- 10 hours ago
The Keyhole (1933) by Michael Curtiz - Starring Kay Francis, George Brent, Glenda Farrell - Full Movie [Full Movie] [Full Episodes]Full EP - Full
Category
🎥
Short filmTranscript
00:00:00The End
00:00:39THE END
00:01:06THE END
00:01:37THE END
00:02:08THE END
00:02:18THE END
00:02:30THE END
00:02:34THE END
00:02:35THE END
00:02:35THE END
00:02:36THE END
00:02:37THE END
00:02:38THE END
00:02:38THE END
00:02:39THE END
00:02:39THE END
00:02:39THE END
00:02:52THE END
00:02:52THE END
00:02:54THE END
00:03:05THE END
00:03:07THE END
00:03:15THE END
00:03:16THE END
00:03:18THE END
00:03:26THE END
00:03:28THE END
00:03:33THE END
00:03:38THE END
00:03:40THE END
00:03:42THE END
00:03:44THE END
00:03:49THE END
00:03:50THE END
00:03:50THE END
00:03:57THE END
00:04:02THE END
00:04:04THE END
00:04:04THE END
00:04:07THE END
00:04:25THE END
00:04:27THE END
00:04:28THE END
00:04:32THE END
00:04:40THE END
00:04:41THE END
00:04:47THE END
00:04:55THE END
00:05:03THE END
00:05:10THE END
00:05:11THE END
00:05:21THE END
00:05:22THE END
00:06:34Oh, Skyler, you frightened me so.
00:06:37I'm sorry.
00:06:38I must have dozed off.
00:06:39I didn't hear you come in.
00:06:41Well, I've been in for some time.
00:06:42You must have come in very quietly.
00:06:45What made you run away so suddenly after dinner?
00:06:47I didn't run away.
00:06:48I was tired and nervous.
00:06:51I just went for a drive.
00:06:52Just for a...
00:06:53Oh.
00:06:55Of course.
00:06:55How foolish of me.
00:06:58Good heavens, it's almost ten o'clock.
00:07:00And I have a busy day ahead of me.
00:07:02Well, good night.
00:07:07Good night.
00:07:07Oh, by the way, why don't you come down and have lunch with me at the office tomorrow?
00:07:11I can't.
00:07:12I'm lunching with your sister.
00:07:15Sister?
00:07:16Yes.
00:07:17Oh, I see.
00:07:19Well, good night.
00:07:20Yeah?
00:07:21Good night, Skyler.
00:07:22Good night.
00:07:53Good night.
00:08:23You sent for me, sir?
00:08:25Oh, you drove Mrs. Brooks last night, didn't you?
00:08:27Yes, sir.
00:08:28I've forgotten where she went.
00:08:29Where was it?
00:08:30We just drove around.
00:08:32Did Mrs. Brooks get out of the car?
00:08:33Well, yes, for a couple of minutes.
00:08:35Where?
00:08:36I don't remember.
00:08:37Maybe it was a shop.
00:08:38Shop, eh?
00:08:39Is that all?
00:08:40I think so, sir.
00:08:41When Mrs. Brooks came out of the shop, did you notice if she was still wearing her jewelry,
00:08:46her necklace?
00:08:47No, sir.
00:08:49The shower's ready, sir.
00:08:50Thanks.
00:08:58You should watch your mistress more closely when she's in your care.
00:09:02That's all.
00:09:03Yes, sir.
00:09:08Yes, yes, darling.
00:09:10I'm listening.
00:09:11You say you were just 17 when you met this Maurice.
00:09:14Too young to know anything except that I wanted to dance.
00:09:17He took me as his partner, and, of course, I fell in love with him.
00:09:22When he saw we were becoming successful, he asked me to marry him.
00:09:26I know now all he wanted was to tie me to him.
00:09:29Oh, it didn't take me long to find out what he really was.
00:09:32It was pretty awful.
00:09:35Anyway, I, I said it as long as I could.
00:09:38One day I refused to dance.
00:09:40Then he said he wanted to divorce me, that he was in love with somebody else.
00:09:43Well, I, I told him to go ahead.
00:09:45And while he was getting it, I came back to America.
00:09:47And met Skylar Brooks.
00:09:49Yes, the rest, you know, six months after I was married, Maurice showed up.
00:09:55He hadn't gone through with the divorce.
00:09:56He lied to me.
00:09:57Good heavens.
00:09:58I gave him $10,000 to go back to Europe and complete the divorce.
00:10:01He didn't do it.
00:10:02Now he wants $50,000.
00:10:04The wretch.
00:10:05He's given me a week.
00:10:06I can't raise that amount of money without Skylar knowing about it.
00:10:09Already he's suspicious.
00:10:11He watches every move I make.
00:10:12Chellous old idiot.
00:10:14All right.
00:10:15We'll get that marriage quietly and all somewhere out of the country.
00:10:18Paris, Cuba, Mexico.
00:10:20You don't know Maurice.
00:10:21Thank heaven.
00:10:22He'd follow me anywhere.
00:10:24Then that's the solution.
00:10:25What?
00:10:26This Maurice person isn't an American, is he?
00:10:28No.
00:10:28Then if you can get him to follow you out of the States, I'll stop him from ever getting back.
00:10:32You'll stop him?
00:10:33My dear, I haven't been in this social business 40 years for nothing.
00:10:37A man of his character?
00:10:39One little telephone call to Washington would cancel his visa like that.
00:10:47Five threes at 15, five threes at 11, five threes at 25, five threes at 30, two at 32, five
00:10:54threes at 28, five threes at 10, and two at 12.
00:10:58Well, I'll tell you, Skylar, 10 million is cheap for that string of power companies.
00:11:05I recommend the roast duck, too.
00:11:07In the same breath?
00:11:08You're not eating, dear.
00:11:10I know, but I can't.
00:11:11Oh, come, come.
00:11:12It isn't every day we have a beautiful woman lunching with us, eh, Skylar?
00:11:16What's the matter?
00:11:18Tired, I guess.
00:11:19I wish I could go away somewhere for a while.
00:11:22A wanderlust, eh?
00:11:23How about a chocolate declare?
00:11:24No, thanks.
00:11:25Perhaps you ought to see Dr. Graham.
00:11:27I'm not ill, darling.
00:11:29Just fidgety and nervous.
00:11:30Yes, I have noticed that.
00:11:33I'm not sleeping well, either.
00:11:35Ever count sheep?
00:11:36That reminds me.
00:11:37Let me have some of that cold lamb.
00:11:41Couldn't we go away together somewhere?
00:11:42Well, not just now.
00:11:44I couldn't, eh, business.
00:11:47Well, eh, would you mind if...
00:11:49If I went away alone for a couple of weeks?
00:11:52You could join me later.
00:11:55Where would you like to go?
00:11:56Oh, I don't know.
00:11:58Bermuda or Cuba.
00:12:00I think I'd like a banner.
00:12:01If Skylar can't go, how about me, Anne?
00:12:05That would be too perfect.
00:12:06When would you like to go?
00:12:08Anytime.
00:12:09Tomorrow.
00:12:10I could pack in an hour.
00:12:11So soon?
00:12:12The sooner the better.
00:12:13Oh, well, very well, my dear.
00:12:15I'll arrange it.
00:12:16Thank you, darling.
00:12:18Of course, you'll take your maid.
00:12:19No, I think I'd rather go alone.
00:12:21Oh.
00:12:22Very well.
00:12:23Just as you like.
00:12:25And to make it quite perfect,
00:12:26I'd like to go under my own name.
00:12:29That'd be sort of fun.
00:12:30You don't like his?
00:12:32It isn't that.
00:12:33I don't want publicity, that's all.
00:12:35I just want to be plain and valet.
00:12:37I want to get on that big white boat,
00:12:39sit in the deck chair and relax.
00:12:41Forget everything.
00:12:45Well, if I'm really going tomorrow,
00:12:47I have a lot to do.
00:12:48Mind if I run along?
00:12:49No, no.
00:12:50Of course not, my dear.
00:12:51Goodbye, darling.
00:12:51Goodbye, dear.
00:12:52See you tomorrow.
00:12:53Yes.
00:12:54Better tell your wife if you really want to come along with me.
00:12:57Goodbye.
00:12:57Yes, goodbye.
00:12:58We'll see you about our tickets, won't you, dear?
00:12:59Oh, yes, I'll take care of her.
00:13:01Right.
00:13:03Why, we have connections and agencies all over the world.
00:13:06With offices in London.
00:13:08Yes, yes, I know.
00:13:08I took the trouble to investigate you before I came.
00:13:11You make the specialty of shadowing women, I understand.
00:13:15We've handled some of the best cases.
00:13:16Yes, yes.
00:13:17This is a very confidential case
00:13:18and requires a special operative,
00:13:20one who is capable of...
00:13:22Uh-huh.
00:13:23You must be a gentleman,
00:13:24of tact, of honesty,
00:13:25one who knows how to approach...
00:13:27I know who you want.
00:13:30Yeah?
00:13:31Hank?
00:13:32Yeah?
00:13:32Come to my office right away, will you?
00:13:33Okay.
00:13:34I got just the man for your case.
00:13:37A gentleman in every respect.
00:13:44Please.
00:13:45Why, what's the trouble?
00:13:46He won't do.
00:13:49Well, you've got me wrong.
00:13:50What do you mean?
00:13:51The man I want ain't here.
00:13:52I gotta send for him.
00:13:55Find Davis.
00:13:56I don't know where he is, but find him.
00:13:58It's a search.
00:14:02Sit down.
00:14:03Don't be nervous.
00:14:05Everything's going to be all right.
00:14:113-11?
00:14:12Hello.
00:14:12There's a raid in 4-12.
00:14:14Yeah, okay.
00:14:15Hiya, Joe.
00:14:16Now, don't get worried.
00:14:18Okay.
00:14:192-10?
00:14:19Mr. Smith?
00:14:20Desk clerk calling.
00:14:21Sorry to bother you,
00:14:22but there's a raid on the fourth floor.
00:14:24Yeah, thought you might like to know.
00:14:355-43, Mr. Smith?
00:14:37There's a raid in 4-12.
00:14:39Yeah, don't get worried.
00:14:41All right.
00:14:471-08, Mr. Smith?
00:14:49Hi, Joe.
00:14:50Same room.
00:14:51There's a raid in the hotel.
00:14:52Fourth floor.
00:14:53Okay.
00:14:55601?
00:14:56Hello, Mr. Smith?
00:14:57There's a raid in 4-12.
00:14:58Fourth, please.
00:14:59Don't worry.
00:15:27First floor.
00:15:28Pardon me.
00:15:28I beg you, Sergeant.
00:15:29Oh, pardon me, pardon me, sir.
00:15:32Up or down, Mr. Smith?
00:15:33Down!
00:15:46Well, Governor, there's your evidence.
00:15:48Hiya, Hank.
00:15:48Hiya, George.
00:15:50And I believed in you, and trusted you, and now.
00:15:55Haven't you got anything to say at all?
00:15:56You've been two-timing your husband with every tramp in town,
00:15:59haven't you?
00:16:00Well, I think he's a swell guy, and he deserves a divorce.
00:16:05Goodbye, Mrs. Smith.
00:16:07The boss wants you at the office, Prado.
00:16:09What, again?
00:16:12Someday I'm going to find me a nice monastery
00:16:14where I'll never see another scheming female as long as I live.
00:16:18Hello, Mac.
00:16:19Have you heard from Davis?
00:16:21Oh, yes.
00:16:22Send him in right away.
00:16:24Okay.
00:16:26He'll be in just a minute, Mr. Brooks.
00:16:33Good afternoon, Mr. Davis.
00:16:36How have you been, Mr. Weins?
00:16:38Mr. Davis, Mr. Brooks.
00:16:40How do you do?
00:16:41How do you do?
00:16:42If you two gentlemen will excuse me,
00:16:44I'll leave you to discuss the matter alone.
00:16:49Scram.
00:16:54Sit down.
00:16:54Thanks.
00:17:03You wish to see me?
00:17:04Yes.
00:17:05You know this woman?
00:17:11That's one I've missed.
00:17:13She's sailing tomorrow evening for Havana.
00:17:16Why?
00:17:16That's the point.
00:17:18I see.
00:17:20Name, please?
00:17:22Anne Vallée.
00:17:22Anne Vallée.
00:17:26Anne Vallée.
00:17:27Yes.
00:17:28Miss or Mrs.?
00:17:29Uh, Miss.
00:17:31Suite 7C, Cuban male.
00:17:35Santiago?
00:17:36Yes.
00:17:37I'm, uh, I'm rather interested in this young lady,
00:17:40and as she's sailing alone,
00:17:41I thought it well to have someone who would protect her
00:17:44against, uh, chance acquaintances, emotional accidents.
00:17:47You see, she must have, uh, companionship of some sort,
00:17:50and I prefer to have someone in my employ,
00:17:53someone who could gain her confidence and, uh...
00:17:55And find out whether she's capable of having those, uh,
00:17:58emotional accidents.
00:17:59No, no, certainly not.
00:18:00I trust her, absolutely.
00:18:01Well, who do you suspect?
00:18:02No one.
00:18:02Or everyone.
00:18:03All right, but...
00:18:04Yes, I know, I know.
00:18:05Your world is built on, on chivalry and the fair name of woman.
00:18:09Mine isn't.
00:18:10That's why you're here.
00:18:12You want me to find out something that you yourself don't even dare to think.
00:18:16All right.
00:18:18All I need is an unlimited expense account and time.
00:18:21You'll, uh, send me a report every day?
00:18:23Certainly.
00:18:23I'll give you my private address.
00:18:24You'll be prepared to fly to Cuba for the payoff?
00:18:27For what?
00:18:28Well, you want to be in at the kill, don't you?
00:18:29Uh, I...
00:18:30I don't understand.
00:18:32Well, I mean...
00:18:33Seeing is believing.
00:18:35Oh, yes, but there'll be absolutely no necessity for that.
00:18:37Well, just the same.
00:18:38You'd better keep a suitcase back.
00:18:42This will cover transportation and expenses.
00:18:44Thanks very much.
00:18:48You will come to see me in the morning for final instructions.
00:18:53Sir, good afternoon, Mr. Brooks.
00:18:54Good afternoon, Mr. Davis, and, uh, thank you.
00:18:57You're welcome.
00:19:03When do we sail?
00:19:05Oh, those rubber ears of yours are going to get you into trouble someday.
00:19:08I always wanted to go to Cuba.
00:19:10Well, join the Navy.
00:19:11You've got a big expense account, and I ain't busy.
00:19:13Now, listen, Hank, you're all right for climbing in windows and breaking down doors,
00:19:17but this isn't that kind of a case.
00:19:19I gotta go.
00:19:20Oh, at aim?
00:19:22Yeah, in a way.
00:19:24Why don't you hire a private detective?
00:19:25Her sister's related to Mickey Walker's sparring partner.
00:19:30You know one thing about being a valet?
00:19:32Who, me?
00:19:33Say, I'm the last word in valets.
00:19:36Well, you'll have to sleep in the steerage with the other servants.
00:19:38Get me out of town, and I'll sleep with the yanker.
00:19:44That's all, Lucille.
00:19:45I'll finish the rest.
00:19:46Very well, madam.
00:19:49Now, don't worry.
00:19:50Our strategy can't fail.
00:19:52I've planned it all as carefully as a field marshal.
00:19:54I suppose I'd better take all these letters and papers for the attorney down there in case I...
00:19:57Yes, of course.
00:19:58Certainly, certainly.
00:19:59Take everything and put them away very carefully.
00:20:03Wait a minute.
00:20:04That may be Maurice.
00:20:09Hello?
00:20:10Mrs. Brooks?
00:20:11Who's calling, please?
00:20:14Well, I'm sorry, but she's not here.
00:20:16She'll talk to me.
00:20:18Just tell her who's calling.
00:20:19I'm sorry, but I don't think I can reach her.
00:20:22She's sailing this evening for Cuba.
00:20:24Cuba?
00:20:27Why, yes, of course.
00:20:29What boat is she sailing on?
00:20:32I'd like to send her some flowers.
00:20:34On the Cuban mail.
00:20:35The Santiago, I believe.
00:20:37Yes, that's right.
00:20:40All right.
00:20:41Goodbye.
00:20:42Is it all right?
00:20:44Your dear Mr. Maurice will be on that boat in person, or I don't know my men.
00:20:55Where are you?
00:20:59Oh.
00:21:01Oh, my God.
00:21:03Oh, my God.
00:21:16What?
00:21:31May I see the passenger list, please?
00:21:33Why, certainly.
00:22:47I will always unpack his master's baggage at once and hang his clothes on hangers to avoid creasing.
00:22:52Oh, I can see that you're going to be a great help to me.
00:22:56I'll go off on the deck and find the steward and see that he places my chair next to Miss
00:22:59Ann Valley's tomorrow.
00:23:01May cost you a little extra money, but see that he gets there.
00:23:03And pay him out of the expense money I gave you.
00:23:05Leave it to me, boss.
00:23:07It's practically done.
00:23:14May I see the passenger list, please?
00:23:16Certainly.
00:23:33Thank you very much.
00:23:36Is this it?
00:23:37No. I had five bags. There are only four here now.
00:23:40It's a small tan suitcase about this size.
00:23:43The same kind of leather as that one.
00:23:44I tell you, it isn't here.
00:23:46Very well, I'll look for it.
00:23:47I beg your pardon, is this what you're looking for?
00:23:49Yes, of course it is. Thank you so much.
00:23:51You got into my state room by mistake.
00:23:53I was just on my way to return to the person's office.
00:23:55Oh, I'm terribly sorry to have caused you so much trouble.
00:23:57Quite all right, no trouble at all, only...
00:24:00Well, you can imagine my embarrassment when my valet opened.
00:24:09How are you?
00:24:10How do you do, sir?
00:24:12How do you know when you're 12 miles out?
00:24:14By the passengers.
00:24:17Make mine a big whiskey and a small soda.
00:24:20In just a minute, sir.
00:24:22Is it gonna be rough?
00:24:24I think it will be.
00:24:31So that's the drinking signal, the bell.
00:24:45Blue diamond fizz, not too much sugar.
00:24:48What, madam?
00:24:49Blue diamond fizz. I don't want it too sweet.
00:24:51I don't think I ever heard of that.
00:24:53I can make you a New Orleans fizz or...
00:24:55Oh, the service on this line's like a cattle boat.
00:24:57Well, if you give me an idea what it's made of...
00:24:59Never mind, never mind.
00:25:00I'll have an ordinary champagne cocktail you've heard of that haven't you yes madam
00:25:05Tell me is the Duke of Wessex aboard. I don't think he's with us on this trip
00:25:12Perhaps it's just as well the duchess gets so jealous every time Robert speaks to me
00:25:20How's that madam atrocious what kind of champagne Paul Roger
00:25:261915 would be on this tub. I don't suppose you have any vote click on 1906. I'm sorry
00:25:32Well, can you change a hundred dollar bill no madam. I can't
00:25:37Really this is intolerable. How can you expect pardon me?
00:25:42Would you allow me madam allow you to do what I mean
00:25:45As long as you have no small change on you. I thought I might sort of buy you a drink
00:25:53If you wish
00:25:59I
00:26:00Are you
00:26:02Traveling by yourself
00:26:04So my that's swell
00:26:07What's well?
00:26:10Nothing let's skip it
00:26:13Ah the bell again happy days you're a droll person you said it a laugh a minute. That's me never
00:26:21a dull moment when I'm around
00:26:51I
00:26:52Keep the change my man, thanks
00:26:52All right, please don't let me disturb you
00:26:54Thank you
00:26:57Miss valet
00:26:59Not at all
00:27:09You know this is twice that you've been very nice to me that makes the score two to nothing in
00:27:13your favor
00:27:13Not quite no no
00:27:15I have a confession to make
00:27:19Yes, the woman who sat next to me talked too much
00:27:23I
00:27:24See hope you don't mind
00:27:25No no no no not at all
00:27:27The feeling is quite mutual
00:27:29I love silence
00:27:30Yes
00:27:32The score's even
00:27:34The score's even
00:27:36The score's even
00:28:00Oh nothing
00:28:01Hank Wales
00:28:03USA
00:28:04Ah
00:28:04Well as I was saying Mr. Wales
00:28:06A wealthy woman alone
00:28:08Unprotected
00:28:09Knowing nothing of the world
00:28:10Everyone preys on her
00:28:12The rats
00:28:12But let's not talk about me anymore
00:28:15Let's talk about you
00:28:16What business did you say you were in?
00:28:19Well I'm uh
00:28:20I'm associated with my father
00:28:23Your father
00:28:24Oh and what does he do?
00:28:27He's uh retired
00:28:29You don't say
00:28:31My father's retired too
00:28:32Now ain't that a coincidence
00:28:34Just a couple of lonely souls whose parents have retired
00:28:38It's a sad thought
00:28:43Oh the bell again
00:28:44Au garçon
00:28:45Yes ma'am
00:28:46Two more
00:28:47Two champagne cocktails
00:28:49So you're going to Cuba to look over the family tobacco plantation
00:28:53Oh what a bore
00:28:54But at that it isn't as bad as our mines in Alaska
00:28:57Or our mahogany forests in Yucatan
00:28:59Far us odds though
00:29:00We had some spruce land in Oregon
00:29:02But father swapped them in for a couple of old banks
00:29:05Just before he retired
00:29:06Oh tell me dear Mr. Wales
00:29:08Where is your family home?
00:29:12Well we sort of uh move around
00:29:15Every fall we go to the springs
00:29:17And every spring we go to the falls
00:29:20You naughty naughty boy you're spoofing
00:29:22You're spoofing me
00:29:23Oh now remember I'm paying for this round
00:29:25Not a chance
00:29:26Don't even mention it
00:29:27I insist
00:29:28Can you change a hundred dollar bill?
00:29:29I don't think so madam
00:29:30Keep the change my good man
00:29:32Oh thank you sir
00:29:35You must never offer to pay for anything else again when I'm around
00:29:38There hasn't been a gigolo in the Wales family for generations
00:29:42Here we go laughing and scratching
00:29:45Here we go
00:29:49Oh
00:29:49Join me in the cocktail
00:29:50No thank you
00:29:52Pardon me
00:29:53What is it?
00:29:55Oh who is that good looking man?
00:29:58He's my valet
00:30:00He's always spying on me
00:30:01I wanted to fire him
00:30:02But he's been in the family for years and years and years
00:30:05I'll see you tonight
00:30:07See you later perhaps
00:30:08Perhaps
00:30:15Give me a straight whiskey
00:30:16What did you lose him?
00:30:18Losing me?
00:30:19Boy the only way they get away from me is to jump overboard
00:30:22I thought you always went first class
00:30:24What are you doing with that slug?
00:30:26The depression hit me
00:30:28Come on give
00:30:28Nix
00:30:30Wait till we dock
00:30:31Give
00:30:32Twenty champagne cocktails
00:30:33And two bucks a smash
00:30:34And about thirty bucks in tips
00:30:35And don't be holding out on me
00:30:37Or I'll switch him back to whiskey
00:30:38He had half a buck a snort
00:30:42You didn't get away with it my dear
00:30:46Doesn't look that way does it?
00:30:47Just what do you think you're going to do now?
00:30:50I give in
00:30:51You win
00:30:53Smart girl
00:30:55Well I have much money with me now
00:30:56But I'll manage to cash a check as soon as we land
00:30:58Can I depend on that?
00:31:00You have me cornered
00:31:01What else can I do?
00:31:03You can add an extra couple of thousand of the original amount
00:31:06For the expenses of this trip
00:31:07And for trying to run out on me
00:31:09Meantime
00:31:10Maybe we can act like human beings
00:31:11And enjoy this little voyage together
00:31:14You'll get your money when I land
00:31:15And that's all
00:31:17Another one please
00:31:18Yes sir
00:31:19Very dry
00:31:20What about that cocktail?
00:31:22Huh?
00:31:22Make it two please
00:31:23Sit down won't you?
00:31:24Yes
00:31:25So you changed your mind
00:31:27Do that often?
00:31:29Often
00:31:30Why don't you say if I asked you to have dinner with me?
00:31:32I'd probably say no
00:31:34Oh
00:31:37What's the matter?
00:31:38Something wrong?
00:31:40You know I think I'll tell you the truth
00:31:42There's a certain man on this boat that I don't like
00:31:46Who? Me?
00:31:48No
00:31:49Are you good at rescuing ladies?
00:31:52Oh yes
00:31:54Who's the man?
00:31:55Stranger
00:31:55So am I
00:31:58Yes, but you're the lesser of two evils, Mr. Davis
00:32:01Thank you
00:32:04Miss Valet
00:32:07Clover club please
00:32:17Now
00:32:20What about that dinner?
00:32:21Thanks
00:32:26Got my things ready?
00:32:29The book says a valid place the necessary studs and should
00:32:36Say boss, what's in a champagne cocktail?
00:32:39Here
00:32:40Look in the book
00:32:42Up the bell
00:32:49I can't keep up with that guard on, pal
00:32:52I can't keep up with that guard on, pal
00:33:052pm, she is not interested in both flirtations
00:33:085pm cocktails together
00:33:10She has a lovely smile
00:33:15She has a lovely smile
00:33:17Time to make a look
00:33:23She has a lovely smile
00:33:24I love you
00:33:24Aplausous
00:33:25Aplausous
00:33:27Aplausous
00:33:28Aplausous
00:33:29Aplausous
00:33:31Aplausous
00:33:35Aplausous
00:33:36Aplausous
00:33:57It's a nice tune, isn't it?
00:34:03Looking at the moonlight?
00:34:05Stars?
00:34:07No. I was listening to the music.
00:34:10It is a nice tune. Funny thing.
00:34:14Big boat and all the little world in itself.
00:34:20The world made of steel plates.
00:34:22A scant half-finch between us and the bottom of the sea.
00:34:25Sounds dangerous.
00:34:29It is dangerous.
00:34:33Perhaps it's a good thing we're arriving at Havana tomorrow.
00:34:37But there will be moonlight and music and stars after tomorrow.
00:34:42Won't there?
00:34:44I'm afraid not.
00:34:46Not after tomorrow.
00:34:49I was pretty good at the walls too.
00:34:51But I never did like the rubber.
00:34:53I think you have to be Spanish to like it, don't you?
00:34:56Oh, really, you are a scream.
00:35:00Isn't it romantic up here in the moonlight and all that?
00:35:04Yeah.
00:35:05Oh, you do say such utterly charming things.
00:35:09Say, that's a swell hunk of ice.
00:35:11Oh, that? That's been in my family for years.
00:35:13Abraham Lincoln gave it to my grandmother.
00:35:15A historical ruin, huh?
00:35:17Huh?
00:35:17Not your grandmother. The ring.
00:35:21Arthur gave it to me when I graduated from the convent last year.
00:35:24Abraham Lincoln. Now, who'd have thought?
00:35:29Your ring, I dropped it.
00:35:30Your what?
00:35:31It went overboard.
00:35:32My ring.
00:35:33My beautiful, lovely ring.
00:35:35Oh, my heart's broken.
00:35:37Oh, my ring, my ring.
00:35:38Now, wait a minute, Dot. Don't get all hysterical.
00:35:40Oh, what did Arthur say? He'll never forgive me.
00:35:42I'll buy you a new one in Havana.
00:35:44Oh, my...
00:35:44I'll buy you a bracelet, earrings.
00:35:46The whole jewelry store.
00:35:47Don't get sore at me.
00:35:51I gotta go.
00:35:53What's happened?
00:35:54I gotta feed my goldfish.
00:35:55I love goldfish.
00:35:57No, you stay here.
00:35:58My goldfish is afraid of strangers.
00:36:01Are you the kind of person who always leaves a little champagne in the bottom of the glass?
00:36:06Meaning what?
00:36:07Meaning you're leaving half a night full of moonlight, music, untouched.
00:36:14Are you afraid to empty the glass?
00:36:16No.
00:36:17No.
00:36:18But I don't like hangovers.
00:36:30Good night, Mr. Davis.
00:36:32Oh, good night, Miss Fairley.
00:36:35I, uh...
00:36:41Mr. Davis.
00:36:54Going around.
00:37:04I was so glad I came here.
00:37:1410 a.m. conversation, 12.30 p.m. lunch, 4 p.m. cocktail, 7 p.m. dinner, 9 p.m.
00:37:19danced, 11 p.m. went to bed alone.
00:37:36As soon as we dock, I'll get a taxi and, uh...
00:37:39You're very kind, but I think you'd better say goodbye here.
00:37:42I don't see why.
00:37:43Many reasons.
00:37:45Won't you even let me see you to your hotel?
00:37:49As a matter of fact, I'm going to visit friends on a plantation out of town.
00:37:54That's funny. I'm headed for a plantation, too.
00:37:57Really? Where?
00:37:59Uh, just north of Havana.
00:38:02Oh, that's too bad.
00:38:04My friends are just south of the city.
00:38:06Oh, I see.
00:38:08Goodbye, Mr. Davis.
00:38:10Good luck, Miss Malloy.
00:38:19Have you all my bags here?
00:38:20Yes, madame. Are they all tagged?
00:38:22Yes, Hotel Metropole.
00:38:23Any other wish, madame?
00:38:24That's all, thank you.
00:38:31Did you get it?
00:38:32Yeah, Hotel Metropole.
00:38:33That's where we go. Send the baggage.
00:38:34Okay.
00:38:38Hello, hey.
00:38:39Hello, Doc.
00:38:39I'm very sorry, miss, but it wouldn't mean to be...
00:38:41What's the matter? What's the matter?
00:38:41Oh, Doc, I have no change.
00:38:43Have you any money with you?
00:38:44Sure. How much you need?
00:38:45Fifty dollars. Just a few telegrams, radios, and so on.
00:38:47It's a pleasure.
00:38:49Oh, thank you, sir.
00:38:50What hotel are you going to have?
00:38:51Hotel Metropole.
00:38:52What a coincidence, so am I.
00:38:53Yeah? That's swell. I'll see you later.
00:38:59Hotel Metropole.
00:39:06Hotel Metropole.
00:39:16Hotel Metropole.
00:39:17Hotel Metropole.
00:39:23Hotel Metropole.
00:39:25Hotel Metropole.
00:39:29Hotel Metropole.
00:39:34Hotel Metropole.
00:39:35Hotel Metropole.
00:39:36Hotel Metropole.
00:39:39Hotel Metropole.
00:39:39Hotel Metropole.
00:39:41Hotel Metropole.
00:39:43Hotel Metropole.
00:39:48Hotel Metropole.
00:40:22Hello?
00:40:23Greetings, my dear.
00:40:25No, I'm not at the Metropole.
00:40:27I couldn't afford it.
00:40:28So I found a very comfortable little place just around the corner,
00:40:31where I can always be nearby.
00:40:33I've already cabled New York.
00:40:35The money should be here in less than a week.
00:40:37No, now please don't come here.
00:40:39You'll spoil everything.
00:40:42Call me today or so, and I'll have some news for you.
00:40:45You know I can't run away again.
00:40:47Where should I run to?
00:40:49Now don't be impatient, Maurice.
00:40:52Goodbye.
00:41:20Hey, boss, she just sent a cable grab.
00:41:23Where?
00:41:23Somebody in New York.
00:41:24I couldn't catch the name.
00:41:25Okay, beat it.
00:41:45Are you you?
00:41:46I'm afraid I am.
00:41:47I don't believe it.
00:41:48You're supposed to be with friends on a plantation somewhere.
00:41:51They went fishing.
00:41:53Oh, fishing.
00:41:55They won't be back for a week.
00:41:58But where did your friends go?
00:42:01Fishing.
00:42:05Let me see what you've got here.
00:42:07Oh, that's awful.
00:42:08Take it away.
00:42:08Leave it there.
00:42:09That's terrible.
00:42:09Take that away.
00:42:10Break the whole thing away.
00:42:12Ma, signore, questo è il miglior cibo che abbiamo in l'hotel.
00:42:13Never mind that.
00:42:14Never mind that.
00:42:14You idiot.
00:42:15What am I going to do with you?
00:42:16Have to end up with me.
00:42:17Here.
00:42:17Bring that table over here.
00:42:20Gino, bring la nava di servizio qua.
00:42:23Hope you don't mind.
00:42:25Well, I don't see what I can do about it.
00:42:27Exactly.
00:42:27But I've ordered something special that I'm sure you're going to like.
00:42:30You like squab?
00:42:31No.
00:42:31I thought so.
00:42:33Are we going to start this all over again?
00:42:35No, we're going to go on from where we left off.
00:42:37You know, you're a most annoying person, Mr. Davis.
00:42:39I don't really know what to say to you.
00:42:40Call me Neil.
00:42:41That's my first name.
00:42:43Oh, Pedro.
00:42:44Windless, please.
00:42:44Si, signore.
00:42:47Thank you very much.
00:42:48No.
00:43:33These things are all so lovely.
00:43:35But that ring, oh, that's just too divine.
00:43:37You like it?
00:43:38Yes, but...
00:43:39Then it's yours.
00:43:40Let's see that one.
00:43:45It's simply exquisite.
00:43:47But, Hank, dear, I couldn't accept this kind of a present from you.
00:43:49Sure you can.
00:43:50But think of my reputation.
00:43:52What would Father say?
00:43:53Oh, I owe you this.
00:43:54Didn't I lose your other ring?
00:43:55Yes, but after all...
00:43:56You like it?
00:43:57I adore it.
00:43:57Then we'll take it.
00:43:58How much?
00:43:59$500.
00:44:02Oh, a magnificent bargain, sir, I assure you.
00:44:05Why, the setting alone is worth twice that.
00:44:07You know, I really shouldn't do this.
00:44:10Me neither should I.
00:44:11Huh?
00:44:12However...
00:44:13You're such a sweet, generous ducky-wocky.
00:44:16Let's go to some nice, quiet place where I can really thank you.
00:44:21Why not?
00:44:24Good day, my good man.
00:44:25Good day, madame.
00:44:27Good day, sir.
00:44:29Thank you so much.
00:44:31I'd like to have you come in again sometime.
00:44:55Forgive me.
00:44:56I had to do that.
00:44:59Why?
00:45:00Because you're lovely.
00:45:02It would have happened anywhere.
00:45:03Believe me.
00:45:06This isn't going to work out so well.
00:45:08Oh, don't.
00:45:10Don't go.
00:45:11It's been so beautiful.
00:45:13Let's not spoil it.
00:45:14Think how much more beautiful it would be
00:45:16riding along the old sea wall.
00:45:18Neil, please.
00:45:19Or walking down those old twisted streets,
00:45:21all full of moonlight and guitars.
00:45:23I've got to go.
00:45:24But don't.
00:45:25Please, don't.
00:45:28I've got to go.
00:45:48I've got to go.
00:45:51I've got to go.
00:45:52available on a different floor yes thank you could you move me right away right now yes
00:46:02thank you so much
00:46:51send cable to new york
00:46:52this evening did i get a cable from mrs brooks today no sir i wonder who did another cold towel
00:47:01sir
00:47:01bring a dozen yes
00:47:10not a thing she'll be right up
00:47:33listen young man if you don't quit cutting up die doors on my front porch i'll call the manager
00:47:48come on get up get up what for ain't noon yet she's gone who dot no miss valet she slipped
00:47:55out during
00:47:56the night now come on get your clothes on and meet me downstairs in the lobby i'm all in i
00:47:59had a tough
00:47:59night you'll have a tougher day if you don't get up i'm quitting this to take the racket anyway
00:48:03there's nothing in it boss you're what i'm going where i'm really appreciated i'm going to marry
00:48:09about 10 million bucks and be a gentleman say how about wiring brooks for more expense money
00:48:14what how much money we got left mr treasurer oh plenty plenty if we run short i'll supply the
00:48:20deficiency don't talk like a sap come on get up you think i'm kidding last night she asked me to
00:48:26manage your estates for her james hand me my socks boy i'll hand you a sock if you don't get
00:48:33up
00:48:34oh she won't disappear you act like you were stuck on the day you're a sap why don't you be
00:48:39like me
00:48:41nonchalant
00:48:46has miss valet gone out look and see if her key is there will you please
00:48:53uh no sir she's nothing now what's her number i'd like to call her on the phone
00:48:57uh 621 i'll start phone right across the lobby thank you
00:49:22any answer tell him uh yes madame tell him that i uh no don't tell him anything don't tell him
00:49:30anything no yes madame hello do you realize that i've been waiting for you for over 15 minutes
00:49:35now this won't do at all well how dreadful oh please go right ahead
00:49:39no no i don't eat lunch uh besides i'm not dressed fine i'll be right up
00:49:43no no no no don't do that oh now what do you want to hang around a hotel room for
00:49:47when we can get into one of those nice old carriages and ride along by the sea wall
00:49:51palm trees rustling and huh sure they rustle it's absolutely impossible
00:49:57i tell you i can't go no no
00:50:05quaint streets genuine antiques discovered by columbus in 1492 huh
00:50:12how much longer is this going to go on oh we'll be out of this pretty soon
00:50:15you're persistent aren't you have you noticed that who are you what are you i'm your shadow
00:50:22what an amusing occupation i'm enjoying it aren't you well you're doing very well at it amateur
00:50:29or professional what do you think i don't know when did you start first day i saw you on the
00:50:35boat
00:50:35been following me ever since why sure i watched every move you've made
00:50:40why that's my business
00:50:50tired you know i wouldn't admit that for worlds it was worth coming all the way down here just to
00:50:54see
00:50:54you you're not afraid of me anymore now are you it's not you i'm afraid of well you sound as
00:51:00though
00:51:00you were running away from something i am a beautiful fugitive ray you know men have died
00:51:06for things like that it'll be dark by the time we get back i'll order a little cuban twilight
00:51:11do you mind hey gus the hotel metropole he's in the office i've ordered dinner on my balcony
00:51:19for exactly 7 30. you're awfully sure of yourself aren't you
00:51:24you're not very sure of yourself are you
00:51:32come in
00:51:42and you look gorgeous sit down won't you and i'll be with you just as soon as i finish this
00:51:47love letter
00:51:50love letters don't look so well on a typewriter you know
00:51:53well this is an elderly person who wants to know all my secrets every day
00:51:56send him my love oh it's a he
00:51:59no send him my love all right i will
00:52:22hey gus or pedro whatever your name is pronto you savvy western union si send that right away
00:52:39will you please
00:52:39here you are
00:52:43what do you see beautiful isn't it the house is so white way off there somewhere is new york
00:52:51why mention that
00:52:53because i'm conscious of it i feel it watching waiting spying on everything i do
00:52:59silly isn't it
00:53:01yes very
00:53:04i have to go back in a few days
00:53:07why
00:53:08because i must
00:53:10you know i am
00:53:12sometimes you're very mysterious
00:53:18let's let's have dinner in in one of those strange restaurants in the old town shall we
00:53:24and forget new york
00:53:27forget new york
00:53:36let's go
00:54:09let's go
00:54:34It looks promising.
00:54:35She is dining with me in my room this evening.
00:54:37Stop.
00:54:37Here she is now.
00:54:38Stop.
00:54:39She sends you her love.
00:54:41Joke.
00:54:57I have to get to her at once before it's too late.
00:55:04Well, it serves your right, hiring a detective to see if your wife is fake.
00:55:08I always said you were an old fool.
00:55:09Please, please, I must get to her.
00:55:13Edward, get me the airport on the telephone at once.
00:55:17And get me Western Union, please.
00:55:18Right, sir.
00:55:21If I can get a special plane the first thing in the morning, will you go with me?
00:55:25Why, I wouldn't fly across the street for any woman's honour.
00:55:48I'll ask Daniel, I'm going back tomorrow.
00:55:52To formal dinners, boring teas in society?
00:55:57I'd like to sink every New York boat in the harbour.
00:56:00I'd still have to go back.
00:56:01I'll go with you.
00:56:02I'll go with you.
00:56:03That's just it.
00:56:04You can't.
00:56:04Who's going to stop me?
00:56:08Neil, I haven't been very honest with you.
00:56:10At first, it didn't matter much, but I found something here that I've always been looking for.
00:56:17I can't go on with this any longer.
00:56:19Why don't you tell me what it's all about?
00:56:22Oh, I guess there are plenty of women married to one man, playing around with another, but...
00:56:26Are you married?
00:56:28Yes.
00:56:29Well, I didn't know that.
00:56:31To whom?
00:56:33Ever hear of Skylar Brooks?
00:56:36Is he your husband?
00:56:41Oh, I see.
00:56:43Now you understand why I have to go back alone.
00:56:46But why are you so unhappy?
00:56:50You see, Neil, six months after I married Skylar...
00:57:10Well, that's the story.
00:57:12There's still Maurice.
00:57:13And a rotten blackmail plot.
00:57:15Sounds like a nightmare, doesn't it?
00:57:19You called me a fugitive once, remember?
00:57:22What makes you trust me so much?
00:57:24I don't know.
00:57:26I just do.
00:57:29Let's get married right away.
00:57:31What are we waiting for, huh?
00:57:33Now, darling, you must give me time to notify my family.
00:57:36Think of the shock to father.
00:57:38Why, he'd cut off my stipend.
00:57:40Oh, we can't let that happen.
00:57:41Oh, you're such a lamb.
00:57:43And so good to poor little me.
00:57:45Father will simply adore you.
00:57:47By the way, speaking of father,
00:57:49did your allowance check come?
00:57:51Oh, well, not yet.
00:57:53But as soon as it does,
00:57:54I'm going to pay you back
00:57:55all that money you loaned me for my hotel bill.
00:58:00Oh, I beg your pardon.
00:58:03What did you have to come back for?
00:58:05Well, I'm sorry, but I live here.
00:58:06I want to see you.
00:58:08Oh, me?
00:58:08No, it's you, dear.
00:58:10Come on, Hank.
00:58:10I want to see you.
00:58:11That guy's getting in my hair.
00:58:13I'm going to fire him.
00:58:15Oh, I wouldn't do that.
00:58:17He's really awfully good looking.
00:58:19Now, I am going to fire him.
00:58:25This is Mr. Davis and 214.
00:58:27Any messages for me, please?
00:58:29A cablegram?
00:58:30Well, I didn't receive any cablegram.
00:58:33Oh, you gave it to Mr. Wales.
00:58:35I say thank you.
00:58:36I've been sort of busy today.
00:58:38I guess I forgot to give it to you.
00:58:39Forgot to give it to me?
00:58:40But a swell detective you turned out to be.
00:58:43Don't say anything about me being a detective.
00:58:45She might hear you.
00:58:46Detective?
00:58:47Then maybe she wouldn't marry me.
00:58:49I can always be a detective,
00:58:50but I can't always marry a million bucks.
00:58:53Arriving 6.30 this evening by plane.
00:58:55Brooks.
00:58:56You ain't sore at me, are you?
00:58:57Get a loss.
00:58:58Someday you're going to drop dead from brain fatigue.
00:59:00Say, what's the matter with you?
00:59:02You act like you've fallen for the dame.
00:59:03I have, sucker.
00:59:08He's fired, honey.
00:59:20I have.
00:59:32I have to.
00:59:34You act like you've fallen for your death.
00:59:37Oh, my God.
00:59:39I have, гораздо me a Carol.
00:59:40I have to go.
00:59:40I have to do I can't breathe.
00:59:40That's the matter.
00:59:41Oh, my God.
00:59:45Lord Ges and gentlemen,
00:59:45Oh, my God.
00:59:50Come here, I have to go.
01:00:17Neil, I didn't hear you.
01:00:28You're right on time.
01:00:32Well, and?
01:00:47What?
01:00:48It's addressed to you.
01:00:50He doesn't know you.
01:00:54Or does he?
01:00:58Neil, does he?
01:00:59Yes, he does.
01:01:01What?
01:01:03He'll be here in a moment, and I can't go through with it.
01:01:06I can't.
01:01:07What are you talking about?
01:01:09Don't you realize what I am?
01:01:12Can't you see that ever since you left New York, I've been following you?
01:01:15Don't you understand?
01:01:19Neil.
01:01:21Neil, you...
01:01:23Oh, no.
01:01:24I know.
01:01:24Yeah, I know.
01:02:01Listen, Anne, all the while we've been together, I've been a paid spy and the employee of that man, sent
01:02:07a following to make your acquaintance and report your actions and tell him what kind of a woman you really
01:02:11are. Now, in a few moments, there'll be a knock on that door and he'll walk in and find us.
01:02:15I'm supposed to hold you in my arms just as he walks in. That's what he paid his money to
01:02:20see. But, Anne, I can't do it. I'm not a private detective anymore. I'm not a sneak.
01:02:26I'm just someone who loves you. Believe me, I do love you.
01:02:30It's just a cure to work.ברים
01:02:36I'm
01:02:36not a livingрыth I'm
01:02:36not a living buat in myṣ
01:02:36I'll get you.
01:02:39I'll get you.
01:02:58Maurice!
01:03:29Yes.
01:03:32Mr. Brooks.
01:03:33Yes.
01:03:34How do you do?
01:03:34How do you do?
01:03:36Where is she?
01:03:36Oh, I, uh, why, she's in her room, alone.
01:03:39Tell me quickly, is it too late?
01:03:41You know what I mean.
01:03:42You haven't, uh...
01:03:43Oh, that, why, no, you've been quite mistaken about Mrs. Brooks.
01:03:47Oh, then you know that she's my...
01:03:48Yes, yes.
01:03:49Oh, well, I'll go to her.
01:03:51No, just a moment, just a moment.
01:03:52Suppose you were to find out that I was a private detective
01:03:54hired by you to, uh, well, to frame her.
01:03:57She must never know that.
01:03:58I depend upon you to keep it a secret.
01:03:59Well, then you must let me see her first.
01:04:01Three minutes is all I need,
01:04:02just to tell her that I've been called away
01:04:04and to say goodbye, and then she won't be suspicious.
01:04:06Then you can happen along, and she won't be any the wiser.
01:04:09All right, all right, but be quick about it.
01:04:10All right, just three minutes.
01:04:12Yes.
01:04:16Maurice, stop it, you're drunk!
01:04:18I'll take these to start with.
01:04:19Let go of me.
01:04:20Neil.
01:04:22Ah, so that's the way it is.
01:04:23Who is he, quick?
01:04:24Maurice.
01:04:25I thought so.
01:04:25Listen, your husband is on his way here now,
01:04:27and he's got to find you alone.
01:04:31You heard me.
01:04:32Get out.
01:04:33What for?
01:04:34Why, uh,
01:04:41just as you wish.
01:04:50Of course, if you were smart,
01:04:51you'd realize that if Mr. Brooks catches you here,
01:04:54it's all over with you and your little game.
01:04:56You think so?
01:04:57That's the trouble with you amateur blackmailers.
01:05:00You're always spilling the beans too soon.
01:05:02You're well-informed, aren't you?
01:05:04That's my business.
01:05:10What is this, a frame-up?
01:05:11Yes, and you fell for it.
01:05:13Listen, you mug,
01:05:13I've been trailing you for weeks.
01:05:15Now that I've found you,
01:05:16I've got to let you go.
01:05:17Not because I'm big-hearted,
01:05:18but to save that woman.
01:05:19Now, I'll give you 30 minutes head start.
01:05:21You haven't even got a warrant.
01:05:23Warrant?
01:05:23I've got a couple of cops coming up here
01:05:25with Mr. Brooks,
01:05:25and if you don't clear out by that time...
01:05:36Shh!
01:05:37Out that window and across to the next room.
01:05:39Quick!
01:05:39It's a cinch.
01:05:52I've got to go now.
01:05:53Goodbye and good luck.
01:05:55Wait a moment.
01:05:56What?
01:06:01Come in.
01:06:06Anne!
01:06:10This was what you paid your money to see, wasn't it?
01:06:13I wouldn't disappoint you for anything, Skylar.
01:06:16You double-crossing...
01:06:18Now, wait a minute.
01:06:18You keep out of this.
01:06:29I tried to be fair,
01:06:30but you've hounded me
01:06:31and spied on me
01:06:32since the first day we married.
01:06:33Then you deliberately put someone in front of me
01:06:35whom you thought that I might fall in love with,
01:06:37hoping that I wouldn't
01:06:38because you still wanted to keep me.
01:06:40And yet, down in your dirty little mind,
01:06:41wondering if I would.
01:06:42But, Anne, you're my wife.
01:06:44If your sister told you everything,
01:06:45you know that I'm not your wife.
01:06:46Yes, but my lawyer can arrange all that.
01:06:48You don't believe in evidence, do you?
01:06:50Evidence?
01:06:50Yes.
01:06:51What you saw when you came into this room is true.
01:06:54Mr. Brooks.
01:06:54I'll pay you off.
01:06:55Now, please get out.
01:06:56I'm sorry.
01:06:57You don't owe me a thing.
01:06:58As long as Anne has seen Fischer...
01:07:00Shut up!
01:07:02I picked you up out of nothing.
01:07:04You can go back to nothing,
01:07:05for all I care.
01:07:11I don't know what to say.
01:07:15I...
01:07:15I feel that I'm to blame for the whole mess.
01:07:21No one's to blame.
01:07:23It just had to happen, I guess.
01:07:26Funny thing.
01:07:28We worry and struggle
01:07:29and try to work out our little problems.
01:07:33And all of a sudden, it's over.
01:07:36Like that.
01:07:38It just doesn't seem possible.
01:07:48Hello, Mr. Brooks.
01:07:49How have you been?
01:07:50Fancy meeting you here.
01:07:51Why, you...
01:07:52You...
01:07:53Get out of my way.
01:07:54What if I'm home?
01:07:56Well, that's life.
01:07:58Here today, gone tomorrow.
01:08:09It's Maurice.
01:08:11Oh.
01:08:12Oh, how awful.
01:08:15Listen, Anne.
01:08:16The police will be here in a few moments
01:08:17and they'll want explanations
01:08:18and we'll have to give them.
01:08:19Where are those documents?
01:08:20Quick.
01:08:22Hurry.
01:08:22They're right here where I left them.
01:08:27There you are.
01:08:28Where's that suicide note you told me about?
01:08:34Well, here it is.
01:08:35Dearest Anne,
01:08:36life holds nothing for me
01:08:37but humiliation and poverty.
01:08:38I prefer to die by my own hand.
01:08:40Maurice.
01:08:41That's what I need.
01:08:58Here it is.
01:08:58Throw it.
01:08:593
01:09:002
01:09:043
01:09:054
01:09:055
01:09:066
01:09:066
01:09:066
01:09:065
01:09:065
01:09:066
01:09:066
01:09:066
01:09:067
Comments