- 20 hours ago
Address Unknown (1944) Full Movie ｜ Paul Lukas, Carl Esmond, Peter van Eyck [Full Movie] [Ranked]Full EP - Full
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Short filmTranscript
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00:03:34O, DARLING HURRY UP
00:03:37YOU DON'T WANT US TO STARS TO DEAD
00:03:38DO YOU
00:03:41TO ELSA
00:03:42TO ELSA
00:03:46I FEEL ASHAMED OF MYSELF
00:03:48WHEN I THINK WHAT I'M GONNA MISS ELSA MOST FOR
00:03:50WHY, MAX, YOU NEVER TOLD ME THAT BEFORE
00:03:55GENSEBRADE
00:03:57Mmm...
00:03:57Schnittzel
00:03:58Königsberger klops
00:04:00Sauerbraten
00:04:01but sour. You are breaking my heart. Almost you make me feel that it's my duty to leave Elsa here.
00:04:06I'm leaving the recipes for everything behind with Grisel. Wait till you taste her sourbraten.
00:04:12You mean Grisel, she's not going with you? Max, I'm afraid not. But why? The plans are all made.
00:04:21Why, only a moment ago you didn't want her to leave you. I don't understand. What's happening?
00:04:28Well, it was Heinrich's secret. I happen to know that today my son was planning to ask her a certain
00:04:33question. Is it? You're sure? Yeah, I have it on the best possible authority, my friend.
00:04:44This is wonderful. It isn't that he wanted to keep a secret from you, Max. Oh, I knew. Of course
00:04:51I
00:04:51knew. Do you think I'm blind? I've seen it coming for months. A thousand little signs.
00:04:57Little Grisel. Married. Before long, we'll be grandfathers. I don't mind it so much for myself,
00:05:03but I don't know how I feel about being married to a grandmother.
00:05:09Hello, everybody. Hello. Are we late? No, you're just on time. Good. We thought we were going to be
00:05:17late, didn't we, Heinrich? We sure did. Aren't you being festive? Yes, aren't we? Come on, join us.
00:05:26Thank you. Thank you. Maybe we'll want to drink a toast or something. Maybe.
00:05:30Maybe. Do you want to tell them? No, you better do it.
00:05:45Well, we're not getting married.
00:05:49Why, Grisel? Now, before you get all unhappy about it, let me explain.
00:05:54Heinrich and I talked the thing over thoroughly, didn't we, Heinrich?
00:05:58Yes, thoroughly. And we decided there was no sense in getting all emotional and upset about
00:06:04something that, well, that... I can't help it if I want to be an actress, if I don't want to
00:06:15change all the things I've hoped and planned for so long. Can I?
00:06:24Can I? No. No, dear. Of course not.
00:06:31It'd be perfectly absurd for me to try to be a wife and an actress at the same time. It
00:06:37wouldn't be
00:06:38fair to either of us.
00:06:42So I'm going ahead with my plans for a year, and when I come back from Germany, what?
00:06:49We'll be married.
00:06:51Yes, of course, darling.
00:07:03Don't you understand?
00:07:05Of course we do. There aren't many children who could be that sensible.
00:07:11Anyway, it'll be some time until I am a grandmother.
00:07:14Oh, that's something.
00:07:16I didn't share no luck with me ever in the end of...
00:07:19Shhh!
00:07:19Oh, wait.
00:07:22And you're not angry with me?
00:07:24Of course I'm not.
00:07:26How could I?
00:07:30I'm not a great actress.
00:07:32You're a dear.
00:07:39Heinrich.
00:07:45Oh, darling, you'll be all right.
00:07:49Can we eat now, ma?
00:07:51Yes, yes, yes. Sit down.
00:08:03Prost!
00:08:04Prost!
00:08:27Prost!
00:08:29Who's that from, Carlo?
00:08:31It's your mother, my!
00:08:32I've got a million in the stand, Ronnie!
00:08:34You're missing!
00:08:35Hey, Carlo, shut up!
00:08:57How would you say it in German?
00:08:59It's a letter from Uncle Max.
00:09:03Here is a dream.
00:09:12The only question in my mind is whether it will be quite big enough.
00:09:17With such a belt you must take care or Elsa will grow to fit it.
00:09:21Yeah, five more boys and I'll fit it just nice and snug.
00:09:24Well, maybe next time it'll be a daughter.
00:09:27Daughter? A girl?
00:09:29Don't worry, it will be a boy. Once Elsa forms a habit, you know, it is very hard to break
00:09:33her.
00:09:33My mind is shaking.
00:09:35It's a letter from Uncle Lea.
00:09:39Oh, what a student, what a student.
00:09:42Ah, San Francisco.
00:09:44It's nice to see Max's handwriting again.
00:09:50Well, well.
00:09:51He says San Francisco is an empty place without you and Elsa.
00:09:55Even the California sunshine isn't as warm as the sunshine of our friendship.
00:09:59Oh.
00:10:04Oh, looks like a storm's coming up.
00:10:09Oh, yes.
00:10:11Oh, that fellow is going to get wet.
00:10:18Why?
00:10:19It's a Baron von Freisch.
00:10:22Oh, are you sure?
00:10:23Oh, of course I'm sure.
00:10:25He's a very important man.
00:10:27Oh, it's raining harder.
00:10:29Oh, he'll get wet.
00:10:30We must ask him in.
00:10:31A Baron.
00:10:32A Baron, come in.
00:10:34Come in, sir.
00:10:35Coming out of the rain.
00:10:41Hurry up.
00:10:42The door is unlocked.
00:10:47Taking it all in all, Baron von Freisch seems to be one of the most gracious and charming
00:10:52men I've ever met.
00:10:53His family is among the wealthiest and oldest in Germany.
00:10:56Ooh.
00:10:58And yet, when the storm forced him to take refuge in our house, you would have thought
00:11:02it was a castle as big as his own.
00:11:04The confusion of moving didn't bother us.
00:11:09When he was the first to arrive, it is the sort of charm and courtesy that one finds
00:11:14only in the old world.
00:11:16All right, but what about Grisel?
00:11:18Hmm.
00:11:19Let's see.
00:11:20Ah.
00:11:22Oh, he says she's gone to Vienna.
00:11:24Yes.
00:11:29I'm sorry she left the family.
00:11:31Oh, there's nothing to worry about.
00:11:36She worries me.
00:11:37She's so young and strong-minded and daring.
00:11:43You'll see.
00:11:50You go talk to her.
00:11:52Why pick on me?
00:11:53Because I'm the boss.
00:12:18How do you do, Miss Delaney?
00:12:20How do you do?
00:12:22This is an interesting thing.
00:12:25I don't seem to recognize the brushwork, though.
00:12:28Whose is it?
00:12:30It's an unknown artist.
00:12:32Oh, a new man.
00:12:34Yes.
00:12:35My father just sent it from Germany.
00:12:38What do you think of it?
00:12:39I think it says something.
00:12:42Don't you?
00:12:44Quite.
00:12:44Quite.
00:12:45I seem to feel a certain spiritual facility in it, don't you?
00:12:49Why, yes.
00:12:50Some artists, you know, paint with their hands.
00:12:52Others paint with their head.
00:12:54What do you think this one painted with?
00:12:59I wouldn't care to say.
00:13:00I'll buy it.
00:13:01What's the price?
00:13:02I'll give you a thousand cash.
00:13:03Oh, no, Miss Delaney.
00:13:04I haven't promised it to someone else.
00:13:05No, not that, but...
00:13:06Fifteen hundred, then.
00:13:07I can tell a good painting when I see it.
00:13:11I'm sorry, Mrs. Delaney, but that is not for sale.
00:13:13I'll meet any reasonable price.
00:13:15Somebody's offered you two thousand, I suppose.
00:13:17Oh, no.
00:13:18More?
00:13:18Twenty-five hundred?
00:13:19Look here.
00:13:20Three thousand.
00:13:22What?
00:13:22Wait a minute.
00:13:23I know you're an honest man.
00:13:25Has anyone offered you more than three thousand?
00:13:27No.
00:13:28All right.
00:13:29Three thousand it is, then.
00:13:30I'm a very good client of yours, Mr. Eisenstein.
00:13:33It's only right that you let me make this little discovery.
00:13:36But...
00:13:36Send it to my house at once.
00:13:38I'll give the messenger the check.
00:13:44I wouldn't give that outrage to my worst enemy.
00:13:46But I'm sure father sent it only for a joke.
00:13:50Put it in the cellar behind me.
00:13:52Maybe if she doesn't see it the next time she comes in, she'll forget about it.
00:13:55All right.
00:13:56I was going to write your father a letter today, anyhow.
00:13:58I think I'll start off with a few things he won't forget in a hurry.
00:14:15Max and I used to come here years ago.
00:14:17Yes?
00:14:26It's changed.
00:14:27Has it?
00:14:28Well, I've been living in Munich for twenty-five years and I've never been here before.
00:14:34I don't see a waiter.
00:14:36It's probably an half hour.
00:14:39Well, anyway, listen.
00:14:42Mrs. Delaney is making my life miserable trying to buy the ugly beans you sent me.
00:14:47You know, I sent him a very bad painting.
00:14:49A nightmare in oil.
00:14:51And a very wealthy connoisseur is trying to bully him into taking three thousand dollars for it.
00:14:56Well, Max is fighting to the last ditch.
00:14:58Good old honest Max.
00:15:00Yeah.
00:15:01Personally, he says, I think you and I are very lucky that we have such a sound following for the
00:15:06gallery.
00:15:07That's admonishing me to be more careful in the future.
00:15:12Well, that's all for that.
00:15:14And, oh, who is this Adolf Hitler who seems to be rising to power in Germany?
00:15:20I do not like what I read of him.
00:15:22Good afternoon, Herr Schultz.
00:15:24Oh, Herr Baron.
00:15:26Good afternoon.
00:15:28Would you come sit with us?
00:15:30Yes.
00:15:30This is my friend, Professor Schmidt, Baron von Freischen.
00:15:34Hello.
00:15:35May I take your hand?
00:15:44So, uh, he doesn't like what he reads, hmm?
00:15:49Oh!
00:15:50Oh, the letter.
00:15:52It's my partner, Max Eisenstein in the United States.
00:15:57Does he know the conditions he doesn't like?
00:16:00Oh, no, no.
00:16:01It's just what he reads in the American papers, is it?
00:16:03I find that hard to understand.
00:16:05I myself would hesitate to form conclusions without first-hand evidence.
00:16:11You must set him right.
00:16:14I suppose it isn't easy for a foreigner to understand the agonies our people have suffered since the Treaty of
00:16:20Versailles.
00:16:21What years of less and less spread, of leaner bodies, of the end of hope.
00:16:27Oh.
00:16:28Oh, thank you.
00:16:31The quicksand of despair held us.
00:16:34Then, just before we died, a man came and pulled us out.
00:16:43You are a native of Munich, Professor.
00:16:45Well, look.
00:16:46You have witnessed this deliverance.
00:16:49If it is a deliverance.
00:16:56You know, there's a surge, my friend.
00:16:58A surge.
00:16:59Our whole despair has been thrown aside like a forgotten coat.
00:17:04No longer do we wrap ourselves in shame.
00:17:07What can be wrong about a man who affects people so?
00:17:11When people are hungry, they do not care what kind of a man it is who gives them bread.
00:17:18We of Germany have found our destiny.
00:17:21The future sweeps toward us in an overwhelming wave.
00:17:25I wish we could be sure that the wave would not engulf us.
00:17:28Sweep us on to destruction.
00:17:30We must go with it, Herr Schulz.
00:17:33The days of hopelessness and stagnation are over.
00:17:37Our movement needs the sympathy and help of all right-thinking men.
00:17:41Men of substance, Herr Schulz.
00:17:44Leaders who can command respect in the fatherland.
00:17:48They are the men who will rise with a new Germany.
00:17:53The others...
00:18:06Come here a moment.
00:18:10That's what I mean.
00:18:13Chins up.
00:18:14Heads high.
00:18:16Strength through joy.
00:18:19You see, Herr Schulz?
00:18:29Martin!
00:18:31Aren't they pretty?
00:18:32Even in California we never have better flowers.
00:18:35Beautiful darling, I have wonderful news.
00:18:38We've been invited to dinner.
00:18:40The Baron von Freische.
00:18:41When?
00:18:42Tonight.
00:18:44Oh, isn't that a shame.
00:18:47Just when Grandma and Herman and Otto are coming.
00:18:50Oh.
00:18:51Well, maybe he'll ask us again.
00:18:58Well.
00:19:00The Baron is a very important man.
00:19:03Why, indeed he is.
00:19:04And it's a great honor, his invitation.
00:19:06But I've asked Mama and the boys a week ago.
00:19:09It's too bad, Martin, but there's nothing we can do.
00:19:12Oh, my goodness, they're probably on their way now.
00:19:15You better hurry and change.
00:19:20We'll dine at the Baron's.
00:19:37I tell you, Max, I think in many ways
00:19:41Hitler is good for Germany.
00:19:45Hmph.
00:19:46The man is like an electric shock.
00:19:50Strong as only a great orator and a zealot can be.
00:19:56It is true that his Branche Troops are of the rattle.
00:19:59They pillage and have started a bad Jew bait.
00:20:02But these may be minor things.
00:20:04The little surface is coming when the big movement boils up.
00:20:07The old despair has been thrown aside like a forgotten coat.
00:20:11The leader is found.
00:20:13Yet, sometimes, cautiously to myself, I ask the leader to wear.
00:20:19Publicly, as is natural, I express no doubt.
00:20:22I am now an official and a worker in the new regime.
00:20:27I exalt very loud, indeed.
00:20:29All of us officials who cherish whoreskins are quick to join the National Socialists.
00:20:33But this is not only expedience.
00:20:37There is something more.
00:20:39A feeling that we of Germany have found our destiny.
00:20:44And that the future sweeps toward us in an overwhelming wave.
00:20:50We must move with it.
00:20:53Of course, there are wrongs being done.
00:20:56The stormtroopers are having their moment of victory.
00:20:59And there are bloody heads and sad hearts to show for it.
00:21:04But these things pass.
00:21:07If the end in view is right,
00:21:10they pass and are forgotten.
00:21:13History writes a clean new page.
00:21:20A clean new page?
00:21:22Yes, I've heard of that page.
00:21:24How they deal with the people who will not join that overwhelming wave.
00:21:29Floggings.
00:21:30Quarts of tastoil through clenched teeth.
00:21:32The people who disappear.
00:21:37I wish Grisel were back here.
00:21:53Hello, friends. Anybody home? Uncle Martin around?
00:21:56He is in a study, Miss Grisel.
00:21:58Oh, thank you.
00:21:59Uncle Martin!
00:22:02Oh.
00:22:05Oh, I was looking for Uncle Martin.
00:22:07Martin Schulz?
00:22:08Yes.
00:22:10He just stepped out for a moment.
00:22:12I'm a friend of your uncle's.
00:22:15Baron von Freische.
00:22:18How do you do?
00:22:20I'm Grisel Stone.
00:22:23The actress.
00:22:25Oh, yes!
00:22:28Grisel!
00:22:28Gerald!
00:22:30Why didn't you let us know?
00:22:31I didn't know myself until tonight.
00:22:33I've taken the part in Berlin.
00:22:35Oh, wonderful. That's fine.
00:22:37You met the Herr Baron, haven't you?
00:22:39We introduced ourselves.
00:22:42You know she's determined to become a very great actress.
00:22:45I'm sure she will be.
00:22:48Well, you're probably talking about something important.
00:22:51Where's Aunt Elsa?
00:22:52Upstairs.
00:22:52But you better call out as you go up, or she will faint with surprise.
00:22:55All right, I will.
00:23:00A very charming girl.
00:23:02She's studying in Vienna, you know.
00:23:05Oh.
00:23:06I never saw a woman yet who didn't leave things strewn all over the house.
00:23:10G.E.
00:23:12Am I mistaken?
00:23:14I understood your niece to say her name was Stone.
00:23:18Grisel Stone.
00:23:19Oh, yes. That's her stage name.
00:23:21Her real name is Eisenstein.
00:23:25Heisenstein.
00:23:27Well, she's not my real niece, you know.
00:23:31She's the daughter of my partner in San Francisco.
00:23:34Jewish?
00:23:35Why, yes, but...
00:23:37Oh, your partner?
00:23:39The man whose letter you are reading to Dane the Ratzkeller?
00:23:43Yes.
00:23:47I'm sure I don't need to tell you how important this question is to us in Germany.
00:23:52Oh.
00:23:53But the daughter of a very old friend, I...
00:23:56I must be going.
00:24:04You are going to have to choose, Herr Schulz.
00:24:07You can't sit on two stools at once.
00:24:10At least not here in Germany.
00:24:12I understand.
00:24:15I understand.
00:24:22Grisel, Grisel.
00:24:24No.
00:24:28No.
00:24:30No.
00:24:33No.
00:24:37No.
00:24:42No.
00:25:11We must for the present
00:25:16To maintain
00:25:21That often, Father?
00:25:23Yes, yes
00:25:24This isn't bad news, is it?
00:25:27No
00:25:34We rise in our might
00:25:37We go singing through our valleys
00:25:39With strong muscles tingling
00:25:43Tingling for a new work
00:25:45Then from the mountains ring the voices
00:25:47Of Wotan and Thor
00:25:48The old strong gods of the German race
00:25:51What in the world are you talking about?
00:25:53I don't know
00:25:54Can I look at that?
00:26:02We must for the present
00:26:04Just continue writing each other
00:26:07To understand
00:26:15That must be insane
00:26:17No, no
00:26:18There's a new censorship in Germany, Heinrich
00:26:20We must remember that
00:26:22I'm certain your father was writing this for the censor
00:26:24Not for me
00:26:26I had written a few things in my own letters
00:26:28That might cause an embarrassment
00:26:30It's no more than right
00:26:31That he should want the officials to think
00:26:32That he doesn't agree
00:26:34But there's still a way
00:26:35That we can exchange letters
00:26:37Without their having to go through the censor
00:26:55But there's still a way
00:27:07Hey, boy.
00:27:34...very personal manner.
00:27:37Wait.
00:27:40Did it ever occur to you that Herr Schultz might get pretty sore if you don't let me in there?
00:27:45Now, you go in and tell him there's a man out here from San Francisco,
00:27:48and I'll bet you a steel engraving of Adolf Hitler, suitably framed, that he'll see me.
00:28:10You may go in.
00:28:11See? What'd I tell you?
00:28:29You wish to see me?
00:28:30Yes. I'm a friend of Max Eisenstein's. We're neighbors back home.
00:28:35I'm just...
00:28:38You are Martin Schultz?
00:28:40I am.
00:28:41You're a partner of Max's in San Francisco?
00:28:44I was associated with him at one time.
00:28:49He asked me to give you this. In person.
00:28:55Okay, Kraut.
00:29:13Martin, my old friend.
00:29:15I'm sending this by a neighbor who plans to visit Munich shortly.
00:29:19I cannot believe what I read in the last letter you sent me.
00:29:23I am sure you wrote as you did, only from fear of the censor.
00:29:27I do not write now because I doubt you.
00:29:30I know that you have not changed, that you hate injustice and violence as much as I do.
00:29:37But there is so much madness in the world these days that I need a word of reassurance.
00:29:41You must give me that word, Martin.
00:29:44I do not ask for a long letter, Martin.
00:29:47Nothing that will embarrass you in the office of censorship.
00:29:50Just one word will do.
00:29:52The word, yes.
00:30:01The answer is no.
00:30:04I can't believe he's my father.
00:30:08What are you going to do?
00:30:09I'm going to cable Griselle to get out of Germany, now.
00:30:12Wait.
00:30:14A letter will do as well.
00:30:16With a maniac like that loose in the country, I don't want her to stay there another minute.
00:30:20This is an important day in Griselle's life, Heinrich.
00:30:23She's dreamed of it for a long time.
00:30:26Yes.
00:30:27I suppose she'll be nervous enough tonight without any cables from me.
00:30:32You don't want to do anything to upset the leading lady, you know.
00:30:38We'll write her.
00:30:58One moment, ladies.
00:30:59I'm sure I don't need to remind you.
00:31:01Since we are opening tonight, if we don't get it right now, we'll never have another chance.
00:31:05Please, lady.
00:31:06Hurry up, girls.
00:31:07Let's try it again.
00:31:09Ready, Miss Stone?
00:31:11Ready, Herr Director.
00:31:13All right. Start again.
00:31:40Ready, Herr Director.
00:31:48Thank you by order of the department of censorship the following line should be deleted from this
00:31:56play blessed are the meek for they shall inherit the earth
00:32:13blessed are the peacemakers for they shall be called the children of God blessed are they
00:32:20which are persecuted for righteousness sake for theirs is the kingdom of heaven so but look here
00:32:27if you cut these passages out it destroys the meaning I am sure you will be able to solve that
00:32:33difficulty you artists what's wrong with the lines they are not acceptable they aren't even the
00:32:40authors I'm aware of that there is no need to concern yourself here director with anything
00:32:44except to see that these lines are not spoken from this stage again those are your government's
00:32:49orders disobedience is treason can that little man do this yes I'm afraid he can
00:33:10so
00:33:40CHOIR SINGS
00:34:07CHOIR SINGS
00:34:20Blessed are the poor in spirit, for theirs is the kingdom of heaven.
00:34:34Blessed are the meek, for they shall inherit the earth.
00:34:54For they shall be filled in the earth.
00:35:02Stop!
00:35:02Stop!
00:35:06Stop!
00:35:10Stop!
00:35:19Blessed are the merciful, for they shall obtain mercy.
00:35:24I demand that this performance cease!
00:35:27Stop, I say!
00:35:31Herr Direktor!
00:35:43The Direktor had nothing to do with this.
00:35:45I am the one who restored those lines.
00:35:47Oh, you are.
00:35:51Hen, please forgive this interruption.
00:35:54Today at rehearsal, this man came here and ordered us to delete from our play the lines which I have
00:35:59just spoken.
00:36:00I disobeyed him because I believe he exceeded his authority.
00:36:04I do not believe that your government desires to censor the word of God.
00:36:09I do not believe that your government or any government wants to censor goodness and gentleness and truth.
00:36:16Fräulein?
00:36:17Fräulein?
00:36:17What is your name?
00:36:19Grisel.
00:36:20You would do well to remain where you are, Herr Direktor.
00:36:23Well, Fräulein?
00:36:24Or is it a secret?
00:36:26You know my name.
00:36:28Grisel Stone.
00:36:30No, Fräulein.
00:36:31I mean your real name.
00:36:34The name you have kept secret.
00:36:37My real name is Eisenstein.
00:36:41I see.
00:36:43Eisenstein.
00:36:45I changed it because it was not a good name for the theater.
00:36:48It was too long.
00:36:49It didn't look well in lights.
00:36:53Yes, Yudin!
00:36:57It is a word you hear a great deal in your country lately, isn't it?
00:37:00Yudin.
00:37:01The letter J painted on the door.
00:37:03As if by calling a man a Jew, you robbed him of his humanity.
00:37:07No!
00:37:07As if you took away our hands and eyes.
00:37:09Our power to love and hate with just that one word.
00:37:13Yudin!
00:37:14Yudin!
00:37:15Yudin!
00:37:16Yudin!
00:37:17Yudin!
00:37:18Yudin!
00:37:18Yudin!
00:37:19Yudin!
00:37:19Yudin!
00:37:20Yudin!
00:37:21Yudin!
00:37:21Yudin!
00:37:24Yudin!
00:37:32Yudin!
00:37:34Yudin!
00:37:35Yudin!
00:37:36Yudin!
00:37:37Yudin!
00:37:38Yudin!
00:37:39Yudin!
00:37:39Yudin!
00:37:40Yudin!
00:37:40Yudin!
00:37:42Yudin!
00:37:42Yudin!
00:37:43Yudin!
00:37:43Yudin!
00:37:46Yudin!
00:37:48Yudin!
00:37:49Yudin!
00:37:50Yudin!
00:37:51Yudin!
00:37:52Yudin!
00:37:53Yudin!
00:37:56Let me in! Open this door! Open this door!
00:38:30Open this door!
00:38:58Open this door!
00:39:04For the sake of our friendship, Martin, and for the sake of the love your son bears, Griselle, you must
00:39:09help her.
00:39:10I know that wherever she may be, if she's still alive and free, she will try to get to your
00:39:14house.
00:39:15I must hope that God will let her succeed.
00:39:18Heinrich and I commend her to your care, old friend.
00:39:21Our prayers are with you both.
00:40:56THE END
00:41:30THE END
00:42:04THE END
00:42:23THE END
00:42:29THE END
00:42:30THE END
00:42:30THE END
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00:44:59THE END
00:45:01THE END
00:45:01THE END
00:45:13ADOLPH MARTIN
00:45:14SCHULZ
00:45:15I baptize thee in the name of the Father, and of the Son, and of the Holy Ghost. Amen.
00:45:26Protect, dear Lord, the life of this little child, and keep him ever as thy own for Jesus' sake.
00:45:34The blessing of Almighty God the Father, the Son, and the Holy Ghost be with you all. Amen.
00:46:00I think it's you, Anselm, would hardly know this is a christening.
00:46:07How long is this to go on?
00:46:11Nothing is going to spoil the day for him.
00:46:14Look at that little chap.
00:46:18He has a fine new name.
00:46:23Nothing in this world that I could have done would have helped Griselle.
00:46:28If I had brought her into this house, it would have meant perhaps that all of us would be...
00:46:31Take your hand of me, Martin.
00:46:37I hope I'm not including.
00:46:39Oh, no, no, not at all.
00:46:42Come in.
00:46:45A cable grab just came for you.
00:46:47I thought it might be important.
00:46:49Oh, thank you.
00:46:50Pardon me.
00:46:53A handsome young man, as I congratulate you both.
00:46:56Perhaps I should say the three of you.
00:46:59You sound tired.
00:47:02Five fine boys here, and one in America.
00:47:05You have done more than your duty.
00:47:08You must rest a while.
00:47:10I think when the baby is old enough to travel, I may go away.
00:47:14Perhaps to Switzerland.
00:47:15That should be very nice.
00:47:34Not bad news, I hope.
00:47:37No.
00:47:38No.
00:47:42Not at all.
00:47:44A message of congratulations to little Adolf.
00:47:48Shall we go into the other room?
00:47:49I mustn't forget I'm the host and the father, you know.
00:47:51I mustn't forget I'm the host and the father, you know.
00:48:00You must be seated.
00:48:01That's right.
00:48:04I wasn't ready.
00:48:05I wasn't ready.
00:48:06I wasn't ready.
00:48:08I wasn't ready.
00:48:11I was ready.
00:48:11I was ready.
00:48:12I was ready.
00:48:12I was ready.
00:48:15I was ready.
00:48:23Come in.
00:48:28Kneel, sir.
00:48:30Put it down here.
00:51:10Good afternoon, Herr Schulz.
00:51:25Have you got the meal, sir?
00:51:26There was nothing.
00:51:27Nothing important.
00:51:28Good afternoon, my son.
00:51:47I'm writing to you because there is no one else who can help me.
00:51:50That crazy cable, these letters in code.
00:51:53Another one has just come, and now even the servants are beginning to look at me in a strange way.
00:51:57Only if you lived in Germany could you understand what will happen to me unless they stop.
00:52:01As you are my son, Heinrich, you must see that there are no more.
00:52:05You must go to any length as you are my son.
00:52:08But I don't know who I was, but it's I, but I don't know.
00:52:37How vì is there?
00:52:38There are no other ways.
00:53:19Good afternoon, Herr Barron.
00:53:22How are you, Franz?
00:53:24Is Herr Schulz at home?
00:53:26Yes, Herr Barron, in the study.
00:53:29Won't you come right in?
00:53:31Herr Barron von Freische, sir.
00:53:34Why, Herr Barron, what a delightful surprise.
00:53:38I thought you were in Berlin.
00:53:40I got back this afternoon.
00:53:41Oh, I haven't been home yet.
00:53:45Why, you...
00:53:46You stop to see me first?
00:53:48Yes.
00:53:50Sit down.
00:53:51Won't you have a drink?
00:53:52Thank you. I'll only stay a minute.
00:53:54Oh, I have some of your favorite schnapps.
00:53:57Did you have a pleasant journey?
00:53:59Not too bad.
00:54:02I ran into a friend of yours.
00:54:04Oh?
00:54:05Who was it?
00:54:07Oh, he's an artist, I believe.
00:54:09By the way, that was you a lion, wasn't it?
00:54:11Before you came to Germany.
00:54:13Paintings and so forth.
00:54:15Yes.
00:54:16And have you sent back a great many Picassos and Cezanne's and things since you have been here?
00:54:25Few.
00:54:30Prost.
00:54:31Prost.
00:54:43Prost.
00:54:45Yes, I understand it.
00:54:48Yes, sir.
00:54:54I...
00:54:55Really?
00:54:57Are you sure?
00:54:58Of course.
00:54:59Of course I'm sure.
00:55:02Martin.
00:55:04You wondered why I stopped in to see you before I went to my own house.
00:55:07Tell me.
00:55:09Something to tell me?
00:55:16No, nothing.
00:55:28Thanks for the drink.
00:55:32You know, I liked it so much better than that imported stuff.
00:55:36I don't have patriotism either.
00:55:39Just that with liquor that has crossed the ocean.
00:55:43There's always something.
00:55:46A taste of something fallen.
00:55:51Yes.
00:55:54The meal, sir.
00:56:00Franz.
00:56:02Will you get my hat and coat, please?
00:56:04Yes, sir.
00:56:04I will.
00:56:06I will.
00:56:07I will.
00:56:14That's what I was talking about.
00:56:33Why did you interrupt us?
00:56:35Why did you bring that letter in there?
00:56:37I thought you would want it, sir.
00:56:40It was from America.
00:56:41I will do with America.
00:57:30Max, do you know what you do?
00:57:32I shall have to try to smuggle this letter out.
00:57:35I write an appeal from a despair you cannot imagine.
00:57:39Well, this crazy cable, these letters you have sent, I am called in to account for them.
00:57:45They demand I give them the code.
00:57:47A code.
00:57:48Already the results of your madness are terrible.
00:57:51I am bluntly told I must resign my office.
00:57:54In the name of heaven, Max, do you see what that means?
00:57:57Do you know what it is to be taken to a concentration camp?
00:58:00Would you stand me against a wall and level a gun?
00:58:04I beg of you, stop.
00:58:26So you are off, huh?
00:58:27Yes.
00:58:32Elsa, I know why you are going away.
00:58:34Will you do something for me?
00:58:36What?
00:58:48You can send it by the post.
00:58:51Elsa!
00:59:01Martin, if you need me, if I can help you, perhaps I should stay with you.
00:59:09No, you must go.
00:59:11This letter must go.
00:59:12Here.
00:59:16Bye.
00:59:16Auf Wiedersehen, Martin.
00:59:17Goodbye, sir.
00:59:22Come on.
00:59:48Come on.
01:00:39Oh, I have the room.
01:00:41Good evening.
01:00:42Come in.
01:00:44Come in.
01:00:48I want to talk to you.
01:00:51Of course.
01:00:59Close the door.
01:01:03No one will hear us.
01:01:06I have dismissed the servants.
01:01:14I warn you, Herr Schultz, if that is your name.
01:01:19I told you it was a crime in Germany to send or receive letters in code.
01:01:26Perhaps I should have added that it is treason to try to smuggle such letters out of the country.
01:01:33What do you mean?
01:01:35Last night, your wife was stopped at the Swiss border.
01:01:38She had a letter addressed to San Francisco, which she destroyed before we could read it.
01:01:43I thought perhaps you might care to tell me the contents.
01:01:48That was for Max.
01:01:49I begged him not to write to me anymore.
01:01:52That letter proved I am innocent.
01:01:53If you had only read it.
01:01:55But surely Elsa must have told you.
01:01:57You questioned her, didn't you?
01:01:59We allowed her to go on into Switzerland.
01:02:01She is a simple, rather stupid woman after all.
01:02:04Harmless enough, I dare say, without you.
01:02:07But I tell you, the whole thing was a plot to destroy me.
01:02:10There was no code, really.
01:02:12That's all it ever was, you see.
01:02:14You received a cablegram the day of the christening.
01:02:16You said it was a message of congratulation to little Adolf.
01:02:21That was a lie.
01:02:28If it was a plot, why didn't you tell us?
01:02:33I thought you wouldn't understand.
01:02:37You have gone to a great deal of trouble with your story.
01:02:40But I should call it rather ingenious than convincing.
01:02:47Herr Schulz, I'll give you a last chance to name your accomplices.
01:02:55But Herr Barone, there were no accomplices.
01:02:59I am innocent.
01:03:02If you could only have questioned Elsa, I'm sure you would have believed her.
01:03:07We will question you.
01:03:09You are foolhardy, my dear friend.
01:03:12I shall go.
01:03:14But there will be others come to question you.
01:03:17And they will not be as gentle as I.
01:03:20Our government has very little patience with its enemies.
01:03:28You might still save yourself.
01:03:34But I told you the truth.
01:03:38Very well.
01:03:56And I advise you not to make any plans to leave.
01:04:11Let's go.
01:04:12Let's go.
01:04:14Let's go.
01:04:19Let's go.
01:04:23Let's go.
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