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Dummy.2026.540p.X265.AAC [Full Movie] [Must See]Full EP - Full
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00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:01:52Oh, you suck!
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So Chucklehead.
00:02:13This is so agey.
00:02:14How do cats stop a VCR?
00:02:17I don't know Archibald.
00:02:19How does a cat stop a VCR?
00:02:22It hits the pause button.
00:02:25I bet that thing has more of a brain left than this old man.
00:02:27Yes, I got it.
00:02:29And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:34Dead?
00:02:36Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Are those jokes from the Stone Age or what?
00:02:57That's not nice.
00:02:58Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um.
00:03:36Hey, dummy.
00:03:37Say something.
00:03:42Um.
00:03:44Yes.
00:03:45Well.
00:03:46Ladies and gentlemen.
00:03:48As they say in showbiz.
00:03:50That's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:57Good night.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20You too.
00:04:51Let's dance.
00:04:53Beautiful.
00:06:27Oh, hello, Archibald. How'd your final performance go?
00:06:33As predicted.
00:06:35Oh, don't look so glum. Now you can move on to new and exciting things.
00:06:40Showbiz is all I know.
00:06:42Did you know my family started in vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908. Our family even toured with Barnum Bailey. That's how I got Chucklehead here.
00:06:56Oh, well, maybe it's time that you and that thing take a break.
00:07:02Chucklehead? Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left. The last of my kind. It's just him and me now.
00:07:17You seem very depressed. I'm sorry. Look, everything will be fine. Be thankful that you can retire. I'll never be
00:07:29able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat? The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more. Good night.
00:07:50Good night.
00:08:24Good night.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight? Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:45Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good. We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10About four, maybe. I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it. You dated her in high school.
00:10:19And you took her to the prom.
00:10:21Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to, she's after me.
00:10:32She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chump.
00:10:39She realized what a mistake she probably made.
00:10:43Right?
00:10:44He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal.
00:10:50He's got money, so what?
00:10:52Yeah, look, so what?
00:10:54Let's just enjoy the time we have away from our crazy life.
00:10:58These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat?
00:11:30We wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi, guys.
00:11:52What can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:12:01Oh, there you are.
00:12:03Room 203.
00:12:04Maybe the rest of our classmates are here, too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:11It's here at the high school.
00:12:12Hmm.
00:12:13Well, no one else has checked in and mentioned it,
00:12:16but then I live outside of town,
00:12:17so I don't know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Just two.
00:12:25Well, they must be at the other hotel, then.
00:12:28Hmm.
00:12:28How big was your graduating class?
00:12:31Around 128 kids.
00:12:33Hmm.
00:12:34Well, maybe it's only the three of you, then.
00:12:37Here.
00:12:37Here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:44Breakfast is at 8.30,
00:12:45lunch at noon,
00:12:46and dinner is at 5 sharp.
00:12:48We'll see you at lunch, then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:13:09It'd be odd if you were the only ones here.
00:13:25Hey, you know,
00:13:27this isn't half bad.
00:13:30Very Term of the Fentry charm.
00:13:34I'm starved.
00:13:35I'm starved.
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich
00:14:22and a glass of water.
00:14:25I'll try the chicken and biscuits
00:14:26and a Coke as well.
00:14:28You got it.
00:14:29I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist.
00:14:39I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:45Can't be too famous
00:14:46if he's hanging around this town.
00:14:48Excuse me, sir.
00:14:50Are you Archibald the Great?
00:14:54Why, yes.
00:14:56Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:02Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes.
00:15:20I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:26I can't believe you don't have your own reality TV show.
00:15:29Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool.
00:15:37Would you mind if I asked you for an autograph?
00:15:40I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you,
00:15:53but we must be going.
00:15:55Take care.
00:16:07Thanks again.
00:16:14How cool was that?
00:16:17Swell.
00:16:19Has-ben Entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:40Archibald, I have your fresh towels.
00:16:44Where is that weirdo?
00:16:46I'm keying in.
00:17:00Fuck you.
00:17:05Fuck you.
00:17:07Fuck you.
00:17:14Fuck you.
00:17:18that was damn good listen we're eating dinner at the reunion you ate so much you're not even
00:17:27going to be hungry look these things go into the night plenty of time to eat and for other things
00:17:34too please don't tell us you think you're scoring with maggie tonight who knows dream along with me
00:17:44are you guys ready isn't it a bit early the time did you say this thing started before 30 but
00:17:51i
00:17:51thought we'd get there ahead of time so we could get a good table who's paying
00:18:12have fun tonight you can bet on it
00:18:22may i please ask not to be disturbed tonight sure thing thanks
00:18:34so
00:18:59hey why don't we walk it's only a few blocks away
00:19:02because i'm not carrying your drunk ass home tonight
00:19:05good point
00:19:09so
00:19:13Let's go.
00:19:40Let's go.
00:20:13Maybe we'll see one another soon.
00:20:45Let's go.
00:21:10Let's go.
00:21:13Let's go.
00:21:14Let's go.
00:21:14Let's go.
00:21:15Let's go.
00:21:16Let's go.
00:21:16Let's go.
00:21:16Let's go.
00:21:17Let's go.
00:21:50Let's go.
00:21:53Let's go.
00:21:54Go check it out.
00:21:55Alright.
00:21:56Let's go.
00:22:00Let's go.
00:22:02Let's go.
00:22:03Let's go.
00:22:07Let's go.
00:22:14Let's go.
00:22:31Let's go.
00:22:51Let's go.
00:22:56Let's go.
00:22:58Let's go.
00:23:07Let's go.
00:23:10Let's go.
00:23:11Let's go.
00:23:12Let's go.
00:23:13Let's go.
00:23:29Let's go.
00:23:30What do you got?
00:23:39Hey! Hey!
00:23:42What are you doing?
00:23:47I'm sorry.
00:24:03Thank you so much.
00:24:44I don't know.
00:25:15Hey, that was quick.
00:25:19Jane Bat gave us the wrong date.
00:25:22It's next week, not this week.
00:25:35Ooh, they don't seem too happy.
00:25:37It was an honest mistake.
00:25:39Well, buy them dinner tonight and they'll forgive you.
00:25:42Yeah, I'm going to have to do something.
00:25:43I'm going to have to do something.
00:26:43I'm going to have to do something.
00:27:01What the hell?
00:27:31I'm going to have to do something.
00:27:53Look, I said I was sorry.
00:27:55I made a mistake.
00:27:57I had the wrong date.
00:27:59I'll make it up to you, I promise.
00:28:01How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:09$200 a slot at the casino?
00:28:12All right, all right, all right, you're getting a bit carried away.
00:28:16How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:28Come on.
00:28:30Come on.
00:28:34Come on.
00:28:52Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:32Dinner for three?
00:30:00I don't know.
00:30:08I don't know.
00:30:33I don't know.
00:30:46I don't know.
00:30:47I don't know.
00:30:52I don't know.
00:31:06I don't know.
00:31:08I don't know.
00:31:10I don't know.
00:31:21I don't know.
00:31:25I don't know.
00:31:27I don't know.
00:31:38I don't know.
00:31:39I don't know.
00:31:40Oh, look.
00:31:42A butterfly.
00:31:45Reginald, please.
00:31:46This is important research.
00:31:49Important?
00:31:50But butterflies are important.
00:31:53They're like...
00:31:54flying flowers.
00:31:57This voice, a low and resonant timbre, seems to emanate from a place beyond the stage.
00:32:06It's a performance that transcends mere ventriloquism, entering into the realm of theatrical possession.
00:32:15Which...
00:32:27Where the hell is that waitstaff person?
00:32:37Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:58He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:07Odd.
00:33:07But probably wealthy.
00:33:10You can only be so lucky.
00:33:12When he sat down next to us, I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance.
00:33:22I'm sure it was an emotional couple hours for him.
00:33:26It's a lot for one person to deal with.
00:33:29Especially an entertainer.
00:33:30They're used to being a center of attention.
00:33:35It's a lot to have to deal with.
00:33:37Still, stop playing psychologist and go back to your video game.
00:33:43Striking out all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:00Good night.
00:34:02Good night.
00:34:12Good night.
00:34:14Hello.
00:34:15Bassinet Inn.
00:34:15How can I help you?
00:34:21Okay.
00:34:21Let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes.
00:34:28We have availability on the 15th and 16th.
00:34:32Okay.
00:34:32How would you like to pay for that?
00:34:35Credit card?
00:34:35May I have the credit card number, please?
00:34:41Okay.
00:34:43And an email address, please?
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:54And we'll see you soon.
00:35:01I go in.
00:35:14You're going to come.
00:35:20You're going to be taking my nikki.
00:35:20You're going to be a divorce.
00:35:20You're going to be a divorce.
00:35:33Alistair and Molesmo is a variable question
00:35:37take on the intellectual ventriloquist act.
00:35:42Alistair is like his father.
00:35:45Measured, composed, always in control.
00:35:50You know, guys, I miss high school.
00:35:54Do you?
00:35:54I don't miss it at all.
00:35:57All the clicks and pettiness.
00:35:59Life's better on the outside.
00:36:01Yeah, make it sound like jail.
00:36:03It was.
00:36:04Just legalized.
00:36:06How about you, Trey?
00:36:08Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh, yeah, Maggie.
00:36:15She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I got slugged a few times.
00:36:23But I always hit back.
00:36:25Remember George Watson and his gang?
00:36:27Sure do.
00:36:28You mopped his ass up in the cafeteria that day.
00:36:32And his posse.
00:36:33Their reputation got ruined and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism, which these days is just
00:36:46prop comedy.
00:36:48Oh, look.
00:36:48There's our friend.
00:36:51Yeah, I saw him about a minute ago down the hallway.
00:36:54Wasn't looking too good.
00:36:55Yeah, he's probably just tired.
00:36:57Talking through someone else, like having a dummy or a puppet speak for you, more often is a symptom of
00:37:02mental illness in adults.
00:37:04Sometimes it's a reaction to something like social anxiety.
00:37:07Some people act one way because that's how they feel they're expected to act or because they're too scared to
00:37:11be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like disassociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself.
00:37:34And Wesker created the Scarface dummy so that could look and play the part more.
00:37:38So talking through someone else usually is a sign that it's time to seek some professional help.
00:37:43Unless, of course, you're stuck in a horror movie.
00:37:45In which case, the other self will slaughter your friends, your family, your neighbors,
00:37:49and that you're date to the senior prom in horrible and gruesome ways.
00:38:29Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:38I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:02Those people.
00:39:04Yes.
00:39:05But these aren't those people.
00:39:10All people are those people.
00:39:15Revenge.
00:39:27Revenge.
00:39:28Damn.
00:39:31I need ice.
00:39:32And there's no ice here.
00:39:34No, I thought I saw an ice machine in the lobby.
00:39:37I can go get some.
00:39:38No, I'll go get it.
00:39:40Be right back.
00:39:41Ha, ha, ha, ha.
00:39:51Ha, ha, ha.
00:40:06Hello.
00:40:12I need some ice. Is anyone here?
00:40:24I am never staying at this hotel again. I don't even see an ice machine. Those guys are whacked.
00:40:40Anyone? Anyone?
00:41:04This is ridiculous.
00:41:20No. Don't go down there.
00:41:25Who's there?
00:41:39Hello?
00:41:47Don't do it.
00:42:12Hello?
00:42:17Is anyone here? I need some help. Stop screwing around.
00:42:30What the hell was that? Who's down here?
00:42:39I need some help.
00:43:33I need some help.
00:43:46You've got to be kidding me.
00:44:12I see the cracks, Silas. The fractures and their carefully constructed realities.
00:44:17I see the void, Silas. The emptiness they try so desperately to ignore. And it calls to us.
00:44:23Hey, uh, uh, Patrick, were you expecting a package anytime soon?
00:44:28Because I got something delivered to me, but it had your name on it.
00:44:32I don't think so.
00:44:33I don't know, but it said, say hello to Patricia.
00:44:38How do they know my track name?
00:44:39Uh, I don't know where it came from. I don't know why it is, but, um, it's just a little,
00:44:44uh, dummy head.
00:44:45Yeah.
00:44:46Yeah.
00:44:47Do we, do we need a, uh, a third mic-er?
00:44:50Mic up Patricia. Let's see what she says.
00:44:52Um, I, I have no clue why it's called a dummy. It's, I mean, puppet, mannequin, dummy. What do you
00:44:59think?
00:45:00Institutional bias.
00:45:03Yeah, I can't, I can't postulate on why, why they're called dummies with her, with her eyes just staring at
00:45:08me like that.
00:45:08It feels very judgmental. Like, anything I say could be, like, offensive.
00:45:12I don't know if I want to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop. Maybe we call them dummies and it, you know, insults them on a
00:45:23molecular level and they have to lash out, um, in the form of murder.
00:45:29Oh, yeah, let's, uh, all right. Goodbye, Patricia.
00:45:33So, anyway, what movie are we going to watch this week?
00:45:36Silas and Shadow is a departure from traditional ventriloquism.
00:45:41Silas's intense focus and Shadow's unsettling pronouncements create an atmosphere of palpable tension.
00:45:48Shadow, the dummy, is a chilling presence. His voice, a low and guttural rumble, seems to come from a place
00:45:56of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy, you ready to rock this joint?
00:46:06Ready to let her be? Let's get in line and break something.
00:46:09All right, try not to break everything. We still gotta get paid.
00:46:12Details, rusty details. I'll get in, Mike.
00:46:15Oh, Shuck, darling. Do you feel the electricity in the air? The sheer passion of our performance?
00:46:24Passion, Delphine? I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:32Oh, Shuck, show some restraint. We are artists.
00:46:40Artists who need to eat. I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas. The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas. The emptiness they try so desperately to ignore.
00:47:07The puppet's got more life than you do.
00:47:09And he's made of wood.
00:47:13Enough about Archibald.
00:47:16Gosh, it's taken Alan a long time to get that ice.
00:47:21And he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29I'm gonna take a nap.
00:47:31I'm tired.
00:47:32I'm gonna go see if I can see where he wandered off to.
00:47:35I'm okay.
00:48:00He's waiting for you.
00:48:15Please, be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald, have you seen Al?
00:48:55Oh, Archibald, have you seen Al?
00:48:58Oh, Archibald and you?
00:49:56Hey, Archibald. I'm talking to you.
00:50:06Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:22It's too late for me.
00:50:25Chucklehead is loose in this hotel, and now he wants to kill everyone.
00:50:31Look, you're taking this Dal thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's a lie. I am not.
00:50:40My negative energy filled the dummy after I took my life, and now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy, and now it is exacting retribution
00:50:57on everyone.
00:50:59Be warned.
00:51:04Whoa.
00:51:06Did I see what I think I saw?
00:51:09Oh, my God.
00:51:10Oh, my God.
00:51:23Oh, my God.
00:51:26Oh, my God.
00:51:27Oh, my God.
00:51:29Oh, my God.
00:51:29Oh, my God.
00:51:30Oh, my God.
00:51:34Oh, my God.
00:51:52Oh, my God.
00:52:16Hey, what's wrong?
00:52:19We gotta go.
00:52:20I can't find Alan.
00:52:21And Archibald's a ghost or something.
00:52:24He said Alan is dead.
00:52:26Are you nuts?
00:52:29I'm being honest, I swear.
00:52:31He says his dummy chucklehead is alive and killing people.
00:52:36Listen to what you're saying.
00:52:38Are you getting even because we were mad at you?
00:52:42I wish it was.
00:52:44There's only one way to find out.
00:52:47How's that?
00:52:48Let's go to Archibald's room and see.
00:52:50He's probably watching TV.
00:52:53All right, let's go.
00:53:04Archibald!
00:53:04We need to have a word with you.
00:53:07I told you he wasn't there.
00:53:21Archibald!
00:53:22I told you the dude's dead.
00:53:24He's not here.
00:53:31Over there.
00:53:39Oh, my God.
00:53:41I told you he was dead.
00:53:43How did you see him moving around?
00:53:45It was his ghost.
00:53:47I told you that.
00:53:48Well, let's get out of here.
00:53:49That dummy's lurking around here somewhere.
00:54:09I can't make it down the stairs.
00:54:11My leg hurts so much.
00:54:13The room.
00:54:19Oh, my God.
00:54:20Oh, my God.
00:54:21Oh, my God.
00:54:26Oh, my leg.
00:54:29We should be safer now.
00:54:31We have to stop the bleeding.
00:54:34This should help.
00:54:37Thanks.
00:54:38This is so unbelievable.
00:54:41Well, believe it.
00:54:42It's good that it's happening.
00:54:44It's happening.
00:55:13It's not working.
00:55:14Let me see your phone.
00:55:20It's no good.
00:55:22Well, we're in the middle of nowhere.
00:55:24It's not that.
00:55:26The dummy must have tampered with the router.
00:55:28How could it know to do that?
00:55:31Because it possesses human knowledge.
00:55:33Everything Archibald knew transferred to the dock.
00:55:37Why would the dummy be killing people?
00:55:39Because now it has all of Archibald's pent-up rage and anger at its fuel.
00:55:44That's why it's full of hate and rage.
00:55:46What do we do now?
00:55:48We'll try to get out of here.
00:55:49I can't go anywhere on this way.
00:55:53Then I'll have to go.
00:55:57Damn.
00:55:58Too high to climb down.
00:56:01What are you going to do?
00:56:02You stay put.
00:56:03You'll be safe here.
00:56:05Please hurry.
00:56:06It really hurts.
00:56:07And I feel lightheaded.
00:56:09You're losing a lot of blood.
00:56:11I will hurry back.
00:56:12I will be back.
00:56:48Hey, I need help.
00:56:50Something serious is happening here.
00:56:58Oh, no.
00:57:00No.
00:57:12No.
00:57:42I don't know.
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:24Oh, no.
00:58:28Fucker, come on out,
00:58:30chucklehead knucklehead.
00:58:42Yeah, you suck, no head.
00:58:44Oh, no.
00:58:48Ha-ha-ha!
01:00:05What in the name of Caesar are you all in a state about?
01:00:09I know this is going to sound incredible, but I'm being chased by a living dummy.
01:00:14Dummy? Are you drunk?
01:00:16No, it's Chucklehead. The dummy Archibald used during his final performance?
01:00:23Yeah, I know him.
01:00:24He was here about a night ago. Really poor turnout.
01:00:28But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:00:38Ha! Ha! Ha! Ha! Ha! Ha! Ha! Good to see you.
01:00:55Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha!
01:01:09Oh
01:01:31Oh
01:02:11Oh
01:02:31Oh
01:02:36Oh
01:02:38Oh
01:02:38Oh
01:02:38Oh
01:02:42Oh
01:02:43Oh
01:02:44Oh
01:02:44Oh
01:03:07Leave me alone! I didn't do anything to you!
01:03:49Go now. It is finished.
01:03:52What?
01:03:54I know now only I can stop Chucklehead.
01:03:57He is me and I am him.
01:04:01He has unholy powers.
01:04:03The curtain is closing. Go now, without haste.
01:04:13I take back any negative energy I unwittingly gave you.
01:04:25It is time, my friend.
01:04:32Time to go.
01:04:54Good luck, Archibald. Wherever you are.
01:04:58Good luck.
01:05:06So…
01:05:26Amazing.
01:05:54Hello? I need help.
01:05:57Yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
01:06:04She can change the swipe down.
01:06:08Here, I know.
01:06:11You knock the doors, stand until I can't hear.
01:06:17I'm coming, I'm coming.
01:06:20I'm coming for you, better run, in this game of cat and mouse.
01:06:25Lock your doors, turn upstairs, I'm already in your house.
01:06:30You could run, you could scream
01:06:32I'll come find you in your dreams
01:06:34Run away or stay and fight
01:06:36Either way it ends tonight
01:06:39Grab a knife, grab a gun
01:06:41Grab a pad, let's have some fun
01:06:43Cut me, shoot me, chop me up
01:06:46Marry me or lock me up
01:06:48It doesn't matter what you do
01:06:50I'll be coming out for you
01:06:53I only got them eyes for you
01:06:55Before I go here dying too
01:06:57You walk alone, aim me in dreams
01:07:01Why I love you
01:07:06Locking doors, stay and stay
01:07:10I can hear I'm coming
01:07:22I'm coming, oh yeah
01:07:24Oh yeah, oh yeah, oh yeah
01:07:29I'm gonna eat ya
01:07:31Eat ya, eat ya, eat ya
01:07:42I'm coming, oh yeah
01:07:49I'm coming, oh yeah
01:07:51I'm coming, oh yeah
01:07:52I'm coming, oh yeah
01:07:53Locking doors, staying still
01:07:56And you call me, call me, call me, call me
01:08:27Call me, call me, call me, call me, call me, call me Come the fire
01:09:49They say time flies when you're having fun.
01:09:52No wonder our time together feels like an eternity.
01:09:56What are you going to do in retirement?
01:10:01Honestly?
01:10:03I don't know, Chucklehead.
01:10:06I don't know.
01:10:14Um, hey dummy, say something.
01:10:23I don't know.
01:10:23You
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