- 12 hours ago
Looking For Trouble (1934) Full Movie ｜ Spencer Tracy, Jack Oakie, Constance Cummings [Full Movie] [New Drama]Full EP - Full
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Short filmTranscript
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00:04:10WHAT FOR INSTANCE?
00:04:12WELL IT SEEMS
00:04:13THAT MAH BELL
00:04:14WANTS TO SHOW
00:04:15HER APPRECIATION
00:04:15FOR THE QUALITY OF
00:04:16WORK YOU'VE BEEN GIVING HER.
00:04:18I GOT NOTICED
00:04:19FROM THE GENERAL OFFICE
00:04:20TODAY
00:04:20THAT STARTING MONDAY
00:04:21YOU'RE PROMOTED.
00:04:22PROMOTED DOWN TO WHAT?
00:04:24PROMOTED UP
00:04:24MY BOY.
00:04:26FOREMAN'S JOB.
00:04:27FIFTH DISTRICT.
00:04:28OH NO.
00:04:28NO THANKS.
00:04:29I'LL STAY RIGHT HERE.
00:04:30WELL YOU'VE LOST YOUR MIND.
00:04:32YOU'LL HAVE 14 MEN UNDER YOU.
00:04:34BETTER HOURS.
00:04:35EASIER WORK.
00:04:36YEAH YEAH
00:04:36AND GET CALOUSES IN MY CAN
00:04:37FROM SITTING IN THE STUFFY OFFICE ALL DAY
00:04:39AND DOUBLE MY LAUNRY BILL
00:04:39SENDING OUT THOSE WHITE COLLARS.
00:04:41NO THANKS MR. EAGAN
00:04:41I'M OKAY WHERE I AM.
00:04:44THAT SOUNDS GREWY TO YOU I SUPPOSE
00:04:46BUT I'M A VERY FUNNY GUY.
00:04:47SOME PEOPLE LIVE FOR RICHES AND LUNGJUY.
00:04:50OTHERS LIKE A FIRE SIDE.
00:04:51A SHADY TREE.
00:04:52I WOULD BE A COMFORTABLE BEAR.
00:04:53BUT I'M A GUY THAT LIVES FOR THE THRILL AND EXCITEMENT
00:04:55I GET OUT OF LIFE.
00:04:57I BROKE MY OLD MAN'S HEART
00:04:58WHEN I WOULDN'T GO TO WORK IN HIS PINK SHOP.
00:05:00THAT WAS TEN YEARS AGO.
00:05:01EVER SINCE THEN I'VE BEEN DOING THE THINGS
00:05:03I WANTED TO DO MOST
00:05:04NO MATTER WHAT AND WHERE THEY ARE.
00:05:06AND RIGHT NOW I THINK BEING A TROUBLE SHOOTER AS WELL.
00:05:08THE CONSTANT HURRY,
00:05:09THE EVERLASTING CHANGE,
00:05:10THE UNEXPECTED ADVENTURE
00:05:11HAS GOT UNDER MY SKIN.
00:05:13I DON'T KNOW,
00:05:14MAYBE MY OLD MAN DROPPED ME ON MY NUT
00:05:15WHEN I WAS A BABY,
00:05:16BUT THAT'S THE WAY IT IS TO BE.
00:05:18I WISH WE HAD MORE LIKE YOU, JOE.
00:05:20YEAH, YOU TELL US THAT.
00:05:23GET DIRTY AGAIN,
00:05:24MY LITTLE MAN.
00:05:24WE GOT NIGHT WORK TO DO.
00:05:26NOT TONIGHT.
00:05:26I CAN'T.
00:05:27MEANS OVERTIME.
00:05:28I KNOW, BUT I GOTTA.
00:05:30MY MOTHER'S BEEN VERY ILL.
00:05:31I PROMISE TO SEE YOU TONIGHT.
00:05:33IT'S ALL RIGHT.
00:05:33I'LL TAKE CARE OF THESE JOBS MYSELF.
00:05:34IT'LL BE A RELIEF.
00:05:37OKAY.
00:05:40WAIT A MINUTE.
00:05:41I GOT SOMEBODY GO ALONG WITH YOU.
00:05:44HEY, CASEY.
00:05:46YES, YOU.
00:05:50THIS IS CASEY.
00:05:52HE'S FROM AZUSA,
00:05:54WHERE HE WAS TOP TROUBLESHOOTER,
00:05:56CHIEF COMEDIAN,
00:05:57AND FILLER OF THE CHURCH.
00:05:59TAKE HIM ALONG WITH YOU
00:06:00SO WE CAN SHOW YOU HOW TO DO THOSE JOBS
00:06:01THE WAY THEY SHOULD BE DONE.
00:06:02THIS IS JOE GRAHAM.
00:06:03HELLO, JOE.
00:06:05I TOLD YOU, A COMEDIAN.
00:06:07NOW ASK HIM FOR A MATCH.
00:06:09OH, NO, MR. RIGAN.
00:06:10I NEVER REPEAT THE SAME GAG ON THE SAME DAY.
00:06:13HOW WOULD YOU LIKE TO PICK UP THOSE TOOLS
00:06:15AND AZUSA YOURSELF OUT TO THAT TROUBLE WAGON?
00:06:17OKAY, JOE, O'BOY.
00:06:19IT ONLY TAKES A MINUTE.
00:06:21RIGHT ON THE JOB AT ALL TIMES.
00:06:28PUT THE TOOLS IN THE CAR.
00:06:29I'LL BE WITH HIM IN A MINUTE.
00:06:30THE CAR.
00:06:34INFORMATION, PLEASE.
00:06:35INFORMATION.
00:06:37NEVER MIND.
00:06:42INFORMATION, PLEASE.
00:06:44INFORMATION.
00:06:46NEVER MIND.
00:06:51INFORMATION, PLEASE.
00:06:53HI, SWEETEART.
00:06:55GOT YOU QUICKER THAN USUAL THIS TIME.
00:06:58WHAT INFORMATION DO YOU WISH, PLEASE?
00:07:00WHAT'S THE MATTER?
00:07:01IS SUPERVISOR HANGING AROUND?
00:07:03SAY LESS THEN THAT HILL I'M STUCK AGAIN,
00:07:04I GOT TO DO OVER TIME.
00:07:05JUST ONE MOMENT, PLEASE.
00:07:07COMPLETIC.
00:07:07TONIGHT, COMPLETE.
00:07:11Listen, Joe, this is the fourth time you've stood me up.
00:07:13Well, honey, I can't help it.
00:07:15If there's work to do I got to do it, don't I?
00:07:17But I never know when I make a date with you whether you're going to keep it or not.
00:07:21What's he doing?
00:07:21Doggin' it again?
00:07:23More over time.
00:07:25I can't talk anymore, Joe.
00:07:26She's coming back now.
00:07:27Yes, I'm good and mad.
00:07:29Oh, wait a minute, wait a minute.
00:07:30Don't go away, will I see you at lunch tomorrow?
00:07:32I'm sorry, sir.
00:07:33We do not have that information.
00:07:36I'm sorry, sir. We do not have that information.
00:07:54Never a dull move with Casey. That's my motto.
00:07:57You're building yourself up for a good clip on the chin, you know that, don't you?
00:08:01No sense of you look. What kind?
00:08:05In a cruiser, I ain't making a...
00:08:23Say, you know something, pal? Me and you are going to work together.
00:08:26Don't you think we ought to know a little about each other?
00:08:28All right, go on. Tell me all about yourself. I can hardly wait.
00:08:32No, no, that would take weeks and weeks.
00:08:34Well, what I mean is, I...
00:08:36Well, you ought to know by now that I'm pretty attractive to the ladies.
00:08:40What are you trying to do? Warn me that you're liable to steal my girl?
00:08:43Oh, no, nothing like that. I didn't even know you had a girl.
00:08:47No, I never kind of fell out. That isn't...
00:08:49Unless the brood of niggas be on control.
00:08:56Is he dead?
00:08:59Thoroughly.
00:09:00Gee. Don't touch that.
00:09:03Well, I'm just trying to reconstruct a crime.
00:09:05You get your fingerprints on that receiver and you'll reconstruct yourself at the end of a rope.
00:09:09Well, what do we do?
00:09:10Well, in a case like this, it's best to call your own investigator.
00:09:12Save you being tried for murder.
00:09:14You wait here and don't touch anything.
00:09:15Move.
00:09:26Hey!
00:09:31Cold in the mackle.
00:09:46Hello?
00:09:47Give me Regan, please.
00:09:51Hello, Mr. Regan.
00:09:52This is Graham.
00:09:53Drexel 6542.
00:09:55Receiver off the hook.
00:09:57There's a stiff laying on the floor in the living room.
00:09:59You better phone the investigator.
00:10:00Tell him to bring a cop with him.
00:10:01It might be dirty work.
00:10:02Okay, Joe.
00:10:03I'll have him right over.
00:10:04You wait till they get there before you go on your next assignment.
00:10:07Yeah.
00:10:07I gotta run back.
00:10:08I left that Azusa with the stiff.
00:10:09Anything's liable to happen.
00:10:11Okay.
00:10:16Well, Joe Grahams.
00:10:18Well, we got the goods on you at last, eh?
00:10:20Hi, Lieutenant.
00:10:21Captain, you like I've been promoted.
00:10:22Oh, you know where the body's buried, huh?
00:10:27Oh, Captain Flynn, I want you to meet Casey.
00:10:29He's got a theory on how this happened.
00:10:30Yeah?
00:10:31Murder.
00:10:32Plain murder.
00:10:33Well, that glass there smells of whiskey.
00:10:35And if you'll notice very closely, over there in that ice tray,
00:10:37there's two different brands of cigarette stubs.
00:10:39Yeah?
00:10:41Well, here's your two brands of cigarettes right in his pocket.
00:10:45There is whiskey in the glass, but this guy was a boozy.
00:10:47You can tell that by looking at him.
00:10:49Well, there's nothing here for me.
00:10:51Case of heart failure.
00:10:52Probably fella coming on, tried to get to the phone.
00:10:54Before he could talk, he dropped dead.
00:10:58Well, give me a ring sometime, Joe.
00:10:59You're quite a stranger.
00:11:00Yeah, if I ever get in a jam, I'll let you get me out.
00:11:02You get in a jam, I'll frame you and steal and throw away the keys.
00:11:06Scram, was there?
00:11:07That guy's altogether too cocky.
00:11:09Why, if this thing had happened to Azusa,
00:11:10we'd have had the murder in the pen right now.
00:11:12Uh-huh, I can imagine.
00:11:13Come on.
00:11:16Well, leave your fingerprints on that phone.
00:11:29Yeah?
00:11:30Telephone men.
00:11:31There's nothing wrong with our phone.
00:11:33We've got to get your terminal in there to make some changes on the main line.
00:11:38Come on.
00:11:39This is the power of the club.
00:11:40I've got a big crowd here.
00:11:41All right, it won't take us long.
00:11:44Come on.
00:11:54It's the back of this.
00:11:55Thanks.
00:11:55You fell off the step on it, won't you?
00:11:57Yeah, yeah, sure.
00:12:02Come on, control your mind, Azusa.
00:12:03We've got work to do.
00:12:05Beautiful skin.
00:12:06Which one?
00:12:07The one she's sitting on, the tiger.
00:12:12Shitting up that pole out there in the alley and make those cross connections,
00:12:14then talk back to me on the first line.
00:12:16No sooner said than done.
00:12:17You know, even as a kid, I used to like them.
00:12:20Tigers.
00:12:24Give it back, please.
00:12:25It's all I've got, please.
00:12:27I've spent plenty on you.
00:12:28It won't hurt you to give me back a little.
00:12:30Here, here.
00:12:31Get out $10 away from me.
00:12:33Oh, cut it out, Dan.
00:12:34I'll give it back to her.
00:12:35Well, I know what I'm doing.
00:12:36She owes me a lot more than $10 a little.
00:12:39Please, Dan.
00:12:40You're kind.
00:12:41You can keep the money, only go away.
00:12:43I'm not leaving until I'm good and ready.
00:12:44You're kind of rough with your sixth mother, ain't you?
00:12:46What are you doing here?
00:12:48I'm mother's little helper.
00:12:56I suppose you're going to shoot off your mouth the rigging about this.
00:12:59Yes, sir.
00:12:59I never did like you and I never will, see.
00:13:01And now that I know you've got more ways than one of making money,
00:13:03it's going to be swell with me when you get fired.
00:13:04And I won't have to help either.
00:13:06This rigging ain't so dumb.
00:13:07You've got one foot on a banana peel and your fannies aim right for the sidewalk.
00:13:11Now go on home and sleep it off before I lose my temper and let you have it.
00:13:16Want me to help you?
00:13:17I'm doing all right.
00:13:19Screw.
00:13:23I'll get myself some black coffee.
00:13:25Yeah, you need it.
00:13:29That's coming, big boy.
00:13:32You work together?
00:13:34Yeah, more or less.
00:13:35Dan and I are old friends.
00:13:37Funny I never met you before.
00:13:38Dan and I don't mix socially.
00:13:40That's too bad.
00:13:41Because then I'd have met you sooner.
00:13:43Well, you finally got your break, didn't you?
00:13:45Hello, Casey.
00:13:50How's it?
00:13:51Come on, Pearl.
00:13:52Circulate.
00:13:52Lots of people coming in.
00:13:54Casey.
00:13:56Hey, Casey.
00:13:58Who's on this line?
00:13:59This is police headquarters.
00:14:01Oh, I'm sorry.
00:14:02This is the telephone man.
00:14:03I was left off.
00:14:04Hello.
00:14:05Hello.
00:14:05Hello.
00:14:05Will you please get off?
00:14:08Hello.
00:14:09Hello.
00:14:10Murphy?
00:14:11I'm here, Chief.
00:14:12We've had a lot of complaints about that gambling joint at 1483 Union.
00:14:16Close it up.
00:14:17Bring in the proprietor and the name.
00:14:19Okay, Chief.
00:14:22I'm sorry, Joe.
00:14:23I don't want you to think I laid down on you.
00:14:25All right, never mind.
00:14:26Hey, did you hear that?
00:14:27They're gonna raid this joint.
00:14:28Hide down.
00:14:29Well, I'm only telling you.
00:14:30All right, you told me.
00:14:31Now shut up.
00:14:32Don't be sorry, Joe.
00:14:33It won't happen again.
00:14:35All right, all right.
00:14:35Forget it.
00:14:39Come on, Azusa.
00:14:40Let's go.
00:14:44I just got the word.
00:14:46They're gonna raid the joint.
00:14:46Locked.
00:14:47Just this minute.
00:14:48Goodbye, number 62.
00:14:52I'll be seeing you.
00:14:57Hey, little fair-looking dame.
00:15:02All through?
00:15:03Yeah.
00:15:06Nothing wrong, Joe?
00:15:07You never can tell.
00:15:32Hey, little Franklin.
00:15:33Yeah.
00:15:59Hi there, poison.
00:16:00I got something for you.
00:16:00What you've got, I can do without?
00:16:02This is Casey, a big shot from Azusa.
00:16:04This is Miss Greenwood.
00:16:05How do you do?
00:16:06How do you do?
00:16:07And that is Miss Faisy's friend.
00:16:12How are you, Miss Brent?
00:16:14Hungry.
00:16:16Oh, Weisscracker, huh?
00:16:19Coming.
00:16:20With you, no matter.
00:16:27Sorry, honey.
00:16:28Shouldn't I be?
00:16:29Uh-huh.
00:16:30I'm never going to make a date with you again.
00:16:32Oh, sure you are, in about a month.
00:16:34I'm going to be silly enough to ask you, and you're going to be silly enough to say yes.
00:16:39Glad at me again?
00:16:40No, I'm not.
00:16:41Why?
00:16:42I just heard you turned on an offer of promotion.
00:16:44That's right.
00:16:45Oh, Joe, why did you?
00:16:47Now, listen, baby, if you want me, and I don't see how you can help it, you've got to take
00:16:50me as I am.
00:16:51And I ain't the sort of a guy that can sit in an office all day, you know that.
00:16:54And I can't wear white collars.
00:16:55They don't fit the size or the color of my neck.
00:16:58I've got to work with my hands.
00:16:59Yes, because you haven't got any brains.
00:17:01Uh-uh.
00:17:02I wouldn't have picked you if I had your brains, would I?
00:17:08Come on, let's eat.
00:17:21You have got brains, Joe.
00:17:22You just won't use them.
00:17:23I don't want to use them.
00:17:24It gives me a headache.
00:17:25What are you going to eat?
00:17:26Oh, some salad, I think.
00:17:27What are you talking about?
00:17:28How are you going to take care of those kids on salad?
00:17:30Give her some roast beef rare.
00:17:31I'll take the same.
00:17:32What kids?
00:17:33Those seven or eight that are going to call you mama and me, papa.
00:17:36Joe, aren't you ever serious?
00:17:39Aren't you interested in making more money?
00:17:40More dough?
00:17:41No, I'll do it all right.
00:17:42I've got money.
00:17:44Any vegetables left?
00:17:45No, I'll never be able to finish this roast.
00:17:47Double order spinach for both of us.
00:17:49Joe, I don't like spinach.
00:17:50It's good for you.
00:17:51It puts hooses in your watches.
00:17:55You going to bully me all my life?
00:17:56Yep.
00:17:57Taking care of you is bullying you.
00:17:58That's what I'm going to do.
00:17:59Two hunks of that apple pie.
00:18:01Joe, I never eat pie.
00:18:02You'll eat this or wipe it off your chin.
00:18:05Oh, you'll have me weighing a ton.
00:18:07That's right.
00:18:08Well, that'll be more of your love.
00:18:09If you don't mind my saying so, Miss Bren, you don't eat enough.
00:18:12Are you trying to reduce?
00:18:14Well, I could take off a couple of pounds and still sit comfortable.
00:18:20No, that's a mistake.
00:18:22I believe every woman should have what nature intended her to have.
00:18:24And in all the places she intended her to have it.
00:18:26Well, if you think nature's been skimping on me, honey.
00:18:31Oh, ain't nature grand.
00:18:52How are you two getting along?
00:18:54Oh, fine.
00:18:55Mr. Casey just gave me an interesting little nature talk.
00:18:58Yes, I just tell her, Miss Bren, that she ought to keep what she's got.
00:19:02Don't worry, I intend to.
00:19:06Over the way, where's Dan?
00:19:07I left him downstairs.
00:19:08He's got a little hangover he's trying to get rid of.
00:19:10Oh, don't be so high hat.
00:19:12I like a guy that takes a drink once in a while and gives him something.
00:19:15I don't care if he drinks, but the guy's a lug.
00:19:17He's no good in spades.
00:19:18He's going to get the air someday and I wouldn't be surprised if I gave it to him.
00:19:21If you ask me, I think your boyfriend's burned up because you went out with Dan the other.
00:19:25You did what with whom?
00:19:27Well, you were working overtime.
00:19:29So you're two-timey when I...
00:19:30I'm not married to you yet.
00:19:31And if I want to go out...
00:19:33Not with him, you won't.
00:19:33Not if you want to keep me hanging around.
00:19:35Well, if that's the way you feel, I'm not so sure I want you hanging around.
00:19:39You're entirely unreasonable, Joe.
00:19:41You've been everywhere.
00:19:42All around the world, seen everything and done everything.
00:19:44You never want to go out at night because every place is an old, old story to you.
00:19:47But it's not to me.
00:19:48I get a kick out of stepping out and enjoying myself like any normal girl would.
00:19:52If you didn't think so much about working your fool head off and risking your life just
00:19:56for the super thrill of it, we'd be a lot more congenial.
00:19:59After we're married, if we ever are, I'll be perfectly willing to sit at home and don your
00:20:03socks and listen to your stories about Asia and Africa and South America or what have you.
00:20:07But right now, I want a little fun and a few laughs.
00:20:09And if I feel like going out with Dan or anybody else who's been nice to me, I'm going.
00:20:12If I hurt your feelings, I'm sorry.
00:20:18What's the matter with Ethel?
00:20:19She looked like she was crying.
00:20:22Mr. Graham, aren't you?
00:20:23Yeah.
00:20:24Mr. Regan wants to see you in his office with your helper right away, please.
00:20:28Oh, come on.
00:20:29You heard what you said, didn't you?
00:20:33Well, I hope there'll be no gunplay.
00:20:35Well, if there is, I hope you're in it.
00:20:39Want to see me, Regan?
00:20:40This is Joe Graham, one of our ace troubleshooters, Sergeant Murphy.
00:20:44Dan Sutter, Joe's assistant.
00:20:46You were testing at 1483 Union last night, weren't you?
00:20:49Yeah.
00:20:49You happened to cut in on a conversation between the Chief of Detectives and Sergeant Murphy here?
00:20:53Uh-huh, that's right.
00:20:54How much of that conversation did you over hear?
00:20:55Frankly, not.
00:20:56I dropped off as soon as I found I was on a busy line.
00:20:59You over hear that conversation?
00:21:01I wasn't working with Joe last night.
00:21:03Oh, yeah.
00:21:03I know.
00:21:05That Azusa goof was with you, Casey.
00:21:07So that's it.
00:21:09Why, what's this all about, boss?
00:21:10Well, Sergeant Murphy here got orders to close that joint you were working in.
00:21:14Somebody overheard the conversation and tipped them off.
00:21:16When the police got there, the place was empty.
00:21:21Casey overhear this conversation, too?
00:21:23Yeah.
00:21:24That probably explains it.
00:21:25Get Casey here.
00:21:26Wait a minute.
00:21:29Casey didn't do it, boss.
00:21:32Well, are you going to come clean or do I have to slap it out of you?
00:21:34What are you talking about?
00:21:35What are you trying to do?
00:21:36Make me the patsy?
00:21:37Sutter was at that gambling joint last night as a guest.
00:21:40I dropped off the line as soon as I found the cops were talking.
00:21:42Casey didn't.
00:21:43He hung on.
00:21:44Then he came in and told me what he overheard.
00:21:45He was with us.
00:21:47Then as Casey and I were leaving the joint, we saw the proprietor hand this son of a...
00:21:50This guy's some dough.
00:21:52It's a dirty lie.
00:22:11Anything else, Mr. Reagan?
00:22:12No, that's all, Joe.
00:22:14Thanks.
00:22:14You're welcome.
00:22:24Check in your tools.
00:22:25Draw what's coming to you, then get out of here.
00:22:28So you're taking Joe Grange's word against mine?
00:22:31Anytime and on anything.
00:22:33Now get out.
00:22:41Yeah?
00:22:43Who?
00:22:45Oh.
00:22:46Wait a minute.
00:22:48It's the pride of Azusa, Casey.
00:22:51He wants to come up and see me.
00:22:53Well, have him up.
00:22:54I guess I can stand it.
00:22:56Oh, I don't know.
00:22:56He ain't much of a bargain.
00:22:58And his intentions are probably strictly dishonorable.
00:23:04Come right up, Mr. Casey.
00:23:07Uh-huh.
00:23:15When are you going to get that guy off of your mind?
00:23:18Well, I did think at least he might try to get in touch with me.
00:23:21Say, listen.
00:23:22If I had what you got, I wouldn't be worried about anything running around in pants.
00:23:28There's the wonder boy now.
00:23:32Hello, y'all.
00:23:33I was Colonel Willowbottom from Dallas, Texas.
00:23:37I'll extend my greetings to you lovely ladies.
00:23:40Well, quit posin' in the door there, Colonel.
00:23:42We recognize you.
00:23:44Yes, ma'am.
00:23:45Yes, ma'am.
00:23:45Say, I brought a friend along.
00:23:47Step in, Mr. Graham.
00:23:48I want you to meet these lovely ladies, Miss Brand, Miss Greenwood, Mr. Graham.
00:23:54Step on in a little.
00:23:55The lovely ladies are so happy to see us.
00:23:58Aren't you ladies?
00:24:02Oh, it's that good old southern hospitality.
00:24:08It's been a very jovial evening.
00:24:10We want to thank you for the tea and cakes.
00:24:13Graham, get the horses.
00:24:18Well, now that you're in, you might just as well park it.
00:24:22You see, they want us.
00:24:23They need us, Mr. Graham.
00:24:24Step in a little.
00:24:26Mr. Graham or Joe, as we laughingly call him down in Dallas,
00:24:30has invited us all out for the evening.
00:24:35I'm sorry.
00:24:36I'll try not to be jealous again.
00:24:38And I promise not to lose my temper again.
00:24:42Lookie here, lookie here.
00:24:43If I'm Joe's assistant, well, I've got to do the things he's got to do.
00:24:52Did that come all the way from Azusa or Dallas?
00:24:56No, ma'am.
00:24:57That's just my Dallas.
00:24:59I ain't Azusa'd you yet, but I'll get to all that later.
00:25:02Oh, honey, I can hardly wait.
00:25:05You are a lucky woman.
00:25:06Come on, get on your bits and tuckers, girls.
00:25:08We'll go to the grove.
00:25:09Quick, we'll change his mind.
00:25:13Oh, yeah.
00:25:16Hello?
00:25:17Who?
00:25:19No, I can't see you now.
00:25:20Who is it?
00:25:21I'm going out, Dan, some other time, please.
00:25:24Couldn't I come up for just a minute, Ethel?
00:25:26I've got something important to tell you.
00:25:28No, no, don't come up.
00:25:30Well, I'll come down.
00:25:34It's Dan.
00:25:35He wants to see me for a minute.
00:25:36He has something important to tell me.
00:25:38You don't mind, do you?
00:25:39Sure I mind.
00:25:41Oh, now you're going to start all over again.
00:25:42You said just a minute ago you wouldn't be jealous.
00:25:45What is it, Joe?
00:25:46Don't you trust me?
00:25:51Well, if you want to wait, I'll be back in a minute.
00:25:58Dan, you mustn't come here anymore.
00:26:00Joe's upstairs and he doesn't like it.
00:26:02After all, we are going to be married and you know he's terribly jealous.
00:26:05Yeah, I can second that.
00:26:06Why, what do you mean?
00:26:07He got me fired today.
00:26:09He didn't.
00:26:09I ought to know.
00:26:12He told Reagan a rotten lie.
00:26:14Then the top it off, he sucked me.
00:26:15And the stomach.
00:26:17You can't tell me he did it for any other reason except that he knows that I'm...
00:26:22well, that I like you.
00:26:23Oh, I'm terribly sorry, Dan.
00:26:25I know Joe's awfully hot-blooded and all that,
00:26:28but I certainly didn't think he'd carry it that far.
00:26:34What number do you call to get the riot squad?
00:26:38Listen, Dan, I don't want any more trouble with you.
00:26:41But if you don't stay away from Ethel,
00:26:42what I did to you this afternoon is just going to be a sample
00:26:44of what I'm going to do to you.
00:26:46Joe, please.
00:26:48Please, you've caused enough unpleasantness already.
00:26:50Oh, so you're taking his side, are you?
00:26:52Oh, you're impossible.
00:26:53I never seem to be able to do anything but quarrel with you.
00:26:55I don't want to.
00:26:57Oh, I'm sick of it.
00:26:57I wish you'd go.
00:27:00Okay.
00:27:01That's all I wanted to hear.
00:27:07Don't cry, honey.
00:27:08He isn't worth it.
00:27:09I got a car outside.
00:27:10We'll take a drive down to the beach.
00:27:12Oh, he's so unreasonable.
00:27:13Sometimes I could kill him.
00:27:15Some fresh air will do you good.
00:27:17Come on, Ethel.
00:27:22Maisie, I'm going out with Dan.
00:27:23I'll be home early.
00:27:25Well, things seem to have been happening downstairs.
00:27:29Ethel's going out with Dan.
00:27:30I suppose Joe has gone far into the night.
00:27:35Leaves us at the exact point of where we started.
00:27:40Well, what do we do now?
00:27:43What do you mean, what do we all do now?
00:27:55Oh, I'm heading for the last round up.
00:27:59We-de-de-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee
00:28:02-dee.
00:28:08Okay.
00:28:09Give me the colors.
00:28:11just a minute
00:28:20give me the flyers
00:28:29hey what's the idea
00:28:33gee you might have killed that guy joe i don't know what's the matter with me i'm all thumbs
00:28:37i know what's the matter with you so do you but you ain't doing nothing about it give me another
00:28:40pair of pliers when lazy talks you know ethel feels just as bad about things as you do who told
00:28:46you
00:28:47i felt bad about it and pliers you just dropped you know the trouble with you is joe you don't
00:28:53realize i mean you don't understand the psychology of women now out in azusa if you mention azusa to
00:28:58me again you're going to follow those pliers all right no sense of humor
00:29:06you ain't working at the telephone company no more you mean she got fired
00:29:09nah she quit she's working in an office downtown doing what i don't know that's all mazy told me
00:29:16of course she quit the company so there'd be no chance of running into me huh
00:29:18no i don't think it was like that well i'm quitting too you're doing what i'm quitting tomorrow or
00:29:25saturday i think i'll run down to san pedro and get on the boat for china or someplace this town
00:29:29and
00:29:29this job are getting on my nerves ah listen you won't like it in china but i've been there and
00:29:33i like it fine maybe i'll get on the boat that don't touch shore for six months that's better
00:29:38still and i've done that too and it's all right all right all right i see you have no mood
00:29:43for
00:29:43further enlightenment on a subject to love so i'll just give up where are we going now it's around
00:29:56here somewhere
00:29:57this is it what's the grief here that match get the tools
00:30:06which one of these joints is it the arena state office
00:30:22what's wrong with your stuff
00:30:35hello job grain bandai cream four seven six reported in trouble call me back with
00:30:41there's nothing wrong with that phone
00:30:46hello okay what'd you send for a repairman for nobody called from here
00:30:53oh in that case casey's building himself up for a good clout in the chin
00:31:14like your new job
00:31:16yes it's all right
00:31:19getting a lot of dough
00:31:21enough
00:31:24well we seem to be running out of conversation nowhere
00:31:29haven't you got anything to say to me well i think it's you who should do all the talking
00:31:33all right i will do the talk and i'm blown town tomorrow the next day goodbye and good luck
00:31:46i don't know which one of us was at fault but these last few weeks i've been very yeah yeah
00:31:54me too
00:31:56well let's stop being foolish
00:31:59let's
00:32:04any phone calls anything no none anybody come in no no one
00:32:12i don't know
00:32:12no
00:32:12no
00:32:12no
00:32:12no
00:32:12no
00:32:12no
00:32:24Oh, number 62, remember me?
00:32:32Dan's working here too, huh?
00:32:34Yes, he's the manager.
00:32:35Nice going, and you're working for him.
00:32:37That's dandy.
00:32:48Oh, no, I have an apartment of my own now.
00:32:51You had the phone too.
00:32:53No kidding.
00:32:54That's an innovation.
00:32:55Why don't you come up and fix it for me?
00:32:57What's the matter with it?
00:32:58Not a thing, only come up and fix it anyway.
00:33:01Why, certainly, certainly, certainly.
00:33:03Anything to oblige a lady?
00:33:05Pearl is her name, and the address is...
00:33:09Wait a minute, I'll write it down for you.
00:33:12Pencil, please.
00:33:27Thanks.
00:33:28All that holds.
00:33:29Will you come in a minute?
00:33:48What did he want?
00:33:49Why, he...
00:33:50He didn't come here to see me.
00:33:52No, he came about the telephone.
00:33:55Was there anything wrong with it?
00:33:57Yes.
00:33:58I could have taken care of that.
00:34:01But it's all I had for.
00:34:02That's all for now.
00:34:11He had me worried for a minute.
00:34:13Do you think he suspects anything?
00:34:14No.
00:34:16Say, why were you so interested in him?
00:34:18What's wrong with saying hello?
00:34:20I don't like him.
00:34:21That's enough, ain't it?
00:34:22Ah, dry up you two.
00:34:23You're getting to sound more like Gracie and Alan every day.
00:34:26Come on, Watton.
00:34:47Listen, sweetheart, if I want to talk to somebody, I'm going to do it whether you like it or not.
00:34:52You don't own me.
00:34:53And don't you forget I was the one that introduced you to Max and Martin.
00:34:56And another thing, what's the idea of having that good-looking dame always hanging around?
00:35:00She's just working here.
00:35:01I catch on.
00:35:03Nice work if you can get it.
00:35:05If you don't like it, you can get out.
00:35:07I've got my belly full and you might as well know it.
00:35:09That's...
00:35:10Well, I've had all I can stand, too.
00:35:12Oney, when you get paid off, I want my cut, see?
00:35:16And if I don't get it, I'm going to yell so loud you can hear me all the way to
00:35:19the police station.
00:35:19You'll get your check, only hurry up and blow.
00:35:22You're giving me a headache.
00:35:36Have you got them?
00:35:37I'm connected with their office wire, but there's nothing happening.
00:35:51Hello?
00:35:52Oh, yes.
00:35:53How are you, Mr. Puller?
00:35:54Hello, Parsons.
00:35:55Say, listen.
00:35:57I'm just telephoning to tell you I have all the stocks I need at this particular moment
00:36:01and I shan't be doing any more buying for the next couple of months.
00:36:05I say I shan't be doing any buying for the next few months.
00:36:12What's the matter?
00:36:13Can't you hear me?
00:36:14There seems to be something the matter with this phone.
00:36:16I haven't been hearing well of it for the last couple of weeks.
00:36:19Somebody's beating me to the punch.
00:36:21Every stock I'm interested in jumps before I get a chance to buy it.
00:36:25It almost appears as if some other person are getting information as to my activities.
00:36:31Well, I'm afraid that winds us up.
00:36:33What do you mean?
00:36:34Fuller's quit dealing with our next-door neighbor.
00:36:37Says somebody seems to have a lot of information about his stock deals.
00:36:42Well, that's that.
00:36:44Anyway, it was good while it lasted.
00:36:48I'll make out your checks.
00:36:49Make out three separate ones this time, will you, Martin?
00:36:52Just as you wish.
00:36:54You coming, Max?
00:36:55No, I'll hang on a little while longer.
00:36:56You never can tell.
00:37:01This is for your partner.
00:37:03All right.
00:37:05Hey, Max, here's your cut.
00:37:07Okay.
00:37:11Here's yours, Sam.
00:37:16Oh, by the way, what's that young lady's name?
00:37:19Who?
00:37:20Oh, Pearl, uh...
00:37:22As a matter of fact, she's got so many names, I don't know which one she'd want her to check.
00:37:25Well, I'll leave the namespace blank.
00:37:27She can fill it in.
00:37:28We'll see that she gets it?
00:37:29Sure thing.
00:37:35Goodbye, miss.
00:37:36Goodbye, Mr. Martin.
00:37:38Please.
00:37:45Busy?
00:37:46No, just changing the ribbon.
00:38:07You seem to be having a tough time.
00:38:11I don't know why you ever hired me as a secretary.
00:38:14That's why I'm firing you.
00:38:17Oh.
00:38:18Well, I can't blame you.
00:38:20I suppose I shouldn't have taken the job in the first place.
00:38:22I wasn't fitted for it.
00:38:24Might as well give you your closing check now.
00:38:29Better see if I got the amount right.
00:38:33What's this mean?
00:38:34Not enough.
00:38:35No, I don't understand.
00:38:36I just sold Martin a big chunk of real estate.
00:38:39That check represents Santa Commission.
00:38:41I want you to have it because I want you to look in us as pocket, Ethel.
00:38:45You and me.
00:38:46Well, I can't take it, Dan.
00:38:47Why not?
00:38:49Well, because we're not partners.
00:38:50We will be.
00:38:51I'm going down to Mexico City soon.
00:38:54Sort of a combined business and pleasure trip.
00:38:56I want you to come with me.
00:38:58That check is so you can play your own way.
00:39:01Just so you won't feel indebted.
00:39:03Well, you know that won't do.
00:39:04Why not?
00:39:05I don't take trips to Mexico with anybody.
00:39:08I'm really in love with you, Ethel.
00:39:10Crazy about you.
00:39:12The Mexico City is a swell place for a honeymoon.
00:39:15A friend of mine wants me to inspect his property down there.
00:39:17A big ranch.
00:39:19We'd have a wonderful time.
00:39:21What do you say, Ethel?
00:39:22I don't know what to say.
00:39:26Take this, meanwhile.
00:39:27Please.
00:39:28Just as a gift.
00:39:30Uh-uh.
00:39:31I can't take that till I make up my mind.
00:39:33Oh, I've smudged it.
00:39:36That doesn't matter.
00:39:38$2,000 is still $2,000.
00:39:41Even if it is a little dirty.
00:39:43Hey, Dan.
00:39:43Come in here, quick.
00:39:50I told you hanging out that phone wouldn't hurt.
00:39:52I just heard the cashier talking to the Federal Reserve.
00:39:55They're expecting a shipment of Treasury certificates.
00:39:57Two million dollars worth of negotiable securities.
00:40:00So what?
00:40:00Just this.
00:40:01That stuff will be kept in their vault over the weekend.
00:40:03Till Monday morning.
00:40:05Well, what about it?
00:40:05What about it?
00:40:06Come here.
00:40:07Look.
00:40:08That vault's just the other side of this wall.
00:40:10Not 20 feet away from us.
00:40:12Come to.
00:40:12You're not thinking of...
00:40:13Listen.
00:40:13I can get a couple of guys that'll go through that wall like it was tissue paper.
00:40:16Two million.
00:40:18Two million bucks worth of negotiable securities.
00:40:21I in?
00:40:22Take it easy.
00:40:23Why, are Toppen's tough enough, but bank robbery's good for 20 years.
00:40:2620 years if they catch you.
00:40:27Two million bucks if they don't.
00:40:29Oh, well, never mind.
00:40:30I'll get the guys and do the job myself.
00:40:32You clear out.
00:40:32Wait a minute.
00:40:33What do you mean, clear out?
00:40:35This place is in my name.
00:40:36They'll hook me as an accessory.
00:40:37In that case, your choice is limited.
00:40:39You can either come in and get your piece of the dough or get out and get your can in
00:40:43the cooler.
00:40:51You're absolutely set on this, are you, Joe?
00:40:53Yep, Mr. Regan, absolutely set.
00:40:55Sure you're not making a mistake?
00:40:56Probably.
00:40:57Pulling up anchor and going places making a mistake.
00:40:59I'm making it, but I've been doing it all my life.
00:41:01Here is, Zusa.
00:41:02You admire this for a long time.
00:41:04It's yours.
00:41:05Oh, listen, Joe.
00:41:05That sets you back 20 bucks.
00:41:06That's okay.
00:41:07I won't need it in Tahiti.
00:41:08You know, just a G-string.
00:41:10When's your ship sail, Joe?
00:41:10In about an hour.
00:41:12Baker, can you use these?
00:41:13Oh, sweetie, Steele.
00:41:14Thanks, Joe.
00:41:15Here's some other stuff.
00:41:16Oh, thanks, Joe.
00:41:17You bet.
00:41:17That's okay.
00:41:18That's all my own stuff, boss.
00:41:19Yeah, I know that, Joe.
00:41:20Well, that's that, I guess.
00:41:23Come on, Mr. Regan.
00:41:24It's been nice working for you.
00:41:25I think you've lost your mind, Joe.
00:41:27I never had much to lose, boss.
00:41:29Well, good luck to you.
00:41:30Anytime you want to come back, there's a job open for you.
00:41:32Thanks very much.
00:41:33I won't want it for a long time, if ever.
00:41:38Lug, you ought to be tickled to death I'm going.
00:41:40You'll probably get my job.
00:41:41Who wants your job?
00:41:43Listen, you're the only guy I ever met that I'd ever work under.
00:41:45I'm a first-class troubleshooter of my own right and a good one, too.
00:41:48You just ask anybody in Azusa.
00:41:49The only reason I worked under you is because, well, the cause.
00:42:00So long, boys.
00:42:01Good luck to you all.
00:42:02Goodbye.
00:42:02So long, boys.
00:42:03Take care of yourself.
00:42:04Take care of all of you.
00:42:05It's been swell working with you, fellas.
00:42:07Don't think too harshly of me for walking out on you.
00:42:09But I've got quicksilver in my pants, and I can't sit still in any one place very long.
00:42:12Now, when you guys are working up to your hips in the mud,
00:42:15or you're up on top of a pole splicing wires in the high wind and the rain,
00:42:18think of me.
00:42:19On the high seas, under a beautiful blue sky.
00:42:22Or on the beach at Pago Pago, under a great big yellow moon.
00:42:25Mr. Regan, from the Special Agent's Office.
00:42:27Very important.
00:42:28Rush.
00:42:28Yes, sir.
00:42:29Going places and doing things.
00:42:30That's your great idea.
00:42:32Say, this is something.
00:42:35Vickery, this is your district.
00:42:36Suspicion of a wiretapping job.
00:42:37Where's that complaint from?
00:42:39They're a Securities Investment Corporation, Sixteen's and Flower.
00:42:42From where?
00:42:51Hey, look, boss, I resigned, didn't I?
00:42:52Yeah.
00:42:52Well, I'm unresigning.
00:42:53I'm working for you again.
00:42:54I'm starting with this job.
00:42:55Come on, Case, get the tools.
00:42:56All right, boys, you've got to give me back.
00:42:58I know we didn't need this.
00:43:00All right, Case, I'll be needing this.
00:43:01Are you ready, kid?
00:43:03Let's go!
00:43:04Oh, wait for the ball!
00:43:05All right!
00:43:05Let's go!
00:43:07Well, come on, will you tell a pal what it's all about?
00:43:10You heard what he said, didn't you?
00:43:11Suspicion of a wiretapping job.
00:43:13Security Investment Corporation.
00:43:14Well, what's that gut you so hot and bothered about?
00:43:16Well, I'll tell you, my little mental genius.
00:43:18The Security Investment Corporation is next door to the Globe Realty Company,
00:43:21which is run by my old playmate, Dan Sutter.
00:43:24Real estate model.
00:43:26I'll do a little subdividing on his schnozzle before I get through with him.
00:43:30I can't understand what in heaven's name you're hesitating about.
00:43:34I can't see what there is to decide.
00:43:36Well, you don't understand, Maisie.
00:43:38I love Joe.
00:43:40And I'm not so sure about Dan.
00:43:42Well, it seems to me it's just as easy to fall in love with a guy with money
00:43:45as a guy without it.
00:43:46It's just a habit.
00:43:48You've got the wrong habit, that's all.
00:43:50Yeah, but after all, I do love Joe.
00:43:54Well, I just can't turn him off like I turn off a water faucet.
00:43:58I've got to be sure.
00:44:01I'm going to call him and give him one more chance.
00:44:04Go ahead.
00:44:05If he'll make any happier, he'll probably hit you with the phone.
00:44:22Hello, hello.
00:44:24Joe's not in, lady.
00:44:25He's not in.
00:44:27Oh, well, will you just tell him that he'll call?
00:44:29I can't do that, lady.
00:44:30I can't do it.
00:44:30I can't holler that loud.
00:44:32He's on his way to China.
00:44:33You checked out this morning.
00:44:35Oh.
00:45:15Max.
00:45:15Yeah?
00:45:16They're moving in the stuff.
00:45:17Good.
00:45:19I'm going to have to hurry.
00:45:21I'll do it, boys.
00:45:23By this time tomorrow, we'll be retired capitalists.
00:45:25What about that girlfriend of yours?
00:45:27She has to get back to lunch.
00:45:28Yeah, we'll give her the afternoon off.
00:45:35Hello, Wettle.
00:45:36Just finished talking long distance to my friend of Mexico City.
00:45:39He wants to leave right away.
00:45:41Drive to New Galis tonight.
00:45:42Leave him there tomorrow on the train.
00:45:45Have you been taking it over, honey?
00:45:47Uh-huh.
00:45:48Well, yes or no?
00:45:51Yes.
00:45:52Okay.
00:45:52Here.
00:45:54Now, look.
00:45:55Take the rest of the afternoon off.
00:45:57Welcome to load yourself up in a new wardrobe.
00:46:00I'll arrange for the bank for you to get this cashed.
00:46:02Oh, you can leave it.
00:46:03I have enough to get what I want.
00:46:04We'll leave sometime after midnight.
00:46:06I'll call you after dinner and arrange all the details.
00:46:13Well, I'll wait for your call.
00:46:21Hurry.
00:46:31Yeah, what did I tell you?
00:46:31Right into the attic of Dan's place.
00:46:33Now, you might be right after all.
00:46:34Yeah, maybe.
00:46:35I was once before.
00:46:37I better get on down there.
00:46:38Yeah, take it easy.
00:46:38Take it easy.
00:46:39They might be down there.
00:46:40If they hear us, it wouldn't be so good.
00:46:41Besides, I'm going to do this alone.
00:46:43Who said you're going to do it alone?
00:46:44Come on.
00:46:45Give me a hand.
00:46:51Come on.
00:46:55You ain't here.
00:46:56We have a hole in this thing.
00:46:58I'm coming.
00:47:10Seems to be empty.
00:47:12Saturday afternoon.
00:47:13Maybe they're out playing golf or something.
00:47:14Yeah, maybe.
00:47:15Come on.
00:47:16Give me a hand.
00:47:16Get over here.
00:47:30Let go, buddy.
00:47:31You're behind the eight ball.
00:47:32They got me, Chase.
00:47:33Get the cops.
00:47:41Come on, buddy.
00:47:41Reach for the clouds.
00:47:49So we meet again.
00:47:50The rover boys to the rescue.
00:47:52Climb up, boys.
00:47:54Nice and tight.
00:47:55All right.
00:50:00WHISTLE BLOWS
00:50:12WHISTLE BLOWS
00:50:33All right, let's go home, boys.
00:50:55Somebody must have turned in the fourth alarm to leave him.
00:50:59How you coming?
00:51:00Any minute now.
00:51:03Say, wait.
00:51:07I had an idea that maybe...
00:51:10But it's all right.
00:51:15Come on, boys, hurry up.
00:51:30Hello, Ethel?
00:51:31Hiya, honey.
00:51:33That's good.
00:51:34Now, listen, dear.
00:51:35I called you up to tell you that...
00:51:36Hey, we're in.
00:51:37Just a minute, honey.
00:51:38You're in the vault?
00:51:39Yeah.
00:51:41Honey, I called you up to tell you we're leaving right away.
00:51:43Yes, in about an hour.
00:51:46Listen, sweet.
00:51:46Throw some things together and meet me up at my apartment.
00:51:49Yeah, you know, on South Harvard.
00:51:52All right, dear.
00:51:53I'll be expecting you.
00:51:54Goodbye.
00:52:13Pharisee.
00:52:14Thanks for having me.
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