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Looking For Trouble (1934) Full Movie ｜ Spencer Tracy, Jack Oakie, Constance Cummings [Full Movie] [Free Online HD]Full EP - Full
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00:04:10WHAT FOR INSTANCE?
00:04:12WELL IT SEEMS
00:04:13THAT MAH BELL
00:04:14WANTS TO SHOW HER APPRECIATION
00:04:15FOR THE QUALITY OF WORK
00:04:16YOU'VE BEEN GIVING HER
00:04:18I GOT NOTICED FROM THE GENERAL OFFICE TODAY
00:04:20THAT STARTING MONDAY YOU'RE PROMOTED
00:04:22YEAH PROMOTED DOWN TO WHAT?
00:04:24PROMOTED UP MY BOY
00:04:26FOREMAN'S JOB
00:04:27FIFTH DISTRICT
00:04:28OH NO NO THANKS I'LL STAY RIGHT HERE
00:04:30WELL YOU LOST YOUR MIND
00:04:32YOU'LL HAVE 14 MEN UNDER YOU
00:04:34BETTER HOURS EASIER WORK
00:04:35YEAH YEAH
00:04:36AND GET CALOUSES IN MY CAN
00:04:37FROM SITTING IN THE STUFFY OFFICE ALL DAY
00:04:39AND DOUBLE MY LAUNRY BILL
00:04:39SENDING OUT THOSE WHITE COLLARS
00:04:41NO THANKS MR. EAGAN
00:04:41I'M OKAY WHERE I AM
00:04:44THAT SOUNDS GREWY TO YOU I SUPPOSE
00:04:46BUT I'M A VERY FUNNY GUY
00:04:47SOME PEOPLE LIVE FOR RICHES AND LUGJUY
00:04:50OTHERS LIKE A FIRE SIDE
00:04:51A SHADY TREE A COMFORTABLE BEAR
00:04:53BUT I'M A GUY THAT LIVES FOR THE THRILL AND EXCITEMENT
00:04:55I GET OUT OF LIFE
00:04:57I BROKE MY OLD MAN'S HEART
00:04:58WHEN I WOULDN'T GO TO WORK IN THIS PINK SHOP
00:04:59THAT WAS TEN YEARS AGO
00:05:01EVER SINCE THEN I'VE BEEN DOING THE THINGS
00:05:03I WANTED TO DO MOST
00:05:04NO MATTER WHAT AND WHERE THEY ARE
00:05:05AND RIGHT NOW I THINK BEING A TROUPLESHOOTER AS WELL
00:05:08THE CONSTANT HURRY
00:05:09THE EVERLASTING CHANGE
00:05:10THE UNEXPECTED ADVENTURES
00:05:11GOT UNDER MY SKIN
00:05:13I DON'T KNOW
00:05:14MAYBE MY OLD MAN DROPPED ME ON MY NUT
00:05:15WHEN I WAS A BABY
00:05:16BUT THAT'S THE WAY IT IS TO BE
00:05:17I WISH WE HAD MORE LIKE YOU JOE
00:05:20YEAH YOU TELL US GUY
00:05:23GET DIRTY AGAIN MY LITTLE MAN
00:05:24WE GOT NIGHT WORK TO DO
00:05:25NOT TONIGHT I CAN'T
00:05:27MEANS OVERTIME
00:05:28I KNOW BUT I GOTTA
00:05:29MY MOTHER'S BEEN VERY ILL
00:05:31I PROMISE TO SEE YOU TONIGHT
00:05:32IT'S ALRIGHT I'LL TAKE CARE OF
00:05:34THESE JOBS MYSELF
00:05:34IT'LL BE A RELIEF
00:05:39OKAY
00:05:40WAIT A MINUTE
00:05:41I GOT SOMEBODY TO GO ALONG WITH YOU
00:05:45HEY CASEY
00:05:46YES YOU
00:05:50THIS IS CASEY
00:05:52HE'S FROM AZUSA
00:05:54WHERE HE WAS TOP TROUPLESHOOTER
00:05:56CHIEF COMEDIAN
00:05:57AND FILLER OF THE CHURCH
00:05:59TAKE HIM ALONG WITH YOU
00:06:00SO WE CAN SHOW YOU HOW TO DO THOSE JOBS
00:06:01THE WAY THEY SHOULD BE DONE
00:06:02THIS IS JOE GRAHAM
00:06:03HELLO JOE
00:06:05I TOLD YOU A COMEDIAN
00:06:07NOW ASKING FOR A MATCH
00:06:08OH NO MR. REGAN
00:06:10I NEVER REPEAT THE SAME GANG ON THE SAME DAY
00:06:12NOW TO ZOOZE
00:06:13YEAH HOW WOULD YOU LIKE TO PICK UP THOSE TOOLS
00:06:15AND AZUSA YOURSELF OUT TO THAT TROUBLE WAGON
00:06:17OKAY JOE OLD BOY
00:06:18IT ONLY TAKES A MINUTE
00:06:21RIGHT ON THE JOB AT ALL TIMES
00:06:28PUT THE TOOLS IN THE CAR
00:06:29I'LL BE WITH HIM IN A MINUTE
00:06:30THE CAR
00:06:34INFORMATION PLEASE
00:06:36INFORMATION
00:06:37NEVER MIND
00:06:42INFORMATION PLEASE
00:06:44INFORMATION
00:06:45INFORMATION
00:06:45INFORMATION
00:06:46INFORMATION
00:06:46NEVER MIND
00:06:51INFORMATION PLEASE
00:06:53HI SWEETEART
00:06:55GOT YOUR QUICKER DINUSUAL THIS TIME
00:06:58WHAT INFORMATION DO YOU WISH PLEASE
00:07:00WHAT'S A MATTER IS SUPERVISOR HANGING AROUND
00:07:02SAY LESS THEN THAT WHILE I'M STUCK AGAIN
00:07:04I GOTTA GO OVER TIME
00:07:05JUST ONE MOMENT PLEASE
00:07:07COMPLEASE
00:07:07COMPLEASE
00:07:11LISTEN JOE THIS IS THE FOURTH TIME YOU STOOD ME UP
00:07:13WELL HONEY I CAN'T HELP IT
00:07:15IF THERE'S WORK TO DO I GOTTA DO IT DON'T I
00:07:16BUT I NEVER KNOW WHEN I MAKE A DATE WITH YOU
00:07:18WHETHER YOU'RE GOING TO KEEP IT OR NOT
00:07:21WHAT'S HE DOING DOGGING IT AGAIN
00:07:23MORE OVER TIME
00:07:25I CAN'T TALK ANYMORE JOE SHE'S COMING BACK NOW
00:07:27YES I'M GOOD AND MAD
00:07:28OH WAIT A MINUTE WAIT A MINUTE
00:07:30DON'T GO AWAY WILL I SEE YOU AT LUNCH TOMORROW
00:07:32I'M SORRY SIR WE DO NOT HAVE THAT INFORMATION
00:07:35I'M SORRY SIR WE DO NOT HAVE THAT INFORMATION
00:07:54NEVER A DULL MOVE WITH CASEY THAT'S MY MOTTO
00:07:57YOU'RE BUILDING YOURSELF UP FOR A GOOD CLIP ON THE CHIN
00:07:59YOU KNOW THAT DON'T YOU
00:08:01NO SENSE OF YOU LOOK
00:08:03WHAT GOD
00:08:05IN A GOOTHER
00:08:23HEY YOU KNOW SOMETHING PAL
00:08:24ME AND YOU IS GOING TO WORK TOGETHER
00:08:26DON'T YOU THINK WE'LL KNOW A LITTLE ABOUT EACH OTHER
00:08:28ALL RIGHT GO ON
00:08:28TELL ME ALL ABOUT YOURSELF
00:08:29I CAN HIDE ME WAIT
00:08:32NO NO THAT WOULD TAKE WEEKS AND WEEKS
00:08:34WHAT I MEAN IS I UH
00:08:36WELL YOU OUGHT TO KNOW BY NOW
00:08:37THAT I'M PRETTY ATTRACTIVE TO THE LADIES
00:08:40WHAT ARE YOU TRYING TO DO WARM ME THAT YOU'RE ABLE TO STEAL MY GIRL
00:08:43OH NO NOTHING LIKE THAT
00:08:45I DIDN'T EVEN KNOW YOU HAD A GIRL
00:08:46NO I NEVER KIND OF FELL OUT
00:08:48THAT ISN'T UNLESS THE BROOD IN MEGETS BEYOND CONTROL
00:08:57IS HE DEAD
00:08:59THOROUGHLY
00:09:00GEEE
00:09:01DON'T TOUCH THAT
00:09:03I'M JUST TRYING TO RECONSTRUCT A CRIME
00:09:05YOU GET YOUR FINGERPRITS ON THAT RECEIVER AND YOU'LL RECONSTRUCT YOURSELF AT THE END OF A ROW
00:09:09WELL WHAT DO WE DO
00:09:10WELL IN A CASE LIKE THIS IT'S BEST TO CALL YOUR OWN INVESTIGATOR SAVE YOU BEING TRIED FOR MURDER
00:09:13YOU WAIT HERE AND DON'T TOUCH ANYTHING
00:09:15MOVE
00:09:26HEY
00:09:31COLD IN A MACKLE
00:09:46HELLO
00:09:47GIVE ME REGAN PLEASE
00:09:51HELLO MR. REGAN
00:09:52THIS IS GRAEM
00:09:53DEXEL 6542
00:09:55RECEIVER OFF THE HOOK
00:09:56THERE'S A STEF LAYING ON THE FLOOR IN THE LIVING ROOM
00:09:59YOU BETTER PHONE THE INVESTIGATOR
00:10:00TELL HIM TO BRING A COP WITH HIM
00:10:01IT MIGHT BE DIRTY WORK
00:10:02OKAY JOE
00:10:03I'LL HAVE HIM RIGHT OVER
00:10:04YOU WAIT UNTIL THEY GET THERE
00:10:05BEFORE YOU GO ON YOUR NEXT ASSIGNMENT
00:10:07YEAH
00:10:07I GOTTA RUN BACK
00:10:08I LEFT THAT AZUZA WITH THE STEF
00:10:09ANYTHING'S LATELY HAPPEN
00:10:11OKAY
00:10:16WELL
00:10:17JOE GRAEMS
00:10:18WELL
00:10:18WE GOT THE GOODS ON YOU AT LAST
00:10:20EH
00:10:20HI LIEUTENANT
00:10:21CAPTAIN YOU LIKE I'VE BEEN PROMOTED
00:10:22WELL YOU KNOW WHERE THE BODY'S BURIED
00:10:24HUH
00:10:27OH CAPTAIN FLYNN I WANT YOU TO MEET CASEY
00:10:29HE'S GOT A THEORY ON HOW THIS HAPPEN
00:10:30YEAH
00:10:31MURDER
00:10:32PLANE MURDER
00:10:33WELL THAT GLASS THERE SMELLS OF WHISKEY
00:10:35IF YOU'LL NOTICE VERY COASTLY
00:10:36OVER THERE IN THAT AZE TRADE
00:10:37THERE'S TWO DIFFERENT BRANDS OF CIGARETTE STUBS
00:10:38YEAH
00:10:40WELL
00:10:41HERE'S YOUR TWO BRANDS OF CIGARETTES
00:10:43RIGHT IN HIS POCKET
00:10:45THERE IS WHISKEY IN THE GLASS
00:10:46BUT THIS GUY WAS A BOOZY
00:10:47YOU CAN TELL THAT BY LOOKING AT HIM
00:10:49WELL THERE'S NOTHING HERE FOR ME
00:10:50CASE OF HEART FAILURE
00:10:52PROBABLY FELT IT COMING ON
00:10:53TRYING TO GET THE PHONE
00:10:54BEFORE HE COULD TALK
00:10:55HE DROPPED DEAD
00:10:58WELL GIVE ME A RING SOMETIME
00:10:59JOE YOU'RE QUITE A STRANGER
00:11:00YEAH IF I EVER GET IN A JAM
00:11:01I'LL LET YOU GET ME OUT
00:11:02YOU GET IN A JAM
00:11:03I'LL FRAME YOU AND STEAL
00:11:04AND THROW AWAY THE KEY
00:11:05SCRAMMAZER
00:11:07THAT GUY'S ALL TOGETHER TOO COCKY
00:11:09WHY IF THIS THING WOULD HAVE HAPPENED
00:11:10TO THE AZUZA
00:11:10WE'D HAVE HAD THE MURDER IN THE PEN
00:11:11RIGHT NOW
00:11:12AH I CAN IMAGINE
00:11:13COME ON
00:11:16I'LL LEAVE YOUR FINGER PRINCE ON THAT PHONE
00:11:29YEAH
00:11:30TELEPHONE MEN
00:11:31THERE'S NOTHING WRONG WITH OUR PHONE
00:11:33WE'VE GOT TO GET YOUR TERMINAL IN THERE
00:11:34TO MAKE SOME CHANGES ON THE MAIN LINE
00:11:39THIS IS APPELY CLUB
00:11:40I'VE GOT TO BE CROWD HERE
00:11:41ALL RIGHT
00:11:42IT WON'T TAKE US LONG
00:11:44COME ON
00:11:54IT'S THE BACK OF THIS
00:11:55THANKS
00:11:55YOU FELL A STEP ON IT WON'T YOU
00:11:56YEAH YEAH SURE
00:12:02COME ON CONTROL YOUR MIND ASUZA
00:12:03WE'VE GOT WORK TO DO
00:12:05BEAUTIFUL SKIN
00:12:06WHICH ONE
00:12:06THE ONE SHE'S SITTING ON
00:12:08THE TIGER
00:12:15WE'VE GOT TO DO
00:12:17WE'VE GOT TO DO
00:12:29WE'VE GOT TO DO
00:12:34WE'VE GOT TO DO
00:12:55WE'VE GOT TO DO
00:12:59WE'VE GOT TO DO
00:13:05WE'VE GOT A LITTLE
00:13:14WE'VE GOT TO DO
00:13:30WE'VE GOT TO DO
00:13:33WE'VE GOT TO DO
00:13:37BEFORE
00:13:38DAN AND I DON'T MIX SOCIALLY
00:13:39THAT'S TOO BAD
00:13:41BECAUSE THEN I'D HAVE MET YOU
00:13:42SOONER
00:13:43WE'VE GOT TO DO
00:13:44WE'RE memordum
00:13:44WE'RE PAYING
00:13:45WONDERFUL
00:13:46CASEY
00:13:49CUT ON
00:13:51PIRRLE
00:13:51CIRCULATE
00:13:52LOTS OF PEOPLE
00:13:53COMING IN
00:13:53CASING
00:13:55HEY
00:13:56CASEY
00:13:58WHOSE ON THIS LINE
00:13:59THIS IS POLICE
00:14:00HEADQUARTERS
00:14:01No, I'm sorry. This is the telephone man. I'll drop off.
00:14:04Hello. Hello. Will you please get off?
00:14:08Hello. Hello. Murphy?
00:14:11I'm here, Chief.
00:14:12We've had a lot of complaints about that gambling joint at 1483 Union.
00:14:16Close it up.
00:14:17Bring him the proprietor and the name.
00:14:19Okay, Chief.
00:14:22I'm sorry, Joe. I don't want you to think I laid down on you.
00:14:25All right, never mind.
00:14:26Hey, did you hear that? They're going to raid this joint.
00:14:28Hive down.
00:14:29Well, I'm only telling you.
00:14:30All right, you told me. Now, shut up.
00:14:32Don't be sorry, Joe. It won't happen again.
00:14:34All right, all right. Forget it.
00:14:39Come on, Azusa. Let's go.
00:14:44I just got the word they're going to raid the joint.
00:14:46Locked just this minute.
00:14:48Goodbye, number 62.
00:14:52I'll be seeing you.
00:14:57Hey, little fair-looking dame.
00:15:02All through?
00:15:04Yeah.
00:15:06Nothing wrong, Joe?
00:15:07You never can tell.
00:15:12Hey, little fair.
00:15:22Hello, Nick.
00:15:27Nothing wrong, Dad.
00:15:28Hey, little infrastructure.
00:15:28Oh, oh.
00:15:28Oh, my gosh.
00:15:29Oh, my God, like yeah, my God.
00:15:29Yeah, it's raining.
00:15:29Oh, my God.
00:15:30Oh, my God.
00:15:38Oh, my God.
00:16:12How are you, Miss Brant?
00:16:14Hungry.
00:16:16Oh, Weisscracker, huh?
00:16:19Coming.
00:16:20You with me, no matter.
00:16:27Sorry, I'm not.
00:16:28Shouldn't I be?
00:16:29Uh-huh.
00:16:30I'm never going to make a date with you again.
00:16:32Oh, sure you are, in about a month.
00:16:34I'm going to be silly enough to ask you, and you're going to be silly enough to say yes.
00:16:39Glad at me again?
00:16:40No, I'm not.
00:16:41Why?
00:16:42I just heard you turned on an offer of promotion.
00:16:44That's right.
00:16:45Oh, Joe, why did you?
00:16:47Now, listen, baby, if you want me, and I don't see how you can help it, you've got to take
00:16:50me as I am.
00:16:51And I ain't the sort of a guy that can sit in an office all day, you know that.
00:16:54And I can't wear white collars.
00:16:55They don't fit the size or the color of my neck.
00:16:58I've got to work with my hands.
00:16:59Yes, because you haven't got any brains.
00:17:01Uh-uh.
00:17:02I wouldn't have picked you if I had your brains, would I?
00:17:08Come on, let's eat.
00:17:21You have got brains, Joe.
00:17:22You just won't use them.
00:17:23I don't want to use them.
00:17:24It gives me a headache.
00:17:25What are you going to eat?
00:17:26Oh, some salad, I think.
00:17:27What are you talking about?
00:17:28How are you going to take care of those kids on salad?
00:17:30Give her some roast beef rare.
00:17:31I'll take the same.
00:17:32What kids?
00:17:33Those seven or eight that are going to call you mama and me, papa.
00:17:36Joe, aren't you ever serious?
00:17:39Aren't you interested in making more money?
00:17:40More dough?
00:17:41No, I'll do it all right.
00:17:42I've got money.
00:17:44Any vegetables left?
00:17:45No, I'll never be able to finish this roast.
00:17:47Double order of spinach for both of us.
00:17:49Joe, I don't like spinach.
00:17:50It's good for you.
00:17:51It puts hooses in your watches.
00:17:55You going to bully me all my life?
00:17:56Yep, taking care of you is bullying you.
00:17:58That's what I'm going to do.
00:17:59Two hunks of that apple pie.
00:18:01Joe, I never eat pie.
00:18:03You'll eat this or wipe it off your chin.
00:18:05Oh, you'll have me weighing a ton.
00:18:07That's right.
00:18:08That'll be more of your love.
00:18:09If you don't mind my saying so, Miss Bren, you don't eat enough.
00:18:12Are you trying to reduce?
00:18:14Well, I could take off a couple of pounds and still sit comfortable.
00:18:20No, that's a mistake.
00:18:21I believe every woman should have what nature intended her to have.
00:18:24And in all the places she intended her to have it.
00:18:26Well, if you think nature's been skimping on me, honey.
00:18:31Oh, ain't nature grand.
00:18:52How are you two getting along?
00:18:54Oh, fine.
00:18:55Mr. Casey just gave me an interesting little nature talk.
00:18:58Yes, I just tell her, Miss Bren, that she ought to keep what she's got.
00:19:02Don't worry, I intend to.
00:19:06Over the way, where's Dan?
00:19:07I left him downstairs.
00:19:08He's got a little hangover he's trying to get rid of.
00:19:10Oh, don't be so high hat.
00:19:12I like a guy that takes a drink once in a while and gives him something.
00:19:15I don't care if he drinks, but the guy's a lug.
00:19:17He's no good in spades.
00:19:18He's going to get the air someday and I wouldn't be surprised if I gave it to him.
00:19:21If you ask me, I think your boyfriend's burned up because you went out with Dan the other.
00:19:25You did what with whom?
00:19:27Well, you were working overtime.
00:19:29So you're two-timey when I...
00:19:30Well, I'm not married to you yet.
00:19:31And if I want to go out...
00:19:33Not with him, you won't.
00:19:33Not if you want to keep me hanging around.
00:19:35Well, if that's the way you feel, I'm not so sure I want you hanging around.
00:19:39You're entirely unreasonable, Joe.
00:19:41You've been everywhere.
00:19:42All around the world, seen everything and done everything.
00:19:44You never want to go out at night because every place is an old, old story to you.
00:19:47But it's not to me.
00:19:48I get a kick out of stepping out and enjoying myself like any normal girl would.
00:19:52If you didn't think so much about working your fool head off and risking your life just
00:19:56for the super thrill of it, we'd be a lot more congenial.
00:19:59After we're married, if we ever are, I'll be perfectly willing to sit at home and don your
00:20:03socks and listen to your stories about Asia and Africa and South America or what have
00:20:07you.
00:20:07But right now, I want a little fun and a few laughs.
00:20:09And if I feel like going out with Dan or anybody else who's been nice to me, I'm going.
00:20:12If I hurt your feelings, I'm sorry.
00:20:18What's the matter with Ethel?
00:20:19She looked like she was crying.
00:20:22Mr. Graham, aren't you?
00:20:23Yeah.
00:20:24Mr. Regan wants to see you in his office with your helper right away, please.
00:20:28Oh, come on.
00:20:29You heard what you said, didn't you?
00:20:33Well, I hope there'll be no gunplay.
00:20:35Well, if there is, I hope you're in it.
00:20:39Want to see me, Regan?
00:20:40This is Joe Graham, one of our ace troubleshooters, Sergeant Murphy.
00:20:44Dan Sutter, Joe's assistant.
00:20:46You were testing at 1483 Union last night, weren't you?
00:20:49Yeah.
00:20:49You happened to cut in on a conversation between the Chief of Detectives and Sergeant Murphy
00:20:53here?
00:20:53Uh-huh, that's right.
00:20:54How much of that conversation did you over hear?
00:20:55Frankly, not.
00:20:56I dropped off as soon as I found I was on a busy line.
00:20:59You over hear that conversation?
00:21:01I wasn't working with Joe last night.
00:21:03Oh, yeah.
00:21:03I know.
00:21:05That Azusa goof was with you, Casey.
00:21:07So that's it.
00:21:09Why, what's this all about, boss?
00:21:10Well, Sergeant Murphy here got orders to close that joint you were working in.
00:21:14Somebody overheard the conversation and tipped them off.
00:21:16When the police got there, the place was empty.
00:21:21Casey overhear this conversation, too?
00:21:23Yeah.
00:21:24That probably explains it.
00:21:25Get Casey here.
00:21:26Wait a minute.
00:21:29Casey didn't do it, boss.
00:21:32Well, are you going to come clean or do I have to slap it out of you?
00:21:34What are you talking about?
00:21:35What are you trying to do?
00:21:36Make me the patsy?
00:21:37Son, I was at that gambling joint last night as a guest.
00:21:40I dropped off the line as soon as I found the cops were talking.
00:21:42Casey didn't.
00:21:43He hung on.
00:21:44Then he came in and told me what he overheard.
00:21:45He was with us.
00:21:47Then as Casey and I were leaving the joint, we saw the proprietor hand this son of a...
00:21:50This guy's some dough.
00:21:52It's a dirty lie.
00:22:11Anything else, Mr. Reagan?
00:22:13No, that's all, Joe.
00:22:14Thanks.
00:22:14You're welcome.
00:22:24Check in your tools.
00:22:25Draw what's coming to you, then get out of here.
00:22:28So you're taking Joe Grange's word against mine?
00:22:31Any time and on anything.
00:22:33Now get out.
00:22:46Wait a minute.
00:22:48It's the pride of Azusa, Casey.
00:22:51He wants to come up and see me.
00:22:53Well, have him up.
00:22:54I guess I can stand it.
00:22:56Oh, I don't know.
00:22:56He ain't much of a bargain.
00:22:58And his intentions are probably strictly dishonorable.
00:23:04Come right up, Mr. Casey.
00:23:07Uh-huh.
00:23:15When are you going to get that guy off of your mind?
00:23:18Well, I did think at least he might try to get in touch with me.
00:23:21Say, listen, if I had what you got, I wouldn't be worried about anything running around in pants.
00:23:28There's the wonder boy now.
00:23:32Hello, y'all.
00:23:33I was Colonel Willowbottom from Dallas, Texas.
00:23:37I'll extend my greetings to you lovely ladies.
00:23:40Well, quit posin' in the door there, Colonel.
00:23:42We recognize you.
00:23:44Yes, ma'am.
00:23:45Yes, ma'am.
00:23:45Say, I brought a friend along.
00:23:47Step in, Mr. Graham.
00:23:49I want you to meet these lovely ladies.
00:23:50Miss Brown, Miss Greenwood, Mr. Graham.
00:23:54Step on in a little.
00:23:55The lovely ladies are so happy to see us.
00:23:58Aren't you ladies?
00:24:02Oh, it's that good old southern hospitality.
00:24:08It's been a very jovial evening.
00:24:10We want to thank you for the tea and cakes.
00:24:13Graham, get the horses.
00:24:18Well, now that you're in, you might just as well park it.
00:24:22You see, they want us.
00:24:23They need us, Mr. Graham.
00:24:24Step in a little.
00:24:26Mr. Graham or Joe, as we laughingly call him down in Dallas,
00:24:29has invited us all out for the evening.
00:24:35I'm sorry.
00:24:36I'll try not to be jealous again.
00:24:38And I promise not to lose my temper again.
00:24:42Lookie here, lookie here.
00:24:43If I'm Joe's assistant, well, I've got to do the things he's got to do.
00:24:52Did that come all the way from Azusa or Dallas?
00:24:56No, ma'am.
00:24:57That's just my Dallas.
00:24:59I ain't Azusa'd you yet, but I'll get to all that later.
00:25:02Oh, honey, I can hardly wait.
00:25:05You are a lucky woman.
00:25:06Come on, get on your bits and tuckers, girls.
00:25:08We're going to the grove.
00:25:09Quick, we're going to the grove.
00:25:13Oh, yeah.
00:25:16Hello?
00:25:17Who?
00:25:19No, I can't see you now.
00:25:20Who is it?
00:25:21I'm going out, Dan, some other time, please.
00:25:24Couldn't I come up for just a minute, Ethel?
00:25:26I've got something important to tell you.
00:25:28No, no, don't come up.
00:25:30Well, I'll come down.
00:25:35Dan, he wants to see me for a minute.
00:25:36He has something important to tell me.
00:25:38You don't mind, do you?
00:25:39Sure I mind.
00:25:41Oh, now you're going to start all over again.
00:25:42You said just a minute ago you wouldn't be jealous.
00:25:45What is it, Joe?
00:25:46Don't you trust me?
00:25:51Well, if you want to wait, I'll be back in a minute.
00:25:58Dan, you mustn't come here anymore.
00:26:00Joe's upstairs and he doesn't like it.
00:26:02After all, we are going to be married and you know he's terribly jealous.
00:26:05Yeah, I can second that.
00:26:06Why, what do you mean?
00:26:07He got me fired today.
00:26:09He didn't.
00:26:09I ought to know.
00:26:12He told Reagan a rotten lie.
00:26:14Then to top it off, he sucked me.
00:26:16In the stomach.
00:26:17He can't tell me he did it for any other reason except that he knows that I'm...
00:26:21well, that I like you.
00:26:23Oh, I'm terribly sorry, Dan.
00:26:25I know Joe's awfully hot-blooded and all that,
00:26:28but I certainly didn't think he'd carry it that far.
00:26:34What number do you call to get the riot squad?
00:26:38Listen, Dan, I don't want any more trouble with you.
00:26:41But if you don't stay away from Ethel, what I did to you this afternoon is just going to be
00:26:44a sample of what I'm going to do to you.
00:26:46Joe, please.
00:26:47Please, you've caused enough unpleasantness already.
00:26:49Oh, so you're taking his side, are you?
00:26:52Oh, you're impossible.
00:26:53I never seem to be able to do anything but quarrel with you.
00:26:55I don't want to.
00:26:57Oh, I'm sick of it.
00:26:57I wish you'd go.
00:27:07Don't cry, honey.
00:27:08He isn't worth it.
00:27:09I got a car outside.
00:27:10We'll take a drive down to the beach.
00:27:12Oh, he's so unreasonable, sometimes I could kill him.
00:27:15Some fresh air will do you good.
00:27:17Come on, Ethel.
00:27:22Maisie, I'm going out with Dan.
00:27:23I'll be home early.
00:27:25Well, things seem to have been happening downstairs.
00:27:29Ethel's going out with Dan.
00:27:31I suppose Joe has gone far into the night.
00:27:35Leaves us at the exact point of where we started.
00:27:40Well, what do we do now?
00:27:43What do you mean, what do we all do now?
00:27:55Well, I'm heading for the last roundup.
00:27:59We-de-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
00:28:01-dee.
00:28:08Okay, give me the cutters.
00:28:11Just a minute.
00:28:19Give me the flyers.
00:28:29Hey, what's the idea?
00:28:33See, you might have killed that guy, Joe.
00:28:35I don't know what's the matter with me. I'm all thumbs.
00:28:37I don't know what's the matter with you.
00:28:39So do you, but you ain't doing nothing about it.
00:28:40Give me another pair of pliers.
00:28:42The way Lizzie talks, you know.
00:28:44Ethel feels just as bad about things as you do.
00:28:46Who told you I felt bad about it?
00:28:49Them pliers you just dropped.
00:28:51You know what a trouble with you is, Joe.
00:28:53You don't realize.
00:28:54I mean, you don't understand the psychology of women.
00:28:56Now, out in Azusa...
00:28:57If you mention Azusa to me again, you're gonna follow those pliers.
00:29:00All right. No sense of humor.
00:29:06You ain't working at the telephone company no more.
00:29:08You mean she got fired?
00:29:10Nah, she quit.
00:29:11She's working in an office downtown.
00:29:12Doing what?
00:29:13I don't know.
00:29:14That's all Lizzie told me.
00:29:16Of course, she quit the company so there'll be no chance of running into me, huh?
00:29:19No, I don't think it was like that.
00:29:21Well, I'm quitting too.
00:29:22You're doing what?
00:29:23I'm quitting.
00:29:24Tomorrow or Saturday.
00:29:26I think I'll run down to San Pedro and get on the boat for China or someplace.
00:29:29This town and this job are getting on my nerves.
00:29:31Ah, listen, you won't like it in China?
00:29:33I've been there and I like it fine.
00:29:36Maybe I'll get on the boat that don't touch shore for six months.
00:29:38That's better still.
00:29:39And I've done that too and it's all right.
00:29:40All right, all right.
00:29:41I see you're in no mood for further enlightenment on a subject to love,
00:29:44so I'll just give up.
00:29:47Where are we going now?
00:29:48It's around here somewhere.
00:29:57This is it.
00:29:59What's the grief here?
00:30:00That match.
00:30:01Get the tools.
00:30:06Which one of these joints is it?
00:30:08The Lena State office.
00:30:22What's wrong with you, Tuff?
00:30:35Hello, Job Graham, Bandai 3476.
00:30:37Reported in trouble.
00:30:38Call me back, will you?
00:30:41There's nothing wrong with that phone.
00:30:45Hello?
00:30:46Okay.
00:30:48What did you send for a repairman for?
00:30:50Nobody called from here.
00:30:53Oh, in that case, Casey's building himself up for a good clout in the chin.
00:31:29Well, I think it's you who should do all of the talking.
00:31:33All right, I will do the talking.
00:31:34I'm blown town tomorrow or the next day.
00:31:36Goodbye and good luck.
00:31:37Oh, Joe.
00:31:47I don't know which one of us was at fault, but these last few weeks I've been very...
00:31:52Yeah.
00:31:53Yeah, me too.
00:31:56Oh, let's stop being foolish.
00:31:59Let's.
00:32:04Any phone calls, Ethel?
00:32:06No, none.
00:32:08Anybody come in?
00:32:10No, no one.
00:32:24Oh, number 62, remember me?
00:32:32Dan's working here too, huh?
00:32:34Yes, he's the manager.
00:32:35Nice going, and you're working for him.
00:32:37Oh, that's Dandy.
00:32:44Hiya, baby.
00:32:46Oh, I see you're a long time.
00:32:48Do the presenters?
00:32:49Oh, no, I have an apartment of my own now.
00:32:51It has a phone too.
00:32:53No kidding.
00:32:54That's an innovation.
00:32:55Why don't you come up and fix it for me?
00:32:57What's the matter with it?
00:32:58Not a thing, only come up and fix it anyway.
00:33:01Why, certainly, certainly, certainly.
00:33:03Anything to oblige a lady?
00:33:05Pearl is her name and the address is...
00:33:09Wait a minute, I'll write it down for you.
00:33:12Pencil, please.
00:33:27I'll write it down for you.
00:33:28All that all?
00:33:29Will you come in a minute?
00:33:48What did he want?
00:33:49Why, he, uh...
00:33:50He didn't come here to see me.
00:33:52No, he, um, he came about the telephone.
00:33:55Was there anything wrong with it?
00:33:57Yes.
00:33:58I could have taken care of that.
00:34:01But it's all I had for.
00:34:02That's all for now.
00:34:11He had me worried for a minute.
00:34:13Do you think he suspects anything?
00:34:14No.
00:34:16Say, why were you so interested in him?
00:34:18What's wrong with saying hello?
00:34:20I don't like him.
00:34:21That's enough, ain't it?
00:34:22Ah, dry up you two.
00:34:23You're getting to sound more like Gracie and Alan every day.
00:34:26Come on, Watton.
00:34:47Listen, sweetheart, if I want to talk to somebody, I'm going to do it whether you like it or not.
00:34:52You don't own me.
00:34:53And don't you forget I was the one that introduced you to Max and Martin.
00:34:56And another thing, what's the idea of having that good-looking dame always hanging around?
00:35:00She's just working here.
00:35:01I catch on.
00:35:03Nice work if you can get it.
00:35:05If you don't like it, you can get out.
00:35:07I've got my belly full and you might as well know it.
00:35:09That's swell.
00:35:10I've had all I can stand, too.
00:35:12Only when you get paid off, I want my cut, see?
00:35:16And if I don't get it, I'm going to yell so loud you can hear me all the way to
00:35:19the police station.
00:35:19You'll get your check, only hurry up and blow.
00:35:22You're giving me a headache.
00:35:36Have you got them?
00:35:37I'm connected with their office wire, but there's nothing happening.
00:35:51Hello?
00:35:52Oh, yes.
00:35:53How are you, Mr. Puller?
00:35:54Hello, Parsons.
00:35:55Say, listen.
00:35:57I'm just telephoning to tell you I have all the stocks I need at this particular moment,
00:36:01and I shan't be doing any more buying for the next couple of months.
00:36:05I say I shan't be doing any buying for the next few months.
00:36:12What's the matter?
00:36:13Can't you hear me?
00:36:14There seems to be something the matter with this phone.
00:36:17I haven't been hearing well of it for the last couple of weeks.
00:36:19Somebody's beating me to the punch.
00:36:21Every stock I'm interested in jumps before I get a chance to buy it.
00:36:25It almost appears as if some other person are getting information as to my activities.
00:36:31Well, I'm afraid that winds us up.
00:36:33What do you mean?
00:36:34Fuller's quit dealing with our next-door neighbor.
00:36:37Says somebody seems to have a lot of information about his stock deals.
00:36:42Well, what's that?
00:36:44Anyway, it was good while it lasted.
00:36:48I'll make out your checks.
00:36:49Make out three separate ones this time, will you, Martin?
00:36:52That's as you wish.
00:36:54You coming, Mike?
00:36:55No, I'll hang on a little while longer.
00:36:56You never can tell.
00:37:02This is for your partner.
00:37:03All right.
00:37:05Hey, Max, here's your cut.
00:37:07Okay.
00:37:11Here's yours, Dan.
00:37:16Oh, by the way, what's that young lady's name?
00:37:19Who?
00:37:19Oh, Pearl, uh...
00:37:22As a matter of fact, she's got so many names, I don't know which one she'd want them to check.
00:37:25Well, I'll leave the namespace blank. She can fill it in.
00:37:28We'll see that she gets it.
00:37:29Sure thing.
00:37:35Goodbye, miss.
00:37:36Oh, goodbye, Mr. Martin.
00:37:45Busy?
00:37:46No, just changing the ribbon.
00:38:07You seem to be having a tough time.
00:38:11I don't know why you ever hired me as a secretary.
00:38:14That's why I'm firing you.
00:38:17Oh.
00:38:19Well, I can't blame you. I suppose I shouldn't have taken the job in the first place. I wasn't fitted
00:38:23for it.
00:38:24I might as well give you your closing check now.
00:38:29Better see if I got the amount right.
00:38:33What's this mean?
00:38:34Not enough.
00:38:35No, I don't understand.
00:38:36I just sold Martin a big chunk of real estate. That check represents having the commission.
00:38:40I want you to have it because I want you to look on us as partners, Ethel. You and me.
00:38:46Well, I can't take it, Dad.
00:38:48Why not?
00:38:49Well, because we're not partners.
00:38:50We will be. I'm going down to Mexico City soon. Sort of a combined business and pleasure trip.
00:38:56I want you to come with me. That check is so you can play your own way. Just so you
00:39:01won't feel indebted.
00:39:03Now, you know that won't do.
00:39:04Why not?
00:39:05I don't take trips to Mexico with anybody.
00:39:08I'm really in love with you, Ethel. Crazy about you. The Mexico City is a swell place for a honeymoon.
00:39:15A friend of mine wants me to inspect his property down there. A big ranch. We'd have a wonderful time.
00:39:21What do you say, Ethel?
00:39:22I don't know what to say.
00:39:26Take this, meanwhile. Please. Just as a gift.
00:39:30Uh-uh. I can't take that till I make up my mind. Oh, I've smudged it.
00:39:36That doesn't matter. Two thousand is still two thousand. Even if it is a little dirty.
00:39:43Hey, Dan. Come in here, quick.
00:39:51I told you hanging out that phone wouldn't hurt. I just heard the cashier talking to the Federal
00:39:54Reserve. They're expecting a shipment of treasury certificates. Two million dollars worth of
00:39:58negotiable securities.
00:40:00So what?
00:40:00Just this. That stuff will be kept in their vault over the weekend till Monday morning.
00:40:05Well, what about it?
00:40:05What about it? Come here.
00:40:07Look, that vault's just the other side of this wall. Not 20 feet away from us.
00:40:12Come to. You're not thinking of...
00:40:13Listen, I can get a couple of guys that'll go through that wall like it was tissue paper.
00:40:16Two million.
00:40:18Two million bucks worth of negotiable securities. Are you in?
00:40:22Take it easy. Why?
00:40:23It happens tough enough, but bank robbery's good for 20 years.
00:40:2620 years if they catch you. Two million bucks if they don't.
00:40:29Oh, well, never mind. I'll get the guys and do the job myself. You clear out.
00:40:32Wait a minute. What do you mean, clear out?
00:40:35This place is in my name. They'll hook me as an accessory.
00:40:37In that case, your choice is limited.
00:40:39You can either come in and get your piece of the dough or get out and get your can in
00:40:43the cooler.
00:40:51You're absolutely set on this, are you, Joe?
00:40:53Yep, Mr. Regan, absolutely set.
00:40:55Sure you're not making a mistake?
00:40:56Probably.
00:40:57Pulling up anchor and going places, making a mistake. I'm making it, but I've been doing it all my life.
00:41:01Okay, Rizzusa, you admire this for a long time. It's yours.
00:41:05Oh, listen, Joe, that sets you back 20 bucks.
00:41:07That's okay. I won't need it in Tahiti. You know, just a G-string.
00:41:10When's your ship sail, Joe?
00:41:11In about an hour.
00:41:12Baker, can you use these?
00:41:13Oh, sweetie, Steele. Thanks, Joe.
00:41:15Here's some other stuff.
00:41:16Oh, thanks, Joe.
00:41:17You're right. That's okay. That's all my own stuff, boss.
00:41:19Yeah, I know that, Joe.
00:41:20Well, that's that, I guess.
00:41:23Goodbye, Mr. Regan. It's been nice working for you.
00:41:25I think you've lost your mind, Joe.
00:41:27I never had much to lose, boss.
00:41:29Well, good luck to you.
00:41:30Anytime you want to come back, there's a job open for you.
00:41:32Thanks very much. I won't want it for a long time, if ever.
00:41:38Lug, you ought to be tickled to death I'm going. You'll probably get my job.
00:41:41Who wants your job?
00:41:42Listen, you're the only guy I ever met that I'd ever work under.
00:41:45I'm a first-class troubleshooter of my own right and a good one, too.
00:41:48You just ask anybody in Azusa.
00:41:50The reason I worked under you is because, well, of course.
00:42:00So long, boys. Good luck to you all.
00:42:02Goodbye.
00:42:02So long, boys. Take care of yourself.
00:42:04Take care of yourself.
00:42:05It's been swell working with you, fellas.
00:42:07Don't think too harshly of me for walking out on you.
00:42:09But I got quicksilver in my pants, and I can't sit still in any one place very long.
00:42:13Now, when you guys are working up to your hips in the mud,
00:42:15or you're up on top of a pole, splicing wires in the high wind and the rain, think of me.
00:42:19On the high seas, under a beautiful blue sky.
00:42:22Or on the beach at Pago Pago, under a great big yellow moon.
00:42:24Mr. Regan, from the Special Agent's Office. Very important. Rush.
00:42:28Yes, sir. Going places and doing things. That's your major idea.
00:42:32Say, this is something.
00:42:35Victor, this is your district. Suspicion of a wiretapping job.
00:42:37What? Where's that complaint from?
00:42:39Securities Investment Corporation, 16th and Flower.
00:42:42From where?
00:42:51Hey, look, boss. I resigned, didn't I?
00:42:52Yeah. Well, I'm unresigning. I'm working for you again. I'm starting with this job.
00:42:55Come on, Case. Get the tools.
00:42:57All right, boss. You gotta give me back. I know we need it.
00:43:00Sorry, Case. I'll be needing this.
00:43:01Are you ready, kid? Let's go!
00:43:07Well, come on. Will you tell a pal what it's all about?
00:43:10You heard what he said, didn't you? Suspicion of a wiretapping job.
00:43:13Security Investment Corporation.
00:43:14What's that gut juice so hot and bothered about?
00:43:16Well, I'll tell you, my little mental genius.
00:43:18The Security Investment Corporation is next door to the Globe Realty Company,
00:43:21which is run by my old playmate, Dan Sutter. Real estate model.
00:43:26I'll do a little subdividing on his schnozzle before I get through with him.
00:43:30I can't understand what in heaven's name you're hesitating about.
00:43:34I can't see what there is to decide.
00:43:36Well, you don't understand, Maisie. I love Joe.
00:43:40And I'm not so sure about Dan.
00:43:42Well, it seems to me it's just as easy to fall in love with a guy with money as a
00:43:46guy without it.
00:43:46It's just a habit. You've got the wrong habit, that's all.
00:43:50Yeah, but after all, I do love Joe.
00:43:54Well, I just can't turn him off like I'd turn off the water faucet.
00:43:58I've got to be sure.
00:44:01I'm going to call him and give him one more chance.
00:44:04Go ahead. If he'll make any happier, he'll probably hit you with the phone.
00:44:22Hello, hello. Joe's not in, lady. He's not in.
00:44:27Oh, well, will you just tell him Ethel called?
00:44:29I can't do that, lady. I can't do it. I can't holler that loud.
00:44:32He's on his way to China. You checked out this morning.
00:44:34I can't do it. Oh, thank you.
00:45:15Max. Yeah?
00:45:16They're moving in the stuff. Good.
00:45:19I'm going to have to hurry. I'll do it, boys.
00:45:23By this time tomorrow, we'll be retired capitalists.
00:45:25Hey, what about that girlfriend of yours?
00:45:27She has to get back to the luncheon.
00:45:28Yeah, we'll give her the afternoon off.
00:45:35Hello, Ethel. Just finished talking long distance to my friend of Mexico City.
00:45:39He wants to leave right away.
00:45:41Drive to New Galli's tonight, leave them there tomorrow on the train.
00:45:45Have you been taking it over, honey?
00:45:47Uh-huh.
00:45:48Well, yes or no?
00:45:51Yes.
00:45:52Okay, here.
00:45:54Now look, take the rest of the afternoon off.
00:45:57Welcome to load yourself up in a new wardrobe.
00:46:00I'll arrange for the bank for you to get this cashed.
00:46:02Oh, even easy. I have enough to get what I want.
00:46:04We'll leave sometime after midnight.
00:46:06I'll call you after dinner and arrange all the details.
00:46:13Well, I'll wait for your call.
00:46:21Hurry.
00:46:31Yeah, what did I tell you? Right into the attic of Dan's place.
00:46:33Now, you might be right after all.
00:46:34Yeah, maybe. I was once before.
00:46:37I better get on down there.
00:46:38Yeah, take it easy. Take it easy.
00:46:39They might be down there. If they hear us, it wouldn't be so good.
00:46:41Besides, I'm going to do this alone.
00:46:43Who said you're going to do it alone?
00:46:44Come on, give me a hand.
00:46:55You ain't here.
00:46:56We have a hole in this thing.
00:46:58I'm coming.
00:47:10Seems to be empty.
00:47:12Saturday afternoon. Maybe they're out playing golf or something.
00:47:14Yeah, maybe.
00:47:15Come on, give me your hand.
00:47:24Come on, lower me down.
00:47:30There you go, buddy. You're behind the eight ball.
00:47:32They got me, Case. Get the cops.
00:47:41Come on, buddy. Reach for the clouds.
00:47:49So we meet again.
00:47:50The rover boys to the rescue.
00:47:52Climb up, boys. Nice and tight.
00:48:50I've got them today.
00:48:50Nice and tight.
00:49:10It won't be long now.
00:49:12My car's around the corner.
00:49:13I'll bring it into the alley.
00:49:48I'll bring it into the alley.
00:50:11Where's the fire?
00:50:12It sounds like it's in this block.
00:50:13Hey, what's up?
00:50:14Wait a minute.
00:50:27Oh, it's an alarm.
00:50:28Looks like somebody gave us the runaround.
00:50:30Don't see anything that looks like a fire around here.
00:50:32All right, let's go home, boys.
00:50:55Somebody must have turned in the fourth alarm.
00:50:56They're leaving.
00:50:59How you coming?
00:51:00Any minute now.
00:51:02Say, wait.
00:51:07I had an idea that maybe...
00:51:10But it's all right.
00:51:14Come on, boys.
00:51:15Hurry up.
00:51:30Hello, Ethel?
00:51:31Hiya, honey.
00:51:33That's good.
00:51:34Now, listen, dear.
00:51:35I called you up to tell you that...
00:51:36Hey, we're in.
00:51:37Just a minute, honey.
00:51:38You're in the vault?
00:51:39Yeah.
00:51:41Honey, I called you up to tell you we're leaving right away.
00:51:43Yes, in about an hour.
00:51:46Listen, sweet.
00:51:46Throw some things together and meet me up at my apartment.
00:51:49Yeah, you know, on South Harvard.
00:51:52All right, dear.
00:51:53I'll be expecting you.
00:51:54Goodbye.
00:52:20Bye.
00:52:21Bye.
00:52:24Bye.
00:52:53Bye.
00:53:23Bye.
00:53:53Bye.
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