- 9 hours ago
Vanished S01E02 [Full Movie] [Full Series]Full EP - Full
Category
🎥
Short filmTranscript
05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48What are you going to say.
05:50What are you going to say.
05:51What are you going to tell me about that?
05:54I was wondering when you noticed.
05:58It's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:10Hmm.
06:11Oh.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirp-a-chirping.
06:14Loudly.
06:25so come on you holding out or something how is jordan um well you know
06:34dysentery malnutrition backhanders the cops and politicians just the usual
06:40five stars on yelp highly recommend
06:48well i have some news i got offered a teaching position associate professor of archaeology
07:01princeton oh my god alice i mean um that's that's amazing yeah that's exactly what you wanted i'm so
07:09proud of you so i'm gonna have an apartment you know place on campus from which you and i could
07:20live
07:22together
07:28i know it's gonna be hard to leave all the dysentery i totally understand no no um no no that
07:34that that
07:34is uh
07:39big um
07:41big no um well for a man with an english literature degree you really have a way with words no
07:47i know
07:47it's it's it's a skill we've talked about this before we have listen i love that we get to meet
07:53up in hotels all over the world and that we actually want to have sex with each other all the
07:58time but
08:02i want this job you know i want to build a life that's mine not just uncovering other people's
08:13we have to make a decision you and me like tom i i love you so much and i want
08:21to keep loving
08:21you and i'd like to do it while i'm actually looking at you
08:30and i love you alice monroe and
08:39i want to be with you
08:44even in new jersey especially in new jersey
09:03hey what time is it
09:11tom
09:16tom
09:19hey
09:21hey hey uncle brian he's in london oh why don't you go downstairs order some breakfast
09:28okay trains at 10 30.
09:52i don't want to talk to you
10:04i don't want to talk to you
10:06hi sorry brian talks like it's an olympic sport
10:11oh it's okay
10:13so you know that hotel you want to go to in arles that was so expensive it would have left
10:19us
10:19destitute for the rest of our lives yes well it turns out that brian and the owner are on the
10:25same board for this wildlife project and brian has called in a favor oh my god are you kidding
10:33can we get massages and lay by the pool yes yes can we have oysters and champagne we can do
10:38whatever
10:38you want oh i love you well i feel it's very conditional right now oh no it is oh it
10:45is completely yes
10:57okay
10:58don't stay there we're almost over
11:11okay
11:11that's a bingo okay maybe we don't do impressions of fictional ss officers as we're traveling through
11:18previously occupied france what do you think okay okay
11:24true income oh my god no nine for you
11:44hey hello uh sorry i can't i can't hear you can you can you repeat that by the telephone
11:56one
11:57one second yeah all right one second
12:02was it on vacancy with votre mari ah ouais no cello arl yeah and uh he's not my husband he's
12:13my boyfriend
12:25uh
12:34uh
12:35uh
12:35uh
13:08Mesdames et Messieurs, bonjour.
13:10Notre train TGV à destination de Marseille-Saint-Charles va arriver en gare d'Avignon dans quelques minutes.
13:16Avignon, 5 minutes d'arène.
14:02Sous-titrage Société Radio-Canada
14:05boyfriend return not on me I know I don't deserve it so weird where are you
14:22hi this is Tom Parker I'm unavailable leave a message after the time
14:39Tom
14:54mesdames et messieurs notre TGV arrive en garde à Vignon dans quelques instants venez vous assurer de récupérer tout vos
15:01bagages
15:12oh
15:13oh
15:13oh
15:13oh
15:13oh
15:13oh
15:17oh
15:24oh
15:24oh
15:32I don't know.
16:03I don't know.
16:24I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:41Excuse me, did you see him walking?
16:43No.
16:51Excuse me.
16:54Is there a problem, madame?
16:55My...
16:55Mon ami?
16:57He's gone.
16:59He's...
17:00He...
17:00I can't find him.
17:01He kind of...
17:02Desperou.
17:03Il est peut-être descendu à Avignon.
17:05No, we're supposed to go to Arles.
17:06Est-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell into the track, is that possible, Matt?
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte et tomber sur
17:28les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK, they only open at this point.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien ça, madame.
17:50Continue à l'appeler, je suis sûr qu'il va finir pas à vous répondre.
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08It's in...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:15Elle a juste un oeil, c'est la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre l'âge de moi, je l'ai dit.
18:32Oh my God.
18:37Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:51Tom.
18:54Tom, I can...
19:29Do you know Marseille?
19:32No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Arles, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you. I'm just kind of... I'm...
19:52Where is the police station?
19:53Ah. It... You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm... Positive this is all a big misunderstanding, so...
20:11You know, if you need help, I'm Helen.
20:19Alice, thanks.
20:27So... Good luck, Alice. And don't worry. It's going to be okay.
20:33Hmm? Bye.
20:34Bye. Bye.
20:36Bye.
20:37Bye.
21:15Excuse me.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please.
21:25Do you know how many people are reported missing each day in France?
21:30Six hundred on a good day.
21:33Okay, well that cannot be an excuse to not help me.
21:36It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:49Just one second.
22:02I don't... I don't understand.
22:12How long have you known your boyfriend?
22:16Well...
22:17We've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:24It's a...
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37I'm a...
22:37Do you two or you fight?
22:40What?
22:41Fights.
22:42Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, eh, voilà?
23:29He would never do that.
23:31You don't know Tom.
23:32I'm no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
23:57S, m, S, m, S, M, S, M.
24:27Oh!
25:05Sorry, thank you.
25:35Hey!
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture too.
25:46Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:55Yeah, without refrigeration they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then I guess you better hop in.
26:33Oh, thank you!
26:36All right.
26:46Hi.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:09Yes, it is.
27:12It's shoes off at your house then, is it?
27:14What?
27:16Want to know what gives you away?
27:18Oh, it's shirt.
27:19The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Good.
27:33It's just that sometimes...
27:36Oh, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
28:11I call it the aloha salmon.
28:13Okay.
28:39Okay, can you stop already?
28:42Can you see? Up here.
28:44Okay.
28:44Let's see if we play.
29:22Let's see if we play.
29:43Let's see if we play.
30:07Tom?
30:16Let's see if we play.
30:25Let's see if we play.
30:54Let's see if we play.
31:00Oh, shit.
31:01Let's see if we play.
31:18Let's see if we play.
31:42Let's see if we play.
32:18Let's see if we play.
32:29Let's see if we play.
32:40Let's see if we play.
33:10Let's see if we play.
33:31Let's see if we play.
33:33him missing tomorrow can i please have a moment of your time please walk with me i'm late to the
33:38cinema for an alain delon double bill and madame drax will not take it kindly if i'm late i know
33:44where tom got off the train bravo madame cruzo i followed the line back from avignon where the
33:49train stopped and i found this bubble gum well yeah it's tom's favorite he offered me a piece
33:58before he disappeared and the ejected seat on the train where was that found should really be a
34:04stand-up comedian you know that my wife doesn't think so so there was a door in the conductor's
34:09office oh the conductor is in the compass now this is all getting quite dramatic his name is marie
34:14shiru he was hiding something i could tell you have to bring him in for questioning i have to
34:18go to the cinema samurai awaits you know i'm not making this up and i'm late nice car
34:29my wife makes the money in our house i chose well better than i knew it seems
34:36tread carefully miss mongro
35:01so
35:09so
36:26Mr. Tom.
36:28Mr. Tom.
36:29I'm here here.
36:30All right.
36:31I'm here.
36:31Salma, Salma.
36:32One sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me to her.
36:35They need to be in the fridge right away.
36:38Okay.
36:41Okay.
36:4236, 2.
36:46Hi.
36:47Who are you?
36:49I, uh, you just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:01I know.
37:04Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop him.
37:20Go, go, stop, go, stop, go, stop.
37:22Hey, hey, hey, hey.
37:23You're not taking him.
37:24You're not taking him.
37:26You're not taking him.
37:28Oh, I hate him.
37:32No, I'm sorry.
37:33I don't, I don't, I don't, I don't, I don't.
37:37You're not taking him.
37:49Yola!
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli.
38:00Sell them to traffickers for a king's ransom.
38:04He stopped them before?
38:06Yep.
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:16I don't know.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened to you on.
38:56I just feel like the conductor had something to do with that.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:01What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Oh, you're rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:20It's always about money.
39:24What is it?
39:29Oh, diabetes.
39:33Wow.
39:35Okay, so what do I do?
39:38The police are either useless or correct.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:56Yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:03You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:26Has he said anything strange?
40:34Find something more than a piece of twinkle man.
40:37Maybe I can help.
40:39Not.
40:55Does he say anything?
40:58Yes.
41:07What do I say?
41:22It's Uncle Brian.
41:25He's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:21It's a semi-rose finch.
42:23It reminds me of you.
42:25It reminds me of you.
42:39It reminds me of you.
42:41It reminds me of you.
43:06It reminds me of you.
43:09It reminds me of you.
43:10It reminds me of you.
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