Cuba Coocuyo Remix 2025

Chicago

Watch Cuba Coocuyo Remix 2025 - Chicago on Dailymotion

Transcript

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00:30Pasha!

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01:30I don't know, I'm out of control.

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11:28the program cuba tonight is the edition 245 and toca the space grandes éxitos nationales

11:34de la cura de la semana estaremos pinchando music de rayon un servidor y también de muchos

11:39dj productores de la habana no del país así que no corran el dial y si pueden amplifiquen la señal

12:03hola señor

12:10no quedamos o no esperamos y no hay que mirar más

12:17está comiendo huevo salada de huevo con aceite de oliva

12:23con aceite viscoso

12:28pero un poquito de esa mierda que no se entiende nada

12:31ya estamos en la vida y le rieron logan con un cartón de huevo el agua ese es el artista

12:40que

12:40el tipo que dice a ver tienes que tocar con un cartón de bolas pero cuál es la

12:46segunda y cuál es la fundamental 5 después de

12:5112 ganaste la base 12 huevos más 12 huevos cuántos son

13:0112 ganaste la banda más 12 huevos de la habana y en 24 bienal de la habana y en 24

13:08bienal de la

13:09habana fíjate ojo todas las fuentes no te estoy diciendo

13:17y ese estaba quedando él estaba alquilado en casa de un colegio de nosotros

13:21y estaba pisando con nosotros

13:25mi hermano terminamos la fiesta nada no sé qué

13:30cuando vamos saliendo del local lobo ya después que terminamos cuadrar y todo eso

13:35me ha pasado por al lado yo pensé que era un borracho estaba tirando al piso

13:39cuando hago fíjate me fijo bien

13:40el tipo

13:41el tipo me

13:44todo tirado ahí en la puerta de la discoteca ahí

13:49y cuando

13:51yo leo al colega

13:53este no es el que está estilado en tu casa

13:55se dice man

13:56y ya seré

13:57yo

13:57cuando le partimos para arriba el tipo vomitado

14:01cagao

14:02mierda

14:02y la gorra

14:04cuando lo paramos

14:08dice

14:09Rayan

14:11seré

14:11yo

14:12todo buena mierda seré

14:13yo la gorra llena mierda la tenia de abajo en un short

14:15ponemos la gorra y se la pusimos en la cabeza

14:18todo llena mierda y lo llevamos por ahí para acá

14:21lo montamos en un carro

14:24y el socio que lo

14:26ah el socio que era bonita bonita para montar mientras uno come es

14:30eh

14:30buenas tardes bro

14:31buenas tardes hermano

14:32tú me puedes decir por donde queda por aquí

14:34en una calle queda por la universidad

14:36que baja

14:38por ahí por abajo

14:39que se llama

14:42Nectones

14:42algo así

14:44Nectones

14:44la que va por la universidad es Saldasa

14:47y la que está al lado es por ahí

14:50no sabe

14:52bueno

14:53Nectuno puede ser

14:54puede ser Nectuno

14:56puede ser Nectuno hermano

14:57tu me puedes llevar por ahí por la universidad

14:59es decir

15:00Nectuno

15:00dos cuadros más para abajo

15:02bueno

15:03si es para ti solo el taxi son cinco cc

15:05no bro

15:05a ver eso no está tan lejos de acá

15:08estamos en el bebé hermano

15:10me estoy diciéndote

15:10aquí hay un taxi te puede cobrar hasta cinco cc

15:12ya

15:13y tú no me puedes cobrar menos no sé

15:15tres pesos cuatro pesos

15:16también te podemos dar tres pesos

15:18ya

15:19ya

15:19va

15:20vamos

15:26vente

15:31¿Tenemos que esperar aquí más?

15:33o que esperar a una persona

15:35pero te cerras mucho aquí

15:36cinco minutos

15:38interesante

15:40antes de morir la víctima había ingerido un compuesto potente

15:43muy similar a la droga conocida como veneno

15:45cambia la estructura ósea y muscular

15:48potenciando la fortaleza física por tiempo

15:52parece que el compuesto reduce la capacidad mental de varias formas y puede dañar los centros

15:58de la memoria de la mente de foro

16:01su uso prolongado podría dañarla irremediablemente

16:04es el rastreador de bay

16:06y

16:15y

16:17y

16:20y

16:21y

16:22y

16:23y

16:37y

16:38y

16:39y

16:41y

16:42y

16:47y

16:50y

16:51y

16:53y

16:55y

17:07y

17:08y

17:11y

17:12y

17:16y

17:22Tell me how can you get to 23rd Street up there?

17:48I got married, I got married, I want to tell you the truth, I know you are listening.

17:54Chan, you need to focus on Gabbana now, you're making a lot of ridiculous, you're going to be super bad,

18:02you understand?

18:03And look at how you're sitting down, go out of there, brother, with a French boudreau, you have to have

18:09glamour and style.

18:11You're going to be your own, brother, you know what we have here now?

18:19You need to focus on your own, and if we lose this opportunity, we won't have any more to avoid

18:26it.

18:27Because that's the only French boudreau that I've seen in the whole Habana, you understand?

18:31No, it's good, it's the same thing.

18:34Hey, brother, let me tell you quickly, you're waiting for me in the studio.

18:37Five minutes more.

18:49Here you can see.

18:58Go.

18:59I can take it up.

19:04I'll pay you up.

19:095-0.

19:10I'm going.

19:13Don't need to go.

19:17Don't need to go.

19:32I don't know what to do.

19:59and

20:20How can you get down?

20:22Please feel the pressure on your feet.

20:24I'm going to sleep.

20:25No, breathe.

20:28If we're not prepared, where do we go today?

20:32To the album.

20:33Let's go for a good album.

20:35To see a good DJ.

20:37No, you don't want to. What do you want?

20:39You want to eat it.

20:40You're very heavy.

20:42You're very heavy.

20:45You're a girl I know.

20:47I never play reggaeton music.

20:51Ni salsa.

20:52That's right.

20:55I've never played reggaeton.

20:57Okay.

20:58I never play?

21:00Heavy metal, yes.

21:01Okay, neither reggaeton nor rock.

21:13Emilito.

21:15Good luck.

21:17Emilito!

21:18I don't know.

21:19They're running.

21:20I got it.

21:27I got it.

21:27Emilito!

21:31I got it.

21:36I got it.

21:39I got it.

21:41I got it.

21:43I got it.

21:53It's time to get out of here.

21:54Look, you spend the whole day crying.

21:56And you just wake up.

21:58Yes, it's good.

21:59It's good, it's good.

22:02It's good, it's good.

22:04It's good, it's good.

22:05I can't see you in the music.

22:07Let's go, let's go.

22:10Let's go.

22:11Let's go.

22:16Let's go.

22:17I'm all fighting and fighting.

22:20I'm fighting so much.

22:28This is the shadow of my mind.

22:30But we have the poor shadow.

22:33In the garden.

22:34But the important thing is that the sun is shining.

22:38The sun is shining.

22:39This is blue and blue.

22:41And it has a magic aura.

22:43This is protection against America.

22:49It's the shadow.

22:52But you bought this one.

22:54How could you do it?

22:55I found it and told me what the sister had given me.

23:00The sun had given me.

23:02It was the shadow of my mind.

23:03But this is red.

23:05It has a protection aura.

23:07So, in fin, but...

23:11I'm going to go there and see if I can see if I can see it.

23:15I'm going to go there and see if I can see it.

23:54I'm going to go there and see if I can see it.

23:54My boy is at the end of the day!

23:55I will be able to keep it in mind.

23:55We're going to go to the end of the day.

23:57My mother, father, is going to be here.

23:59I will go there.

24:00My mother and dad are growing up.

24:08My dream is to work with my Pioner Pioner,

24:12which can be 900, 900 net,

24:15or 2,000, 1,074 channels,

24:18and that's my dream.

24:21The Pioner Pioner, the classic,

24:23the H.O. also,

24:24I need to work, work, work,

24:27make money, money, money,

24:30to buy me.

24:30With that, I'm happy.

24:32I don't want to play,

24:33I don't want to play,

24:35I know,

24:35that's the memory USB,

24:37or my carpeta with the music,

24:39that I'm a fanatic,

24:40to play with my music.

24:42My carpeta, my music,

24:43I put my music there,

24:44I need to go down to the Pioner.

24:47Those are the Pioner Pioners,

24:48Those New, Mandel, Noemen,

24:51those are the stuff,

24:52those are the stuff,

24:52those are for you to buy them,

24:55and then break them

24:56and then you can buy the Pioner Pioner,

24:58you can buy them.

24:58But the other stuff,

25:00those are the stuff,

25:02The pioners, the pioners, the pioners, the pioners.

25:05I have three hours of Amanda and I can't talk about the...

25:09The 27th of this month, of course.

25:13And I think we got the catarro.

25:16I got the catarro.

25:19I have my mouth.

25:21And I don't know, I don't know what to do.

25:22I don't know why.

25:24I took the pastilles.

25:25I took the pastilles and everything.

25:29I don't understand why.

25:31No.

25:48No.

25:51No, no, no.

25:52That is not Onun, don't holy.

25:55Please.

25:58There are a lot of birds here in this territory.

26:01It seems that they all have been tranquilized.

26:10The three neighbors who put music,

26:12they were dancing,

26:13so I felt the reverence of dancing.

26:17They were all dancing.

26:21Ah, but I remember that.

26:22I was tired of living here.

26:26I'm happy here.

26:27But at the same time, I didn't understand.

26:29I didn't understand,

26:30because I'm the only one who is in this building.

26:32This building is a building of people,

26:36of people, of people, of people, of people.

26:39Here...

27:02Straight.

27:03Walk down the street.

27:04Walk straight down the street.

27:06What is it?

27:07Walk, walk, walk.

27:08Walk straight down the street.

27:12Walk straight.

27:13Straight.

27:14Down the street.

27:15Straight.

27:16Straight this one.

27:17Yes, yes, yes.

27:18Baje el reto por ahí para allá.

27:19I want the right.

27:21I want the right, but there's no way to do it to me,

27:22but there's no way for me to do it to the right.

27:22Well, if you want to pull the right手 right over there.

27:24Yes.

27:25Yes, but maybe?

27:27What a mess.

27:28What a mess.

27:29You throw that head?

27:30You just throw up the right path.

27:31What a mess, girl.

27:32I work on a particular.

27:33Yes, but equally.

27:34I work on the public.

27:35You work on it.

27:38I figure it out a wrap.

27:39What a mess.

27:39But I don't want to do it.

27:40I know what I really want.

27:42But God is crazy.

27:42That is crazy, that is crazy.

27:43He's crazy.

27:44He's crazy.

27:45I'm going to put my mouth on the chest.

27:48Do you want to put a little

27:49on the other side of the band?

27:51It's possible.

27:53One more time.

27:54Look, I'm going to hurt you.

27:58Do you know when I'm going to go?

27:59Look, you treat me well.

28:01I'm going to go.

28:03I'm going to go.

28:04I'm going to go.

28:07I'm going to go.

28:09Do you want me to go?

28:13Do you want me to go?

28:14Do you want me to go?

28:17Do you want me to go?

28:18I'm going to go.

28:19No, no, no.

28:23I'm going to go.

28:34I'm going to go.

28:35I'm going to go.

28:41Is it original or is it?

28:42It's original, right?

28:47I don't know what to say.

28:49Even since I've been in the beginning of the day,

28:51I've been in the hospital,

28:52and I've been in the hospital,

28:55and I've been in the hospital,

28:57and I've been in the hospital.

29:00It happened like it happened to me.

29:02The software is totally synchronized

29:05with the Tractor system.

29:08They are the same brand,

29:10they are made for that.

29:11This is the virtual version,

29:13and this is the physical version.

29:16It's like a controller.

29:18It automatically controls all the functions

29:21that I do here

29:22so that it works exactly like this in the software.

29:41I'm going to go here.

29:56I'm going to go here.

30:00I'm going to go here.

30:09In the national court we will play music of all the DJs and producers of the country,

30:15and the section Agitando la Vitrona, where we will recreate music of the 70, 80 and 90,

30:20which has been the classic, pioner or influence of the electronic music.

30:34Here is where it is.

30:38Abajo, afuera...

30:39It's a lot of fun.

30:50Can you hear a frequency of the bass?

30:52No.

31:00For example, what we do is change the samples to beat.

31:07I understand.

31:08I put 8, I put 2, I put 10, I put 1.

31:14Exactly.

31:15With infinite, you can never find out what you need to find,

31:20at the 20 or at the 16.

31:58What?

31:59You left the 220 barely, right?

32:01Right.

32:02I got the destinies.

32:04You had no late.

32:05And you?

32:09No, you had no late.

32:11You had 4 or 5 years old.

32:14That's why they were 45 years old, right?

32:17They were 50, right?

32:1845 years old.

32:19I'm madurated.

32:2045 years old, you're not so old.

32:23You're madurated.

32:24You're madurated.

32:25You went from the inmadure to the poor kid.

32:30You went from the poor kid.

32:31You went from the poor kid.

32:32When I was 27 or 30 years old, I was not the same, I was more serious, I was more

32:40responsible.

32:42Yes, I was more serious, you cut your hair and you have more hair.

32:45Brother, I am the most responsible now.

32:51I am responsible now, like if I had 27 or 28 years old.

32:5727 or 28 years old, so you're 15 years old.

33:0115 years old.

33:03You're more or less in the 30 years old.

33:04Good for me, good for me.

33:07Incredible.

33:10This is...

33:11The Kukusha.

33:24It's that you're confused, it's with V.

33:29What are you doing today, man?

33:33I'm doing a tutorial here, of...

33:37How are these?

33:39The Mabel Bones, you know, you know what kind of style is that?

33:44That's the one that when you do the theme, they do something like that.

33:47Ew, ew, ew, ew, ew.

33:49That's what you don't know.

33:51Wow, man.

33:53This is sort of this, men.

33:56This one.

33:59The thing that I put my laser on, is what I put?

34:03That's what I said.

34:04I think that's what I did, look.

34:06It's a very good thing, when I break it there.

34:08When I break it off.

34:23And what I like to do with DJs is that you invite one or two, and then there are more.

34:34It's something creative.

34:36It's for the DJs.

34:37The DJs are also learning, and they also need an audience to develop.

34:46It's not the same when you're in your house.

34:48When you're in front of a group of people with whom you know, you develop a little bit more.

34:56But I like to say, look, I brought music to my memory, I can put a song.

35:01And I love to form a jam.

35:25I was in my side, and I was in that moment.

35:37If a film director picks up and picks up that scene, that was the fourth part, I swear.

35:47You have to look at the face of the people.

35:50It was a face with red eyes, with a desperation.

35:55I didn't understand the money that was necessary to be able to enter that place,

36:00and I was in that moment where everyone was playing, but they couldn't.

36:06And that was what they did, that the desperation was amplifying.

36:10And suddenly, one was in the place where they were, one was in the place where they were,

36:14one was in the place where they were, and they couldn't do anything.

36:16It was very comic.

36:19And the people who came out at that moment, they killed them.

36:23I believe that people were becoming zombies.

36:27In zombies.

36:28By the end.

36:31Oh my God, my baby.

36:32So then the original second character comes withajes and his Baby has me,

36:37I this now comes with my Red Devil, I this game, I this girl is with my...

36:53are we?

36:53Are we going to go to the place?

37:05Here we go, and I'm going to change the world.

37:06Let's go.

37:10Were you here?

37:11Oh yes.

37:21And I'm hungry.

37:21I'm hungry and hungry and hungry.

37:25Okay, so I'll be hungry.

37:40There's a girl who doesn't want to see her in the night.

37:45She asks me a topic and she says no.

37:47I'm in the middle of my session and she says,

37:49I'm in the middle of my session.

37:50I'm in the middle of my session.

38:30It's here.

38:32The DJ.

38:36I'm in the middle of my session.

38:41Yeah, I'm in the middle of my session.

38:44So when I come out, I'm going to sign up for the sábado.

38:47The sábado is almost in the same place,

38:51but it's just looking for the sound here and they don't go there, you see?

38:55From here to the house.

38:56But please tell me, as soon as you have it on the other side, you see?

38:59That's right.

39:01Well.

39:02Eh.

39:03Eh.

39:05Eh.

39:05What about this?

39:05Eh.

39:07That's all.

39:08The other day, I said, I saw one.

39:10No, no, no.

39:12Hace rato no veía los cucuyos esos, antes sí lo veía.

39:15No, de la ciudad, de la ciudad sí se pierde.

39:18Cucuyo, bariero, bariero, bariero, bariero.

39:21Yo lo corría y lo metía con un pomo,

39:25cinco, seis o siete los cucuyos y le echaba un poco azúcar

39:27porque según decían que comían azúcar.

39:30Yo no sé si comían azúcar o no, yo le echaba azúcar y al final se morían todos.

39:33Claro.

39:35Una hojita, no sé qué.

39:39Porque eso es como una cucaracha.

39:41Ah, yo de chamaco las cogía con la mano y todo, pero yo ahora,

39:44últimamente, ya la veo y la vi el otro día ahí en Cienfuegos y es como una cucaracha.

39:49¿Qué comer?

39:50¿Qué comer?

39:51Sí.

39:53La primera conexión especial con la música fue ahí en mi casa,

39:58en el balcón.

39:59Yo vivo ahí en el segundo piso.

40:02Y, ah, realmente fue, estaba pinchando música para los amigos.

40:08Estamos escuchando música normalmente para los amigos ahí.

40:11Y estuve, ya que fue increíble ese día.

40:14Fue una hora de doble casetera y de momento cambio la canción bruscamente

40:20y la gente, eh, pero ¿qué pasó, Doño Ryan? ¿Qué pasó?

40:23Y fue algo, verdad, que especial porque ahí fue sentir realmente que dije,

40:30yo quiero ser eso, yo quiero ser DJ, yo quiero hacer bailar al público.

40:35Y quiero que también la música la sientan como la siento yo.

40:40O sea, a la hora de poner y pinchar música en mi casa quisiera que la gente que lo escuchara

40:45también

40:45o que pasara por abajo, escuchara los altavoces por la calle, sintiera lo mismo que estaba sintiendo yo

40:51a la hora de trabajar ese tema, de pinchar ese tema.

40:54Pero fue increíble porque los muchachos se quedaron,

40:56oye, pero ¿qué es esto? ¿Qué están haciendo ahí? ¿Qué hiciste?

40:59Y no, nada. Cambié, ya cambié un tema para otro, de una casetera para otra.

41:06Y fue increíble porque la reacción y la conexión que tuve cuando ejecute esa acción

41:13y después que la reacción que tuvo en el público en ese momento en los tres amigos míos, fue increíble.

41:52¡Suscríbete al canal!

42:21¡Suscríbete al canal!

42:30¡Suscríbete al canal!

42:32¡Suscríbete al canal!

42:49¡Suscríbete al canal!

42:53Come on, come on, come on, come on.

43:25Come on, come on, come on, come on.

44:04Come on, come on, come on, come on, come on.

44:22Come on, come on.

44:58Come on, come on, come on.

45:00Come on, come on.

45:01Come on, come on.

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