05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51What are you going to tell me about that?
05:54What are you going to tell me about that?
05:54I was wondering when you noticed.
05:55Um, it's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see you just thought you'd have it with you forever?
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:20Loudly.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position, associate professor of archaeology, Princeton.
07:02Oh, my God.
07:03Alice, I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:14So.
07:15I'm going to have an apartment, you know, a place on campus from which you and I could live
07:22together.
07:28I know it's going to be hard to leave all the dysentery, I totally understand.
07:31No, no, no.
07:33Um, no.
07:33No, no, no.
07:34That is, uh, big.
07:40Um.
07:41Big?
07:42No.
07:43Um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:46No, no, no.
07:47I know.
07:47It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time, but I want this job.
08:05You know, I want to build a life that's mine, not just uncovering other people's.
08:13We have to make a decision, you and me.
08:16Like, Tom, I, I love you so much and I want to keep loving you and I'd like to do
08:23it while
08:23I'm actually looking at you.
08:30And I love you, Alice Munro, and I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:49Oh.
09:04Yeah, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:21Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:28Train's at 10.30.
09:33Yes.
09:35Hi.
09:36Hi.
09:39Hi.
10:00Hi.
10:07Sorry.
10:09Brian.
10:10Hi.
10:10It looks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have
10:19left us destitute for the rest of our lives?
10:21Yes.
10:21Well, it turns out that Brian and the owner are on the same board for this wildlife project
10:27and Brian has called in a favor.
10:30Oh, my God.
10:31Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes.
10:35Yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh.
10:39Oh.
10:39I love you.
10:42What I feel is very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45Completely.
10:46Yes.
10:58Don't.
10:59Stay there.
11:01It's almost over.
11:11That's a bingo.
11:13Okay.
11:14Maybe we don't do impressions of fictional SS officers as we're traveling through previously
11:19occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nein.
11:27For you?
11:44Hello.
11:46Uh.
11:48Sorry, I can't...
11:49I can't hear you.
11:50Can you...
11:50Can you repeat that?
11:51No telephone.
11:57One sec.
11:58Yeah.
11:59All right.
12:00One sec.
12:01Yeah.
12:01Yeah.
12:01One sec.
12:01No.
12:02No.
12:02Yeah.
12:03Anyway, do you attend...켜
12:04counselor. Who's
12:04going with your husband? Well,
12:07you attend... talking下
12:07known star, Aros... Yeah.
12:10...and
12:10uh, he's
12:11not my husband. He's
12:13my boyfriend. And...
12:16my boyfriend. Okay.
12:18Yeah,
12:18hi, hi.
14:23Hi, this is Tom Parker.
14:25I'm unavailable.
14:26Leave a message after the time.
14:38Tom?
14:55I'll be right back.
16:16Tom, hey, very funny.
16:19I have been looking all over this trip.
16:22Oh my God, I'm sorry.
16:24No, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:36Did you see him...
16:38Did you see him?
16:46I didn't want to see him?
16:49You know, you know, I can't find him.
17:01I can't find him.
17:01I can't find him.
17:15Yes, I have called.
17:17I have called.
17:17He's not answering.
17:18He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell into the track, is that possible,
17:25Matt?
17:25I'm sorry...
17:46I'm sorry.
17:49I'm sorry.
17:50I can't find him.
18:02I'm sorry.
18:03I'm sorry.
18:04But what's in here?
18:08Yes.
18:09Could you please open it?
18:10No.
18:11What?
18:23Monsieur Giroux.
18:24May I please look inside?
18:26I...
18:26It's important.
18:28They're against the rule.
18:31Oh my God.
18:36Tom, I've been looking all over with you.
18:40Tom, are you there?
18:50Tom.
18:53Look.
19:29Do you know Marseille?
19:31No, no, but it's...
19:34I'll be fine, I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm...
19:47You've been so helpful. Thank you.
19:49I'm just kind of...
19:52Where is the police station?
19:55You go down the hill. It's on your right.
19:57You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine.
20:02I'm positive this is all a big misunderstanding, so...
20:11You know...
20:13If you need help, I'm Helen.
20:19Alice. Thanks.
20:27So...
20:27Good luck, Alice.
20:29And don't worry.
20:31It's going to be okay.
20:34Bye.
20:35Bye.
20:35Bye.
20:36Bye.
20:47Bye.
20:49Bye.
20:52Bye.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please.
21:21Please.
21:21Come and sit.
21:22Come and look.
21:26Do you know how many people are reported missing each day in France?
21:31600 on a good day.
21:33Okay.
21:34Well, that cannot be an excuse to not help me.
21:36Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say.
21:46What about his passport?
21:47Yes, I have it.
21:48I have it right here.
21:49Just one second.
21:53Hold on.
22:03I don't...
22:05I don't understand.
22:12How long have you known your boyfriend?
22:17Well, we've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:24It's a...
22:25It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes.
22:36I'm an archeologist.
22:37I'm a...
22:37Who told you fight?
22:40What?
22:41Fights.
22:42Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else?
22:49Anything else?
22:49Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:19So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so he got off the train at Avignon without telling you, eh, voila?
23:29He would never do that.
23:31You don't know Tom.
23:32I am no man.
23:37Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:54Forty-eight hours, Miss Monroe.
23:57Forty-eight hours.
24:13What if you think?
24:27We'll do a trip.
24:29We will be having a trip.
24:33Bye!
24:34That's our way!
24:35Bye!
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:50Right.
25:51What's in there?
25:53Uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you'd better hop in.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:53I know.
27:54No, I know.
27:57I know.
27:57No.
28:05No.
28:07No.
28:11No.
28:39Okay, can you stop?
28:41All righty, up here.
28:44Okay.
28:44Let's see if we play.
29:11Let's go.
29:12Let's go.
29:25Let's go.
29:31Let's go.
29:35Let's go.
29:38Let's go.
29:52Let's go.
29:55Let's go.
29:57Let's go.
30:08Let's go.
30:09Let's go.
30:09Let's go.
30:17Let's go.
30:19Let's go.
31:00Oh, shit.
31:43Oh, my God, it's Tom.
32:11Oh, shit.
32:14Oh, shit.
32:15Oh, my God.
32:58Oh, my God.
33:18Oh, my God.
33:23Hi. Hello.
33:24Mademoiselle Monroe, what a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No, but, um...
33:31Ah, well, then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema for an Alain Delon double bill, and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped, and I found this.
33:54Bubblegum.
33:55Well, yeah, it's Tom's favorite.
33:57He offered me a piece before he disappeared.
33:59Hmm.
34:00And the ejected seat on the train, where was that found?
34:03Should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now.
34:11This is all getting quite dramatic.
34:13His name is Maurice Giroux.
34:14He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema.
34:19Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:31I chose well.
34:33Better than you, it seems.
34:36Tread carefully, Miss Monroe.
35:17Tread carefully, Miss Monroe.
36:26Mr. Tom, Mr. Tom, are we here?
36:30All right.
36:31No, are we here?
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me they need to be in the fridge right away.
36:38Okay.
36:41Okay.
36:4336-2.
36:46Hi.
36:47Who are you?
36:49I just gave Tom a lift.
36:51He broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:01I know.
37:08Hey, what's happening?
37:09Stay back.
37:12What's he doing?
37:20Hey, hey, hey.
37:23You're not taking him.
37:24You're not taking him.
37:25You're not taking him.
37:29You're not taking him.
37:32You're not taking him.
37:36Whatever.
37:37He's talking about the best of me.
37:51who are they local bandits i think no one will notice missing refugees from syria
37:58take them down to tripoli sell them to traffickers for a king's ransom
38:04he stopped them before he may be useless with cars but he could talk a dog off a meat truck
38:48you look like you need a drink
38:53something must have happened at home before happening on
38:56i just feel like the conductor had something to do with that i mean you saw him yourself the way
39:00he
39:00was acting all shifty what do you think happened okay this is going to sound insane but
39:07i think tom was kidnapped is he rich no oh you're rich no so why would someone kidnap him
39:18maybe it's not about money oh it's always about money
39:24what
39:32what do i do
39:38the police are either useless or correct and if you're really lucky they're both
39:45great what then what am i i'm an investigative journalist who are you an archaeologist yes you're like me
39:58you look for clues in the past to tell you about the future
40:01you know tom better than anyone so you probably know more than you realize
40:12did he mention anyone or anything who has he been in touch with lately
40:26has he said anything strange
40:34find something more than a piece of twinkle man maybe i can help
40:41you
40:41i
40:41i
40:41i
40:53i
41:07i
41:08i
41:09i
41:09i
41:22It's Uncle Brian, he's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:22SOS Global, Bureau de Marseille.
42:23Reminds me of you, reminds me of you, reminds me of you.
43:04SOS Global, Bureau de Marseille.
43:04SOS Global, Bureau de Marseille.
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