- 11 hours ago
Address Unknown (1944) Full Movie ｜ Paul Lukas, Carl Esmond, Peter van Eyck [Full Movie] [Full Version]Full EP - Full
Category
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Short filmTranscript
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00:03:50for why max you never told me that before genzer brown schnitzel koenigsberger klops
00:04:00sourbraten but sour you are breaking my heart almost you make me feel that it's my duty to
00:04:05leave elsa here i'm leaving the recipes for everything behind with griselle where do you
00:04:09taste her sourbraten oh you mean griselle she she's not going with you max i'm afraid not
00:04:19but why the plans are all made why only a moment ago you didn't want her to leave you
00:04:24i don't understand what's happening
00:04:28well it was heinrich's secret i happen to know that today my son was planning to ask her a certain
00:04:33question is it you're you're sure yeah i have it on the best possible authority my friend
00:04:43oh this is wonderful it isn't that he wanted to keep a secret from you max oh i knew of
00:04:51course i
00:04:51knew do you think i'm blind i've seen it coming for months a thousand little signs
00:04:57little griselle married before long we'll be grandfathers i don't mind it so much for myself but
00:05:04i don't know how i feel about being married to a grandmother oh hello everybody hello hello
00:05:11are we late no you're just on time good we thought we were going to be late didn't we heinrich
00:05:18we sure
00:05:18did aren't you being festive yes aren't we come on join us thank you thank you maybe we'll want to
00:05:28drink a toast to something maybe do you want to tell them no you better do it
00:05:44well we're not getting married
00:05:49why griselle now before you get all unhappy about it let me explain
00:05:54heinrich and i talked the thing over thoroughly didn't we heinrich yes thoroughly and we decided
00:06:01there was no sense in getting all emotional and upset about something that well that
00:06:11i can't help it if i want to be an actress if i don't want to change all the things
00:06:15i've
00:06:16hoped and planned for so long can i can i no no dear of course not
00:06:31it'd be perfectly absurd for me to try to be a a wife and an actress at the same time
00:06:37it wouldn't be fair to either of us
00:06:41so i'm going ahead with my plans for a year and when i come back from germany what
00:06:49we'll be married yes of course
00:07:03don't you understand of course we do there aren't many children who could be that sensible
00:07:11anyway it'll be some time until i am a grandmother oh that's something
00:07:22and you're not angry with me of course i'm not how could i
00:07:30a great actress you're a dear
00:07:39heimrich
00:07:45my daughter you'll be all right
00:07:49can we eat now ma yes yes sit down
00:07:52how am i
00:08:05Oh, my God.
00:08:35Hey, come on, let's go!
00:08:50It's an...
00:08:57How would you say it in German?
00:08:59It's a letter from Uncle...
00:09:03Here is a treat...
00:09:05...of Uncle Max.
00:09:06...of Uncle Max.
00:09:08That's right, that's fine.
00:09:11Martin, Martin!
00:09:12The only question in my mind is whether it'll be quite big enough.
00:09:16Fine, Martin, fine.
00:09:17With such a belt you must take care, or else I will grow to fit it.
00:09:21Yeah, oh, five more boys and I'll fit it just nice and snug.
00:09:24Well, maybe next time it'll be a daughter.
00:09:26Daughter?
00:09:27A girl?
00:09:29Don't worry, it'll be a boy.
00:09:31Once Elsa forms a habit, you know, it is very hard to break her.
00:09:34My mind, in shape!
00:09:35Hey, son, wait!
00:09:37Oh, it's a letter from Uncle May.
00:09:39Oh, what a student, what a student.
00:09:43San Francisco.
00:09:44It's nice to see Max's handwriting again.
00:09:49Well, well.
00:09:51He said San Francisco is an empty place without you and Elsa.
00:09:55Even the California sunshine isn't as warm as the sunshine of our friendship.
00:10:00Oh.
00:10:04Oh, looks like a storm's coming up.
00:10:09Oh, yeah.
00:10:11Oh, that fellow is going to get wet.
00:10:18Why?
00:10:20It's a baron from Thrice, sir.
00:10:22What?
00:10:22Are you sure?
00:10:23Oh, of course I'm sure.
00:10:25He's a very important man.
00:10:27Oh, it's raining harder.
00:10:29Oh, he'll get wet.
00:10:30We must ask him in.
00:10:32Hebaroon!
00:10:33Hebaroon, come in!
00:10:34Come in, sir.
00:10:35Come in out of the rain.
00:10:41Hurry up!
00:10:42Steward is our luck.
00:10:47Taking it all in all, Baron von Thrice seems to be one of the most gracious and charming men I've
00:10:52ever met.
00:10:53His family is among the wealthiest and oldest in Germany.
00:10:58And yet, when the storm forced him to take refuge in our house, you would have thought it was a
00:11:03castle as big as his own.
00:11:04The confusion of moving didn't bother us.
00:11:09When he was the first to arrive,
00:11:11It is the sort of charm and courtesy that one finds only in the old world.
00:11:16All right, but what about Grisel?
00:11:19Let's see.
00:11:20Oh, he says she's gone to Vienna.
00:11:24Yes.
00:11:29I'm sorry she left the family.
00:11:31Oh, there's nothing to worry about.
00:11:36She worries me.
00:11:37She's so young and strong-minded and daring.
00:11:43You'll see.
00:11:50You go talk to her.
00:11:52Why pick on me?
00:11:53Because I'm the boss.
00:12:19How do you do, Mrs. Delaney?
00:12:20How do you do?
00:12:22This is an interesting thing.
00:12:25I don't seem to recognize the brushwork, though.
00:12:28Whose is it?
00:12:30It's an unknown artist.
00:12:32Oh, a new man.
00:12:33Yes.
00:12:35My father just sent it from Germany.
00:12:38What do you think of it?
00:12:39I think it says something.
00:12:42Don't you?
00:12:44Quite.
00:12:44Quite.
00:12:45I seem to feel a certain spiritual facility in it, don't you?
00:12:49Quite.
00:12:49Quite.
00:12:50Some artists, you know, paint with their hands.
00:12:52Others paint with their head.
00:12:54What do you think this one painted with?
00:12:59I wouldn't care to say.
00:13:00I'll buy it.
00:13:01What's the price?
00:13:02I'll give you a thousand cash.
00:13:03Oh, no, Mrs. Delaney.
00:13:04You haven't promised it to someone else?
00:13:05No, not that, but...
00:13:06Fifteen hundred, then.
00:13:07I can tell a good painting when I see it.
00:13:11I'm sorry, Mrs. Delaney, but that is not for sale.
00:13:13I'll meet any reasonable price.
00:13:15Somebody's offered you two thousand, I suppose.
00:13:17Oh, no.
00:13:17More? Twenty-five hundred?
00:13:19Look here.
00:13:20Three thousand.
00:13:22What?
00:13:22Wait a minute.
00:13:23I know you're an honest man.
00:13:25Has anyone offered you more than three thousand?
00:13:28All right, three thousand it is, then.
00:13:30I'm a very good client of yours, Mr. Eisenstein.
00:13:33It's only right that you let me make this little discovery.
00:13:36Send it to my house at once.
00:13:38I'll give the messenger the check.
00:13:44I wouldn't give that outrage to my worst enemy.
00:13:46But I'm sure father sent it only for a joke.
00:13:50Put it in the cellar, Heinrich.
00:13:52Maybe if she doesn't see it the next time she comes in, she'll forget about it.
00:13:55All right.
00:13:56I was going to write your father a letter today, anyhow.
00:13:58I think I'll start off with a few things he won't forget in a hurry.
00:14:15Max and I used to come here years ago.
00:14:17Yes?
00:14:25It's changed.
00:14:27Has it?
00:14:28Well, I've been living in Munich for twenty-five years and I've never been here before.
00:14:35I don't see a waiter.
00:14:36It's probably an half hour.
00:14:38Well, anyway, listen.
00:14:42Mrs. Delaney is making my life miserable trying to buy the ugly veins you sent me.
00:14:47You know, I sent him a very bad painting.
00:14:49A nightmare in oil.
00:14:51And a very wealthy connoisseur is trying to bully him into taking three thousand dollars for it.
00:14:56Max is fighting to the last day.
00:14:58Good old honest Max.
00:15:01Personally, he says, I think you and I are very lucky that we have such a sound following for the
00:15:06gallery.
00:15:07That's admonishing me to be more careful in the future.
00:15:12Well, that's all for that.
00:15:14And, oh, who is this Adolf Hitler who seems to be rising to power in Germany?
00:15:20I do not like what I read of him.
00:15:22Good afternoon, Herr Schultz.
00:15:24Oh, Heberon.
00:15:26Good afternoon.
00:15:28Would you come sit with us?
00:15:30This is my friend, Professor Schmitt, Baron von Freischand.
00:15:34Hello.
00:15:35May I take your hand?
00:15:44So, uh, he doesn't like what he reads, hmm?
00:15:50Oh, the letter.
00:15:52It's my partner, Max Eisenschein, in the United States.
00:15:57Does he know the conditions he doesn't like?
00:16:00Oh, no, no.
00:16:01It's just what he reads in the American papers, is it?
00:16:03I find that hard to understand.
00:16:05I myself would hesitate to form conclusions without first-hand evidence.
00:16:11You must set him right.
00:16:13I suppose it isn't easy for a foreigner to understand the agonies our people have suffered since the Treaty of
00:16:20Versailles.
00:16:21What years of less and less spread, of leaner bodies, of the end of hope.
00:16:27Oh.
00:16:28Oh, thank you.
00:16:31The quicksand of despair held us.
00:16:34Then, just before we died, a man came and pulled us out.
00:16:43You are a native of Munich, yeah, Professor.
00:16:45Well, look.
00:16:47You have witnessed this deliverance.
00:16:50If it is a deliverance.
00:16:55You know, there's a surge, my friend.
00:16:58A surge.
00:16:59Our whole despair has been thrown aside like a forgotten coat.
00:17:04No longer do we wrap ourselves in shame.
00:17:07What can be wrong about a man who affects people so?
00:17:11When people are hungry, they do not care what kind of a man it is who gives them bread.
00:17:18We of Germany have found our destiny.
00:17:21The future sweeps toward us in an overwhelming wave.
00:17:25I wish we could be sure that the wave would not engulf us.
00:17:28Sweep us on to destruction.
00:17:31We must go with it, Herr Schulz.
00:17:33The days of hopelessness and stagnation are over.
00:17:36Our movement needs the sympathy and help of all right-thinking men.
00:17:41Men of substance are schulds.
00:17:44Leaders who can command respect in the fatherland.
00:17:48They are the men who will rise with a new Germany.
00:17:53The others...
00:18:06Come here a moment.
00:18:10That's what I mean.
00:18:13Chins up.
00:18:14Heads high.
00:18:16Strength through joy.
00:18:19You see, Herr Schulz?
00:18:20Long and strallen,
00:18:22by to my,
00:18:23wish out, wish out,
00:18:25zum schrei.
00:18:29Martin!
00:18:31Aren't they pretty?
00:18:32Even in California, we never have better flowers.
00:18:35Dear little darling,
00:18:36I have wonderful news.
00:18:38We've been invited to dinner.
00:18:40The Baron von Freische.
00:18:42When?
00:18:42Tonight.
00:18:44Oh, isn't that a shame.
00:18:46Just when Grandma and Hermann and Otto are coming.
00:18:50Oh.
00:18:51Well, maybe he'll ask us again.
00:18:58Well,
00:19:00the Baron is a very important man.
00:19:03Why, indeed he is.
00:19:04And it's a great honor, his invitation.
00:19:06But I've asked Mama and the boys a week ago.
00:19:09It's too bad, Martin,
00:19:10but there's nothing we can do.
00:19:12Oh, my goodness,
00:19:13they're probably on their way now.
00:19:15You'd better hurry and change.
00:19:20We'll dine at the Baron's.
00:19:37I tell you, Max,
00:19:39I think in many ways
00:19:40Hitler
00:19:41is good for Germany.
00:19:46The man is like
00:19:48an electric shock,
00:19:49strong as only a great orator
00:19:52and a zealot can be.
00:19:56It is true that
00:19:57his branch of troops
00:19:58are of the rattle.
00:19:59They pillage
00:20:00and have started a bad Jew bait.
00:20:02But these may be minor things.
00:20:04The little surface
00:20:05is coming
00:20:05when a big movement boils up.
00:20:08The old despair
00:20:08has been thrown aside
00:20:09like a forgotten coat.
00:20:11A leader is found.
00:20:13Yet sometimes
00:20:15cautiously to myself
00:20:16I ask
00:20:17a leader to where?
00:20:19Publicly,
00:20:20as is natural,
00:20:21I express no doubt.
00:20:23I am now an official
00:20:24and a worker
00:20:25in the new regime.
00:20:27I exalt
00:20:27very loud indeed.
00:20:29All of us officials
00:20:30who cherish whoreskins
00:20:31are quick to join
00:20:32the National Socialists.
00:20:33But this is not
00:20:35only expedience.
00:20:37There is something more.
00:20:39A feeling
00:20:40that we of Germany
00:20:41have found our destiny.
00:20:44And that the future
00:20:45sweeps toward us
00:20:46in an overwhelming
00:20:48wave.
00:20:50We must move with it.
00:20:53Of course,
00:20:54there are wrongs
00:20:54being done.
00:20:56The stormtroopers
00:20:57are having their moment
00:20:58of victory.
00:20:59And there are bloody heads
00:21:01and sad hearts
00:21:02to show for it.
00:21:04But these things pass.
00:21:07If the end in view
00:21:09is right,
00:21:10they pass
00:21:11and are forgotten.
00:21:13History writes
00:21:15a clean new page.
00:21:20Clean new page?
00:21:22Yes,
00:21:23I've heard of that page.
00:21:24How they deal
00:21:25with the people
00:21:25who will not join
00:21:26that overwhelming wave.
00:21:29Floggings,
00:21:30quartz of cast oil
00:21:31through clenched teeth.
00:21:32the people
00:21:33who disappear.
00:21:37I wish Griselle
00:21:38were back here.
00:21:53Hello, France.
00:21:54Anybody home?
00:21:55Uncle Martin around?
00:21:56He is in a study,
00:21:57Miss Griselle.
00:22:00Uncle Martin?
00:22:02Oh.
00:22:05Oh, I was looking
00:22:06for Uncle Martin.
00:22:07Martin Schulz?
00:22:08Yes.
00:22:10He just stepped out
00:22:11for a moment.
00:22:12I'm a friend
00:22:13of your uncle's.
00:22:15Baron von Fleischer.
00:22:18How do you do?
00:22:21I'm Griselle Stone.
00:22:23The actress.
00:22:25Oh, yes.
00:22:28I'm Griselle.
00:22:30Why didn't you
00:22:31let us know?
00:22:31I didn't know myself
00:22:32until tonight.
00:22:33I've taken the part
00:22:34in Berlin.
00:22:35Oh, wonderful.
00:22:36That's fine.
00:22:37You met the
00:22:38Heberon, haven't you?
00:22:39We introduced ourselves.
00:22:42You know,
00:22:42she's determined
00:22:43to become
00:22:43a very great actress.
00:22:45I'm sure she will be.
00:22:48Well, you're probably
00:22:49talking about
00:22:49something important.
00:22:51Where's Aunt Elsa?
00:22:52Upstairs.
00:22:52But you'd better
00:22:53call out as you go up
00:22:54or she will faint
00:22:54with surprise.
00:22:55All right, I will.
00:23:00A very charming girl.
00:23:02She's studying
00:23:02in Vienna, you know.
00:23:06Oh, I never saw
00:23:07a woman yet
00:23:08who didn't leave
00:23:09things strewn
00:23:09all over the house.
00:23:10G.E.
00:23:12Am I mistaken?
00:23:14I understood
00:23:15your niece to say
00:23:16her name was Stone.
00:23:18Griselle Stone.
00:23:19Oh, oh, yes.
00:23:20That's her stage name.
00:23:21Her real name
00:23:22is Eisenstein.
00:23:25Eisenstein?
00:23:27Well, she's
00:23:28not my real niece,
00:23:30you know.
00:23:31She's the daughter
00:23:31of my partner
00:23:32in San Francisco.
00:23:34Jewish.
00:23:36Why, yes, but...
00:23:37Oh, uh, your partner?
00:23:39The man whose letter
00:23:40you are reading
00:23:41to Dane the Ratzkeller?
00:23:43Yes.
00:23:47I'm sure I don't need
00:23:48to tell you
00:23:49how important
00:23:49this question is
00:23:50to us in Germany.
00:23:53But the daughter
00:23:54of a very old friend,
00:23:55I...
00:23:55I must be going.
00:24:04You're going to have
00:24:05to choose, Herr Schultz.
00:24:07You can't sit
00:24:08on two stools
00:24:08at once.
00:24:10At least not here
00:24:12in Germany.
00:24:13I understand.
00:24:23Griselle, Griselle.
00:24:59We must, for the present,
00:25:01discon...
00:25:16to maintain.
00:25:21That are from Father?
00:25:23Yes, yes.
00:25:25This isn't bad news,
00:25:26is it?
00:25:26No.
00:25:34We rise in our might.
00:25:37We go singing
00:25:38through our valleys
00:25:39with strong muscles
00:25:40tingling.
00:25:43Tingling for a new work.
00:25:45Then from the mountains
00:25:46ring the voices
00:25:47of Wotan and Thor,
00:25:49the old strong gods
00:25:50of the German race.
00:25:51What in the world
00:25:52what's he talking about?
00:25:53I don't know.
00:25:55Can I look at that?
00:26:02We must, for the present,
00:26:04discontinue writing,
00:26:05children.
00:26:08We understand
00:26:09that we're
00:26:10super-swearing
00:26:10of the most
00:26:11final person
00:26:12of your race.
00:26:15That must be insane.
00:26:17No, no.
00:26:18There's a new censorship
00:26:19in Germany, Heinrich.
00:26:21We must remember that.
00:26:22I'm certain your father
00:26:23was writing this
00:26:24for the censor,
00:26:25not for me.
00:26:26I had written
00:26:27a few things
00:26:27in my own letters
00:26:28that might cause
00:26:29an embarrassment.
00:26:30It's no more than right
00:26:31that he should want
00:26:32the officials to think
00:26:32that he doesn't agree.
00:26:34But there's still a way
00:26:35that we can exchange letters
00:26:37without their having
00:26:38to go through the censor.
00:26:56It's a rundown,
00:26:57the script.
00:27:07Hey, boy.
00:27:33Very personal matter.
00:27:36Wait.
00:27:40Did it ever occur to you
00:27:41that Herr Schultz might get pretty sore
00:27:43if you don't let me in there?
00:27:45Now you go in and tell him
00:27:46there's a man out here from San Francisco
00:27:48and I'll bet you a steel engraving
00:27:51of Adolf Hitler,
00:27:53suitably framed,
00:27:54that he'll see me.
00:28:10You may go in.
00:28:11You see?
00:28:11What'd I tell you?
00:28:29You wish to see me?
00:28:30Yes.
00:28:31I'm a friend of Max Eisenstein's.
00:28:33We're neighbors back home.
00:28:35I'm just...
00:28:35Yes?
00:28:38You are Martin Schultz?
00:28:40I am.
00:28:41You're a partner of Max's in San Francisco?
00:28:44I was associated with him at one time.
00:28:49He asked me to give you this
00:28:51in person.
00:28:55Okay, Kraut.
00:29:13Martin, my old friend.
00:29:15I'm sending this by a neighbor
00:29:17who plans to visit Munich shortly.
00:29:19I cannot believe what I read
00:29:21in the last letter you sent me.
00:29:23I am sure you wrote as you did
00:29:24only from fear of the censor.
00:29:27I do not write now
00:29:29because I doubt you.
00:29:30I know that you have not changed,
00:29:32that you hate injustice and violence
00:29:34as much as I do.
00:29:37But there is so much madness
00:29:38in the world these days
00:29:39that I need a word of reassurance.
00:29:41You must give me that word, Martin.
00:29:44I do not ask for a long letter, Martin.
00:29:47Nothing that will embarrass you
00:29:48in the office of censorship.
00:29:50Just one word will do.
00:29:52The word yes.
00:30:01The answer is no.
00:30:04I can't believe he's my father.
00:30:08What are you going to do?
00:30:09I'm going to Cable Griselle
00:30:10to get out of Germany.
00:30:11Now!
00:30:12Wait.
00:30:14A letter will do as well.
00:30:16With a maniac like that
00:30:17loose in the country,
00:30:17I don't want her to stay there
00:30:18another minute.
00:30:20This is an important day
00:30:21in Griselle's life, Heinrich.
00:30:23She's dreamed of it
00:30:24for a long time.
00:30:26Yes.
00:30:27I suppose she'll be nervous
00:30:29enough tonight
00:30:29without any cables from me.
00:30:32You don't want to do anything
00:30:34to upset the leading lady,
00:30:35you know.
00:30:38We'll write her.
00:30:58One moment, ladies.
00:30:59I'm sure I don't need to remind you.
00:31:01Since we are opening tonight,
00:31:02if we don't get it right now,
00:31:03we'll never have another chance.
00:31:05Please, lady.
00:31:05Hurry up, girls.
00:31:07Let's try it again.
00:31:09Ready, Miss Stone?
00:31:11Ready, Herr Director.
00:31:13All right.
00:31:14Let's start again.
00:31:53By order of the Department of censorship,
00:31:55the following lines
00:31:55should be deleted from this play.
00:31:58Blessed are the poor spirit
00:31:59for the kingdom of heaven.
00:32:00Blessed are the poor...
00:32:01Oh, yeah.
00:32:03Blessed are the meek,
00:32:04for they shall inherit the earth.
00:32:07Blessed are the people...
00:32:13Blessed are the peacemakers,
00:32:15for they shall be called
00:32:17the children of God.
00:32:19Blessed are they
00:32:20which are persecuted
00:32:21for righteousness' sake,
00:32:22for theirs is the kingdom of heaven.
00:32:26So, but look here.
00:32:27If you cut these passages out,
00:32:29it destroys the meaning.
00:32:31I am sure you will be able
00:32:32to solve that difficulty.
00:32:34You artists.
00:32:35What's wrong with the lines?
00:32:37They are not acceptable.
00:32:39They aren't even the authors.
00:32:40I'm aware of that.
00:32:42There is no need
00:32:43to concern yourself, Herr Director,
00:32:44with anything except to see
00:32:45that these lines
00:32:45are not spoken from this stage again.
00:32:48Those are your government's orders.
00:32:50Disobedience is treason.
00:33:00Can that little man do this?
00:33:02Yes.
00:33:03I'm afraid he can.
00:33:18I'm afraid he can.
00:33:50CHOIR SINGS
00:34:13CHOIR SINGS
00:34:20Blessed are the poor in spirit, for theirs is the kingdom of heaven.
00:34:26For theirs is the kingdom of heaven.
00:34:35Blessed are they that mourn, for they shall be comforted.
00:34:49Blessed are the meek, for they shall inherit the earth.
00:34:54For they shall be filled in the earth.
00:35:01Stop!
00:35:03Blessed are they which do hunger and thirst after righteousness, for they shall be filled.
00:35:10Stop, I say!
00:35:17Stop!
00:35:20Blessed are the merciful, for they shall obtain mercy.
00:35:24I demand that this performance cease!
00:35:27Stop, I say!
00:35:42The director had nothing to do with this.
00:35:45I am the one who restored those lines.
00:35:47Oh, you are.
00:35:51Hen, please forgive this interruption.
00:35:54Today at rehearsal, this man came here and ordered us to delete from our play the lines which I have
00:35:59just spoken.
00:36:00I disobeyed him because I believe he exceeded his authority.
00:36:04I do not believe that your government desires to censor the word of God.
00:36:09I do not believe that your government, or any government, wants to censor goodness and gentleness and truth.
00:36:16Fräulein?
00:36:17What is your name?
00:36:19Grisel.
00:36:20You would do well to remain where you are, Herr Director.
00:36:23Well, Fräulein?
00:36:24Or is it a secret?
00:36:26You know my name.
00:36:28Grisel Stone.
00:36:29No, Fräulein.
00:36:31I mean your real name.
00:36:34The name you have kept secret.
00:36:37My real name is Eisenstein.
00:36:41I see.
00:36:43Eisenstein.
00:36:45I changed it because it was not a good name for the theater.
00:36:48It was too long.
00:36:49It didn't look well in lights.
00:36:54Yes, Yudin.
00:36:57It is a word you hear a great deal in your country lately, isn't it?
00:37:00Yudin.
00:37:01The letter J painted on the door.
00:37:03As if by calling a man a Jew, you robbed him of his humanity.
00:37:07As if you took away our hands and eyes.
00:37:09Our power to love and hate with just that one word.
00:37:13Yudin.
00:37:21No, no, I'm not afraid of him.
00:37:23Let me get away.
00:37:24You better get away.
00:37:25You're the children.
00:37:25I'm not afraid of him.
00:37:26Don't let her escape.
00:37:28Get her.
00:37:39No, no, don't let him go.
00:37:40I won't run away.
00:37:42I'm not afraid.
00:37:43Let me go.
00:37:44They're cowards, all of them.
00:37:45I'm not afraid.
00:37:46Please, let me save you.
00:37:48They won't.
00:37:49They're cowards.
00:37:50They won't run away.
00:37:56Let me in.
00:37:57Open this door.
00:37:59Open this door.
00:38:00Open this door.
00:38:03We'll see you next door.
00:38:05Holy.
00:38:15All right.
00:38:15All right.
00:38:21We'll see you next door.
00:38:37THE END
00:39:04For the sake of our friendship, Martin, and for the sake of the love your son bears, Griselle, you must
00:39:09help her.
00:39:10I know that wherever she may be, if she's still alive and free, she will try to get to your
00:39:14house.
00:39:15I must hope that God will let her succeed.
00:39:18Heinrich and I commend her to your care, old friend.
00:39:21Our prayers are with you both.
00:39:37THE END
00:39:44THE END
00:39:52THE END
00:40:02THE END
00:40:11THE END
00:40:21THE END
00:40:29THE END
00:40:38THE END
00:40:45THE END
00:40:51THE END
00:40:57THE END
00:41:05THE END
00:41:09THE END
00:41:09THE END
00:41:09THE END
00:41:09THE END
00:41:11THE END
00:41:22THE END
00:41:22THE END
00:42:23Grisel!
00:42:34Go away.
00:42:36You will destroy us all, Grisel.
00:42:40All right.
00:42:49You will destroy us all, Grisel.
00:43:20Let this be a lesson to you, Mr. Eisenstein.
00:43:23Never try to hide a masterpiece from a connoisseur.
00:43:27Do you like my picture?
00:43:29It sure don't look much like you.
00:43:34A letter for you, Mr. Eisenstein, from Joymany.
00:43:37Did you hear what I just says to that dame?
00:43:39She says to me, did I like her picture?
00:43:42And I says, it sure don't look much like you.
00:43:46And he sure didn't.
00:43:50Dear Max, Heil Hitler, I regret I have bad news for you.
00:43:55Your daughter is dead.
00:44:15Thank you, Mr. Eisenstein.
00:44:15Thank you, Mr. Eisenstein.
00:44:15Thank you, Mr. Eisenstein.
00:44:16Thank you, Mr. Eisenstein.
00:44:16Thank you, Mr. Eisenstein.
00:44:16Thank you, Mr. Eisenstein.
00:44:18Thank you, Mr. Eisenstein.
00:44:19Thank you, Mr. Eisenstein.
00:44:21Thank you, Mr. Eisenstein.
00:44:29Dear Max, Heil Hitler, I regret I have bad news for you.
00:44:34Your daughter is dead.
00:45:13Adolf Martin Schulz, I baptize thee in the name of the Father and of the Son.
00:45:22And of the Holy Ghost. Amen.
00:45:26Protect, dear Lord, the life of this little child and keep him ever as thy own for Jesus' sake.
00:45:34The blessing of Almighty God the Father, the Son and the Holy Ghost be with you all. Amen.
00:46:00I think it's you, Ansel, who would hardly know this is a Christmas name.
00:46:07How long is this to go on?
00:46:11Well, nothing is going to spoil the day for him.
00:46:14Look at that little chap.
00:46:17He has a fine new name.
00:46:23Well, nothing in this world that I could have done would have helped Griselle.
00:46:28If I had brought her into this house, it would have meant perhaps that all of us would be...
00:46:31Take your hand of me, Martin.
00:46:37I hope I'm not including.
00:46:39Oh, no, no, not at all.
00:46:42Come in.
00:46:45A cable grab just came for you.
00:46:47I thought it might be important.
00:46:49Oh, thank you.
00:46:50Pardon me.
00:46:53A handsome young man as I congratulate you both.
00:46:56Perhaps I should say the three of you.
00:46:59You sound tired.
00:47:02Five fine boys here and one in America.
00:47:05You have done more than your duty.
00:47:08You must rest a while.
00:47:10I think when the baby is old enough to travel, I may go away.
00:47:14Perhaps to Switzerland.
00:47:15That should be very nice.
00:47:34Not bad news, I hope.
00:47:37No.
00:47:42Not at all.
00:47:44A message of congratulations to little Adolf.
00:47:48Shall we go into the other room?
00:47:49I mustn't forget I'm the host and the father, you know.
00:48:20Ha, ha.
00:48:23Come in.
00:48:28The meal, sir.
00:48:29Put it down here.
00:51:10Good afternoon, Herr Schulz.
00:51:25Have you got the meal, sir?
00:51:26There was nothing.
00:51:27Nothing important.
00:51:45Hey, my son.
00:51:47I'm writing to you because there is no one else who can help me.
00:51:50That crazy cable.
00:51:51These letters in code.
00:51:53Another one has just come, and now even the servants are beginning to look at me in a strange way.
00:51:57Only if you lived in Germany could you understand what will happen to me unless they stop.
00:52:01As you are my son, Heinrich, you must see that there are no more.
00:52:05You must go to any length as you are my son.
00:52:09Well, let me see.
00:52:16Thanks, sir.
00:52:28THE END
00:52:56THE END
00:53:36THE END
00:53:49THE END
00:53:59THE END
00:54:00THE END
00:54:05THE END
00:54:14THE END
00:54:15THE END
00:54:31THE END
00:54:31THE END
00:54:37THE END
00:54:38THE END
00:54:46THE END
00:54:48THE END
00:55:00THE END
00:55:02THE END
00:55:04THE END
00:55:05THE END
00:55:06THE END
00:55:07house tell me something to tell
00:55:16no nothing
00:55:28thanks for the drink you know I like this so much better than that imported
00:55:34stuff of patriotism either just that with liquor that has crossed the ocean
00:55:43there's always something a taste of something fallen
00:55:53yes the meal sir
00:56:01France will you get my hat and coat please
00:56:14that's what I was talking about
00:56:33why did you interrupt us why did you bring that letter in there I thought you would want it sir
00:56:39it was from America
00:57:30Max do you know what you do I shall have to try to smuggle this letter out I write an
00:57:36appeal from a despair you you cannot imagine
00:57:39Max do you know what you do I shall have to try to smuggle this letter out I write an
00:57:39appeal from a despair you you cannot imagine
00:57:39this crazy cable these letters you have sent I am called into account for them
00:57:44they demand I give them the code
00:57:46the code
00:57:48already the results of your madness are terrible
00:57:50I am bluntly told I must resign my office
00:57:53in the name of heaven Max do you see what that means
00:57:57do you know what it is to be taken to a concentration camp
00:58:00would you stand me against a wall and level a gun
00:58:03I beg of you stop
00:58:25so you are off huh
00:58:27yes
00:58:31yes
00:58:31yes sir
00:58:32I know why you are going away
00:58:34will you do something for me
00:58:37what
00:58:49you can send it by the post
00:58:51yes sir
00:58:53yes sir
00:58:54yes sir
00:58:54yes sir
00:58:55yes sir
00:58:55yes sir
00:59:08yes sir
00:59:11yes sir
00:59:16yes sir
01:00:48I want to talk to you.
01:00:51Of course.
01:00:59Close the door.
01:01:03No one will hear us.
01:01:06I've dismissed the servants.
01:01:14I warn you, Herr Schultz, if that is your name.
01:01:19I told you it was a crime in Germany to send or receive letters in code.
01:01:26Perhaps I should have added that it is treason to try to smuggle such letters out of the country.
01:01:33What do you mean?
01:01:35Last night, your wife was stopped at the Swiss border.
01:01:38She had a letter addressed to San Francisco, which she destroyed before we could read it.
01:01:43I thought perhaps you might care to tell me the contents.
01:01:48That was for Max.
01:01:49I begged him not to write to me anymore.
01:01:52That letter proved I'm innocent.
01:01:53If you had only read it.
01:01:55But surely Elsa must have told you.
01:01:57You questioned her, didn't you?
01:01:59We allowed her to go on into Switzerland.
01:02:01She's a simple, rather stupid woman, not for all.
01:02:04Harmless enough, I dare say, without you.
01:02:07But I tell you, the whole thing was a plot to destroy me.
01:02:10There was no code, really.
01:02:12That's all it ever was, you see.
01:02:14You received a cablegram the day of the christening.
01:02:16You said it was a message of congratulation to little Adolf.
01:02:21That was a lie.
01:02:28If it was a plot, why didn't you tell us?
01:02:33I thought you wouldn't understand.
01:02:37You have gone to a great deal of trouble with your story.
01:02:40But I should call it rather ingenious than convincing.
01:02:47Herr Schulz, I give you a last chance to name your accomplices.
01:02:55But Herr Barone, there were no accomplices.
01:02:59I am innocent.
01:03:02If you could only have questioned Elsa, I'm sure you would have believed her.
01:03:07We will question you.
01:03:09You're a foolhardy, my dear friend.
01:03:12I shall go.
01:03:14But there will be others come to question you.
01:03:17And they will not be as gentle as I.
01:03:20Our government has very little patience with its enemies.
01:03:28You might still save yourself.
01:03:34But I told you the truth.
01:03:38Very well.
01:03:56And I advise you not to make any plans to leave.
01:03:59No partner, I'll act as to.
01:04:07Mr. Mac.
01:04:09Great job.
01:04:09You'll be right.
01:04:09I'll be right.
01:04:10Mr. Mac.
01:04:11You'll be right.
01:04:12You'll be right.
01:04:12Mr. Mac.
01:04:22You'll be right.
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