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How To Get To Heaven From Belfast S01E02 [Full Movie] [Full Storyline]Full EP - Full
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00:28¡Suscríbete al canal!
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06:03I mean, I have no idea why.
06:09So you're interested in cops?
06:16Saoirse, your ring was in the glove compartment.
06:20Oh, thank God.
06:24Oh, God, I can't wait to get home.
06:32I'm getting sat-napped. It's totally fucked.
06:34Here, I have the map on my phone.
06:36Say I was raped. I think we're turned off here somewhere.
06:39Stick your arm through so I can see the map.
06:40What if it wasn't her body in the coffin?
06:42Do you know how I deranged you, sign?
06:44Why can't I just come up front?
06:45The passenger window's all over the seat, Dara.
06:47And picking shards of glass out of your arse is not how you want to end this already.
06:51Quite mental weekend.
06:52If I saw what I think I saw...
06:54If being the significant word, you can't just dismiss it.
06:56Okay, that's it. Dara, open the door and fuck her out.
06:59I don't really want to fuck her out.
07:00I'm not mad.
07:01Look, I know going there was a big deal,
07:04considering the thing we never talk about.
07:08Stop it, Dara.
07:09Stop what?
07:09Looking at her to check how you should react.
07:11Have you no fucking mind of your own?
07:13Sorry.
07:13You don't have to apologise.
07:14What are you apologising for?
07:15Sorry.
07:16I really think something weird is going on here.
07:20Okay, we all know that it was a bit complicated.
07:24Just leave it alone.
07:25We've left it alone for 20 fucking years.
07:27Shit!
07:33Again?
07:34Are you fucking serious?
07:37Are you talking to God?
07:39If you are, you might want to lose the attitude.
07:54Right, stay here.
07:57Jesus, bloody car!
08:03I am so, so sorry.
08:05Are you okay?
08:06I'm usually a really careful driver.
08:09The condition of your car would suggest otherwise.
08:12Right.
08:13Is that a dairy accident I'm detecting?
08:15I'm from Belfast.
08:17I'm not really feeling the old six-county solidarity at the minute.
08:20Fair enough.
08:21Let's do the thing and get going, then.
08:26It's not actually that bad.
08:29I mean, wing mirror side.
08:36The nightmare.
08:38She never looks where she's going.
08:41Hi.
08:43Hi.
08:43Are you okay?
08:45Not really.
08:46I should probably kill you all, but I don't have room in my boot.
08:49I don't.
08:58Here.
08:59Put on your details.
09:00Give me yours and I'll do the same.
09:02Right.
09:11Right.
09:11There you go.
09:12I'll be in touch.
09:13I'll look forward to it.
09:17Dairy people are always such weirdos.
09:19Dairy people are always such weirdos.
09:21Bye.
09:43Good gear.
09:47What the hell are you looking at?
09:49What the hell are you looking at?
10:18¡Gracias!
10:38¡Gracias por ver el video!
10:55¡Gracias por ver el video!
11:19¡Gracias por ver el video!
11:46¡Gracias por ver el video!
11:57¡Gracias por ver el video!
12:52¡Gracias por ver el video!
13:01¡Gracias por ver el video!
13:10¡Gracias por ver el video!
13:12¡Gracias por ver el video!
13:51¡Gracias por ver el video!
13:54¡Gracias por ver el video!
14:04¡Gracias por ver el video!
14:13¡Gracias por ver el video!
14:36¡Gracias por ver el video!
14:40¡Gracias por ver el video!
14:51¡Gracias por ver el video!
15:00¡Gracias por ver el video!
15:09¡Gracias por ver el video!
15:20¡Gracias por ver el video!
15:22¡Gracias por ver el video!
15:25¡Gracias por ver el video!
15:29¡Gracias por ver el video!
15:44¡Gracias por ver el video!
15:47¡Gracias por ver el video!
15:53¡Gracias por ver el video!
16:02¡Gracias por ver el video!
16:08¡Gracias por ver el video!
16:10que se encuentran.
16:20¡Stop this!
16:22¡Take yourself back there!
16:24¡No!
16:26¡Take yourself back there and look at it again!
16:33¡See it!
16:39Remembers.
16:45And ask yourself this.
16:47What should we have done?
17:02Hey, there you are.
17:03You must meet Marcus Dalton Foster.
17:05He produces...
17:05Oh my God, we were obsessed with it.
17:07I'm so sorry.
17:07I just need to steal him for a second.
17:09Okay, hi.
17:10What's going on?
17:10I have to go.
17:11Can I have the room key?
17:12Because they took off my stuff.
17:13What do you mean you have to go?
17:15It's my friend.
17:15You know, the dead one.
17:16It's an emergency.
17:17What kind of emergency?
17:18Has she died again?
17:20It's a whole thing.
17:21I can't really get into it right now.
17:22Can I just have the key?
17:23Um, it's here, sure.
17:24Babe.
17:24It's the BAFTAs.
17:26Um, do you think you might have a concussion?
17:29Oh no, I'm fine.
17:30You sure?
17:31Yeah, yeah, yeah.
17:31Oh, yeah.
17:31Okay, great.
17:33If we win, you're going to have to do the speech.
17:35Do not let Marnie do the speech.
17:39Wow.
17:41Thank you.
17:42So much.
17:43Um, what a huge honor.
17:44For he who conceals his transgressions will not prosper.
17:51But he who confesses and forsakes them will find compassion.
18:01Take this, all of you, and eat it.
18:04For this is my body, which will be given up for you.
18:09Body of Christ.
18:10Body of Christ.
18:16Body of Christ.
18:17Body of Christ.
18:23Body of Christ.
18:24Jason medals.
18:24He's here.
18:31Stand by, please.
18:33Father brought you expresive.
18:35For my tenders, now I am arr상igating.
18:37I mean, like, what do you think happened?
18:40Do you think I woke up…
18:41For my sons, please!
18:43Christ!
18:44Yes,ze.
18:45For those of you, but?
18:50No, no, no, no, no, that, that, that, that, that, that, that, that's not what I said.
19:07Well, maybe all this is easy. Maybe I'm overthinking this whole mothering thing, you know, maybe I'll just fire the
19:13three of them outside and let nature take care of it. They'll be like Chicken Boy.
19:17Who's Chicken Boy?
19:19The elephant from Anna. He was raised by chickens. Chicken Boy.
19:23What do we know?
19:24Look, who gives a shit about the car? I could have died, Jim.
19:27Well, obviously, I'm glad you're not dead.
19:30Oh, my God, really?
19:32Sick.
19:34Oh, Jesus.
19:37Obviously, I'm glad you're not dead.
19:40Fuck it.
19:41Thank you.
19:52Gracias.
20:14Gracias.
20:14Oh, Father, I'm so sorry.
20:17Please, don't worry about it.
20:19These things happen.
20:19I'm going to be left to the bingo, Dara.
20:21In a minute, Mammy.
20:22Father, I was wondering.
20:23Yes.
20:23Will you take my confession?
20:25Oh, for a first sec.
20:26Could we do it tomorrow?
20:28Well, I'd rather do it now.
20:29It's just that the confessional closes at nine.
20:31Well, can't you just open it?
20:33Normally I would.
20:34But Rome's encouraging us all to examine our work-life balance.
20:38Work-life balance?
20:39You're a priest.
20:40And I'm heading to the bingo now myself, so...
20:42But listen, tomorrow I'll be all ears.
20:46Oh!
20:49Someone hand me that in to this secretary for you.
20:52And I'll see you at the bingo, Mrs. Freed.
20:54Bye, Father.
20:57Come on, Father.
21:08All right, Mammy Darby?
21:09I'm home!
21:10Jesus Christ.
21:11I'd have rung to tell you I was coming, but you know.
21:13I didn't.
21:15How come you're here and there?
21:18I'm not there.
21:19I'm just here.
21:20What?
21:21We just saw you on the red carpet.
21:23It's edited.
21:24What do you mean edited?
21:26Do you want me to explain what edited means?
21:28Why?
21:29Look, there's a delay.
21:30It might even be...
21:31Oh, my God, we won!
21:33What?
21:34How the hell could you know that?
21:36Kimmy Strick.
21:37What are you doing home now?
21:38Listen, do you remember my notebooks like from school?
21:41All my old stories and scripts and ideas and things.
21:44You're not on that cocaine stuff, are you, Saoirse?
21:47I kept them in that wooden box of my room.
21:50They're all at that cocaine stuff now.
21:53We turned your room into a gym.
21:54Well, you put a cross trainer in there, which you now use as a clothes word.
21:57Well, we don't always get the weather to dry things on the line, Saoirse.
22:01Where's the box?
22:01I fired that stuff up into the attic.
22:03Okay, great.
22:04Thank you.
22:06You need to clear that alley.
22:07Oh, will you stop, Eileen?
22:09You're right, I'm just one of these days.
22:11Give over, woman.
22:40He's broken!
22:41Oh!
22:42Oh!
23:07No lo crees.
23:09Tal vez es solo un shock.
23:13Tal vez se va a parar.
23:20¿Tienes tiempo para el plan B, entonces?
23:22¿Qué es el plan B?
23:26¿Nos vamos a burylo?
23:28¿Tienes tiempo para el plan B?
23:43¿Tienes tiempo para el plan B?
23:52¿No?
24:06¿Tienes tiempo para el plan B?
24:11¿Tienes tiempo para el plan B?
24:20No, no, no.
24:44Stop it, stop it, stop it.
24:46What are you doing here?
24:48I don't really know.
24:51I got this weird ladder
24:52and I just find myself
24:54walking and walking.
24:58What are you doing here?
25:04It's not...
25:12And when you called,
25:13I realised I had one too.
25:15It was amongst some fan mail.
25:23It says the same thing.
25:25Please find me.
25:27What the fuck is going on?
25:29It's Greta.
25:30I'm sure of it.
25:31Jesus Christ, Saoirse.
25:32It's Greta.
25:33She sent us these
25:33and she sent us that email too.
25:35What?
25:35So, earlier,
25:36I'm on the red carpet.
25:38God, the Oscars,
25:39is that the night?
25:39Fuck it.
25:40Yeah, yeah, yeah.
25:41We won an Oscar.
25:42Plus.
25:43Well done.
25:44Thanks.
25:44Anyway,
25:45so I was talking about the show
25:46and I realised
25:47that I sometimes...
25:48Well, I do this thing
25:50just to amuse myself.
25:52Really,
25:52I bury a clue
25:53and a character name.
25:54Which character?
25:55The body, usually.
25:56What's the clue?
25:56Well, that would be a spoiler.
25:58Don't watch it.
25:58Then it would be meaningless
26:00like this isn't the point.
26:01So what is the fucking point?
26:02Well, I started thinking
26:02where did I get that idea
26:04and then I remembered
26:05we'd do this thing in school.
26:07So look at this list of names.
26:09This first one,
26:10Rosie Conbay,
26:11that's you,
26:12Robin O'Casey
26:12and then the next one,
26:13Rhea Dorffel,
26:14that's you,
26:15that's Dara Freel.
26:16We'd do this.
26:17Remember?
26:18We'd like anagram or names.
26:20We were bored, I guess,
26:22not like the kids today.
26:23You know, Twitter?
26:24Kids don't use Twitter.
26:25Whatever.
26:25It's not even called Twitter.
26:26Grant, this one here,
26:27this is me,
26:28Saisha Shaw,
26:28but look at the last one.
26:38Greta Heaney!
26:39Greta sent that email, girls.
26:42She wanted us to go to that wake
26:43to see that something was wrong.
26:45I think
26:47she needs our help.
26:49I'm not sure I can help Greta again.
26:54The thing is,
26:54Greta didn't do you anything wrong.
26:57None of us did.
27:01We've become so afraid
27:02we've lost sight of the truth.
27:05Jason Meadows,
27:06stop with Sir to please.
27:07No, I will say this.
27:08I will say his name.
27:10I will say these words.
27:12Jason Meadows deserved
27:13what happened to him.
27:18Do you know what I realized tonight?
27:21There was nothing we could have done differently.
27:23there was
27:23no other way.
27:37What happened that night
27:39it binds
27:40all of us together.
27:43Forever.
27:47Jesus.
27:52Greta needs us.
27:59She's obviously scared.
28:05She could be in real danger.
28:10What can we do?
28:11Like,
28:12we're not the fucking
28:12A-team, Saoirse.
28:14Yeah,
28:15where would we even start?
28:16We'd start with the body.
28:19If that body
28:21isn't Greta's,
28:22it proves something
28:23really fucked up
28:23is going on here.
28:24It's the one piece
28:25of evidence
28:26we have.
28:27I'm not sure
28:28we should get involved.
28:29We're already involved.
28:33She's made sure that
28:34she wants us
28:36to shine a light on this.
28:37Come on, girls.
28:38We put a bad guy
28:39in the ground once.
28:40What's become of us?
28:43We grew up.
28:44We grew afraid.
28:50Okay, say...
28:53Say we do this, right?
28:55Say we prove
28:56that the body
28:57isn't Greta.
28:57That is it.
28:59That's our bit done.
29:00It has to be.
29:01Okay.
29:02That is it.
29:02Over.
29:03Sure.
29:04You promise?
29:04I promise.
29:13Fuck it.
29:20We do a different theme
29:21every month.
29:22The young ones
29:23come from Letterkenny
29:24and Donegal Town
29:25by the busload.
29:26It's mad crack
29:27all together.
29:27How thrilling.
29:28Now, you've just
29:29missed one, unfortunately.
29:30Oh, say it isn't so.
29:32But don't you worry.
29:32We'll keep you entertained.
29:34We have a country
29:35and western night
29:36this evening.
29:38Standard room, okay?
29:39Yes.
29:40Just yourself, is it?
29:42Why is that relevant?
29:47Now, it's not so much
29:48an official night
29:49as a kind of memorial.
29:51A memorial?
29:52A fellow over
29:52in Ballybunion.
29:53A Kenny Rogers impersonator,
29:55I believe he was.
29:56Didn't he only go
29:57and get himself killed
29:58on one of them,
29:58whatchamacallit,
29:59one of them
29:59bucking broncos.
30:01Thrown to his death,
30:02John Boots,
30:03Goodenboogie.
30:04Some friends of his
30:06are having a bit
30:07of a do in his honour.
30:09It'll be Gans.
30:10Well, at least
30:10poor Kenny
30:11didn't die in vain.
30:12Every cloud,
30:13as they say.
30:14You're only back
30:15from Donegal.
30:16Yeah, but we have
30:16business to attend to.
30:18What sort of business?
30:19I can't tell you,
30:20but you trust me,
30:20don't you?
30:21Not really, no.
30:22And it's Jack's party
30:22tomorrow, love.
30:23I'll be back in time
30:24for the party.
30:24I'm hardly going to miss
30:25the son's birthday party.
30:27Well, you have so much
30:28to do.
30:28There's nothing in.
30:29Why is that her problem?
30:30For God's sake,
30:31Saoirse,
30:31will you stay out of this?
30:32I'm not going to ask you again.
30:33Don't you speak to her
30:34like that.
30:35We can grab the party stuff
30:36on right, Jen.
30:37There's no trouble.
30:38You can handle it.
30:42And when I do come back,
30:44you're going to be
30:45really glad I didn't die
30:46in that car crash.
30:47It's Cougars.
30:48Watch her come in here
30:50looking like that
30:51in your high-heeled boots
30:52and your painted O.D.
30:54All decked down
30:55like a cowgirl thing.
30:56Watch her come in here
30:58looking like that.
31:01Here comes my baby
31:05dragging my heart behind
31:07he's driving me crazy
31:10as he says ago.
31:12How do we prove
31:13the body isn't Greta, though?
31:15We need a plan.
31:17Why don't we have a plan?
31:18Well, I called
31:19Noctara Baroqueal House.
31:21The funeral's first thing.
31:23So her coffin
31:23won't have left home yet.
31:25Well, you can't go back there.
31:28I remember when I was a lad
31:30and I was a hard
31:32and we were back
31:33and there's a silver
31:34and a light
31:35and a free eye
31:35and every cloud
31:37and just four people
31:39that's all we were
31:40trying to make a living
31:41out of the black man third.
31:43We meet again, Inspector O'Neil.
31:46Here.
31:48Everything okay with your fit?
31:50Everything as much as it was
31:51when you last asked.
31:52Not five minutes ago.
31:54The manager makes a set.
31:56I don't actually care.
31:59Too many Dolly Partons
32:00if you ask me.
32:02Dolly Parton
32:03is one of the greatest artists
32:04ever they've graced this planet.
32:06A musical icon,
32:09storyteller,
32:10a philanthropist.
32:11I didn't mean...
32:14I like Dolly Parton.
32:16Mm-hmm.
32:23Such an interesting case.
32:26Where is she now?
32:27It's better if you don't know.
32:29You brought what I asked for.
32:31Uh-huh.
32:34And?
32:42Very good.
32:45It's better work, Booker.
32:48Oh, I don't think
32:48I appreciate your tone.
32:50I'm sorry.
32:52Address me like that again
32:53and you will be.
32:54It's just...
32:55I'm very...
32:56you.
32:57Hmm.
32:57Not for me.
32:59I'm a professional.
33:02Remember?
33:04Unless...
33:04we break in,
33:06steal the body,
33:06drive it somewhere
33:07and then dump it
33:07with like an anonymous note.
33:09Drive it or...
33:10I don't know,
33:11somewhere with a lab,
33:12somewhere they could do tests,
33:13like a hospital
33:14or university
33:15or...
33:15Oh, dentist.
33:16Yeah, that sounds
33:17like an awful lot of hassle.
33:18Darrell, what is all this shit?
33:20I grabbed some
33:21possible personal prices.
33:22I usually just see cash.
33:24What?
33:24A few fivers,
33:25a few tenners,
33:26a couple of twenties.
33:27Sorry, you wrap up cash
33:28for past the parcel.
33:28Kids love it.
33:30Darrah.
33:33Oh, Chris, look,
33:34just, just,
33:35just try to act normal.
33:37I thought it was you.
33:39Niamh.
33:40Oh, God.
33:42Well, you remember
33:43Robin and Circa?
33:45Of course, yeah.
33:48How have you been?
33:49Yeah, good.
33:51Yeah, you,
33:53you're in London now, here.
33:54Oh, really?
33:55Me too.
33:55You don't live in London.
33:57It was not there today.
33:58And now you're back here.
33:59Not now, girls.
34:01Is your mum
34:02keeping well?
34:03Yeah, she's good.
34:04She's got,
34:05she's got
34:06water aerobics
34:07tomorrow, so.
34:09Right.
34:12Congratulations
34:13on the whole,
34:14on the wedding,
34:15on the Mars thing.
34:16Thanks.
34:17Is she here?
34:18The wife,
34:19the old
34:20ball in shame.
34:22No,
34:23it's just a flying visit,
34:24really.
34:25Someone had to stay home
34:27and mind the baby.
34:29The baby?
34:31Hmm.
34:33Oh,
34:34there's the baby.
34:35That's,
34:36well done.
34:38Uh,
34:38Dara,
34:38Dara's just got a big,
34:40uh,
34:40promotion at work.
34:42Really?
34:42That's amazing.
34:43Yeah,
34:44and she's,
34:44uh,
34:45she's got her eye
34:45on a little place
34:46in France.
34:47My God.
34:49What an absolute dream.
34:50It certainly is that.
34:51And she's having lots of sex.
34:53Okay.
34:54Well,
34:55it was great to see.
34:59You too, Dara.
35:01Take care of yourself.
35:06Christ,
35:07she was always so far
35:08off her own home.
35:10Could we not?
35:10Because I want you around
35:13You can make me hope again
35:19Looking back on where we first lived
35:22I cannot escape
35:25And I cannot forget
35:27Baby,
35:29Oh,
35:31Let's think.
35:34What if we send a message?
35:36What?
35:37The body.
35:38What if we call someone?
35:39A newspaper.
35:41Tell them it's not Greta.
35:44Too easily dismissed.
35:46No.
35:47We need something
35:49that's gonna bring it
35:50right out into the open.
35:54I have an idea.
35:59Okay,
36:00you ready?
36:00Are we absolutely sure
36:01about the mask thing?
36:02The mask thing is brilliant.
36:03The mask thing is the best event.
36:05Can I at least be Ariel?
36:06No!
36:07You're Belle!
36:08Yeah, Belle.
36:09Belle's a dick.
36:11But she slags off her entire town
36:12like she's the only person
36:13who's ever read a book.
36:14Who are you again?
36:15Eeyore.
36:16So lucky Eeyore's class.
36:17I know.
36:18Okay,
36:19so we go in there,
36:20we do the thing
36:20and then we like it.
36:21We're back in the car
36:21before they know what's hit them.
36:22I have to say,
36:23it doesn't feel foolproof.
36:24Well,
36:25it was Dara's idea
36:25and she's the one
36:26who's just found out
36:27the love of her life
36:27has had a baby
36:28with someone else.
36:30Fair enough.
36:39Do not be alarmed!
36:40We come in peace!
36:41We mean you no harm!
36:42Shh!
36:58Oh, shit.
37:00¿Verdad?
37:07¿Verdad?
37:08¿Verdad, ¿verdad?
37:09No lo sé.
37:10No sabemos si, no sabemos si lo que hicimos en este momento
37:13si lo que hicimos fue un crimen de fide o algo así.
37:19¿Verdad?
37:21¿Verdad?
37:21Exacto.
37:22Además, y además,
37:24tenemos que esperar a otro de nuestros colegas
37:25estar en situ, como se dice.
37:29¿Jud quiero que tengan el señor?
37:30¿Será es el químpo de condenado?
37:31La bu
37:34¿Qué fue?
37:35¿Qué fue?
37:36Funeral, Greta, funeral, they moved it.
37:38Call the crematorium.
37:39The crematorium?
37:41He cremated the body.
37:43He knew what I saw.
37:45He knew he had to get rid of the body.
38:29I thought someone from the station should come and pay their respects.
38:34You're very thoughtful.
38:35Thank you.
38:36It was supposed to be a private service and family only.
38:40You understand?
38:43If I had known, I'd never have...
38:44I'm glad you did.
38:53It was for Maria.
38:55She was finding everything so...
39:00overwhelming.
39:02Of course.
39:04Of course, I get it.
39:16I'm so sorry.
39:18Please, take it.
39:27We weren't really sure what to do.
39:29I'm not surprised, lads.
39:30We thought it was Greta's funeral.
39:32How does that make it better, exactly?
39:34Let's get some statements.
39:35You.
39:36Come with me.
40:05Should I call my solicitor?
40:06Thanks, sir, Disney.
40:07Thanks, sir, Disney.
40:07Was this like a pact or something?
40:09What?
40:09You said you were all friends in school.
40:11Was this like a stupid prank you agreed to do if one of you died?
40:14Not really.
40:15Now, what's going on?
40:18If I tell you, you'll think I'm mad.
40:20That ship sailed, Saoirse.
40:22We're quite different in this environment.
40:24Take it all quite seriously, don't you?
40:26This is my job.
40:28I don't take my job seriously.
40:29You don't have a serious job.
40:32Can I ask you something?
40:34What?
40:34What happened to Greta when she died?
40:36Where did she go?
40:38In a spiritual sense.
40:40In a physical sense.
40:42Where did her body go?
40:44First unseen would have brought her here once they realised there was nothing else they could do.
40:47To the station?
40:48To the mark, yeah.
40:49Why?
40:49Were you working that night?
40:52Paul was on that night.
40:53One of the guards you just met.
40:55Did Paul know Greta?
40:57I don't think so, no.
40:59Why?
40:59Was anyone who knew Greta working that night?
41:01I'm not sure.
41:02Saoirse.
41:04What's all this really about?
41:11You can tell me.
41:25You were right.
41:26What?
41:27What you said about the pact, about the prank.
41:29That was it.
41:29That was right.
41:30So just like fine us or whatever.
41:32Saoirse.
41:35Can I go now?
41:40Or she can.
41:58All right, Greta.
41:59I just need a quick look at the lock there.
42:01Don't step on me, Floor.
42:02All right.
42:06I have to do this next.
42:08There's nobody in there.
42:09Sure there's not?
42:10No.
42:11All clear.
42:15My sister-in-law, she cleans for the medical institute in Limerick.
42:18She opened one of these things once and wasn't the fella inside, only still alive.
42:22Is that right?
42:25Here, let me give you a hand.
42:30I think there's something jamming it.
42:45All great as social media's gone.
42:48I noticed that.
42:49There's no trace of her at all.
42:51It's starting to feel like we imagined her or something.
42:56We didn't.
42:57What the hell is going on?
42:59I have no idea.
43:02But I have an 8-year-old's birthday party to organize, so...
43:06Excuse me.
43:08Can we get the bill, please?
43:08I have an 8-year-old's birthday party.
43:13I've got an 8-year-old's birthday party.
43:19I have an 8-year-old's birthday party.
43:39I feel it when you're with me
43:41It happens when you kiss me
43:44That rare and gentle feeling
43:47That I feel sad
43:50Hey, eh, the night
43:52Gretta O'Neill died
43:53That was supposed to be my shift, wasn't it?
43:56Before they were swapped around
43:58Yeah, what happened?
44:00The boss said you had done three nights the previous week
44:02So was Owen's idea
44:23Everyone's talking about what you did
44:25Right
44:26Everyone thinks it was fucking mental
44:28Okay, thank you for your feedback
44:31Can we just get the bill?
44:33Someone's already settled it
44:34What?
44:36Hmm?
44:38Oh, they were here a second ago
44:40Oh, wait
44:42So
44:43Oh, em
44:44Over there
44:46I'll see you later
45:15I'll see you later
45:18Love is like a butterfly
45:21A rare and gentle feeling
45:26Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
45:36oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
45:36oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
45:36oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
45:36oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
45:40oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
46:16¡Gracias por ver!
46:46¡Gracias por ver!
47:16¡Gracias por ver!
47:27¡Gracias por ver!
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