- 9 hours ago
Vanished S01E02 [Full Movie] [Full Story]Full EP - Full
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🎥
Short filmTranscript
05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51What are you going to tell me about that?
05:53What are you going to tell me about that?
05:54I was wondering when you noticed.
05:55Uh-huh.
05:57Um, it's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Uh-huh.
06:09Reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:24So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:42Mm-hmm.
06:43Mm-hmm.
06:45Mm-hmm.
06:45Mm-hmm.
06:46Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:14So.
07:15I'm gonna have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's gonna be hard to leave all the dysentery.
07:30I totally understand.
07:32No.
07:32Um, no.
07:33No.
07:34No, no.
07:34That, that, that, that is, uh, big.
07:39Um.
07:41Big.
07:42No.
07:43Wow.
07:43For a man with an English literature degree, you really have a way with words.
07:47No, I know.
07:47It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world.
07:55And that we actually want to have sex with each other all the time.
08:02But, I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like, Tom, I, I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:35And,
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:49Oh.
09:04Hey, what time is it?
09:11Tom?
09:19Hey.
09:22Hey.
09:23Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29The train's at 10.30.
09:51Oh.
09:52I want to see you.
09:53I can see you.
09:59One of these.
10:00Oh, I can see you.
10:01Wow.
10:05Hi.
10:08Sorry, Brian talks like it's an Olympic sport
10:11Oh, that's okay
10:13So, you know that hotel you wanted to go to in Arles
10:17That was so expensive
10:18It would have left us destitute for the rest of our lives
10:20Yes
10:21Well, it turns out that Brian and the owner
10:24Are on the same board for this wildlife project
10:27And Brian has called in a favor
10:30Oh my god, are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes, yes
10:36Can we have oysters and champagne?
10:37We can do whatever you want
10:38Oh, I love you
10:42What I feel is very conditional right now
10:43Oh, no, it is
10:44Oh, it is?
10:45It's completely, yes
10:58Don't
10:59Stay there
11:01Almost over
11:11That's a bingo
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France
11:19What do you think?
11:22Okay
11:24True income?
11:25Oh my god, no
11:26Nein
11:26For you all
11:43Hi
11:44Hello
11:48Sorry, I can't, I can't hear you
11:50Can you, can you repeat that?
11:51Pas de téléphone
11:57One second
11:58Yeah
11:59Alright, one second
12:03You are on vacation with your husband?
12:05Ah, yes
12:06In the salon
12:08Arl
12:09Yeah
12:10And uh, he's not my husband, he's my boyfriend
12:14Yes
12:14Can you do its name?
12:17Okay
12:17Okay
12:18Same
12:37Middle
12:37Why don't we see this mostrar for him?
12:40Can you hear me?
12:40Have a one
12:41How did I know you?
12:42Hello, my name is Anastasia.
12:43I don't know how to do it.
12:45I like it.
12:48I think it's going to be a good thing.
12:50I feel so.
12:53I'm gonna go to the station.
12:55I'll be able to get to the station.
12:56We're going to get to the station.
13:03I've got to get to the station.
13:06I'm going to get to the station.
13:09You're going to get to the station.
13:11The TGV destination of Marseille-Saint-Charles will arrive in Gare d'Avignon in a few minutes.
13:16Avignon, 5 minutes left.
14:03Did my boyfriend return?
14:07Mon ami?
14:07Uh, no.
14:10I know, he's already in.
14:13So weird.
14:15Where are you?
14:20Oh.
14:23Hi, this is Tom Parker, watching some unavailable.
14:26Leave a message after the time.
14:38Tom?
14:40Oh.
14:54Mesdames et Messieurs, notre TGV arrive en Gare d'Avignon dans quelques instants.
14:58Come to make sure you recover all your baggage.
16:15Tom.
16:17Hey.
16:18Very funny.
16:20I have been looking all over this trip.
16:22Oh my God.
16:22I'm sorry.
16:23No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, I just...
16:38Excuse me.
16:41Excuse me.
16:42Excuse me.
16:42Did you see him walking?
16:43No.
16:51Excuse me.
16:54You have a problem, madame?
16:55My...
16:55Mon ami?
16:57He's gone.
16:59He's...
16:59He...
17:00I can't find him.
17:01He kind of...
17:02Desperue.
17:03He's gone to Avignon.
17:05No, we're supposed to go to Arl.
17:06Is-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:11Yes, please.
17:12He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell into the track, is that possible?
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte et tomber sur
17:28les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK, they only open at this point.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien ça, madame.
17:50Continue à l'appeler, je suis sûr qu'il va finir pas à vous répondre.
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08It's...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:15Elle a juste un oeil, c'est la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre l'âge de moi, je l'ai dit.
18:32Oh my God.
18:37Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:51Tom.
18:53Tom, are you there?
19:02Tom, I don't want that.
19:05Tom, are you there?
19:06Tom, are you there?
19:08Tom, are you there?
19:11Tom, are you there?
19:22I've been looking all over.
19:29Do you know Marseille?
19:32No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you. I'm just kind of...
19:50I'm, um... Where is the police station?
19:54Ah, it... You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm positive this is all a big misunderstanding, so...
20:12You know...
20:15If you need help, I'm Helen.
20:19Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry. It's going to be okay.
20:33Bye.
20:35Bye.
20:36Bye.
20:46Bye.
20:48Bye.
20:52Bye.
20:54Bye.
20:56Bye.
20:57Bye.
21:00Bye.
21:04Bye.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please.
21:25Do you know how many people are reported missing each day in France?
21:30Six hundred on a good day.
21:33Okay, well, that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:04I don't... I don't understand.
22:08Mother Monho, how long have you known your boyfriend?
22:15Um, well, we've been dating for four years.
22:20We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist. I'm a...
22:37Who told you a fight?
22:40What?
22:41Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, eh, voilà ?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5648 hours.
25:49Right.
25:51What's in there?
25:54Vaccines.
25:56Without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well then, I guess you better hop in.
26:35All right.
26:37All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
26:59Yes, it is.
27:01Yes, it is.
27:01Yes, it is.
27:01Yes, it is.
27:01Yes, it is.
27:07Yes, it is.
27:07Yes, it is.
27:08Yes, it is.
27:08Yes, it is.
27:12Yes, it is.
27:13Yes, it is.
27:14Yes, it is.
27:24clean it every day god don't tell me you're one of those people who sees hygiene as some
27:29bourgeois construct no no i like it i like hygiene good it's just that sometimes
27:36oh i mean not everything in life is neat and tidy right okay well my car is not a metaphor
27:42for my life i'm actually an archaeologist trust me i know how to get dirty
27:55so
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:58Let's see if I play.
29:36Let's see if I play.
30:16Let's see if I play.
30:32Let's see if I play.
30:34Let's see if I play.
30:37Let's see if I play.
30:39Let's see if I play.
30:40Let's see if I play.
31:01Let's see if I play.
31:14Let's see if I play.
31:38Let's see if I play.
31:44Let's see if I play.
31:50Let's see if I play.
32:12Let's see if I play.
32:14Let's see if I play.
32:20Let's see if I play.
32:29Let's see if I play.
32:33Let's see if I play.
32:38Let's see if I play.
32:39Let's see if I play.
32:46Let's see if I play.
32:58I don't know.
33:30I don't know.
33:47I followed the line back from Avignon, where the train stopped, and I found this.
33:54Papalcon.
33:55Well, yeah, it's Tom's favorite. He offered me a piece before he disappeared.
33:59Hmm. And the ejected seat on the train, where was that found?
34:03It should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now. This is all getting quite dramatic.
34:12His name is Maurice Giroux. He was hiding something, I could tell. You have to bring him in for questioning.
34:17I have to go to the cinema. Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house. I chose well. Better than you, it seems.
34:36Tread carefully, Miss Monroe.
36:26Mr. Tom!
36:28Mr. Tom!
36:29I'll let me out here!
36:30All right.
36:31No, I'll let me out here!
36:31Salma, Salma, one sec.
36:33I'll let me out here!
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me, they need to be in the fridge right away.
36:38Okay.
36:39Okay.
36:41Okay.
36:42Thirty-six-two.
36:45Hi.
36:47Who are you?
36:49I, uh...
36:49I just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:00I know.
37:02I know.
37:08Wait, what's happening?
37:09Stay back!
37:12What's he doing?
37:13I know.
37:13Bye, bye!
37:15I know!
37:16I know!
37:17Карdo, bye!
37:18Come on!
37:19Come on, Bart!
37:20Come on, go stop.
37:22Hey hey hey!
37:23Come on, Bart!
37:24You're not taking him!
37:25You're not taking him!
37:26You're not taking him!
37:29I know!
37:30Eddie ...
37:37You got the best of me.
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli, sell them to traffickers for a king's ransom.
38:04He's stopped them before?
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened, Jan.
38:55And I just feel like the conductor had something to do with that.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:01What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Are you rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:20No.
39:20It's always about money.
39:24What is it?
39:29Oh, diabetes.
39:33Wow.
39:36Okay, so what do I do?
39:38The police are either useless or correct.
39:42And if you're really lucky, they're both.
39:44Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:56Yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone,
40:05so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:26Has he said anything strange?
40:34Um...
40:34Find something more than a piece of Twingo man.
40:37Maybe I can help.
40:40I'm not.
40:41I don't know.
41:08I don't know if he was one of the two sticks.
41:22It's Uncle Brian.
41:25He's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:21It's a semi-rose finch.
42:23It reminds me of you.
42:25It reminds me of you.
42:39It reminds me of you.
42:41It reminds me of you.
43:06It reminds me of you.
43:09It reminds me of you.
43:10It reminds me of you.
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