- 9 hours ago
Matka King S01E05 [Full Movie] [Long Version]Full EP - Full
Category
🎥
Short filmTranscript
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04:28And another vicious man, another next one.
04:30The fire will slide.
04:33The fire will fall.
04:34The fire will let me all предt Kelhan will fall.
04:47Thank you
04:49I love you!
04:50Can you tell us?
04:51The triple-panel has opened.
04:52What?
04:53The triple-panel?
04:54Who opened it?
04:54I opened it.
04:55I opened it.
04:56I opened it.
04:57You're going to open it.
04:59I'm seeing it.
05:00It's all right.
05:02It is a problem that you have to come.
05:04It is a problem.
05:05You can tell me.
05:05I said, don't open it.
05:07Don't open it.
05:07I'll give it to the money.
05:09I'll give it to the money.
05:11I'll give it to the money.
05:11I'll give it to the money.
05:12Go ahead.
05:13Okay.
05:17bridge phone
05:18rake kut souchtay huye
05:20khani ke liye bethe anmol ke paas a kar
05:22khano kharai
05:28agla drishya, din ka same
05:33bridge or praveen, gari si sattu ke matka aaddee pere pahuncate hain
05:38bridge ke haat me eek suit case hai
05:54bridge sattu ke paas ake hath me lata hai
05:57sattu vijeta se parichay karvata hai
06:04bridge suit case dhekar jane lagta hai
06:06sattu pichy se tukta hai
06:12bridge muskuraate huye sattu ko dhekta hai
06:15screen kali hooti hai
06:18animation me race course
06:19aur sattu bazi ki dhishyao ke saath naam aate hai
06:21air Roy Kapoor films, art part
06:23or smr entertainment production
06:25producers Siddharth Roy Kapoor
06:27producers Nagraj Popat Rao Manjulay
06:29Gargi Kulkarni, Ashwini Siddhwani, Ashish Aryan
06:32Vijay Verma, Krittika Kamra, Saita Amankar, Siddharth Jaadav, Bhupendra Jaadavad, Jamie Lever, Introducing, Simran Ashwini, Girish Kulkarni, Bharat Jaadav, Kishor
06:44Kadam, Gulshan Grover, DOP, Sudhakar Reddy Yakanti, ISC
06:48Screen per tashke pate and matke ke dhishyao ke dhishyao ke aare hai
06:59story concept by Ashish Aryan
07:01created and written by Abheko Rane Nagraj Popat Rao Manjulay
07:06This is the color of the red red screen.
07:09Created and directed by Nagraj Pupa Trao Manjjulay.
07:18Now, it's time of night.
07:20The light of the night is coming.
07:21Lachu Lala Ji's car gets sit down.
07:23The light of the seat is coming.
07:25Lachu's back is coming and he gets out his back.
07:28Sambabh, one thing is that these young people earn money from the same time.
07:39When you gave up the dhanda, the collection has increased.
07:43But Dad, I don't know what a new drama has started.
07:48I'm still here.
07:51They say that they've become a saint.
08:22Oh
08:24LAL JÍ GAMBHÍR HO JÁTÁ HAY
08:25AB DIN KA SEMAY
08:26BOMBAY CONCERN MILKA DRASHY
08:28DHAGDU OR PRAVEEN MAKKA KÍ RASI DECHA ACHAR HAYE HAY
08:38BANGANI SHIRT MÉ EK AADMÍ SICAIKL SE AÁTÁ HAY
08:40OR HAT BADHAYA HUA DHAGDU KÉ KÁN MÉ KUCH KEHTA HAY
08:43DHAGDU CHOCK KÉ PRAVEEN KUCH ANLÉ KA IŞARAH KERTA HAY
08:47DHAGDU BANGANI SHIRT WAALES SÉ
08:50VOU JÁTÁ HAYE BANGANI SHIRT WAALA
09:01VOU PAYSSE JHOLE MEN BHANNNE LAGTÁ HAYE
09:07PULIS KÍ JEEP KÓ AÁTÁ DEEK BHAGDAR MACHATI HAYE
09:10LAL GAMCHEWALA EG BUDHA PAYSOSKA THEYLA LECKE BHAGDU SE DUR JÁNE LAGTÁ HAYE
09:19PULIS WALE BHAGDU KÓ MÁRNE LAGTAY HAYE
09:23TABHI THÁNEDÁR EGNAT BUDHAE KÓ BHAGTAY DECHTA HAYE
09:26CHAL JALDI CHAL
09:28BUDHA GARDI MÉ INTIZÁR KER RAHE PRAVEEN OR DHAGDU KÓ
09:31THEYLA DEEKAR BHAG JÁTÁ HAYE
09:34EKNA JEEP MÉ SOWAR HOKAR FRAAR HOTE DHAGDU
09:37OR PRAVEEN KÁ PIECHHA KERTÁ HAYE
09:40CHAL CHAL
09:41CHAL CHAL
09:44CHAL Mississippi
09:47CHAL
09:58BHAGDU
10:03ALL
10:12PRAVEEN BRIDGE TO
10:14foreign
10:24foreign
10:25foreign
10:26foreign
10:29foreign
11:04foreign
11:05foreign
11:09Yes, sir.
11:11Yes, sir.
11:15Yes, sir.
11:17Yes, sir.
11:19Yes, sir.
11:40Yes, sir.
11:43Yes, sir.
11:47Yes, sir.
11:48Okay.
11:49Why are you here? Who are you here? Who are you at home?
11:52You have to go to your mind.
11:53You have to go here.
11:57You have to pay for money.
11:59You have to pay for money.
12:07Come here, Anmol.
12:10Anmol, ma'am go to the bridge.
12:13Come here.
12:15Come here.
12:16Come here.
12:17...
12:19...
12:19...
12:28...
12:30foreign
12:41foreign
13:00GULRUK COU JAGAH DIKHATE HOUYA
13:01DEEKHIN MEđAM
13:04YEH SAB KOUCH NAYA VANA HAYE
13:07OR MEđAM KITCHEN
13:08MEđAM MEN AAPNAY MUNSAE KYA KAHUH
13:10BOMBAYKA BEST KITCHEN HAY BEST KITCHEN
13:16GULRUK BARIKI SEDHAR UDAR DEEKH RHEE HAY
13:22NICE
13:23GULRUK OR SAHELY KI NIZRAY TAKRATI HAY
13:26SAHELY IŞARE SE POOCHTI HAY KAYSA HAY
13:28GULRUK JWAAB MEN SIR HILA KAYE PASANTH HAY
13:30TOO MADAM DEAL KAP SIGN KERENGE
13:34AAPKE PATI KAP FREE HAYE
13:38RIGHT NOW TOO
13:40OUPRUK WALE KAY SADH THOUGHDHA BIZZI HAYE
13:43DOBAARAH JANAM NAKI AANEME MEN TAYM LAGGAY GAH
13:46TOO MAIN SIGN KERU
13:48TOO MAIN SIGN KERU
13:49TOO MAIN SIGN KERU
13:49TOO MAIN SIGN KERU
13:50TPE EDITOR KAY OUFIS MEN BATHAHA HAYE
13:52EDITOR KISI KOKO PHONE LAGHA RAHHA HA HAYE
13:53OUFIS KE DOOSERE KARMCHAARI BHI PHONE LAGHA RAHHA HA HAYE
13:56LAGA KYA RAHE PHONE
13:57NAHI RAHE LINE BIZZI HAYE
14:01EDITOR CHIRKE PHONE RAKHTA HAYE
14:03ROSH SHAM TOYAH PHONE LANGZ A BIZZI
14:05TELEPHONE EXCHANGE HAYE A FISH MARKET
14:08TPE HASTAH HAYE
14:10WHAT'S THAT DOOL AAP TPE
14:12TPE HAYE AAP KISHIYEGA SIR
14:14I'M JUST FEELING SORRY ABOUT YOU BEING WIKTIMIZED
14:17WIKTIMIZED? KAYSE?
14:19IT'S MATKA SIR
14:20EDITOR KA NAAM SUBHAASH KANOJIYA HAYE
14:22OPENING CARDS KULCHOKAY HAYE
14:249.32 PM
14:26WU CHONKKA HAYE
14:27HAR RAT 9-12 BORCHE TAK
14:29MATKA KE OPENING OR CLOSING NUMBERS KULTAY HAYE
14:32BRIDGE BATTI KE LOG PHONE SE
14:34OUN NUMBERS KOO SAHARE DEEZBAK PPHELA THAY HAYE
14:36UNKKE PAS ITNI PHONE LINE SEZER
14:38KIKOI AGAR FIRE BRICKET KOO BH BULLANA NA CHAHEGA
14:42THO NAHIN PULLA SAKTA
14:44WHAT DA FAKK
14:45KOI KUSH KAR KYU NAHI RAH
14:46SAB PHONE PERE BAAT KARNA IGLIKAL THODIY HAYE
14:49BADAYE CRIME SE KAM BHAI NAHI HAYE
14:51YAP, VERY MUCH
14:54PARKOI
14:55IS PROBLEM KE JARD TAK JANI RAH
15:00YAR
15:02JANA NAHI JATA
15:06SUBHAASH APRAADHI BHAAV SE NZRE GHUMAKAR
15:08APNE KARMISHARIO CO DECKTA HAYE
15:10PHYR NZRE CHURATA HAYE
15:11FINE
15:13DIVE DEEP DISSOUZA
15:15I WANT HALF A PAGE ON MATKA
15:20SUBHAASH APRAADHI BHAAV SE NZRE GHUMAKAR
15:21HAAA SAKTA
15:24GOVERNMENT LOTTERY VAGARA MEH GUSTE GHUMAKAR
15:26KEEP THIS ABOUT MATKA AND MATKA ALONE
15:31I WILL SIR
15:33TP JATA HAYE
15:42GULRUK
15:43GULRUK
16:04GULRUK
16:30GULRUK
16:31GULRUK
16:31GULRUK
16:31GULRUK
16:34GULRUK
16:38GULRUK
16:39GULRUK
16:39GULRUK
16:39GULRUK
16:39more then
16:39months
16:40at the time
16:40This is the only way of life.
16:44They seem to be close to them.
16:54They seem to be in the same place.
17:38Hello.
17:59Okay.
18:01Okay.
18:10I'm thinking about opening the restaurant.
18:12Both are different from the other side.
18:14I always had a dream.
18:16It was a dream of opening the restaurant?
18:18Yes.
18:20Okay, let's do it.
18:21Tell me when I can see a good place.
18:25I've seen a good place.
18:28It's in the breech candy.
18:29It's good.
18:33I want to make money with my money.
18:40What do you mean by me?
18:43Is it all your own?
18:47No.
18:49I don't want to say that this is my own.
18:58I'm late.
19:01The breech seems to go.
19:02He's looking for one place.
19:04He's watching one place.
19:10Come let me see-
19:13No?
19:15Then see this.
19:16Wait.
19:16My mind?
19:18The breech has the relationship to her and my side.
19:20She plays his maintenance here.
19:23Thislatra is pretty sudden.
19:36What?
19:44What did you do?
19:46There is a door.
19:55No, no, no, no, no, no, no.
20:18Oh
20:20Oh
20:21Oh
20:21Oh
20:22Oh
20:22Oh
20:22Oh
20:22Oh
20:48Ohued
20:48It
20:50Oh
20:50Oh
20:50Oh
20:50Oh
20:51She, her husband, would be happy.
20:55She would be happy for her.
20:56She would be happy with him.
21:04Mamie, would be happy with her.
21:06She would be happy with her husband.
21:12She would look for her.
21:13She had to be happy with her.
21:14I had a policy for my life insurance.
21:19I had never done a claim.
21:21But after five years,
21:23they sent me myself.
21:25Gulruk's mother and his wife have grown up.
21:27Okay.
21:28You won't put me in jail?
21:30What do you think?
21:31I don't know anything.
21:34I hear all sorts of stories about you.
21:38What do you do at home?
21:40Who you call?
21:42Everything.
21:46Gulruk Sharmindiki's eyes.
21:49I will never come back from this bitterness.
21:52I know that you blame me for Ruzi's death.
21:59For everything.
22:01For bringing bad luck into this house.
22:07But I want to tell you, Mommy,
22:08I tried to bring nothing but love to this house.
22:21I will never come back from this house.
22:25Mommy, you must accept one thing.
22:29It was an accident.
22:34He didn't die because of me.
22:43Sorry.
22:47Sorry.
22:49What do you think?
22:51Okay.
22:51I will never go back from this house.
22:57I just need to know that you are made!
23:02ुदर कॉलेज में परिक्षा हो रही है वर्खा लगन से प्रश्ण हल कर रही है
23:16निरिक्षन करता प्रोफेसर उसके पास आता है
23:23वो रुक कर उसकी कॉपी में जहागता है
23:33बर्खा सतर्ख होकर अपने जवाब जाचती है
23:35दूसरी और रुकमणी अनमोल को स्कूल से लेकर रास्ते से लौट रही है
23:51रुकमणी घबराती है
24:12वो अनमोल को लेकर भागती है
24:14अब रात का समय घर में बर्खा परिशान है
24:17अनमोल रुकमणी की गोद में सिर रखकर लेटा है
24:25बर्खा दर्वाजे की ओर भागती है
24:30प्रिज बर्खा को परिशान देखकर चौंकता है
24:33क्या हुआ है वो अनमोल को देखकर गिरा क्या नहीं डर गया है
24:42क्या हुआ है बच्चे को रास्ते में रोक के पूछने लगें लोग ओपनिंग क्या है क्लोजिंग क्या है
24:51तुम्हारा बच्चा है तो बाहर भी ना जाए क्या
24:54अच्छा रुक में नी थी ने तो क्या होता पता ने सजा काट रहे हम सब
25:03क्या है अनमोल
25:07क्या है इसको क्या है कॉन था दो तिन मोगाली जैसे लोग थे शराब भी पी रखी थे इसको पकड़
25:18लिया
25:36प्रिज अनमोल को गले लगाता है
25:40अब कमरे में बर्खा मूँ फेरे लेती हुई है ब्रिज अनमोल को गोद में लेकर आता है वो सो रहा
25:46है
26:00उसे बिस्तर पर सुला कर चादर से ढखता है
26:10फिर कुछ सोचने लगता है
26:27अनमोल को पजगा नहीं भेज़ते हैं बोर्डिंग्स को पर्खा चॉक कर उठ जाती है
26:33क्या बोर्डिंग भेस्ते हैं अच सबसे दूर
26:51ब्रिज कपड़े बदलने के लिए चला जाता है
26:56बर्खा एक तक उससे देख रही है
27:07अब दिन का समय घाती के घुमावदा रास्तों का द्रिश्यों
27:11ब्रिज बर्खा और अनमोल अपनी गाड़ी में कहीं जा रहे हैं
27:21उधर दगडू सुल्भा को मोटर साइकल पर बिठाये अपनी गाउ अमबावडे पहुचता है
27:26ब्रिज और बर्खा बोर्डिंग स्कूल के फादर से मिल रहे हैं
27:29फादर उन्हें स्कूल दिखा रहे है
27:35ब्रिज अनमोल के साथ चल रहा है
27:37बर्खा उनके पीछे मू लटकाए चल रहे है
27:47उधर दगडू गाउ पहुचता है
27:49अरे सुनो जरा, दगडू आया है
27:53ए लड़की, शगुन की ठाली लेया
27:56कैसी हो तुम, अच्छी हूँ
27:58और ये कौन है, कैसे है बाबा
28:03ये मेरी दोस्त है
28:04सुलभा
28:05सुलभा दगडू के मा बाबा के पाउच होती है
28:08आश्रवाद देती हूँ
28:10अंदर चल
28:14मा सुलभा को लेकर अंदर चली जाती है
28:17अच्छे से रहेगा न
28:18उधर बर्खा अनमोल को दुलार कर रही है
28:23अनमोल मायूस है
28:24उसके हाथ में ब्रिज का बैग है
28:26बर्खा अनमोल का गाल चूंगती है
28:28और अनमोल भी मा का गाल चूंगता है
28:30She needs her taxes
28:31Number one
28:38For the movement
28:40Bridge She has bagged
28:42She has back
28:44foreign
28:53foreign
28:54foreign
28:54foreign
28:54foreign
29:00foreign
29:07foreign
29:08foreign
29:08foreign
29:08foreign
29:09I'm going to get back to the house.
29:10I'm going to get back to the house.
29:11He's going to get back to the house.
29:12If he's going to get back to the house,
29:16he doesn't take the house.
29:16Oh no, he's the one.
29:19He's the one who's the one who's the one.
29:21Now, the house is the one who's the one.
29:25People say he's the one who's the one.
29:27I was also in the Fawj.
29:29I was in Mandari.
29:31Why?
29:33He's the one who's the other.
29:34They are all in Fawj.
29:36We keep in mind how we will be.
29:39The captain was the one who's the one coming in.
29:43That's what he said.
29:44He never was in the water.
29:45He got him.
29:48They knew me.
29:50I would save the name of my family.
29:51He died of the captain.
29:53He was going to be alone.
29:55I was going to be alone.
29:56I was going to leave my Jerusalem.
30:01Oh my God
30:04Oh
30:04Oh
30:04Oh
30:33There is a car on the road here.
30:37He and Barkha are sitting at a table.
30:40He is a bead.
30:43Barkha is proud of him.
30:45The boarding school is for his sake.
30:48For his sake?
30:50For his sake?
30:53What do you understand?
30:54He is a man.
30:59He can keep his bodyguard.
31:01He can keep his bodyguard.
31:03He can keep his bodyguard.
31:04He is holding his hand so far.
31:07He is not so much.
31:08I have thought about this.
31:10He is not holding his bodyguard on the four walls.
31:14He will stay in the kitchen.
31:20And when he knows his father and his wife
31:24He can keep his bodyguard.
31:26He will be happy with you.
31:32I don't have anything.
31:35You can also do his bodyguard with him.
31:38He is a queen.
31:40How much do you give him?
31:42Don't cry.
31:44You've never asked me.
31:46What will my hand give you my hand?
31:47I was a student of account.
31:50You've never felt bad.
31:51I don't have fear.
32:00I take the babyguard.
32:05Yes, I have done my hands.
32:07I don't have fear.
32:07How much do you take to enter?
32:19You're not having fear.
32:23foreign
32:24foreign
32:24foreign
32:24foreign
32:26foreign
32:33ुद्धर ब्रिज और बर्खा रास्ते से जा रहे हैं, दोनों तनाव में है, उधर सुल्भा मा के साथ लेती है,
32:45वो मुड़कर देखती है, दूसरी दरी पर लेता हुआ दगडू, उसे देखकर मुस्कुरा रहा है, अब दिन का समय, ब्रिज
32:53कद्दाकार खाना का उद्घा�
32:55करता है, रुकमणी आरती की थाल लिये खड़ी है, ब्रिज उससे पहले अंदर जाने का इशारा करता है, भीड में
33:05प्रवीन, रफ्तार, जीनू और सत्तु भी मौझूद हैं, इसे लाई भराई सब इधर ही होती हैं, जी दादा, जैसे आपने
33:12बूला था, वैसे ही कर रहे ह
33:14एक नमबर दादा, बढ़ी जा, तुम्हारा को रुकमी नहीं, अब ये गर्दे के दुकान तुम्हारे होारे हो, अब रात का
33:33समय, गुल्रुक के रूसीज रेस्टरेंट का उधगाटन समारो, पार्सियों की भीड लगी है, एक बुज़र्ग महिला फीता काटती है, पत्र
33:41कार भी आये हैं, ब्रिज धीरे से गुल्रुक का कंधा धप्थपा कर अंदर बढ़ता है, वो हैरानी से उससे देखती
33:52है, दावच शुरू है, एक और और कैस्ट्रा चल रहा है, ब्रिज गौर से संगीत सुन रहा है,
34:15उसे अकेला खड़ा देख, गुल्रुक उसके पास आती है, ठीक हो ना, नहीं, बहुत खुश हो, वो गुल्रुक के कंधे
34:26पर अपना हाथ रखता है, इस खरोचनी को जैस बोलते हैं, अब दिन का समय, लाल जी और बापट गॉल्फ
34:33खेल रहे हैं,
34:34क्या बात है, हमारी दोड़ी प्रैक्टिस कम हो गई है, इलेक्शन में बिजी ना, अब क्या करेंगे,
34:42सामबा और लच्छो भी साथ हैं, लच्छो लाल जी को एक सूटकेस पकड़ाता है, आपके सोशल वेलफेर फंड के लिए
34:50कि हमारी तरब से मदब,
34:52लाल जी सूटकेस पी एको देता है, अब कोई चिंता मत कीजिए, आपका पूरा ख्याल रखा जाएगा, यह अट्टी का
35:04फंड साना कभी नहीं आता, यह उसका दिमाग खराब हो गया है, नौकर था मेरा,
35:09कि अभी, किंग किंग किंग, कौने का किक असली किंग तो हम है, और पैसा बहुत बनायалась, जब से अंतुले
35:20के साथ मिलके और इलेक्षिन जीता ना बहुत रुणने लगा है,
35:23I am sorry about it.
35:29I am sorry about it.
35:29But I am sorry about it.
35:32Where I am going to keep my mind, I don't understand.
35:34I am sorry about it.
35:37I am sorry about it.
35:39I am sorry about it.
35:39I will not play it.
35:42When will I be back?
35:43I will not play it.
35:46Now, the dad has a phone.
35:48A phone is a friend.
35:50Jain sir.
35:50DCP Sharma, can you give me a phone?
35:53Yes, sir.
35:56One person will take a phone.
35:59Jane, sir, can you give me a phone?
36:01Jane.
36:02Can you prepare everything?
36:04Let me arrest you.
36:06What, sir?
36:08I don't understand anything.
36:10Don't try to understand the last time.
36:12The last time it was wrong with you.
36:15Let me go.
36:19Let me prepare.
36:20Yes, sir.
36:21Jane.
36:22Jane, sir.
36:28Eknath phone rake ker kut soch raha hai.
36:34Ab kapaas bazaar ka drishy.
36:38Police jeep bridge ke gudam ke sámeni ake rukti hai.
36:44Bridge counter per betha hai.
36:46Eknath anndar aata hai.
36:47Chal, bridge bati.
36:49Police station chal.
36:51Chal.
36:52Chal.
36:53Chal.
36:54Chal.
37:01Chal.
37:02Chal.
37:03Chal.
37:05Chal.
37:18Chal.
37:19Chal.
37:29Chal.
37:31Chal.
37:33Chal.
37:35Chal.
37:35I don't know how much you are going to get out of here.
37:38I don't know how much you are going to get out of here.
37:44Bridge is sitting in front of the bridge.
37:48Then the bridge comes in.
37:56Hello.
37:58I'm Neel Kanpur.
37:59I'm your guardian.
38:03I don't know how much you are going to get out of here.
38:08There are many.
38:11There are many.
38:12There are many of the IPs.
38:15Fraud, cheating, gambling.
38:20Everything.
38:23What is your proof that my client is going on?
38:27The proof.
38:30What is your proof?
38:32What is your proof?
38:34Just wait a little.
38:35At 9am, the bridge opens.
38:37I've heard that the bridge opens its own.
38:44But today, the bridge will open.
38:47I'm here.
38:50I'm here.
38:51I'm here.
38:51If the bridge opens,
38:53I'll take a little while.
38:56The bridge doesn't go down.
39:08We'll reach the side of the bridge.
39:11I can expect it at this.
39:13How many times?
39:15I'll take a look.
39:18My mouth is wrong.
39:19Made the bridge.
39:22Yes, sir, let's go.
39:52Oh
39:55Oh, it's not the bridge part. No, it's not the
39:59Oh, for local car. It's not the same day.
40:09Oh, yeah, yeah, I'm going to be gone. Oh, yeah, I'm going to be gone.
40:16Oh, I'm going to be
40:26oh
40:26oh
40:27.
40:27.
40:28.
40:28.
40:28.
40:28If the bridge is subscribed to me, then I pane the glass of water.
40:32The bridge will be moved inside.
40:37The bridge will be returned.
40:41The bridge will be returned to the bridge.
40:45The bridge will be placed inside.
40:58Both are on the way.
40:59The Havaldar is seeing them in the same way.
41:02It's good.
41:05It's good.
41:08It's good.
41:08He sees them and sees them.
41:11Okay, Inspector, sir.
41:13I'm going to go.
41:14If the mat is burning,
41:16it means that it's a nir-dosh.
41:19You've been eating it, right?
41:22But if the mat is not open,
41:24it means that it's a nir-dosh.
41:25Okay.
41:26You have to go.
41:29I'm ready.
41:31Let's go.
41:33Okay, buddy.
41:37Don't do anything.
41:39Let's go.
41:40The bridge is coming.
41:43The bridge is going.
41:50Nine.
41:56The bridge comes downinkable.
42:00The bridge is stopping the bridge.
42:00The bridge is coming at their mouth.
42:03The bridge has started with the spit Kirsty.
42:05Thepie was trying to stand up to right now.
42:09The bridge is getting off again.
42:10It's now been09.
42:15It's now about gardener.
42:19Forilling room at home,
42:35Oh, no, no, no, no, no, no, no, no.
42:53Oh, no, no, no, no.
43:46Oh, no, no, no, no, no, no.
43:53Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
44:22no, no, no, no, no, no, no, no, no, no, no.
44:28foreign
44:34foreign
44:36foreign
44:59Hello?
45:02Who?
45:03Who?
45:04Who?
45:125-6-7
45:13Sir
45:14Unmulgul Gaya
45:158-8 Open
45:165-6-7-5-9
45:18Eknath Chonk Jata Hai
45:22Wohh Urvishwaaz Se Gai Quart Ke Paas Aake
45:24Paka?
45:25Haan Sahab
45:27Bridge Eknath Ke Desk Se Aapna Samaan
45:29Or Patte Uthata Hai
45:30Or Jate Huwe
45:32Chalta Hoon
45:335-6-7
45:40Ata Open
45:55Dabru
45:57Dabru
45:58Pate Kholi Kishni
46:09Dabru
46:13Wohh Bahar Se Hath Mila Kar Chala Jata Hai
46:18Dabru
46:19Bahaar Ki Belk Pachapah Hai
46:20Maharashtro Polis
46:2125-6-7
46:23Dabru
46:24Dabru
46:29The Brich Thane Ke Baramdae Mayy Annoy Kupati
46:35Oh
46:37Oh
46:39Oh
46:39Oh
46:39Oh
46:39Oh
46:41Oh
46:42Oh
46:43वो कश लगाते हुए सीडियां उतरता है
46:47प्रवीन गाडी में इंतसार कर रहा है
46:53ब्रिज मुस्कुराते हुए बीड़ी जटकता है
47:00अंतिम श्रे उभरते हैं
47:01को प्रडूसर जिनेश शाह
47:03एक्जेक्यूटिफ प्रडूसर राहूल गांदी
47:05असोसियट प्रडूसर भारती कांधारी
47:08असोसियट डायरेक्टर विक्रान्थ पवार
47:10प्रोडक्शन डिजाइनर प्रियास सुहास
47:12एडिटर नितिन बैद
47:14लाइम प्रोडूसर अश्विन जोशी
47:16कॉस्चुम डिजाइनर प्रियंका दूबे
47:18हेर एंड मेकप डिजाइनर श्रिकान देसाई
47:21साउंड डिजाइनर प्रितम दास
47:23म्यूजिक सुपरवाइजर्स अचिन्थ छकर और पार्थ पांडया
47:26म्यूजिक कंपोजर अमित्रिवेदी
47:29होगा सवेरा और भागा रे के लिए
47:45अब अन्य तकमीशियनों के नाम आते हैं
48:28अब अन्य तकमीशियनों के लिए श्रिकान आते हैं
49:01अब रोई कपूर फिल्म्स का लोगो आता है, आठपार्ट का लोगो आता है, SMR Entertainment का लोगो आता है.
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