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Shockproof (1949) Full Movie ｜ Cornel Wilde, Patricia Knight [Full Movie] [Free Online HD]Full EP - Full
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00:02:56SIT DOWN
00:03:00NOW THEN
00:03:01YOU UNDERSTAND
00:03:02YOU'RE NOT
00:03:02PERMITTED
00:03:02TO DRIVE A CAR
00:03:03YOU'RE NOT
00:03:03PERMITTED TO DRINK
00:03:04ALCOHOLIC BEVERAGES
00:03:05YOU MAY NOT BORROW MONEY
00:03:07YOU MAY NOT CARRY A WEAPON
00:03:08YOU MAY PURCHASE
00:03:10CLOTHES AND FOOD
00:03:10BUT NEVER ON CREDIT
00:03:11ALL PURCHASES
00:03:12MUST BE FOR CASH
00:03:13DID YOU READ THIS?
00:03:14I'VE GOT IT MEMORIZED
00:03:16OUR OBJECTIVE
00:03:17IS THE REHABILITATION
00:03:18OF THE CRIMINAL
00:03:19WE'LL HELP YOU
00:03:20IN EVERY WAY WE CAN
00:03:20BUT IT'S UP TO YOU
00:03:21I'LL GET YOU A JOB
00:03:22AND A PLACE TO LIVE
00:03:23YOU CANNOT LEAVE
00:03:24THAT JOB
00:03:25YOU CANNOT CHANGE
00:03:26MY EMPLOYMENT
00:03:27OR MY PLACE OF RESIDENCE
00:03:28WITHOUT FIRST
00:03:28OBTAINING THE PERMISSION
00:03:29OF THE BUREAU OF PAROLES
00:03:31YOU HAVE GOT IT MEMORIZED
00:03:34YOU MAY NOT ENTER
00:03:34INTO ANY CONTRACT
00:03:35WITHOUT THE CONSENT
00:03:36OF YOUR PAROLE OFFICER
00:03:37THAT'S ME
00:03:38YOU MAY NOT MARRY
00:03:40AND YOU'VE GOT TO
00:03:41CHANGE YOUR BRAND OF MAN
00:03:43WHO PICKS THEM FOR ME
00:03:44YOU
00:03:45DON'T WORRY
00:03:46YOU WON'T HAVE ANY TROUBLE
00:03:46FINDING NEW FRIENDS
00:03:48I'LL BE SURE THEY'RE
00:03:51ON SOME OF THESE MATTERS
00:03:52WHEN CONDITIONS JUSTIFIED
00:03:53AN EXCEPTION CAN BE MADE
00:03:54BY SPECIAL PERMISSION
00:03:55OF THE CHIEF PAROLE OFFICER
00:03:56HOWEVER NO EXCEPTION
00:03:57CAN BE MADE
00:03:58TO THE RULE OF NOT
00:03:59CARRYING A DEADLY WEAPON
00:04:00OR TO THE RULE OF NOT
00:04:01MARRYING
00:04:01THESE ARE BEYOND
00:04:02OUR POWER TO SANCTION
00:04:04YOU'VE GOT IT ALL
00:04:04MEMORIZED TOO
00:04:05HAVEN'T YOU
00:04:06I SAY IT AT LEAST
00:04:07ONCE A DAY
00:04:08YOU CAN SAVE IT
00:04:09I KNOW IT ALL
00:04:10I CAN'T HELP THAT
00:04:12I
00:04:12YOU'RE ON LIFE PAROLE
00:04:14OH HELLO SAM
00:04:16THIS IS UH
00:04:16JENNY MARSH
00:04:19meet Mr. Brooks
00:04:20our chief parole officer
00:04:21how do you do
00:04:23glad to be out eh
00:04:26yes sir
00:04:31now then you're on life parole
00:04:33that means you report
00:04:34to me every day
00:04:35every day
00:04:36that's it
00:04:37later it'll be twice a week
00:04:38then once a week
00:04:39how long does that go on
00:04:40well if you behave
00:04:41you can get your lease
00:04:42in a couple of years
00:04:46remember him
00:04:49if I try hard enough
00:04:50well try hard to forget
00:04:52he's dead
00:04:54I mean dead as far as
00:04:55you're concerned
00:04:56he's got a bad reputation
00:04:59oh
00:05:01yes sir
00:05:02now listen
00:05:03this is important
00:05:04in your case
00:05:05you may not associate
00:05:06with or correspond with
00:05:07or make any contact with
00:05:09any individual
00:05:10of known bad reputation
00:05:11or any present
00:05:12or former inmate
00:05:13of a penal institution
00:05:13I know all about Harry
00:05:15you don't have to tell me
00:05:16he's never landed in the pen
00:05:17but he's come close
00:05:18a dozen times
00:05:19now I'm telling you
00:05:20he's the wrong sort for you
00:05:21my orders are to stay away
00:05:23disobeying my orders
00:05:24means you break parole
00:05:25breaking parole means
00:05:26you go back to jail
00:05:27is that clear
00:05:29yes sir
00:05:33well you see
00:05:34I'm the teacher
00:05:35you're the pupil
00:05:36sure
00:05:37I'm the one
00:05:38who gets spanked
00:05:39not in the modern educational system
00:05:41they don't spank kids anymore
00:05:43they just send them to jail
00:05:45now look
00:05:46take a little advice
00:05:47I think you'll be better off
00:05:49dropping this bitterness
00:05:49and forgetting the past
00:05:51you'll get over it
00:05:52if you get the breaks
00:05:52and I'm here to see that you get them
00:05:55you got cigarettes?
00:05:58do I have to change my brand of cigarettes too?
00:06:01all right let's go
00:06:02go?
00:06:03yeah I'll get you a place to live
00:06:04not far from you
00:06:13radio doesn't work
00:06:15but it can be fixed
00:06:17the room has morning sun
00:06:19you like it?
00:06:20six dollars a week
00:06:21yeah she likes it
00:06:23I pay the first week's rent in advance
00:06:25you pay me back
00:06:26back out of your first week's salary
00:06:28bathroom's down the hall
00:06:29two doors to the right
00:06:33first week's salary?
00:06:34from what?
00:06:35oh
00:06:35now you've got a job
00:06:37oh
00:06:38report there in the morning
00:06:40you get twenty one dollars a week
00:06:41ask for Mr. Logan
00:06:42he expects you
00:06:43that landlady
00:06:44Miss Terence?
00:06:45yes
00:06:45does she know about me?
00:06:47don't worry
00:06:48she won't spy on you
00:06:49uh
00:06:50you got money for lunch and dinner?
00:06:51yes sir
00:06:53okay
00:06:53I'll drop by the office
00:06:54and see how you're getting on
00:07:00well
00:07:01lots of luck Cheney
00:07:03take it easy
00:07:13just a moment
00:07:15you can't see Jenny Marsh
00:07:17I don't think I know you
00:07:18I'm Jenny Marsh's parole officer
00:07:20if she sees you she breaks parole
00:07:22I see
00:07:23so that's the way it is
00:07:24that's the way it is
00:07:25now get going
00:07:26Harry
00:07:27Jenny
00:07:28how did you learn this address?
00:07:30what right of you to question me?
00:07:31I meant what I said about not seeing him
00:07:32it's a violation of your parole
00:07:34now run along Wesson
00:07:35and stay away
00:07:35you can't tell me what to do
00:07:36I can do what I like
00:07:37and go where I like
00:07:38and see any woman I happen to like
00:07:40you have no authority over me
00:07:43I have authority over you
00:07:45tell him to go
00:07:48please Harry
00:07:49go
00:07:51alright Jenny
00:08:07how did he know where to find you?
00:08:09I don't know
00:08:11well what am I supposed to do?
00:08:12hide?
00:08:13you better watch your step Miss Marsh
00:08:15alright
00:08:17I'll stay away from him
00:08:18but you've got to help me
00:08:20can you get me a room and a job
00:08:22where he can't find me?
00:08:23maybe
00:08:24report in the morning
00:08:37couldn't Monty have met us somewhere else?
00:08:39but he never leaves here
00:08:41he lives here
00:08:41eats here
00:08:42sleeps here
00:08:42but Harry
00:08:44I'm not supposed to go into a place like this
00:08:46I wish he could have met us outside
00:08:48it won't take long
00:08:49come on
00:08:49come on
00:08:51hey don't get mad
00:08:52you got people
00:08:53three minutes before comes time on
00:08:57belviday
00:09:02well
00:09:02Jenny
00:09:03is quite of everything
00:09:07thanks Monty
00:09:08I feel fine
00:09:09what's this emergency call about?
00:09:12you know Jenny's on parole
00:09:13yeah I know
00:09:14for how long Jenny?
00:09:15the book
00:09:16life parole
00:09:17she wants to be
00:09:18the state legislature
00:09:31what?
00:09:32yeah
00:09:33they're talking about running him for assemblyman in the 84th district
00:09:35they can run him for president as far as I'm concerned
00:09:37look
00:09:38what are the possibilities of a transfer for Jenny?
00:09:41tough
00:09:44too difficult for you Monty
00:09:46unless the price isn't right
00:09:47well
00:09:48sit down
00:09:57if the parole board in San Francisco lands her a job in a room
00:10:01Los Angeles gives her the green light
00:10:03sounds simple
00:10:04it isn't
00:10:06first I got to plant a family up there
00:10:08they asked for her to be transferred
00:10:10five thousand for the whole show
00:10:13okay
00:10:14when?
00:10:15as of now you have cousins in San Francisco
00:10:18first cousins
00:10:19called uh
00:10:21Harris
00:10:24yeah
00:10:25can you come in for a minute
00:10:26Griff?
00:10:27be right in
00:10:37Griff uh
00:10:38how's Jenny Marsh coming along?
00:10:41Jenny Marsh?
00:10:41okay
00:10:41what's she doing?
00:10:43oh she's going after a job on her own
00:10:44bookkeeping job
00:10:45foamy about it a few hours ago
00:10:47that girl's going places
00:10:48she sure is
00:10:51right back to prison
00:10:52today
00:10:53what do you mean?
00:10:54what happened?
00:10:56she was picked up on a bookie raid
00:10:57uh
00:10:58bookkeeping job
00:10:59uh
00:11:00Joe Wilson was picked up too
00:11:01Joe Wilson?
00:11:02another one of your pupils
00:11:04where are they now?
00:11:06next door
00:11:11Mr. Matt
00:11:12don't let him send me back
00:11:13you're out of luck Joe
00:11:14you mean 20 years
00:11:15I can't take it
00:11:16give me another chance
00:11:17please
00:11:18I promise this
00:11:19you parole twice
00:11:20this is your third violation
00:11:22when I'm through covering up for you
00:11:26take him to headquarters
00:11:2820 years
00:11:3020 years
00:11:3120 years
00:11:32go on
00:11:39get out
00:11:43hurry up
00:11:46no
00:11:46hurry up
00:11:47hurry up
00:11:47go on
00:11:48no
00:11:48hurry up
00:11:51hurry up
00:11:55no
00:11:55hurry up
00:12:06You're Wilson's tough.
00:12:08Mm-hmm.
00:12:08They've taken him to the hospital.
00:12:10But he won't live.
00:12:12All right.
00:12:14What did the girl have to say?
00:12:15I don't know. I haven't talked to her yet.
00:12:17She's still in there. Sprained her ankle.
00:12:19Excuse me.
00:12:32Well, what have you got to say for yourself?
00:12:34Look, I feel it's all my fault. That's why I came along.
00:12:36Now, you're a fool, Weston.
00:12:37You know those places rated for parole violators?
00:12:39Why'd you take her there?
00:12:40Did you get hurt?
00:12:41I sprained my ankle.
00:12:42Officer.
00:12:43Yes, sir.
00:12:44Take her down to Dr. Daniels.
00:12:45You wait here.
00:12:46Dr. Daniels?
00:12:46You heard me.
00:12:49This way, miss.
00:13:00Hello.
00:13:01Give me Dr. Daniels, please.
00:13:05Hello, Doc.
00:13:06This is Griff Marrett.
00:13:08I'm sending a girl named Jenny Marsh down to your office.
00:13:12Yeah, she's got a sprained ankle.
00:13:15See what you can find out, will you?
00:13:16How old is she, Griff?
00:13:20What does she look like?
00:13:23Blonde.
00:13:26Delicate features.
00:13:28Brown eyes.
00:13:31I see.
00:13:32Well, she just saw a man jump off the balcony.
00:13:35Pretty shaky and upset.
00:13:38Well, it'll be easy to work on.
00:13:40Okay.
00:13:55Okay for sound?
00:13:57Echo.
00:13:58Okay for sound?
00:13:59Yeah, okay.
00:14:00Here.
00:14:01Now, play it cagey, Doc.
00:14:02This one's smart.
00:14:02What are you trying to prove?
00:14:04I'm not sure yet.
00:14:05Maybe that the girl is character.
00:14:06They all have when they're caught.
00:14:07Never should have been parole.
00:14:09Over here.
00:14:10Can you make it?
00:14:11I think so.
00:14:13Make it easy.
00:14:14It's her ankle, Doc.
00:14:17I'll be right outside.
00:14:19Take off your stocking.
00:14:29I feel sick.
00:14:30I feel sick.
00:14:31I feel sick.
00:14:31Really hate that bed?
00:14:35I just saw a man jump off the balcony.
00:14:37What did you do that for?
00:14:40They were sending him back.
00:14:42For good.
00:14:45I guess if I had the nerve, I'd do the same thing.
00:14:48No, you wouldn't.
00:14:51You wouldn't.
00:14:53Well, you know, you remind me of my daughter.
00:14:56You even look like her.
00:14:57Why?
00:14:58Because we're both female.
00:15:00That's about the only resemblance between her and me.
00:15:02Is your mother still living?
00:15:04Your mother?
00:15:05Yes.
00:15:06How long were you in prison?
00:15:08Five years.
00:15:10Five years.
00:15:12Must have broken her heart.
00:15:14She's still in the hospital.
00:15:15In the alcoholic ward.
00:15:17And your father?
00:15:18He was no good.
00:15:19I guess like father, like daughter.
00:15:21It's heredity.
00:15:22It's environment.
00:15:23It's a joke.
00:15:25There were nine of us.
00:15:26I was the oldest.
00:15:28Blew their noses for him.
00:15:29Scrubbed him.
00:15:30Doctored him.
00:15:30Everybody living in the one room.
00:15:33A swill pile.
00:15:33That's what it was.
00:15:35Where'd you get hurt?
00:15:36In a raid on a bookie joint.
00:15:39I broke parole.
00:15:40That means I'm going back.
00:15:42Don't you think you were pretty silly to go to a bookie joint when you were out on parole?
00:15:46I went with a friend who had business there.
00:15:48Fine friend.
00:15:49Got you in a big jam.
00:15:51He's the one who didn't forget me when they sent me to prison.
00:15:55Love him?
00:15:56He waited five years for me.
00:15:59For me.
00:16:00A man with a college education.
00:16:02Nice manners.
00:16:03Money.
00:16:04Everything I never had in a man before.
00:16:06Put that in your test tube, Doc.
00:16:08And what do you see?
00:16:09What does he do?
00:16:10Gambles.
00:16:11In a refined sort of way.
00:16:16Feels better now.
00:16:17It'll be all right in a day or two.
00:16:20Officer.
00:16:20Yes, Doc.
00:16:22You can take her back now.
00:16:23Okay.
00:16:24Oh, Doc.
00:16:25I...
00:16:25I just bought this outfit.
00:16:27If your daughter wears a size 12, she can have it.
00:16:30I guess I won't be needing it anymore.
00:16:36My feeling is that she's sensitive, confused, and angry.
00:16:40But Griff's right.
00:16:41I don't think Jenny Marsh is an habitual criminal.
00:16:44Well, then you think she's straightened that okay, Doc.
00:16:46I mean, if somebody gave her a break.
00:16:47I think so, Griff.
00:16:49You do?
00:16:50Yes.
00:16:50I'm sure of it.
00:16:52Well, I still don't trust her, but go ahead.
00:16:54She's your case.
00:16:55Oh, thanks, Sam.
00:16:56You'll see.
00:16:57I'm right about it.
00:16:57Oh, I don't say she's a hardened criminal.
00:16:59What is a criminal, Sam?
00:17:01Yeah, I've often wondered.
00:17:02I see him every day, but I still don't know.
00:17:05A criminal is somebody who commits a crime.
00:17:07Griff, she's in your office.
00:17:08And, Griff, throw a scare into her.
00:17:10Okay.
00:17:12Thanks, Doc.
00:17:23This will help you know the score.
00:17:2820 years later, a lifer.
00:17:31She looks 60.
00:17:32She's 40.
00:17:36Same girl 10 years later.
00:17:37There's another one.
00:17:39I've seen enough.
00:17:41All right, you're sending me back.
00:17:42But you don't have to torture me first.
00:17:44Send me back and shut up!
00:17:50Ask Wesson to come in.
00:18:00Take it easy.
00:18:06You're better?
00:18:13Sit down.
00:18:18Maybe you've got something smart to say.
00:18:20Whatever you may think of me, Morata.
00:18:21Let's not go into that.
00:18:24Well, as I said before, it's all my fault.
00:18:27Would be unjust to make Jenny suffer from my thoughtlessness.
00:18:30Now, look here, Wesson.
00:18:31Jenny, I know you think you're pretty smart, smarter than a dumb parole officer.
00:18:34Well, maybe you are.
00:18:36But you're up against an organization that's too big for you.
00:18:38You can't beat the whole parole set up.
00:18:39I don't intend to try.
00:18:41All right.
00:18:43If you care about Jenny as much as you seem to, you'll cooperate from now on or it's going to
00:18:46be just too bad.
00:18:47What am I expected to do?
00:18:48Leave her alone.
00:18:51Has it occurred to you that you're making the conditions unnecessarily difficult?
00:18:55Jenny cares for me.
00:18:57You're setting up a situation full of hazards and temptations.
00:19:00I'm aware of that.
00:19:01But I think the hazards will be greater if she sees you.
00:19:03You'll invite her to break rules because you look on rules as things that vend her for suckers.
00:19:07You think the guy who gets away with things is smart.
00:19:09What if I do stay away?
00:19:11She'll start seeing me again when she's free.
00:19:13She'll be as badly off as ever by your standards.
00:19:17Well, I'm counting on her forgetting you.
00:19:20I'm counting on her meeting some normal, decent people.
00:19:23I'm counting on her getting over a feeling of gratitude to you, of loyalty.
00:19:27You mean of love, don't you?
00:19:29She didn't get over it in five years.
00:19:31Then you can wait another couple of years.
00:19:33I'll do everything I can to get her released sooner.
00:19:36I'll give you three minutes to say goodbye.
00:19:38Then you go and you don't see her till I say so.
00:19:40Agreed?
00:19:43Have we any choice?
00:19:46Agreed?
00:19:47Okay.
00:19:49I'll be back in three minutes.
00:19:55How's your ankle, darling?
00:19:56It's all right.
00:19:57When I was leaving the doctor's office, I noticed the dictograph key was up.
00:20:01She's really...
00:20:04Darling, I'll see you tomorrow night.
00:20:06About seven.
00:20:24Hello, Jenny.
00:20:26Why, hello.
00:20:27Almost missed you.
00:20:28Where are you going?
00:20:28Oh, just to get a bite of dinner.
00:20:31Oh, great.
00:20:31Get in.
00:20:32Well, I...
00:20:33Oh, come on, get in.
00:20:34It's better than eating alone, isn't it?
00:20:36Of course.
00:20:37Thanks.
00:20:42When I laid out that six dollars for your rant, I thought you'd blown all your money on that first
00:20:46outfit.
00:20:48I didn't know you had a private gold mine.
00:20:51I didn't know you had a private gold mine.
00:20:51Like it?
00:20:52Yeah.
00:20:53I bought it today.
00:20:54Yeah, it's, well...
00:20:56Harry's money?
00:20:59Yes.
00:21:00Well, I...
00:21:01I suppose there's no reason why you shouldn't use what's left of it as long as you have it.
00:21:05I looked to see if there was a rule against it, but there wasn't.
00:21:11Oh, look, if you'll just drop me at a restaurant, I'll...
00:21:13Oh, you're eating with me.
00:21:15Do you often take parolees to dinner?
00:21:17Mm-hmm.
00:21:19Are you married?
00:21:21I'm Italian, over 21.
00:21:23What do you expect?
00:21:24Well, how does Mrs. Murat feel about this sort of homework?
00:21:27She encourages it.
00:21:28You're kidding.
00:21:29You're kidding.
00:21:35Hello, Fred.
00:21:36Get in.
00:21:38You're out on time.
00:21:39Yep.
00:21:40And, Jenny, this is Fred Bauer.
00:21:41Jenny Marsh.
00:21:42How do you do, Miss Marsh?
00:21:43How do you do?
00:21:43You didn't mention a chaperone.
00:21:45I'm not a chaperone.
00:21:46I'm a dishwasher.
00:21:47A dishwasher?
00:21:48Oh.
00:21:49At what restaurant?
00:21:50No, we're not eating in the restaurant.
00:21:52We're going to my house.
00:21:54Does Mrs. Murat expect this?
00:21:56Sure.
00:21:58I see.
00:22:07Hi.
00:22:08Hi.
00:22:08I brought Barry along for dinner, okay?
00:22:10Okay, get in.
00:22:18This is Tommy.
00:22:20Cut out to Tommy, can't you, Griff?
00:22:21Oh, sorry.
00:22:22This is Mr. Thomas Murat and his friend Barry.
00:22:25Miss Marsh, Mr. Bauer.
00:22:26How do you do?
00:22:27Hello.
00:22:27Hi.
00:22:28Your son?
00:22:30Kid brother.
00:22:31Say, Griff, I told Barry you handle that killer, Mike Cardoza, and he said no.
00:22:36You did, didn't you?
00:22:37Wasn't he that killer and you beat him up?
00:22:39Uh-huh.
00:22:40See?
00:22:41They give him all the killers.
00:22:42We're playing low-high next Saturday, semifinals.
00:22:45Can you come, Griff?
00:22:45Hey, why don't you sit back?
00:22:46You smell like a horse.
00:22:48Please.
00:22:48There's a lady present.
00:22:49Will you come, Saturday, Griff?
00:22:51Sure.
00:22:51Who's going to win?
00:22:52Oh, we'll annihilate him.
00:22:55Come on.
00:23:12Come on.
00:23:15Hi, Mom.
00:23:16Hi.
00:23:16Hi.
00:23:17Griff is bringing a lady and a man.
00:23:19Yes, Tommy.
00:23:19Yes, Tommy, I know.
00:23:25Ah, buonasera, Mamma Mia.
00:23:27Buonasera.
00:23:28Brought a couple of friends home for dinner.
00:23:30Yeah, Jenny Marsh and Fred Bauer.
00:23:32I don't see, Mrs. Marsh.
00:23:33You will have to take my hand, please.
00:23:35Yeah, ma'am.
00:23:35Oh, I'm sorry.
00:23:36How do you do, Mrs. Morat?
00:23:37How do you do, Mrs. Marsh?
00:23:39Hey, Barry, watch this.
00:23:40Blonde or brunette, Mom?
00:23:41Oh, brunette?
00:23:43Hey, you're wrong, Mom.
00:23:45She's never missed before.
00:23:46She can talk with a voice in a handshake.
00:23:48She's blonde, Mom, and how.
00:23:50Oh, one mistake doesn't count.
00:23:52Won't you come in, Mrs. Marsh?
00:23:54I don't want to spoil your record, Mrs. Morat.
00:23:56I think I should tell you I'm really a brunette.
00:23:58Oh.
00:24:00Oh, bleached.
00:24:01Uh-huh.
00:24:02Well, why do you know?
00:24:04Well, how's it done?
00:24:06Well, what do they use?
00:24:08It's a long story.
00:24:09Gosh, it looks good, doesn't it?
00:24:11Sure does.
00:24:12Go get cleaned up, boys.
00:24:14Change your shade, Tommy.
00:24:15Yeah, and hurry up.
00:24:16I'm starving.
00:24:18Let me have your coat.
00:24:21Come on, Fred.
00:24:22You and I have work to do.
00:24:23Griff is our cook these days.
00:24:25Griff?
00:24:25Yes.
00:24:26Our part-time helper left.
00:24:28Oh, would you rather stay here?
00:24:30I'm going to the kitchen.
00:24:32Oh, I'd like to help.
00:24:34You have a nice big house here.
00:24:36It's an old house.
00:24:38Tommy was born here.
00:24:40How many of you are there living here?
00:24:42Just Griff and Tommy and me.
00:24:46Now?
00:24:47Now?
00:24:48Is somebody missing?
00:24:49My husband died last year.
00:24:52I miss him.
00:24:53I'm alone all day now.
00:25:07What do I do?
00:25:11If you bring me the radishes from the refrigerator, I'll fix them.
00:25:14All right.
00:25:14Then you can set the table, if you don't mind.
00:25:16Yes, sure.
00:25:35Mrs. Murat is wonderful, isn't she?
00:25:38Yes, she's terrific.
00:25:39Griff Murat has done a lot for me.
00:25:41Are you an old friend?
00:25:44I'd like you to know something, Jenny.
00:25:46Yes?
00:25:47I'm not exactly a friend of the family.
00:25:49Oh.
00:25:51I'm one of his parolees.
00:25:54Yes.
00:25:55I appreciate what he's doing, bringing me here, meeting his friends like you and his family.
00:26:00But I don't like pretending to be something I'm not.
00:26:03So I thought I'd tell you.
00:26:22What's the matter?
00:26:23I'm leaving.
00:26:25Why?
00:26:26I don't have to take this.
00:26:27I wondered what it was all about.
00:26:28Well, now I know.
00:26:29It's part of the treatment.
00:26:30To be kind to jailbird system.
00:26:32Show them a bit of home life.
00:26:34Sweet influences for sick souls.
00:26:36Well, I don't need your pity or your mother's or anybody's.
00:26:38My mother doesn't know.
00:26:40About you or about Barr.
00:26:42And she doesn't care.
00:26:43Anybody I bring home is okay.
00:26:45And that story about being married, what was that for?
00:26:48Afraid I might make a pass at you?
00:26:49I always say that.
00:26:51To the female parolees.
00:26:52Sure.
00:26:52If I'm asked, why not?
00:26:53You didn't have to.
00:26:54Believe me, it wasn't necessary.
00:26:56I didn't think it was.
00:26:57It's the regular procedure of the office.
00:26:58Regulation 86B.
00:27:00Then they'd better fix the regulation.
00:27:01Makes a liar out of you.
00:27:04And a liar's a bad example for the weak characters you deal with.
00:27:09Jenny, please try to get that chip off your shoulder.
00:27:12Come on, let's stop kidding each other.
00:27:13I want to talk straight to you.
00:27:16You're different, Jenny.
00:27:19You have a promising life ahead of you, if you'll...
00:27:21I know.
00:27:22If I keep away from Harry Wesson.
00:27:24Well, why can't you?
00:27:26It isn't complicated.
00:27:28How would you feel if somebody'd waited five years just for you?
00:27:31Are you sure he did?
00:27:32Yes.
00:27:33He's the only man who was ever really kind to me.
00:27:36He was patient and kind.
00:27:39Taught me what folk to use.
00:27:41How to dress correctly.
00:27:42How to speak correctly.
00:27:44Everything but how to think correctly.
00:27:47You'd do a great deal for Harry Wesson, wouldn't you?
00:27:50Yes.
00:27:51I'd do anything for him.
00:27:52You did.
00:27:53You even killed for him.
00:27:56That's right.
00:27:58I did.
00:28:03Thank you, sir.
00:28:06Oh, Griff.
00:28:07Yeah?
00:28:07What about Jenny Marsh?
00:28:09What about her?
00:28:10You've been trying to land her a job for more than a week.
00:28:12I checked.
00:28:13Four employers turned her down flat as soon as they learned she was a violator.
00:28:16Yeah, well, she's got a job.
00:28:18No kidding.
00:28:18I had to find her one where Harry Wesson couldn't get to her.
00:28:21I found it.
00:28:22She lives where she works.
00:28:23Eats there, sleeps there.
00:28:24She gets a hundred a month, one day off a week.
00:28:26She reports to me every day.
00:28:28What's the job?
00:28:29Taking care of a blind woman.
00:28:33Take it easy.
00:28:40Hi.
00:28:41Home already?
00:28:42Have a good workout?
00:28:43Yeah.
00:28:44Where's everybody?
00:28:45Mom went to bed.
00:28:46She's tired.
00:28:47Jenny's somewhere.
00:28:49Oh.
00:28:49Okay, maestro.
00:28:59Oh, hello.
00:29:01Hello.
00:29:02I thought this was you and I at the Y.
00:29:04Well, I was there.
00:29:05Uh, phoning somebody?
00:29:07I phoned to see what time a movie went on.
00:29:08Your mother said she wouldn't need me.
00:29:10Oh.
00:29:11Why?
00:29:12Did you think I was calling Harry Wesson?
00:29:13I didn't think you were.
00:29:15I was just...
00:29:15Is that why you got me this job here, so you could spy on me?
00:29:17I'm not spying on you, Jenny.
00:29:19It's my job to check on you.
00:29:20You're making it more than that because of Harry.
00:29:22That's not true.
00:29:23Isn't it?
00:29:25Okay, I admit that.
00:29:26Because he loves me and wants to be with me.
00:29:28What's wrong with that?
00:29:29He doesn't love anybody but himself.
00:29:30He's done everything for me.
00:29:31He gives you things with money he never earned.
00:29:33Without denying himself anything, you don't know what love is.
00:29:37And you, teacher, do you know?
00:29:40Well, not from experience, but...
00:29:44Well, I've imagined it differently.
00:29:46When you fall in love, really in love, I think you'd know it for sure.
00:29:50A man would feel for the first time how wonderful life could be
00:29:54when he has someone to share it with.
00:29:56And he'd want to give her the good things of life, not just the trimmings.
00:30:00Friends, home, children.
00:30:02And you'd think of her before himself in everything.
00:30:05Her welfare, her future, her happiness.
00:30:08And if she loved him, he'd be rich.
00:30:13Most men don't think like that.
00:30:15You only know Harry Wesson.
00:30:18I'm sorry, Tanya.
00:30:20I don't want to hurt you.
00:30:25I know that, Griff.
00:30:28Hey, what time does that movie go on?
00:30:308.24.
00:30:33Well, we'd better hurry.
00:30:36Griff, can I come, too?
00:30:40Come on.
00:30:42Come on.
00:30:42Come on.
00:30:51Come on.
00:30:57Wow.
00:31:01Go on.
00:31:03Go on.
00:31:05Go on.
00:31:07Go on.
00:31:10Go on.
00:31:13Look.
00:31:14Go on.
00:31:14Go on.
00:31:15Go on.
00:31:16Come on.
00:31:21i still don't get it the guy was clear across the border they'd never have caught him so why'd
00:31:26he come back and give himself up something about human nature tommy happens all the time
00:31:31men show up and confess to crimes they committed five ten twenty years ago no kidding sure all of
00:31:37a sudden they get a conscience starts to get them down and a kind of corrosion sets in
00:31:42anybody want some ice cream or anything i silly question
00:31:49ice cream jenny yes great sure
00:32:10i'll run over to the library
00:32:11and change the book don't hurry it's nice here
00:32:20i can't take it much longer harry we can't live like this i know i can't that's foolish
00:32:32please harry it's driving me crazy they're so good to me so kind i i've got to get out of
00:32:37there
00:32:37what's bothering you what happened griff morat's falling for me
00:32:42no kidding i've been around long enough to know the signs
00:32:46it's no joke i don't find it a bit funny i suppose it had to happen living in that house
00:32:50together for two months
00:32:51he even held my hand in the movies the other night i parole officer acting like it's good
00:32:56it's great encouraging it'll make things easy until that transfer comes through
00:33:00encourage i i don't understand look put him in love with you baby we'll be able to handle him okay
00:33:06okay well i
00:33:16and this is by ralph waldo emerson give all to love
00:33:20give all to love obey thy heart friends kindred hey mom jenny i wrote a poem for school
00:33:29could i read it to you sure
00:33:36little purple violets by thomas morat little purple violets blowing in the breeze
00:33:42your beautiful fragrance puts me at ease whether in a glade or in a bayou
00:33:47their beauty and fragrance reminds me of you that's that's beautiful tommy it's fine
00:33:53jenny i dedicated it to you oh thank you tommy i love it won't your girlfriend what's her name
00:33:59mary be jealous oh she's just a kid i see well you better practice your piano tommy but i like
00:34:06to hear jenny read oh you like to hear jenny read you like to help her wash dishes you like
00:34:10to help
00:34:11her shower and i like to hear you play the piano tommy do you uh huh i think he's falling
00:34:19in love
00:34:19with you jenny i'm flattered and so is griff sometimes blindness is not a handicap i know
00:34:28and i think you know it too jenny but i don't think griff knows he's only a man
00:34:37but it isn't possible you know what's in your heart jenny do what you think is right
00:34:49give all to love obey thy heart
00:35:04griff yeah sorry i'm late it's all right your dinner's ready
00:35:14oh where are mom and tommy they went to the concert oh that's right i forgot anything wrong
00:35:20griff oh if it's my hairdo you're right it's different do you like it yeah i like it better
00:35:28eat your dinner shall i sit with you all right yeah would you i hate to eat alone
00:35:33i could have waited and had dinner with you i wish i had do you jenny
00:35:41do you like the music yeah fine nice music for dancing i used to love to dance funny i
00:35:47haven't thought about it much lately do you like dancing griff yeah but i'm afraid i'm not very good
00:35:54at it what's the matter jenny do you have relatives in san francisco what cousins called harris
00:36:07why now this came into the office a couple of days ago a request for a transfer to san francisco
00:36:13oh what do you think well i i don't know i maybe i don't want to go
00:36:22i don't think i want to be transferred
00:36:30why because i like my job i'm glad you do because this is a phony what do you mean it
00:36:37was arranged
00:36:37by harry wesson did you know about it well a long time ago he did say something about trying to
00:36:46arrange
00:36:46a transfer but i didn't know you meant what you said jenny that you wouldn't have wanted to go
00:36:50that's right griff i don't want to go you do believe me don't you okay jenny i believe you thanks
00:37:00griff i
00:37:03good night
00:37:32good night
00:37:34good night
00:37:56Grim, Grim, I've got Drift.
00:37:58Grim.
00:38:00Hey there, hey, hey.
00:38:03Take it easy.
00:38:07Easy does it.
00:38:08Grim, what happened?
00:38:10It's okay, Tom.
00:38:11She's just having a nightmare.
00:38:13You better tell Mom it's all right.
00:38:13She'll be frightened.
00:38:14Hurry up.
00:38:18It's okay.
00:38:19You're all right now.
00:38:22Feel better?
00:38:26It was awful.
00:38:28Yeah, it must have been.
00:38:29I dreamed about you.
00:38:31Oh, it was that bad?
00:38:33This was.
00:38:34Listen, we were walking in a forest and you kept getting caught in terrible steel traps.
00:38:40Oh, fine.
00:38:41And I kept warning you and warning you, but you wouldn't listen.
00:38:44Well, I hope you finally convinced me.
00:38:47Then you wouldn't let me go back.
00:38:49Back where?
00:38:50To prison.
00:38:51No, sir.
00:38:52Not a chance.
00:38:56I'm sorry I woke up the whole house.
00:38:58Well, everybody's entitled to a little nightmare now and then.
00:39:01You're sweet, Grif.
00:39:05Want a glass of milk?
00:39:06No, I'm fine now.
00:39:07I hope I'll be able to get back to sleep.
00:39:09Oh, sure, you're asleep.
00:39:11You're a sweetheart, Grif.
00:39:23I love you, Jenny.
00:39:25I know I'm no great prize.
00:39:27I don't make much money.
00:39:28Although I have hopes.
00:39:30I'm just an everyday guy.
00:39:31I don't care much about nightclubs.
00:39:33I'm not a very good dancer.
00:39:35I guess I like mostly what you might call simple things.
00:39:39I can't offer you the expensive gowns, expensive times that Harry Wesson can.
00:39:47But I do love you, Jenny.
00:39:55Will you marry me, Jenny?
00:39:58Oh, no, Grif.
00:39:59You don't know what you're saying.
00:40:01Oh, it's no good.
00:40:02It couldn't work.
00:40:02Is it still Harry Wesson?
00:40:04No, it's not that.
00:40:05It's just you don't know me, Grif.
00:40:08You deserve better than me.
00:40:09I know what I want.
00:40:11You know something?
00:40:13You're the first man who ever asked me to marry him.
00:40:16I know we can't get married right away anyhow until...
00:40:18But you could say yes now, couldn't you?
00:40:24Okay, Jenny.
00:40:25You think about it, but you know how I feel.
00:40:40Yes, sir?
00:40:41You have a ticket for me, Harry Wesson, for Havana, flight 6... 615.
00:40:44Just a moment, please.
00:40:48Harry.
00:40:49Jenny.
00:40:49I must speak to you.
00:40:50I'm so glad I caught you.
00:40:51Mr. Wesson.
00:40:52Excuse me, Mort.
00:40:53Yes, sir.
00:40:53Your ticket, sir.
00:40:54Flight 615.
00:40:55The limousine will leave in six minutes.
00:41:02Please don't go, Harry.
00:41:04Can't be helped.
00:41:05Then take me with you.
00:41:06What?
00:41:06I must get out of that house.
00:41:08I can't stay there.
00:41:09It's only for six weeks.
00:41:10You'll be all right.
00:41:11This is the wrong time for you to be going away for six weeks.
00:41:14Why?
00:41:14What happened?
00:41:16Grif proposed.
00:41:17He what?
00:41:18Last night.
00:41:19He wants me to marry him.
00:41:21I never dreamed he'd go that far.
00:41:24Parole's aren't allowed to marry.
00:41:26If you marry him, it means he's the one who made you break the rules.
00:41:29He didn't mean that.
00:41:30He just wants me to say yes now, and then after I'm off parole.
00:41:33If you can get him to marry you now and keep it secret, honey, it's sensational.
00:41:38What are you talking about?
00:41:39Look.
00:41:40He's got a blind mother and a little brother who worships him.
00:41:44And he needs that job because he's got political ambitions.
00:41:48Don't you see, Jenny?
00:41:49Once you're married to him, you can do anything, and he won't dare give you away.
00:41:54I can't do that, Harry.
00:41:56The minute that marriage license is in your pocket, Grif Morat is where he belongs, right
00:42:00behind the apron.
00:42:01I can't, Harry.
00:42:02I can't.
00:42:05Marty, you'll know where I am.
00:42:07The minute you're married, get out of that house and wire me.
00:42:10Bye, darling.
00:42:11But, Harry.
00:42:21The minute you're married, I'll be back.
00:42:55Good afternoon, Bureau of Paroles.
00:43:05Hello?
00:43:06Where am I?
00:43:09When?
00:43:09She just packed a few things and left.
00:43:12Oh, she told me, Grif, about you and herself.
00:43:15She said she couldn't live here with you, and it wasn't fair to marry you, so...
00:43:20You got any idea where she went?
00:43:21Did she say anything to Indy?
00:43:22No.
00:43:23She just left, that's all.
00:43:25Oh, but, Grif, there was something.
00:43:28I don't know what it is.
00:43:30It's something printed, I think.
00:43:34It seems to be a leaflet of some sort.
00:43:36It was on her bed.
00:43:53I have the list of passengers on flight 615.
00:43:56There's Mr. Harry Duffy, Mr. Alan Waterman, J.J. Jennings.
00:44:01Jennings, a man or woman?
00:44:03That was a man.
00:44:05Mr. Harry Wesson?
00:44:06Harry Wesson?
00:44:07Yeah.
00:44:08I thought you were looking for a lady.
00:44:09Yeah, that's right.
00:44:10Go on, please.
00:44:10Any other woman?
00:44:12The only other woman is Miss Mary Wilson.
00:44:16What does she look like?
00:44:18I remember her.
00:44:19She was very nervous, sort of worried.
00:44:21And what does she look like?
00:44:23Well, she had gray hair, was about 65 years old, short and stout.
00:44:27Attention, please.
00:44:28Passengers on flight 66 for Seattle.
00:44:32Flight 56 is leaving from gate 3.
00:44:35Flight 56 for Seattle is leaving from gate 3.
00:44:48Jenny.
00:44:49Grif.
00:44:55Why are you running away from me?
00:44:56Because I don't know what else to do.
00:44:57Now, that's no answer.
00:44:58I'm just no good for you, Grif.
00:44:59Don't say that.
00:45:00Look, it's just something I've done.
00:45:01Oh, no, no.
00:45:01I can't explain it to you.
00:45:03But being in your house, being with you, I...
00:45:05You're going to marry me now, today.
00:45:06Oh, no, no.
00:45:07Why?
00:45:07Don't you want to marry me?
00:45:08You do love me, Jenny, don't you?
00:45:10I thought I didn't.
00:45:10I was ready to leave, but, oh, darling, it can't be.
00:45:13No, we'll manage.
00:45:13It'll be all right.
00:45:14We'll have to keep it a secret till you get your release.
00:45:16But it'll work out.
00:45:17But we'd be begging the parole.
00:45:18No, just bending it a little.
00:45:19It'll ruin you if they find out your job, your career.
00:45:21Nobody needs to know.
00:45:22We'll just tell Mom, maybe.
00:45:23That's all.
00:45:24But you do love me.
00:45:25Oh, yes, yes, yes.
00:45:26We can get a plane ride here from Las Vegas and get married.
00:45:28Paroles can't leave the state, but you'll be in the custody of a parole officer, so that
00:45:31makes it all right.
00:45:32Oh, Grif.
00:45:34Grif.
00:45:34For you two to stay apart would have been wrong.
00:45:38But we must trust nobody with this secret.
00:45:41Griffin has much to lose if it is discovered.
00:45:44His whole career, I hope Jenny has more to lose.
00:45:49Her whole life.
00:45:50We must all be very careful.
00:45:54Tio ti benedica, filia ria.
00:45:58God bless you.
00:45:59God bless you.
00:46:40God bless you.
00:46:43Hello.
00:46:44Hello.
00:46:45Jenny?
00:46:48Yes, I'm home.
00:46:49Just got in.
00:46:51Why didn't I hear from you?
00:46:53Well, I couldn't.
00:46:55I couldn't you get him to take the lead?
00:46:58I thought you had him hooked when I left.
00:47:01What happened?
00:47:04Oh, you aren't alone. Just answer yes or no. Can you meet me?
00:47:09Well, yes, but...
00:47:11Good.
00:47:12Five o'clock, the library.
00:47:16Fine. See you.
00:47:27Good.
00:47:48Harry.
00:47:49You shouldn't have come here.
00:47:51You kept me waiting there for an hour.
00:47:53For what reason?
00:47:55Mrs. Morat isn't feeling well.
00:47:57Oh.
00:47:58But I... I...
00:47:59Yes?
00:48:00I did want to see you.
00:48:01Really?
00:48:02Because I have something to tell you, but I...
00:48:04Relax. Who are you afraid of?
00:48:06Please, Harry.
00:48:08Griff is coming home. He'll be here any minute.
00:48:11Oh.
00:48:11He must go, Harry.
00:48:13Jenny?
00:48:15Who's there?
00:48:18Is it Griff?
00:48:20Who came in?
00:48:22It's all right, Mom.
00:48:24It's just a friend of mine.
00:48:25Who's just a friend?
00:48:26Griff.
00:48:28Yes, Mom?
00:48:29Something's wrong, Griff.
00:48:32Mom.
00:48:34Go to your room.
00:48:36Please.
00:48:37Yes, Griff.
00:48:47Griff!
00:48:48You've had this coming for a long time.
00:48:52Griff, don't!
00:49:11Oh.
00:49:12Oh, Griff.
00:49:15Oh.
00:49:15Oh, Griff.
00:49:15Hey, hey.
00:49:15It's all right.
00:49:16It's all right.
00:49:18Now, look.
00:49:18I'm the one who got the poke in the mouth.
00:49:21Oh, Griff.
00:49:22I'm afraid.
00:49:24I'm afraid.
00:49:25Oh, don't worry, honey.
00:49:26He won't bother you again.
00:49:28Never again.
00:49:31Good afternoon.
00:49:32Bureau of Paroles.
00:49:34Mr. Morat?
00:49:40Hello.
00:49:41Hello, Mr. Morat.
00:49:42Yeah?
00:49:43This is Harry Wesson.
00:49:44I have something to tell you about your wife.
00:49:48Hello?
00:49:50Hello?
00:49:52Hello?
00:49:54Hello?
00:50:00Hello?
00:50:01Hello?
00:50:03Hello?
00:50:04Hello?
00:50:34Hello?
00:50:36Hello, this is Griffin Murat.
00:50:38Send an ambulance right away to 3039 Wilshire.
00:50:41Apartment 203.
00:50:45Somebody shot Harry Wesson, but he's still breathing.
00:50:47Hurry it up, please.
00:51:21Hello?
00:51:22Griffin Murat again.
00:51:24I think I know who did it.
00:51:26Jenny Marsh, a parolee.
00:51:29I'll bring her in.
00:51:35I'll bring her in.
00:51:54Griffin.
00:51:55Yeah?
00:51:55Please come here.
00:51:56Where's Jenny?
00:52:02Jenny told me.
00:52:03I know.
00:52:04She told me the whole thing.
00:52:05She told me what happened.
00:52:06She wanted to turn herself into the police, but I made a way for you.
00:52:10Jenny shot that man because she loved him.
00:52:11She's a liar.
00:52:12I saw a letter she wrote in.
00:52:13They used me, she, in the West End.
00:52:14She never loved me.
00:52:15No, no, no.
00:52:17Griff.
00:52:18Griff.
00:52:19I heard what you said, but it isn't true.
00:52:20You're a liar and you cheat.
00:52:21You're no good.
00:52:22I made a fool of myself over you.
00:52:23You would never again.
00:52:24Griff, please.
00:52:25Come on.
00:52:26Tu amouris, Griff.
00:52:27Tu amouris.
00:52:28No matter on me, tu la souris, ma.
00:52:32Griff, you must listen.
00:52:33I don't care what happens to me, but I want you to know the truth.
00:52:36I went to Harry's apartment.
00:52:39I wanted to tell him about us.
00:52:43Oh, Jenny, come in.
00:52:45I can't stay, Harry.
00:52:46Mrs. Morat's waiting down the street.
00:52:48I had to speak to you.
00:52:50Oh, I'm sorry about what happened.
00:52:52I hope he didn't hurt you.
00:52:53What he did is nothing to what I'll do to him.
00:52:56Nobody pushes me around.
00:52:57Nobody.
00:52:58Harry, you've always been very generous and very kind.
00:53:02And I know you'll understand.
00:53:03Why didn't you get in touch with me during the whole six weeks?
00:53:06Well, it was pretty difficult.
00:53:07I...
00:53:07Why'd you refuse to accept that transfer to San Francisco?
00:53:10I didn't refuse it.
00:53:11They found out it was a false transfer.
00:53:12Who told them?
00:53:13You?
00:53:14No.
00:53:17Harry, I've come to tell you something.
00:53:19You've fallen for him?
00:53:22Yes.
00:53:24All the way.
00:53:25So that's why you didn't get in touch with me.
00:53:27You just stayed here playing kissing games.
00:53:30But you couldn't get him to marry you.
00:53:32The day you left, Harry, I ran away.
00:53:33I don't really think I knew why then.
00:53:35I was just mixed up and I had to get away.
00:53:38But I know now.
00:53:41You're my friend, Harry, and I'm grateful to you.
00:53:44But I'm in love with Griff.
00:53:45In love.
00:53:49You're not in love with that fool.
00:53:51I've been happier than I ever was in my whole life.
00:53:54I didn't know I could be so happy.
00:53:56Oh, I know you'll understand.
00:53:57You've always been so sympathetic and...
00:54:02Hello?
00:54:05Yes, Monty.
00:54:07What's the date?
00:54:10Thanks, Monty.
00:54:12That's all I need.
00:54:16So I've come to ask you if you'll leave me alone, Harry,
00:54:19and let me try...
00:54:21All along I've had a hunch there was something wrong,
00:54:23not hearing from you.
00:54:25The way you acted at the airline office,
00:54:27his house,
00:54:28with him acting like he owned you,
00:54:30like a husband.
00:54:31And you didn't tell me yourself.
00:54:34Now I have to get Monty to check the marriage license bureaus.
00:54:36It's in the record, baby.
00:54:38In the record.
00:54:39You married him the same day I left.
00:54:41You've been in love with him all the time.
00:54:43I guess I have been.
00:54:44Do you think I'm going to stand still while you make a fool of yourself over that rover boy
00:54:47and then take you back when you come running to me again?
00:54:49I won't be coming back, Harry.
00:54:50You're so right, baby.
00:54:52Because you're not walking out on me.
00:54:55Not for Griff Morath.
00:54:56Not for him.
00:54:56Not for that fool.
00:54:57I'm sorry, Harry.
00:54:58I didn't want it this way.
00:54:59But that's it.
00:55:02You think I give up this easily?
00:55:05You think I'm going to have people laughing at me?
00:55:07I'll ruin him if it's the last thing I do.
00:55:09You will not.
00:55:10I'm just starting to see you as you really are.
00:55:13You've always had to be the big shot,
00:55:15the powerful one,
00:55:15handing out favors.
00:55:17That's why you like doing things for me.
00:55:18You did all right.
00:55:19I didn't know any better then.
00:55:20You think you can do better with Griff Morant?
00:55:22Griff is decent and he's smart.
00:55:24And he'll get places the right way.
00:55:25And he's showed you up every time.
00:55:27That's why you hate him.
00:55:29Not because of me.
00:55:29Shut up, Jenny.
00:55:30You shut up.
00:55:31I'm thinking clearer these days.
00:55:33You owe me five years, Harry.
00:55:35I shot a man to save your life and I went to prison for it.
00:55:38I didn't have sense enough then to think it was wrong that you let me go.
00:55:42But now I consider it a debt.
00:55:45We're even.
00:55:46I'm through, Harry.
00:55:47I'm no longer asking you to say goodbye.
00:55:50I'm just saying it.
00:55:52Oh?
00:55:53Well, before you say it,
00:55:55I want you to listen to a little speech I've got for Griff Morant.
00:55:58What do you mean?
00:55:59You and I had a deal, baby.
00:56:02You were to marry him so you could be with me.
00:56:05Remember?
00:56:05Well, I'm going to tell him about that.
00:56:07He'll never believe you.
00:56:09Well, he'll never believe you.
00:56:09Won't he?
00:56:14I love you, darling.
00:56:16Please, Harry.
00:56:17Harry, please.
00:56:18I'm sorry for what I said.
00:56:19Please, Harry, you can't.
00:56:20Can't I?
00:56:20Watch me.
00:56:21Harry, I don't blame you, but...
00:56:22Excuse me while I push on to Dumpy off his wall.
00:56:24Information?
00:56:25Give me the number of the parole division.
00:56:26Harry, no.
00:56:27No, you'll break his heart.
00:56:28That's the idea.
00:56:29You catch on quick, Jimmy.
00:56:30Harry, please.
00:56:31I'll come back to you.
00:56:32I will.
00:56:32Just don't do that to him.
00:56:332-2-3-0.
00:56:41Stop that.
00:56:43Put down that phone.
00:56:45Stop being melodramatic.
00:56:47Mr. Morat, please.
00:56:48I said put down that phone.
00:56:51Would you like to speak to him yourself?
00:56:53I'll tell him you're here.
00:56:55Hello, Mr. Morat.
00:56:56This is Harry Wesson.
00:56:58I have something to tell you about your wife.
00:57:07That's what happened.
00:57:10That's the truth, Griff.
00:57:13I have no reason to lie to you now.
00:57:16Maybe I'm no good, but...
00:57:19I do love you.
00:57:30Why did you do that?
00:57:31Where are we going?
00:57:32Griff, please.
00:57:32Why did you turn around?
00:57:33Where are you going?
00:57:34They're expecting me to bring you in.
00:57:35If I can make it to San Diego
00:57:37on the Mexican border
00:57:37before the alarm goes out,
00:57:38I can get you across before we're missed.
00:57:40No, Griff, you mustn't.
00:57:41If you're trying to be a life sentence,
00:57:43you haven't got a chance, Jenny.
00:57:44They'll never believe you.
00:57:44But you can't do this, Griff.
00:57:46It means you're throwing away your job,
00:57:47your whole career.
00:57:47I'm going to turn you in.
00:57:49Oh, Griff.
00:57:50The others have gotten away with it.
00:57:52We'll be all right.
00:58:03It's only 15 miles to the border,
00:58:04but we're running out of gas.
00:58:06Can't we make it?
00:58:08I'm afraid we'll have to take a chance and stop.
00:58:18Fill her up, please.
00:58:19Hurry.
00:58:19The person who arrived in this country today
00:58:21announces that she will marry the American industrialist...
00:58:23Two handbaggers to go out, please.
00:58:25One on in, gentlemen?
00:58:26Yeah, everything rushes.
00:58:27I'll be right at...
00:58:27Harry Wesson, a gambler, was shot this morning.
00:58:30He named his assailant a woman called Jenny Marsh.
00:58:34Although he's still alive,
00:58:35doctors say he has little chance to recover.
00:58:38This woman, who was a paroled murderess,
00:58:40was being taken to the police by her parole officer
00:58:43when both disappeared.
00:58:45The police believe she murdered the parole officer
00:58:47and is using his car.
00:58:49The license number of the parole officer's car is 1-N-8881.
00:58:55Hey, Pop.
00:58:551-N-8881.
00:58:57Coming right up.
00:58:588-1.
00:58:59Now for the sports roundup.
00:59:01Jesse Hernandez will take on Art Palma
00:59:03at New York's Madison Square Garden.
00:59:06The winner will be the logical challenger
00:59:08for the welterweight crown, Tony Edwards.
00:59:14Come on, hurry up.
00:59:15We're waiting to start.
00:59:16Okay.
00:59:43I'm still going to try for the border.
00:59:45But Griff, the alarm's out.
00:59:46They'll be looking for us.
00:59:47Not in this car.
00:59:48They're not going to question a honeymoon couple too closely.
01:00:17I'll take a look around.
01:00:20Mighty nice day for it.
01:00:25Stolen car.
01:00:26The crooks left the bride and groom standing at the curb.
01:00:28Nice way to begin a honeymoon, eh?
01:00:30I see.
01:00:31This is a good one.
01:00:31California license number 63W348.
01:00:47Hey!
01:00:50That won't do you any good.
01:00:52Anybody can tell from your face.
01:00:54Ha, ha, ha.
01:01:18Griff, we'll never get out of this.
01:01:19Yes, we will.
01:01:20Hold tight.
01:01:39We've got to get rid of this car.
01:01:41But then what?
01:01:43The bus.
01:01:44The bus.
01:01:46The bus.
01:01:53The bus.
01:01:58Oh.
01:02:03The bus.
01:02:07The bus.
01:02:09The bus.
01:02:13We'll never get out of this car.
01:02:28Yeah, put a slug right through him.
01:02:30Some beautiful blonde, huh?
01:02:41You'd like to change the color of your hair.
01:03:00Jenny, let me in.
01:03:07Hey, looks fine.
01:03:10We've got to get out of here.
01:03:11That landlady's been asking too many questions.
01:03:13Well, maybe she's just curious.
01:03:15Well, we can't take any chances.
01:03:18Maybe I can pawn this.
01:03:20Pawn?
01:03:21Oh, Griff.
01:03:22Get enough money for a bus fare to someplace else.
01:03:29You got a nail file?
01:03:31Mm-hmm.
01:03:32Thanks.
01:03:34No, Griff!
01:03:35I know what I'm doing!
01:03:37The back is all scratched up.
01:03:40Yeah, well, it had something on it I didn't like, anyway.
01:03:43Where'd you get this watch?
01:03:44It was given to me.
01:03:45I don't handle any hot goods.
01:03:47Look, I didn't steal it.
01:03:48Okay, okay.
01:03:50Don't get excited.
01:03:52Wait a minute.
01:03:53I want to see what the gold weighs.
01:04:05Hello, operator.
01:04:06Get me the police.
01:04:13Hello, Sarge.
01:04:14This is Sam Green.
01:04:16There's a guy in here trying to pawn a watch.
01:04:18I'm not sure, but I think it's the guy in the paper.
01:04:21You know, the lovers.
01:04:23Well, hurry it up.
01:04:24I'm no hero.
01:04:26Okay, I'll try to stall him.
01:04:39How much do you want for this?
01:04:40Well, it must have cost 200 bucks.
01:04:42I ought to get 100.
01:04:43You're crazy.
01:04:43I might give you 25.
01:04:45Oh, give me the watch.
01:04:46Take it easy.
01:04:46Take it easy.
01:04:47I might go a little higher.
01:04:50Where'd you say you got this?
01:04:51I told you it was given to me.
01:04:53What was on the back that you scratched off?
01:04:55I'm selling you the watch as is.
01:04:57Got anything else you want to sell?
01:04:59No.
01:04:59How about the ring?
01:05:00No.
01:05:01How much?
01:05:02How much do you want?
01:05:03Look, give me 50 bucks and let's stop all this.
01:05:06Mmm, 35 is more like it.
01:05:08I don't want to sell it.
01:05:09Give me the watch.
01:05:10Get your hands up.
01:05:11Get your hands up.
01:05:12And what is this?
01:05:13I recognize you the minute you came in.
01:05:15Don't try anything funny.
01:05:16The police are on their way over.
01:05:17Look, mister, you're wrong.
01:05:18I don't know what you're talking about.
01:05:20Look, you keep the watch.
01:05:21I found it.
01:05:22Just let me out of here.
01:05:23Don't move.
01:05:24Stay where you are.
01:05:25I'm warning you.
01:05:26You're this guy.
01:05:26I'm a rat.
01:05:27The guy with the murderers.
01:05:28Oh, no.
01:05:29It's a basketball trophy.
01:05:31Get out of the way.
01:05:32How much I want for this?
01:05:33Get out of the way.
01:05:34You fool.
01:05:35Stop him.
01:05:36Stop him.
01:05:47Yeah, like I said, they can give you the book for carrying a heater.
01:05:50But a knife, even a woodcarver carries a knife.
01:05:54Get it, Jack?
01:05:56Woodcarver.
01:06:00Ain't answered me yet.
01:06:05What racket you two in?
01:06:08Badger game?
01:06:10With a smart-looking tomato like her, it'd be a cinch.
01:06:14But what's the matter?
01:06:15It's so hot, you're scared to talk?
01:06:17I ain't exactly cold myself.
01:06:20A little slug baby?
01:06:22Oh, thanks.
01:06:23I, uh, borrowed this on my last job.
01:06:2720-year-old whiskey.
01:06:30I only go for the best.
01:06:39What's tomorrow morning?
01:06:41Gang number four.
01:06:42Me?
01:06:42Buddy Smith.
01:06:44Address?
01:06:45Uh, 12-5-6-Amelita.
01:06:47Social security number?
01:06:49What's your social security number?
01:06:51Ain't you got a card?
01:06:52I, uh, I forgot it.
01:06:54I didn't bring it.
01:06:55Sorry, bud.
01:06:56Next.
01:06:57Name.
01:07:03Oh, Griff, I'm so glad you're back.
01:07:05There's nothing in this paper, either.
01:07:06We haven't been in for days.
01:07:08Do it.
01:07:09Oh, Griff!
01:07:11I never knew you could be so hungry.
01:07:13I guess these aren't from the Waldorf, but...
01:07:15Mmm!
01:07:16And they're wonderful.
01:07:18Where'd you get them?
01:07:20Car is going down the road.
01:07:21I hope they didn't cost much.
01:07:22We'll need money for dinner tonight.
01:07:24How much have we left, darling?
01:07:27Griff, we spent all our money yesterday.
01:07:30You had only enough for bus fare this morning.
01:07:33How did you get these?
01:07:35I borrowed them.
01:07:38All right, I stole them.
01:07:39What are we supposed to do, starve?
01:07:40I stole them because there's no other way.
01:07:42So eat them.
01:07:43You haven't had anything all day, Jenny.
01:07:44Eat!
01:07:46Oh, please don't cry, Jenny.
01:07:47We have...
01:07:48I'm not crying.
01:07:48It's just for you to have to steal.
01:07:51For you.
01:07:51How much is all this stuff worth?
01:07:53It costs you more than it's worth.
01:07:56Jenny, there's a policeman watching us.
01:08:00Let's go.
01:08:02I've had enough.
01:08:03Hey, you.
01:08:04Wait a minute.
01:08:06Come here.
01:08:08I've been watching you.
01:08:09What's the idea of littering up the park with your garbage?
01:08:11You raised in a pig pen or something?
01:08:13Coming in here and throwing his trash all around?
01:08:15I ought to run you in.
01:08:16Now clean up that mess.
01:08:18What do you think this thing is for?
01:08:19Decorations?
01:08:20Now tidy up everything so it's ship shape.
01:08:22Or say, help me, I'll write you both a ticket.
01:08:34This is my wife.
01:08:37I'll do.
01:08:38There's an empty house right next to where I live.
01:08:40Manager said you could have it.
01:08:41Fine.
01:08:47Keep the rain off you.
01:08:48It'll be fine.
01:08:50Oh, Lori, my wife.
01:08:52Hey, Mr. and Mrs. Parker.
01:08:54Wasn't that the name?
01:08:55Yeah, that's right.
01:08:55Hi.
01:08:56How do you do?
01:08:56Where you folks say you come from?
01:08:58Colorado.
01:09:00Well, we just came down from Montana.
01:09:03Originally from Colorado.
01:09:04Oh.
01:09:05Be back in a few minutes.
01:09:06Show your way to water.
01:09:08We're going in.
01:09:13What's the matter with you, Jenny?
01:09:15I told you it's Colorado.
01:09:16Colorado.
01:09:16The last place you said it was Montana.
01:09:18Just before we got off the bus, I told you Colorado.
01:09:20I couldn't remember.
01:09:21Well, I have to remember everything.
01:09:22Fake names, fake social security numbers.
01:09:24Remember to leave before they get wise to me.
01:09:26You don't even remember the name of a state.
01:09:29I'm sorry, Griff.
01:09:31I made a mistake.
01:09:32Well, we can't afford mistakes.
01:09:33You know how much it depends on it.
01:09:35Now, that guy probably suspects something's phony.
01:09:37It's no good, is it, Griff?
01:09:39If you just use your heads.
01:09:41Yes.
01:09:42Heads instead of hearts.
01:09:50Forgive me, Jenny.
01:09:51I didn't mean it.
01:09:53Griff, why do we quarrel like this?
01:09:55Sometimes I started.
01:09:56Sometimes you.
01:09:57We're not getting on with each other.
01:09:59Or with other people.
01:10:01What's happening to us, Griff?
01:10:03Nothing, honey.
01:10:04We're under strain.
01:10:04I'm sorry I was irritable.
01:10:07I don't know what's the matter with me.
01:10:09I'm just tired, I guess.
01:10:11That's not it.
01:10:12We're both jumpy and cross and all mixed up.
01:10:14We're not ourselves.
01:10:16We haven't had a happy moment since...
01:10:17Four weeks of this life would do it to anybody.
01:10:19We're living like pigs.
01:10:21Other people have been happy in a house like this.
01:10:24And doing work like this.
01:10:26Then we'll be happy, too.
01:10:27We will.
01:10:28I get 40 bucks a week on this job.
01:10:30They won't catch up with that phony social security number for seven or eight weeks.
01:10:34By that time, we'll have some money to get a long way from here.
01:10:37Hey, Parker.
01:10:38That's for you, Mr. Parker.
01:10:40Come on.
01:10:40The boss wants me to show you where you work.
01:10:42They're coming.
01:10:49Come on.
01:11:06Hey, it's about time.
01:11:09How do you like working here after two weeks?
01:11:12It's okay.
01:11:13You ever been in California?
01:11:16No.
01:11:17My wife's brother lives there.
01:11:18He owns his own house.
01:11:20You know how he got the money to pay for the house?
01:11:22He turned in a crook and got a reward.
01:11:27Maybe I'll live in California pretty soon.
01:11:31I hear it's a pretty nice place.
01:11:34Your wife ever been in California?
01:11:36No.
01:11:37My wife wants to live there.
01:11:39I told her.
01:11:40Get a crook, turn him in, get a big reward.
01:11:43We buy a house, live in California, too.
01:11:45She wants to be waitress and drive in a restaurant.
01:11:48Waitress.
01:11:50Your wife got ambition like that?
01:11:52No.
01:12:19Hello, dearie.
01:12:21Hello.
01:12:25Oh, dearie.
01:12:26I told her I'd gross enough to put the things on top of the head every time.
01:12:45Thanks, dearie, for picking up the paper for me.
01:12:47First delivery we've had in a week.
01:12:49Joe said he was going to give that paper boy a piece of his mind.
01:12:53Looks like everybody got a paper on time today.
01:12:55They can thank Joe for that.
01:12:57You ought to subscribe.
01:13:00Oh, thanks, honey.
01:13:01Just put them on top here.
01:13:03Here, that's it.
01:13:04The paper, too.
01:13:05Paper?
01:13:05Yeah, sure.
01:13:06Joe always reads it after dinner.
01:13:08Would you mind opening the door for me?
01:13:09It isn't locked.
01:13:10Oh, thanks, honey.
01:13:37Oh, darling.
01:13:38I'm sorry I'm late, honey.
01:13:40I came through town.
01:13:42Griff.
01:13:42I got something for you, June.
01:13:44A little present for my girl.
01:13:46A present.
01:13:46Go on, open it.
01:13:48It's an awful little present, but...
01:13:54Griff.
01:13:57Hey, hey.
01:13:58You know, it isn't that bad, is it?
01:14:02You know what they say.
01:14:03It's not the gift.
01:14:04It's the thought that counts.
01:14:06Yes, Griff.
01:14:07That really counts.
01:14:10Go back ahead.
01:14:10Don't let me stop you.
01:14:11I'm just paying you back the eggs I borrowed.
01:14:14Oh, it's no hot water again.
01:14:16I'm just going to wash my hair and...
01:14:18Well, it's dyed, isn't it?
01:14:20Oh, yes.
01:14:21You see, I thought...
01:14:22I can always tell dyed hair.
01:14:24I noticed the first day you got here.
01:14:25I bet you used to bleach it.
01:14:27Now it's dyed back to its natural color, huh?
01:14:29Yes.
01:14:30Oh.
01:14:32That's Joe.
01:14:33He's home.
01:14:34Wait till he sees there's no hot water.
01:14:35He'll yell like a bull.
01:14:37Fixing to go someplace, Terry?
01:14:38Oh, no.
01:14:39Yeah, what is it?
01:14:40There's no hot water.
01:14:42What'd I tell you?
01:14:42Yelling like a bull.
01:14:44That heat, it's all corroded.
01:14:46Once corroded...
01:14:47Lori!
01:14:48Oh, my God, I'm hungry.
01:14:49Come on, I'm hungry.
01:14:57Tell me if this isn't...
01:14:58Corrosion.
01:14:59What?
01:15:00That's what I'll...
01:15:06Oh, my God.
01:15:23What's wrong?
01:15:25We're going back, Griff.
01:15:28We're going to give ourselves up.
01:15:29Don't talk that way.
01:15:30Those people, they got you upset.
01:15:32That frowsy Dane with all the snooping.
01:15:34Sorry you have to put up with them.
01:15:36A lot of things.
01:15:37We'll get out of here.
01:15:38We'll go someplace else.
01:15:39We'd only have to run away again.
01:15:41No, we'll run so far this time
01:15:42they'll stop looking for us.
01:15:44Maybe they'll stop looking for us.
01:15:45But we'll never stop running.
01:15:47We're getting out of here.
01:15:49Griff, it's too late.
01:15:56He's already called the police.
01:15:57Police?
01:15:58Yeah.
01:15:58He knows?
01:15:59Yes.
01:15:59That's why she came over here, to make sure.
01:16:01How did they find out?
01:16:02The newspaper.
01:16:03Pictures of us again.
01:16:04You saw it?
01:16:05Yes.
01:16:05Well, then why didn't you...
01:16:06Come on.
01:16:08Let's hurry.
01:16:08It isn't too late yet.
01:16:09It is, Griff, for me.
01:16:15Jenny, please.
01:16:16You're all that matters to me.
01:16:17You can't go back.
01:16:18I've got to.
01:16:19It's no good this way.
01:16:20What kind of life is this for you?
01:16:21We haven't got a chance, Jenny.
01:16:23Yes, we have.
01:16:24A little chance, maybe.
01:16:25But at least a chance.
01:16:26There's no happiness this way, darling.
01:16:28We're breaking the rules.
01:16:30That's not for you, Griff.
01:16:32And it's not for me, either, anymore.
01:16:34Oh, it's better, Griff.
01:16:36Please.
01:16:37It's better.
01:16:42Yes.
01:16:45Let's go now, right away.
01:16:46We don't want to be caught.
01:16:48We don't want to give ourselves up.
01:16:50Wait.
01:16:53My present.
01:17:14Will you answer me, Joe?
01:17:16Did you not tell him?
01:17:17Yes, I told him.
01:17:19So what did you tell him, exactly?
01:17:20I told him if he didn't get us a new heater,
01:17:23I was quitting the company.
01:17:25Yeah, and he said.
01:17:26You take it from there, Flory.
01:17:28I'm tired.
01:17:30Tired.
01:17:34Hey, Flory.
01:17:36Yeah?
01:17:36There's a picture of a dame here in the paper.
01:17:38Looks like that girl next door.
01:17:41Nah.
01:17:43In the papers, they all look alike.
01:17:45She's a nice kid.
01:17:47Being married, they sure are crazy about each other.
01:17:50Come on, Joe.
01:17:51Eat this mess.
01:18:00Come on.
01:18:06The police are here, Mr. Wesson.
01:18:10Well, here they are, Wesson.
01:18:15All you have to do is identify her.
01:18:17She gave herself up.
01:18:27Well, just tell us if she shot you.
01:18:31It was an accident.
01:18:34An accident?
01:18:35Well, that isn't what you said in the report.
01:18:37It was an accident, I tell you.
01:18:44Well, I guess there's nothing more for us to do.
01:18:48Come on, Mike.
01:18:50What about jumping parole?
01:18:51She was with her parole officer, wasn't she?
01:18:53For two months?
01:18:54Yeah, for two months.
01:19:00Thanks, Harry.
01:19:01I'm a good enough gambler to know when I've lost.
01:19:04But it took a bullet to convince me.
01:19:08Ness, do me a favor.
01:19:09Yes, Mr. Wesson.
01:19:11Throw these people out of here.
01:19:33I'm a good enough for you.
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