25:12You and your dad did this together?
25:16Not at first.
25:19He caught me and I said I'd stop.
25:24We were just in so much debt at the time and I...
25:28I just said I could help.
25:33Exactly how was he involved?
25:40He arranged for us to use the museum as a drop-off point.
25:44Said it was safer that way.
25:47It was only gonna be for a bit, just till we got back on our feet.
25:50And where were you selling the drugs?
25:57Evie, your father's been murdered.
25:58I think you need to cooperate.
26:01Just like...
26:02Kids at college, kids at class.
26:05It wasn't a big deal.
26:08Okay.
26:10I'm gonna hold you for further questioning and then...
26:13You'll be allowed home pending a court hearing.
26:15Not a court hearing.
26:18The law's the law.
26:19Evie.
26:20You'll be all right.
26:21You're a survivor.
26:23No, no, because you don't understand.
26:25I didn't have a choice.
26:26My mum had to give up a job.
26:27I had to give up my uni place because we couldn't afford it.
26:29This isn't my fault.
26:30It's because of Lola.
26:32No, you can't just walk away.
26:33Where are you going?
26:35You don't understand.
26:36It's not my fault.
26:37No.
26:40No.
26:41No, no.
26:43No.
26:43No.
26:51No.
26:56No.
27:04No.
27:06Yes, I know.
27:07I was hoping to catch you for a chat, actually.
27:10Really?
27:11I would love to include you in some of the work we're doing on the rebrand.
27:14Oh, no. Well, that's not really my thing.
27:17Don't be silly.
27:19DCI Baxter told me about your autism, which I think is fantastic.
27:23And I think your truth is really valid
27:25and will resonate with so many people who think that maybe the police isn't for them.
27:28OK, well, I'm not actually part of the police. I work in criminal records.
27:32And I love that. That is exactly what we're looking for.
27:35Your authenticity, your diversity,
27:37and I hope I'm not making you feel uncomfortable here,
27:41but you're fantastic, eh?
27:43Oh!
27:45DCI Baxter. Hi.
27:46Sorry, Emilys. I got stuck in a meeting.
27:48Then the train was delayed.
27:50I sat at Garforth station for 20 minutes. Couldn't even find a snack.
27:53Garforth?
27:55Sorry, where did you say the train started from?
27:57Er, Backpool North. Why?
28:03Er, sorry, you're going to have to wait a while longer.
28:06Wait!
28:09We've pulled in Evie's school friend, we're doing a background on him,
28:12but so far it's looking like our story's checking out.
28:14And all our punters were a bunch of college stoners, all pretty small-term.
28:17And the money wasn't taken.
28:18You know, I think we can forget the link between the dealer and the murder.
28:22Hi, erm, Lola's been trying to tell us something, and that's what this is.
28:26Just give me a sec.
28:32Here we go, York to Blackpool North.
28:35I mean, if there's an answer, it's got to be in this route.
28:42What?
28:43What?
28:43No, no, no, there's a, there's a station missing.
28:46Lola always says, York, Churchventon, Garforth, New Temple gate.
28:52York, Churchventon, New Temple gate leads.
28:55What?
28:56Well, there's no New Temple gate.
28:58Well, maybe it's a disused station.
29:01Yeah.
29:02New Temple gate.
29:06No, there's no station there.
29:08But if it's a school...
29:13Right.
29:15It's a specialist school.
29:18Go to the gallery?
29:19Mm-hmm.
29:22That's Lola.
29:27Scroll back.
29:28Yeah, scroll, scroll back.
29:31I know that woman.
29:33She's their neighbour.
29:38Lola was at our school until a couple of years ago.
29:41I remember Claire found it pretty tricky at first.
29:44She hoped Lola could be cured.
29:46Um, autism can't be cured.
29:49It's not an illness.
29:51Yeah.
29:52Claire came to recognise this.
29:54And finally understood.
29:57And then loved how Lola saw the world.
29:59It's not easy for parents.
30:01Or the children.
30:03And sometimes things break down, but...
30:05It's rarely a lack of love.
30:08Do you really believe that?
30:11Absolutely.
30:16Tell me about Nadia Ward.
30:19That's quite a sad story, actually.
30:22Her daughter Kelly was in Lola's class.
30:26She had a seizure and died last year.
30:29Nadia had a breakdown.
30:31She blamed the school.
30:32She hassled staff.
30:34What do you mean?
30:35Nadia stalked Kelly's key worker.
30:37She really needed help.
30:40Wait.
30:42Uh...
30:42Sorry, I recognise that jacket.
30:54She was at the museum.
30:56The day of the murder.
30:58Jesus.
31:00And I think she was outside the girl's house the other day.
31:03I think that's what Lola saw.
31:05What?
31:05Well, that's what Lola has been trying to tell us.
31:08She's afraid of Nadia Ward.
31:09Crap.
31:11Sorry.
31:13Jay, we need to get hold of the girl's social worker.
31:16Nadia, their neighbour.
31:17She could be dangerous.
31:19Okay, we're gonna leave in five, yeah?
31:20All right.
31:27Oh, no.
31:34Oh, no.
31:36Oh, no.
31:39Oh, no.
31:42Oh.
31:44Oh.
31:55What are you doing?
32:02Where are we?
32:03Oh, a little sleepyhead. Take a seat.
32:05What have you done to me?
32:06I said, sit down.
32:12Would you like some tea?
32:15I'll get some tea.
32:32Oh, it's OK.
32:33Do you want to check round the back?
32:35OK, yep.
32:35I've got some tea.
32:44Clancy?
32:50Evie?
32:54Lovely?
32:57Kitchen's clear.
32:58OK. What have you got on Nadia?
32:59Check.
33:03There's nothing out of bag.
33:04Okay, go and check upstairs.
33:05Alright.
33:45Jake!
33:47Jake!
33:47Oh, shh.
33:49Hey, yeah, yeah.
33:50It's alright.
33:51It's alright.
33:51Come here.
33:51Come here.
33:59Come, come, come, come, come, come, come, come, come, come, come, come, come, come.
34:09Well, this will make you feel better.
34:24Kelly!
34:26Stop being silly!
34:31Hey, boss, we've got a problem.
34:33There's no sign of the kids and no sign of Nadia,
34:35because apparently she's never lived on this street.
34:37Alright, so we've got a mentally unstable woman
34:39who has a breakdown when her daughter dies, unable to grieve.
34:42She transfers her affection to another child and starts stalking her.
34:46You've got no effects address, ma'am,
34:47but she did inherit her mum's country house three years ago.
34:50Here's her location.
34:51Alright, let's go.
34:52I don't get it.
34:53What's Nadia's plan?
34:54I thought she just wanted Lola.
34:55Yeah.
34:55And what's she going to do to Evie?
34:57Will, of course, back up.
34:58No.
35:06No.
35:18No.
35:19No.
35:21No.
35:22No.
35:23No.
35:24No.
35:25No.
35:26Oh my God! Are you okay?
35:28Are you okay?
35:29Are you okay?
35:30Oh my God!
35:34Kelly!
35:36There you go!
35:43Kelly!
35:46Come on!
35:48We've got to go now!
36:11Come on!
36:12Come on!
36:14Come on!
36:17Come on!
36:25There you are!
36:26How did I just leave?
36:27Let us go!
36:30Come on Kelly!
36:31No!
36:32It's Lola!
36:34What?
36:36No it's not!
36:37It's Kelly!
36:38Come on Kelly!
36:38Let us go!
36:41Stay back!
36:43I said I'd come on!
36:44Kelly!
36:45Run!
36:47Get out of here!
36:49Kelly!
36:50Kelly!
37:10Get out!
37:15Okay!
37:16Okay!
37:16Nadia!
37:17I'm Detective Frankie Monroe!
37:20Stay away!
37:21Okay!
37:22Okay!
37:22I need you to calm down!
37:24Okay!
37:24I need you to calm right down!
37:25Okay!
37:26I'm stepping back!
37:26I'm stepping back!
37:27Okay!
37:27I'm taking Kelly away!
37:28You can't stop me!
37:31Okay!
37:38Are you alright Claire?
37:41Okay!
37:41Okay!
37:42Okay!
37:42I know you're suffering Nadia!
37:44Hurting Claire is not going to bring your daughter back!
37:46You don't know anything about me!
37:48No!
37:48I don't know anything about you Nadia!
37:51I don't!
37:52And I want to know!
37:52I want to talk to you nice and calmly!
37:55Okay!
37:55But first I need you to let Claire go!
37:57Okay?
38:03No!
38:04No!
38:04That's not your daughter!
38:05She doesn't deserve her!
38:08I can look after her!
38:11I can move her!
38:13It's okay!
38:17No!
38:18No!
38:27The patient is conscious and breathing!
38:48She was constantly hassling us!
38:51Born in time with Lola!
38:54And why didn't you report her?
38:57We felt sorry for her!
39:02And we thought we could handle it!
39:05But then she turned up at the museum!
39:10No!
39:12No!
39:12Give her to me!
39:13Where is she?
39:14Don't you!
39:15Stop!
39:20What have you done?
39:22What have you done?
39:23Oh Claire!
39:23What have you done?
39:24No!
39:25No!
39:25No!
39:27Phil!
39:28Phil!
39:29No!
39:32They're calling an ambulance!
39:35Shit!
39:37Phil!
39:37No!
39:42I'm sorry!
39:45I'm sorry!
39:47I'm sorry!
39:50I'm sorry!
39:52I'm sorry!
39:53Okay!
39:57Come on!
39:58Come on!
40:00Come on!
40:01Come on!
40:02922 York!
40:03933 Trashventon!
40:05942 Galforth!
40:11Come on!
40:13Come on!
40:14I'm sorry for everything I put you through!
40:15You must hate me!
40:16No, sweetheart!
40:18No!
40:20The two are you!
40:24There's nothing you could ever do that would stop me loving you!
40:34Namaste!
40:37Namaste!
40:37I know a dad!
40:39Me too!
41:01anyone fancy some crisps or nuts oh yeah thank you
41:09uh patients likes nuts but you're allergic to the sesame yes yes she found out when she was seven
41:16eight eight yeah she found out when she was eight she found it out at a trampolining party
41:24which is when she also found out she doesn't like trampolining
41:30right well uh let's not do that then
41:35so uh billy patience says you run her group yeah yeah she joined in 2022
41:42january 2022 which is actually her favorite month partially because snowdrops are her favorite flower
41:55you know a lot about her don't you yeah yeah i suppose i do
42:07i'm just gonna go to the toilet yeah okay great
42:25this isn't going well
42:45is this weird this is weird isn't it yeah i think uh it is a little bit weird
42:50uh yeah i think she wants us to you know bummed yeah oh which is fair enough yeah you're our
43:00best
43:00friend and i'm you're a boyfriend aren't you i've not exactly done that yet
43:11but i do really like her and she really likes you yeah
43:18yeah
43:19oh yeah
43:23okie dokie folks start assembling your teams for the quiz
43:27oh i love the quiz night although i can basically only do music and the birds
43:31your history are unlike like a little bit of sports oh let's be honest if we've got patience we basically
43:38we do not need to be here at all
43:43hey
43:46um i've just signed ourselves up for the quiz oh oh that's okay yeah yeah
43:54oh
43:54i um
43:56i really like your necklace thank you i like it too
44:04question one where is the scarlet bride said to roam at night
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