- 2 days ago
How To Get To Heaven From Belfast S01E05 [Full Movie] [Full Story]Full EP - Full
Category
🎥
Short filmTranscript
00:28Transcription by CastingWords
00:45CastingWords
01:03CastingWords
01:06CastingWords
01:15Oh, my God. She's done it.
01:18She's done it.
01:21My name's Margo. You did very well.
01:24You're a very clever girl.
01:27Someone don't hurt me.
01:29She thinks she's stupid.
01:30That's not true.
01:32He won't come now. He's never coming now.
01:36Who won't come?
01:37Tia!
01:39God.
01:42You don't think you're clever?
01:43He is a gangor ever to a vacant term.
01:46I said I knew you were watching.
01:50I'd like to keep working with this one.
01:53And the other child?
01:54Nothing I can do for the other child.
02:18What?
02:23Oh, my God.
02:26Oh, my God.
02:34Oh, my God.
03:05Oh, my God.
03:29My last woman, she threw a fridge out of window and we were like seven stories up. It was a
03:35whole thing.
03:37You're scared. I get it. This is a really shit, really stressful time for you. But things don't have to
03:44get all, you know, like Greek.
03:47Who the fuck are you?
03:52I'm Feeney. I'm your new best friend.
03:57You dropped me. You undressed me.
04:00Uh-uh. You're making it sound creepy.
04:03It is fucking creepy.
04:05Where are my...
04:05The clothes you had on? Gotta burn them, I'm afraid. Mostly because it's like procedure, but also, well, they're kind
04:13of horrific, babes.
04:15Oh, coffee's ready.
04:18I want to talk to Booker.
04:20Booker's gone, babes.
04:22When will she be back?
04:23He won't see Booker again. I take things from here.
04:26What?
04:29Look how cute these wee cubs are.
04:34I don't understand.
04:35If you have questions, when I land on the scene, everyone's full of this.
04:40I couldn't be dealing with that last night.
04:43So you stuck a syringe in my neck.
04:45I'm going to move on from the syringe thing, babes.
04:47It was late. You needed some sleep.
04:50I had shit to do. I made an executive decision.
04:54Now, will you please just sit down and have some coffee and a wee, tiny, gold cup?
05:03Why should I trust you?
05:09Because there's no one else here.
05:14Yeah, but we are 100% not making it all this late in life.
05:17What exactly is she going to do to us when I can find space for loads of witnesses?
05:21She seems to really want that box.
05:23So as long as we have...
05:24Hang on, where is that box?
05:25I'm sorry, ladies.
05:27Your overhead locker's a little stuffed.
05:35The box is in that bag, isn't it?
05:37It is, yeah.
05:38Fuck's sake!
05:41Linda, what are you doing, lovely?
05:44The locker was over capacity.
05:46Did it close?
05:47Yes.
05:47Then it's fine.
05:49Drinks Cholly.
05:50Now.
05:53Sorry about that.
05:54These agency stand-ins are always messing with procedure.
05:57Actually, can I just grab something out of that really quick?
06:01It's...
06:04It's our mother's ashes.
06:06Yeah, yeah, of course, lovely.
06:14Right.
06:16Let's get you three a drink.
06:17Linda!
06:18Linda!
06:25We'll be right back to it.
07:09Hey, Saoirse, it's me, eh, Liam.
07:12Excuse the voice note, I didn't want to call in case you were working on it, yeah?
07:17I said that too soon. I never know if I should delete and start again when that happens or if
07:21that looks a bit...
07:24Sorry I did it again there. I think maybe I just have really big fingers.
07:30Anyway, look, so I spoke to Margot. She didn't know anything about Jodie for it, or so she says,
07:35but she did tell me something which was a bit...
07:38I don't believe this.
07:40Me again.
07:41Anyway, I spoke to Margot.
07:43So, she told me when she was pregnant she was reading this book.
07:45The author was a psychiatrist she admired.
07:48Greta Gankala.
07:49So she, Margot that is, she decided she'd name her child after her.
07:53But here's the thing.
07:56Jesus Christ.
07:57Sorry, here's the thing.
07:59This woman should only publish one book and it was written more than a decade after Greta was born.
08:03So that can't be right, can it?
08:05I'm not really sure what it means, but...
08:07How the fuck have you done that again?
08:11Maybe just give me a call back, sure.
08:14Ladies and gentlemen, we'll shortly be starting our descent into Dublin Airport.
08:17Please fasten your seatbelts and place your seat...
08:21Excuse me.
08:27Right, let's do this.
08:28Ready?
08:30No.
08:30No.
08:31Great.
08:36Why would we scatter her in the sea?
08:39Sure, she hated getting her hair wet.
08:40I would, you know what she hated.
08:42You never saw her.
08:44You moved to London and forgot about us.
08:46She wanted scattered in the big pre-mark.
08:48She loved it.
08:49There was her happy place.
08:50I'm going to have to ask you all to take it down a notch for me, girls.
08:53I can deal with this if you want to let the pilot know what's going on.
08:55Well, sure, I'll open the door to the cockpit now.
08:57Who the hell trained you, Linda?
08:59Al-Qaeda.
09:00You always gave her bad advice.
09:01Seatbelt.
09:01No.
09:02Well, you were always ripping the back out of me.
09:04Get back down.
09:05Well, current for her was the worst decision you ever made.
09:08It only exacerbated your avoidant personality and gave you an excuse to never put yourself
09:12out there and live your own life for fear of rejection.
09:14Get in.
09:17So, so, so skinless.
09:22Woo!
09:25You know you want to get in with her.
09:29We're not drunk.
09:30Not really.
09:31We were acting.
09:32It was an act.
09:33Girl, if you are going to subject us to any kind of breathalyzer type scenario, I should
09:37say I've had a few proseccals.
09:39That woman was trying to kill us.
09:40She's a psychopath.
09:40She locked us in a boat.
09:42A big boat.
09:42She blew it up.
09:43She blew that big boat.
09:44Oh, plan.
09:44If it wasn't for Dara's banana, we'd all be standing here dead now.
09:47Impersonating a member of cabin crew staff.
09:49She did not know what she was doing during that safety demonstration.
09:52Where's the real Linda?
09:53That's what I want to know.
09:54You have to help us.
09:57On you go.
09:59Okay, then.
10:00Well, thanks for listening, lads.
10:09Shit.
10:10Look.
10:14Okay, we have to go now.
10:16Without our bags.
10:17No chance.
10:18I brought a Max Mara bikini that cost me 300 quid.
10:21Well, I'm sorry, Robin.
10:22That is actually immoral.
10:23Absolutely cracker looking on me is what it is.
10:29Okay.
10:30Okay.
10:31All right.
10:37Come on.
10:48Hello.
10:50All right, lads.
10:52Thank you, driver.
10:54All right.
10:55All right.
11:19This person who called this woman, she said Greta knew your father?
11:25That she knew something about his disappearance, yes.
11:29But the caller, they didn't identify themselves?
11:31No.
11:32And that was the only time they contacted me.
11:34What day did you receive this call?
11:35The night of this month.
11:41Did they, Greta died?
11:42I've since learned this year?
11:44I've since learned this year.
11:44I've since learned as much, yes.
11:46That was strange.
11:50So did your wife ever mention my father?
11:53Or talk about having any dealings with a journalist?
11:55No, never.
11:56Would have been a long time ago.
11:57She didn't mention anything.
12:00well she she would have been a teenager when he went missing around the same age as your daughter
12:06perhaps my daughter yes what do you know about my daughter well i i tried your house you went in
12:14but she was and i briefly leave my daughter out of this sorry i mean whatever this is you leave
12:19my daughter no i didn't even speak to her mother has just died my wife has just died i didn't
12:24i
12:24and you come in here with this insane story it's not a story inspector o'neill it's a fact
12:34someone did call me and someone gave me your wife's name
12:48i don't have time for this
12:55i understand i apologize sir it's not the right time perhaps
13:04i can wait
13:17yeah
13:20anything i can help with no
13:24no it's it's fine
13:46maybe it's time we talk to the guards maybe we should just tell them everything yeah but you
13:58phone's worked oh she's like my key oh robin's works for fuck's sake jim i don't remember his
14:05number why's jim ringing me i don't know robin me because he's your husband and the father of your
14:09children hiya love how's things great chef all under control here
14:16how is portugal hey baby let the free birds lie
14:20yeah a lot of a lot of irish here
14:24in the name of i've got to go deal with this riot
14:27we need to focus girls okay what do we actually know what are the facts okay so we know that
14:31this
14:32thing belongs to jody we know that jody and gretta grew up together we know that they were connected
14:36what was the name of that town again uh come on tashban tashban that's right why are you talking
14:42about narnia what tashban it's from the chronicles of narnia yeah jack's reading it forgot how messed
14:49up it is that lion is a freaking nurse i i i i gotta go love okay right bye bye
14:55bye bye yeah love you bye
15:00jesus christ jesus christ he was right what are you talking about yeah they couldn't have come from
15:07tashban because tashban doesn't actually exist girls every single thing she told us was a lie
15:28and with that it's goodbye jody perfect a passport pick is everyone on their best day
15:35it looks great like this by the way babes if i do say so myself the truth is you don't
15:40have to do that
15:41much what's that thing they say about lying a good lie stays close to the truth like with your name
15:49i always think it's best to go for something that sounds similar that way when someone calls you or
15:55you have to sign something it's less of a leap like psychologically so i'm thinking
16:01grania grania i think it's itchy babes i honestly do you
16:06grania it's like an echo of the person you once were
16:10i like that like a ghost of yourself that's actually quite profound that's me babes
16:17now the surname we have less freedomless we have to work off a list that's been cleared
16:22what i must have left it upstairs let me run and grab it
16:28gotta take the hardware with me i'm afraid babes it's not that i don't trust you it's just better
16:35safe than sorry type thing and i've been stung before people are like i just want to talk to my
16:41mother or sister or son or springer fucking spaniel just once just do you hear their voice
16:50like i get it babes but now you've thrown the whole operation and i'm starting to decide
16:55with whoever it is the one she did
16:59you're on the other side of things now i guess
17:01what's that well earlier you said that you were evaporated too
17:08oh right yeah but i was so young how young 13.
17:17yeah my parents they were both god i still help them find a better way of putting this like
17:27like they were kind of murdered babes i'm so sorry you don't need to know all the details
17:34trust me it will kill the crack overnight my environment became well not the safest
17:43and bicker heard what happened and she decided to help me
17:50bicker saved me i owe her everything i guess that's why i'm here doing what i do
18:01that's something else we have in common
18:05what is well you were young too when that marco woman stepped up i mean
18:16you know about that you know what happened with my mother we know everything babes
18:21you know what happened with my mother we know what i'm doing
18:42i'm
18:44i'm
18:44i'm
18:49i'm
18:58Cheers, Rob!
19:00You go kick the shit out of those doorway packers!
19:03Yeah!
19:09It's all St. Patrick's Theatre, soops.
19:28For fuck's sake, I'm not even wearing green.
19:31It's supposed to bring you bad luck.
19:34Think of it already.
19:35Yes.
19:41Run!
20:10Let's go!
20:11Let's go!
20:27She's grand!
20:34She's here.
20:36Why does she do that?
20:41Hey!
20:59Thanks.
21:00Sure you take one more?
21:01I'm grand.
21:02That's not very Irish, are you?
21:04That's quite offensive.
21:05He's no crack.
21:07Don't say crack.
21:08Sorry.
21:09Great man, St. Patrick.
21:10Single-handedly drove the English out of Ireland, you know.
21:14No, wait.
21:15Not the English.
21:16Snakes.
21:18Wait you now, Donald.
21:19You're quite upbeat for a fellow with a missing dad.
21:22He went missing when I was a baby.
21:24Settled into it.
21:29Would you like a straw?
21:31Do you think I could ask one?
21:32Do you think I could ask one?
21:32No.
21:37So, why all of these questions about my meeting with your boss?
21:40Just curiosity, really.
21:43Okay, well...
21:44I don't trust him.
21:47Really?
21:50I've seen you before.
21:52Sorry?
21:53I called at Owen's house yesterday.
21:55I walked there.
21:56I, uh...
21:56I saw him lead you out.
21:58Saw you get in your car and drive away.
22:00You didn't see me.
22:01Neither did he.
22:03But...
22:03Anyway.
22:05When I reached the door,
22:06there's no answer.
22:08For some reason, he didn't want to speak to me.
22:11Why don't you trust him?
22:12What makes you think I don't trust him?
22:14The fact that you're sitting here.
22:18All right, fine.
22:19In the meantime, let me show you this.
22:22So, these are my father's old notebooks.
22:26I've, uh, been trying to decode them.
22:29Decode?
22:29Yeah, he interviewed paramilitary members, intelligence agents.
22:32When you said he was a journalist, he was an actual journalist.
22:35So, a few times, he talks about what I thought was something like
22:38sad girl or mournful woman.
22:41But then I found out that the school that Greta attended
22:43was called Our Lady of the Sorrows.
22:48You don't know there are probably a hundred skills in Ireland
22:50with that name.
22:51Yes.
22:52But then there's this.
22:55What does it mean?
22:57No idea.
22:58It feels religious.
23:00That's my instinct.
23:01Anyway.
23:04I, uh, went to Greta's old school for a look.
23:07And there's this whole area of the grounds
23:09that's just sort of abandoned now.
23:11And there's an old caretaker's cottage.
23:15This isn't all just a coincidence.
23:19Greta O'Neill was connected to my father.
23:24How did you find out that was Greta's old school?
23:26Oh, well, when I spoke to her friends, they mentioned it.
23:29And Greta, well, she'd have still been there the year that my father disappeared.
23:35Did you say you spoke to her friends?
23:39Hey, Saoirse.
23:41So, uh, I just had a chat with Andrew.
23:44You remember Andrew?
23:45English lad.
23:46He, uh, spoke to you about the fact that his father disappeared,
23:49about how he thinks Greta was involved.
23:50Now, here's what I'm wondering.
23:53I'm wondering why you didn't mention any of this.
23:55I want you to call me back.
23:56I want you to tell me what the hell is going on here.
23:59It's okay. I'm coming to Belfast.
24:01See you at the studio.
24:27If this is how it ends.
24:30If I die today.
24:35Then I want my conscience to be clear.
24:38You're not dying, Saoirse.
24:41My head is banging.
24:42I might have some painkillers in my bum bag.
24:45Okay.
24:45At some point, we need to address the fact that you've started wearing a bum bag.
24:50Now, these are mums.
24:51They're prescription only.
24:53And they are really strong.
24:55Class.
24:55We need backup.
24:56I'm calling Jim.
24:57What's Jim going to do to that male bitch?
24:59I'll have Jim for breakfast.
25:01How's it going?
25:02You've reached Jim's phone.
25:03Where the hell is he?
25:06He's gone out.
25:07Who the hell does he think he is?
25:10Wait, you're tracking Jim.
25:11Obviously.
25:11I haven't trusted him since the whole affair thing.
25:14There was no fucking affair thing.
25:17Shit, she's tracking us.
25:21She's tagged us somehow.
25:22Why?
25:23It could be on her clothes, in her hair.
25:26You know what that means.
25:27In her hair?
25:29She's on her way here.
25:42Robin, stay beside that door.
25:44I don't want a priest walking in here and seeing my Fandango.
25:47What's your Fandango doing out?
25:48Can everybody just keep their Fandangos under wraps, please?
25:55Shh.
25:56What's up?
26:14Grab a weapon, quick.
26:15Oh, come on, come on, come on, come on, come on, come on, come on, come on, come on, are
26:28we ready for a fucking exorcism, maybe?
26:34She, girls, is she playing at night?
26:47Moving on to seat 32A, let's have cast on set in five minutes, please.
27:13Excuse me.
27:14Yeah, I'm going to have to see the brain.
27:15Excuse me.
27:16Scene 32A, crucial, people, crucial.
27:19So, I'm not sure if you remember me.
27:23Cop, I remember.
27:24I'm looking for Saoirse.
27:26I bet.
27:28Why would I know where she is?
27:29Well, because you work together and also aren't you engaged?
27:33Well, I'm sure you've seen a lot more of her than me recently.
27:36What?
27:37You think I don't know what's going on?
27:41There's nothing going on.
27:42Look, I don't mind.
27:43You don't mind?
27:44I'd just like to be involved.
27:49Involved.
27:49I think you'll find I have a lot to offer in that department.
27:52Okay.
27:53Well, you genuinely don't know what you're talking about.
27:55And I'm kind of afraid to ask.
27:57Oh, come off here.
27:59It explains why she's been AWOL for days.
28:01What does?
28:02She's storylining season five and you're helping with research.
28:06Oh.
28:07No.
28:08Pushing me out.
28:09Again.
28:10So much for TV being collaborative.
28:12Listen, boss.
28:13Um, why are you in the wrong uniform?
28:14No, he's a guard.
28:15We're shooting those scenes next week.
28:16That's all location.
28:17Costume.
28:18Yeah.
28:18This Egypt's in the wrong uniform.
28:19No, he's not.
28:20I'm not an actor.
28:21I'm a real person.
28:21Oh, and actors aren't real people?
28:23He's an actual guard, okay?
28:24He's helping Saoirse's storyline season five.
28:26Really?
28:27We're going to have to swap out scene 15.
28:28This friend's not stopping any time soon.
28:30Oh, no.
28:30Could you just have her call me?
28:32Mm.
28:32Seb, darling, my car's here.
28:33Taking that god-awful tele-interview.
28:36Love you, darling.
28:37What's 15 again?
28:38Exterior school.
28:39Burying of the body.
28:41Okay, fine.
28:44Hey, eh, sorry.
28:46Do you have a script?
28:49Can we get a move on, people?
28:56What is she playing at?
28:58She knows we're in here.
29:02Sanctuary law.
29:04She is obeying our right to claim sanctuary.
29:07So long as we're in here, she won't touch us.
29:09So why the fuck would we leave?
29:28Hello.
29:29I just want the box.
29:32You've been swept up on something you deserve no part of.
29:37I don't want to hurt you.
29:38She tried to kill us.
29:39The boat?
29:40That was a warning.
29:42If I really wanted you dead, you would be.
29:45I just want the box.
29:48Why?
29:50What's in it?
29:51What's all this got to do with Greta?
29:54Knowing that will infect you like a disease.
29:57A fatal one.
29:59All you have to do is come out here and hand me the box.
30:08Do that, and I promise, you will never see me again.
30:15After a while, you'll begin to question if any of this actually even happened.
30:21If I ever actually existed,
30:27what will it be?
30:45Let me do it.
30:57Go to Schitt directory.
31:00Let's do it.
31:02Bye.
31:03Bye.
31:06Bye.
31:07Bye.
31:08Bye.
31:09Bye.
31:10Bye.
31:12Bye.
31:13Bye.
31:14Bye.
31:16Bye.
31:28Why didn't you come inside?
31:30I don't do business in Gord's house.
31:35I don't trust him.
31:37I see.
31:42Well.
31:46We don't make deals with the devil.
32:00That's so cute.
32:02We chart a shop number.
32:04You gotta get the balance right with this stuff.
32:07It's more time consuming,
32:09but everything that's young can't be brand new.
32:11Sorry, I'll sort the basics.
32:13Because they haven't told me where you're going yet.
32:16So, I don't know what conditions we're dealing with.
32:19Will you travel with me?
32:21They'll send the midwife.
32:22The what?
32:23She delivers you to your new life.
32:26When?
32:28Soon.
32:29Too soon.
32:29It was my understanding that when I'm settled to my daughter,
32:32she could join me.
32:33Oh, come on, babes.
32:35I get that there's a lot to do.
32:37Well, that's one way to put it.
32:38I thought if I could get a sense of...
32:39You're giving me cause for concern here, babes.
32:42You're concerning me.
32:44I'm concerned...
32:45You don't need to be.
32:46A time frame.
32:47Just roughly.
32:47This is a very delicate procedure.
32:50I get that.
32:51With no guarantees.
32:53But if everything goes to plan...
32:53With no guarantees.
32:57She's my daughter.
32:59And she thinks I'm dead.
33:03What is in her best interests?
33:12You'll be okay.
33:15Will I?
33:16Some people are about to survive.
33:22That's what Bicker told me when my parents died.
33:26She said...
33:27She knew I was deafening because I cleaned it all up.
33:32Most adults couldn't have managed that, she said.
33:37Cleaned what up?
33:38The mess, babes.
33:41There was such a terrible mess.
33:43They were stabbed, you see.
33:47Thirteen times between them.
33:50Oh, my God.
33:53It's fine, honestly.
33:56They wouldn't have known anything about it.
33:59What do you mean?
34:02They were fast asleep.
34:09Thirteen times.
34:12I'll win for every miserable year.
34:16Well, I don't look so shocked.
34:19You recognize that in me.
34:21I saw it in you two.
34:23Before I'd read a word.
34:26It takes one to know one, doesn't it, babes?
34:33You'll be okay.
34:36You'll survive.
34:38People like us always do.
34:46She shouldn't have called us at that.
34:48Yeah, all right, love.
34:49You okay?
34:58Exactly what part of the plan were you unclear on, Dara?
35:00I'm telling you, it was chilling.
35:02I was standing there, looking her right in the eyes, and it was like she had no soul.
35:07It was like you're in the presence of evil.
35:10Actual evil.
35:11How might someone like that react to you, bashing her face in, I wonder?
35:14She was never going to let us walk away, Robin.
35:16She was lying.
35:18What's this cue for, exactly?
35:20No idea.
35:21But I'm thinking, if we're hiding behind lots of people, she'll have to kill them first.
35:25Jesus, Robin.
35:26Even I think that's dark, Robin, and I'm morally quite sketchy, like I work on television.
35:30Oh, speaking of which, Seb's been trying to get you.
35:34He wants to know how many scripts to give Liam now that he's a consultant.
35:37What the fuck is he asking for scripts?
35:39I'll need them if he's a consultant.
35:40He's not a consultant, Dara.
35:43What is going on here?
35:45I'll go easy on those.
35:47Tickets?
35:48For what?
35:49The Late Late Show.
35:50Oh, my God.
35:52The Late Late Show.
35:53I love Patrick Hilty.
35:55I love Patrick Hilty.
35:58Oh, yeah.
36:00I mean, I suppose he's good at what he does.
36:02I just don't get what all the fuss is.
36:05Fine.
36:05I love Patrick Hilty.
36:07Jesus.
36:09She can't kill us on live TV.
36:13Okay, can you guys move us out, please?
36:16We don't have tickets because these are the competition numbers.
36:19What are you talking about?
36:21She'll be on your list.
36:22Jesus, I emailed about this yesterday.
36:24What list are you working from?
36:27Who put you in the door?
36:28Cara.
36:29Oh, typical.
36:30Aye.
36:31Well, tell me that you at least have some high seats back.
36:34Yeah, of course.
36:35Always.
36:35Right.
36:35So, shall we?
36:37Mmm.
36:39Tickets.
36:40Seen a lot of 30 Rocks.
36:43But if you have yet to watch one episode of my show,
36:46the show's not funny.
36:47How would you know?
36:49We're just down the end there.
36:50Sorry, thanks.
36:51Thank you very much.
36:52We're just down the end there.
36:56We'll be back.
37:00We'll be back.
37:01We'll be back.
37:01Oh
37:47Would you ever turn that bollocks off
38:00Also on the show tonight he went viral this week when he rescued a blind sheep stuck in the mud
38:06Halfway up the Wicklow Mountains and carried it down on his back to safety
38:11His name is Sean O'Kelly
38:13Ah, good man yourself, Sean
38:15What a strange show
38:20She plays detective Emma Fierce in the smash hit multi-award winning television series Murder Code
38:26Let's have a huge welcome for the one and only Marnie Mullins
38:34You're shitting me
38:36Isn't that those three Belfast digits we questioned
38:39God, I think you're right
38:41Are you sure?
38:42Sure, I'm sure
38:44I'd recognise you're one anywhere
38:45This thing's still alive, right?
38:47Oh, God, yeah
38:48She cannot quack it
38:49Now, the show has such a huge following, shall we all love a bit of Murder Code?
38:55Yeah
38:57When you first read the scripts, did you know it was going to be such a massive hit?
39:00Do you know what, Paddy?
39:01Here we go
39:02No
39:03I actually struggled to see what the big deal was, but then I realised it was the audience's attachment to
39:10my character, Emma
39:12My character, Emma
39:14That was the big pull
39:15So I made a few suggestions
39:16Which I ignored
39:17To make her relatable
39:19And the scripts were definitely elevated after that
39:24I mean, we did a lot of work on them
39:25We
39:25And after all that, I think we knew we'd made something truly special
39:30Well, special is right
39:31I mean, what was it, something like 10 million viewers tuned in to see you catch the elusive career killer
39:39in your own home?
39:41Actually, actually, a lot of that scene was improvised
39:46That is it
39:48That is it
39:53Oh my God
39:56That's our writer, Saoirse Shaw
39:59Surprise
40:00Saoirse Shaw, writer of Murder Code
40:04Ladies and gentlemen, let's get her down here
40:07Thank you
40:17Look, look, Mummy's on TV, she really is
40:20Our lads, will you stop, your mum's in Portugal
40:29So, Saoirse
40:30Patrick, Katie
40:32Paddy, Patrick, Paddy, Katie
40:34PK, Paddy, Mr. Paddy
40:35You take a breath
40:36Yes
40:38Jesus
40:39Jesus
40:40So, tell us, tell us this
40:42Where do you get your inspiration?
40:43All these complicated plots and twists and turns
40:47I guess lots of things inspire me
40:52Books
40:53Yeah, look, Seb, just calm down
40:55I'm just loading up now, give me a second
40:58Yeah, got it
41:00Films
41:01News stories
41:04History
41:06Oh, what the fuck is she doing?
41:09How many of those bloody pills did she take?
41:12Oh, for God's sake
41:13Sort of meant about things that happen in real life
41:16Even
41:18Let's talk about that
41:20Talk about
41:20Give us an example
41:21Well
41:24Oh, maybe I shouldn't say that
41:26Go on, I don't be a tease
41:31When we were young, my friends and I, we did this pretty terrible thing
41:37But only because we were trying to protect someone
41:43Go on
41:43Oh, I get in trouble here
41:45Sure, isn't that what live TV is for?
41:47Yeah
41:50I think this is a bad idea, Patrick Hilty
41:53Tell us
41:55Tell us
41:58Tell us
41:59Tell us
42:00Tell us
42:01Tell us
42:02Tell us
42:03Tell us
42:03Tell us
42:03Tell us
42:04Tell us
42:04Tell us
42:04Tell us
42:05Tell us
42:05Well, turns out the person we were trying to protect, she was
42:10lying
42:13so now we've done this terrible thing
42:15but we don't even
42:16we don't even know why
42:18if this were murder code
42:19and you were Emma
42:21I mean what would you do
42:25well I suppose
42:27well I suppose
42:29Emma would realise that she's
42:31overlooked something
42:34small something that she
42:35initially thought was
42:37insignificant
42:40but it turns out
42:43that it was the key
42:44to unlocking the
42:46case
42:48the key to unlocking the box
42:52she had it all along
42:54I had it all
42:56she already knew the answer
42:58I already know
42:59of course you do
43:02you've seen it
43:03where have you seen it
43:05I don't know
43:12think
43:12I don't remember
43:15I can't remember
43:15picture
43:16picture
43:17picture
43:18a painting
43:19a painting
43:20picture
43:27I've got it
43:29paddy it was actually
43:30pretty challenging shoot
43:32I assume
43:32I had these sort of panic attacks
43:34but I had someone talk to me
43:35I really must get her some media training
43:37back at five
43:38don't go anywhere now
43:39roll it there
43:47I think I saw Patrick
43:49I think I solved it
44:04we solved it
44:06me and Patrick
44:08I love Patrick
44:11we already saw the answer
44:19we had it right in front of us
44:23what
44:24the symbol
44:25in Portugal
44:26did you take a picture
44:29wait
44:36was there a number on it
44:38yes
44:39yes there was a number
44:40it's a date
44:41I'll call it out
44:42um
44:43two five
44:44zero one
44:45nine seven
45:03oh my god
45:20what happened to her
45:35what the hell is going on here girls
45:37it's actually quite difficult to know where to start
45:40Charles Sampson
45:42start there
45:43what do you know about Charles Sampson
45:45watch out
45:52holy shit
45:53step out of the car
46:23what do you want
46:26what do you want
46:37you
46:37drink
46:41mate
46:57you
46:58you keep going
46:58I tell you to stop
47:17let's get started
47:17what do you want
47:25to stop
47:25if
47:25you
47:25you
47:25you
47:28you
Comments