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00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:01:35Seth?
00:01:37Yeah.
00:01:49Fuck!
00:01:52Bye!
00:01:53Bye!
00:02:00Bye!
00:02:02Bye!
00:02:02You! You suck!
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So, Chucklehead, how do cats stop a VCR?
00:02:17I don't know, Archibald. How does a cat stop a VCR?
00:02:22It hits the pause button. Get it?
00:02:25I bet that thing has more of a brain left than this one.
00:02:27Yes, I got it. And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:34Dead? Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Are those jokes from the Stone Age?
00:02:57That's not nice. Why?
00:02:58How would you like my hand up your ass for 20 years?
00:03:04It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um, hey, dummy.
00:03:37Say something.
00:03:43Um, yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20Thank you, Chucklehead.
00:04:43Thank you, Chucklehead.
00:05:09Thank you, Chucklehead.
00:05:09Thank you, Chucklehead.
00:05:38Transcription by CastingWords
00:06:08Transcription by CastingWords
00:06:38Transcription by CastingWords
00:06:40Showbiz is all I know.
00:06:42Did you know my family started in Vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908.
00:06:50Our family even toured with Barnum Bailey.
00:06:52That's how I got Chucklehead here.
00:06:56Oh, well, maybe it's time that you and that thing take a break.
00:07:01Chucklehead?
00:07:03Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left.
00:07:13The last of my kind.
00:07:15It's just him and me now.
00:07:18You seem very depressed.
00:07:20I'm sorry.
00:07:22Look, everything will be fine.
00:07:25Be thankful that you can retire.
00:07:28I'll never be able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat?
00:07:36The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more.
00:07:46Good night.
00:07:50Good night.
00:08:24Good night.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight?
00:09:10Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good.
00:09:53We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10About four, maybe.
00:10:12I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it.
00:10:16You dated her in high school and you took her to the prom.
00:10:20Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to, she's after me.
00:10:32She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chump.
00:10:39He's a chump.
00:10:40She realized what a mistake she probably made.
00:10:43Right?
00:10:44He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal.
00:10:50He's got money, so what?
00:10:52Yeah, look.
00:10:53So what?
00:10:54Let's just enjoy the time we have away from our crazy life.
00:10:57These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat.
00:11:30We wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi guys, what can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:12:01Oh, there you are.
00:12:03Room 203.
00:12:04Maybe the rest of our classmates are here, too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:11It's here at the high school.
00:12:12Hmm.
00:12:13Well, no one else who's checked in and mentioned it, but then I live outside of town, so I don't
00:12:18know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Well, just two.
00:12:24Well, they must be at the other hotel then.
00:12:28Hmm.
00:12:28Hmm.
00:12:29How big was your graduating class?
00:12:31Around 128 kids.
00:12:33Hmm.
00:12:34Hmm.
00:12:34Well, maybe it's only the three of you then.
00:12:37Here.
00:12:37Here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:43Uh, breakfast is at 8.30, lunch at noon, and dinner is at 5 sharp.
00:12:48We'll see you at lunch then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:13:09It'd be odd if you were the only ones here.
00:13:25Hey, you know, this isn't half bad, very Term of the Fentry charm.
00:13:33I'm starved.
00:14:04I don't know the other one right.
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich and a glass of water.
00:14:25I'll try the chicken and biscuits and a Coke as well.
00:14:28You got it. I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist. I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:45Can't be too famous if he's hanging around this town.
00:14:48Excuse me, sir.
00:14:50Are you Archibald the Great?
00:14:54Why, yes. Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:02Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes.
00:15:20I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:25I can't believe you don't have your own reality TV show.
00:15:30Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool.
00:15:37Would you mind if I asked you for an autograph?
00:15:40I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you, but we must be going.
00:15:55Take care.
00:16:07Thanks again.
00:16:14How cool was that?
00:16:16Well, has-been entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:40Archibald, I have your fresh towels.
00:16:44Where is that weirdo?
00:16:46I'm keying in.
00:17:00Fuck you.
00:17:04Fuck you.
00:17:18That was damn good.
00:17:20Listen, we're eating dinner at the reunion.
00:17:24You ate so much.
00:17:26You're not even going to be hungry.
00:17:29Look, these things go into the night.
00:17:31Plenty of time to eat and for other things, too.
00:17:35Please don't tell us you think you're scoring with Maggie tonight.
00:17:39Who knows?
00:17:41Dream along with me.
00:17:44Are you guys ready?
00:17:46Isn't it a bit early?
00:17:48What time did you say this thing started?
00:17:50Before 30, but I thought we'd get there ahead of time so we could get a good table.
00:17:55Who's paying?
00:18:12Have fun tonight.
00:18:14You get better, honey.
00:18:22May I please ask not to be disturbed tonight?
00:18:26Sure thing.
00:18:27Thanks.
00:18:59Hey, why don't we walk?
00:19:01It's only a few blocks away.
00:19:02Because I'm not carrying your drunk ass home tonight.
00:19:05Good point.
00:19:08Good point.
00:19:13Let's go.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:21:02We'll see one another soon.
00:21:09We'll see one another soon.
00:21:14We'll see one another soon.
00:21:39We'll see one another soon.
00:21:47Party time.
00:21:49Looks like we're the only one there.
00:21:52Thanks to Mr. Early Bird.
00:21:54Let's go check it out.
00:21:55Hey.
00:21:56Hey.
00:22:18What the hell?
00:22:20What time did you say this starts?
00:22:23See?
00:22:255.30.
00:22:27Yeah.
00:22:28But not today.
00:22:29Next week.
00:22:31What?
00:22:33Oops.
00:22:34You've got to be kidding me.
00:22:36You got the damn date wrong.
00:22:42Sorry, I did.
00:22:43No wonder no one was at the hotel beside Beth and the Ventraliquist.
00:22:48You did it again.
00:22:49You never pay attention to details.
00:22:53It was a simple mistake.
00:22:54We'll come back next week.
00:22:55I can't get off work that soon.
00:22:58We booked a hotel for two days and prepaid for this event.
00:23:02Come on.
00:23:03We've been worse scrapes, right?
00:23:06Come on.
00:23:07I'm sorry.
00:23:08You certainly are.
00:23:10Let's just get out of here.
00:23:12I'm sorry.
00:23:27I'm sorry.
00:23:29I'm sorry.
00:23:30I'm sorry.
00:23:32I'm sorry.
00:23:32I'm sorry.
00:23:32I'm sorry.
00:23:32I'm sorry.
00:23:36I'm sorry.
00:23:39I'm sorry.
00:23:40Hey, hey, hey, bring me, bring me, sorry.
00:24:10Hey, hey, bring me.
00:24:40Oh, my God.
00:25:14Hey, that was quick.
00:25:19Game back gave us the wrong date.
00:25:22It's next week, not this week.
00:25:34Ooh, they don't seem too happy.
00:25:37It was an honest mistake.
00:25:38Well, buy them dinner tonight and they'll forgive you.
00:25:42Yeah, I'm going to have to do something.
00:25:43I'm going to have to do something.
00:26:43I'm going to have to do something.
00:26:43I'm going to have to do something.
00:27:01What the hell?
00:27:03What the hell?
00:27:32I'm going to have to do something.
00:27:52Look, I said I was sorry.
00:27:55I made a mistake.
00:27:56I had the wrong date.
00:27:59I'll make it up to you.
00:28:00I promise.
00:28:02How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:08Two hundred dollars of flats at the casino?
00:28:12All right, all right.
00:28:14You're getting a bit carried away.
00:28:16How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:28Come on.
00:28:30Come on.
00:28:53Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:41Ma-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-hah-ha-ha-ha-ha-ha-ha-ha.
00:29:46I don't know.
00:30:19The Echo and Ed show presents a fascinating dialogue.
00:30:22Yeah, they're talking about our main man Archibald.
00:30:24Echo's technical skills is undeniable, but Ed the Puppet displays a level of sardonic
00:30:30wit that often upstages his human counterpart.
00:30:34The dialogue crackles with an almost uncomfortable honesty, pushing the boundaries of traditional
00:30:40ventriloquism.
00:30:41While the act is undeniably innovative, certain unease lingers.
00:30:49Ed's cynicism, while often hilarious, borders on nihilistic.
00:30:53Is this social commentary or simply shock value?
00:31:00The jury's still out.
00:31:03Seraphina and Silas is a study in contrast.
00:31:07I guess he is famous.
00:31:09See, I told you so.
00:31:11That was very nice of them to do a farewell piece on his final show.
00:31:16Turned out better than our reunion.
00:31:28Now, Reginald, tell the audience about your latest scientific discovery.
00:31:34Well, Professor, it involves a complex algorithm, a quantum entanglement field, and...
00:31:40Oh, look.
00:31:42A butterfly.
00:31:45Reginald, please.
00:31:46This is important research.
00:31:49Important?
00:31:50But butterflies are important.
00:31:53They're like...
00:31:55flying flowers.
00:31:57His voice, a low and resonant timbre, seems to emanate from a place beyond the stage.
00:32:05It's a performance that transcends mere ventriloquism,
00:32:11venturing into the realm of theatrical possession.
00:32:27Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:58He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:07Odd, but probably wealthy.
00:33:10You can only be so lucky.
00:33:12When he sat down next to us, I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance.
00:33:22I'm sure it was an emotional couple hours for him.
00:33:26It's a lot for one person to deal with.
00:33:29Especially an entertainer.
00:33:30They're used to being a center of attention.
00:33:35It's a lot to have to deal with.
00:33:37Still, stop playing psychologist and go back to your video game.
00:33:43Striking out all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:14Hello, bassinet in.
00:34:16How can I help you?
00:34:21Okay, let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes, we have availability on the 15th and 16th.
00:34:32Okay, how would you like to pay for that?
00:34:35Credit card?
00:34:35May I have a credit card number, please?
00:34:41Okay.
00:34:43And an email address, please?
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:55And we'll see you soon.
00:35:01Okay.
00:35:10I will see you soon.
00:35:10Okay.
00:35:14So let's do this.
00:35:14Okay.
00:35:33Alistair is a very requesting take on the intellectual that I'm thrilled with art.
00:35:42Alistair is like his father, measured, composed, always in control.
00:35:50You know guys, I miss high school. Do you?
00:35:55I don't miss it at all. All the clicks and pettiness. Life's better on the outside.
00:36:01You make it sound like jail.
00:36:03It was. Just legalized.
00:36:06How about you, Trey? Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh yeah, Maggie. She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I got slugged a few times, but I always hit back. Remember George Watson and his gang?
00:36:27Sure do. You mopped his ass up in the cafeteria that day.
00:36:31And his posse.
00:36:33Their reputation got ruined and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism, which these days is just
00:36:46prop comedy.
00:36:47Oh look, there's our friend.
00:36:50I saw him about a minute ago down the hallway. Wasn't looking too good.
00:36:56Yeah, he's probably just tired.
00:36:57Talking through someone else, like having a dummy or a puppet speak for you, more often is a symptom of
00:37:02mental illness in adults.
00:37:03Sometimes it's a reaction to something like social anxiety. Some people act one way because that's how they feel they're
00:37:09expected to act, or because they're too scared to be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like dissociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself, and Wesker created the Scarface dummy so they could look and
00:37:37play the part more.
00:37:38So talking through someone else is usually a sign that it's time to seek some professional help.
00:37:43Unless, of course, you're stuck in a horror movie.
00:37:45In which case, the other self will slaughter your friends, your family, your neighbors, and your date to the senior
00:37:50prom in horrible and gruesome ways.
00:38:29Why?
00:38:31Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:37I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:03Those people.
00:39:04Yes.
00:39:06But these aren't...
00:39:08Those people.
00:39:10All people are those people.
00:39:14Revenge.
00:39:28Damn.
00:39:31I need ice, and there's no ice here.
00:39:34No, I thought I saw an ice machine in the lobby.
00:39:37I can go get some.
00:39:38No, I'll go get it.
00:39:40Be right back.
00:39:52Hello.
00:40:10I need some ice.
00:40:14Is anyone here?
00:40:24I am never staying at this hotel again.
00:40:27I don't even see an ice machine.
00:40:29Those guys are whacked.
00:40:40Anyone?
00:40:42Anyone?
00:41:03I don't know.
00:41:06This is ridiculous.
00:41:20No, don't go down there.
00:41:25Who's there?
00:41:39Hello?
00:41:47Don't do it.
00:42:12Hello?
00:42:17Is anyone here?
00:42:22I need some help.
00:42:24Stop screwing around.
00:42:30What the hell was that?
00:42:38Who's down here?
00:43:07Hello?
00:43:08Hello?
00:43:16Hello?
00:43:22Hello?
00:43:26Hello?
00:43:27Hello?
00:43:39Hello?
00:43:42Hello?
00:43:46Hello?
00:43:47Hello?
00:43:51Hello?
00:44:05Hello?
00:44:19Hello?
00:44:21Hello?
00:44:30Hello?
00:44:37Hello?
00:44:38How do they know my track name?
00:44:39I don't know where it came from.
00:44:40I don't know why it is, but it's just a little dummy head.
00:45:13Yeah.
00:45:15Maybe it makes you feel like a dummy.
00:45:17Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18Maybe it's a feedback loop.
00:45:20Maybe we call them dummies and it insults them on a molecular level and they have to lash
00:45:25out in the form of murder.
00:45:29Oh, yeah.
00:45:30Oh, yeah.
00:45:31Goodbye, Patricia.
00:45:33So, anyway.
00:45:34What movie are we going to watch this week?
00:45:35Silas and Shadow is a departure from traditional ventriloquism.
00:45:40Silas' intense focus and Shadow's unsettling pronouncements create an atmosphere of palpable
00:45:47tension.
00:45:48Shadow, the dummy, is a chilling presence.
00:45:51His voice, a low and guttural rumble, seems to come from a place of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy.
00:46:05Ready to rock this joint?
00:46:06Ready to rock this joint?
00:46:07Ready to rock this joint?
00:46:07Ready to rock this joint?
00:46:07Let's get in line and break something.
00:46:09Alright, try not to break everything.
00:46:11We still gotta get paid.
00:46:12Tin tails, rusty details.
00:46:13I'll get in, Mike.
00:46:15Oh, Shuck.
00:46:17Darling.
00:46:17Do you feel the electricity in the air?
00:46:20The sheer passion of our performance?
00:46:24Passion, Delphine?
00:46:25I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:33Shuck.
00:46:34Show some restraint.
00:46:36We are artists.
00:46:40Artists who need to eat.
00:46:42I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the crack, Silas.
00:46:53The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas.
00:47:04The emptiness they try so desperately to ignore.
00:47:07The puppet's got more life than you do.
00:47:09Ha!
00:47:10And he's made of wood!
00:47:12Ha ha ha ha!
00:47:13Enough about Archibald.
00:47:16God, it'd taken Alan a long time to get that ice.
00:47:21Maybe he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29I'm gonna take a nap.
00:47:31I'm tired.
00:47:32I'm gonna go see if I can see where he wandered off to.
00:47:35I'm okay.
00:47:36I'm okay.
00:47:59He's waiting for you.
00:48:02He's waiting for you.
00:48:16Please, be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald.
00:48:33Have you seen Alan?
00:48:35Oh, Archibald.
00:48:47Have you seen Alan?
00:48:48Hang on, he's going to be able to get it.
00:48:50Oh, my God.
00:49:05And he might have been having to delete.
00:49:05There are abage unknowns spotlight on this.
00:49:06Oh, my God.
00:49:17A Pastender знаина based on such a miracle,
00:49:56Hey, Archibald.
00:49:57I'm talking to you.
00:50:05Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:23It's too late for me.
00:50:25Chucklehead is loose in this hotel.
00:50:27And now he wants to kill everyone.
00:50:31Look, you're taking this dowel thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's alive.
00:50:39I am not.
00:50:40My negative energy filled the dummy after I took my life.
00:50:45And now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy.
00:50:55And now it is exacting retribution on everyone.
00:50:59Be warned.
00:51:04Whoa.
00:51:06Did I see what I think I saw?
00:51:08Did I see?
00:52:16Hey, what's wrong?
00:52:19We gotta go.
00:52:20I can't find Alan.
00:52:21And Archibald's a ghost or something.
00:52:24He said Alan is dead.
00:52:26Are you nuts?
00:52:29I'm being honest, I swear.
00:52:31He says his dummy chucklehead is alive and killing people.
00:52:36Listen to what you're saying.
00:52:38Are you getting even because we were mad at you?
00:52:42I wish it was.
00:52:44There's only one way to find out.
00:52:47How's that?
00:52:47Let's go to Archibald's room and see.
00:52:50He's probably watching TV.
00:52:53All right, let's go.
00:53:04Archibald!
00:53:04We need to have a word with you.
00:53:07I told you he wasn't there.
00:53:21Archibald!
00:53:22I told you the dude's dead.
00:53:24He's not here.
00:53:31Over there.
00:53:39Oh my God.
00:53:41I told you he was dead.
00:53:43How did you see him living around?
00:53:45It was his ghost.
00:53:46I told you that.
00:53:47Well, let's get out of here.
00:53:49That dummy's lurking around here somewhere.
00:54:05Let's get out of here!
00:54:09I can't make it down the stairs.
00:54:11It might make it hurt so much.
00:54:13The rooms.
00:54:27My leg!
00:54:29We should be safer now.
00:54:31We have to stop the bleeding.
00:54:34This should help.
00:54:37Thanks!
00:54:38This is so unbelievable.
00:54:41Well, believe it!
00:54:42It's good that it's happening!
00:55:13It's not working.
00:55:14Let me see your phone.
00:55:20It's no good.
00:55:22Well, we're in the middle of nowhere.
00:55:24It's not that.
00:55:26The dummy must have tampered with the router.
00:55:28How could it know to do that?
00:55:31Because it possesses human knowledge.
00:55:33Everything Archibald knew transferred to the dock.
00:55:37Why would the dummy be killing people?
00:55:39Because now it has all of Archibald's pent-up rage and anger at its fuel.
00:55:43And that's why it's full of hate and rage.
00:55:46What do we do now?
00:55:48We'll try to get out of here.
00:55:50I can't go anywhere on this way!
00:55:53Then I'll have to go.
00:55:58Damn!
00:55:58Too high to climb down.
00:56:00What are you gonna do?
00:56:02You stay put.
00:56:03You'll be safe here.
00:56:05Please hurry!
00:56:05It really hurts.
00:56:07And I feel lightheaded.
00:56:09You're losing a lot of blood.
00:56:11I will hurry back.
00:56:35I can't go anywhere on this way.
00:56:48Hey, I need help!
00:56:50Something serious is happening here.
00:56:58Oh, no.
00:57:00No!
00:57:12Oh, no!
00:57:15Oh, no.
00:57:19Oh, no!
00:57:22Oh, no!
00:57:25Oh, no!
00:57:32Oh, no!
00:57:33Oh, no!
00:57:34Oh, my God!
00:57:40Ha ha ha ha!
00:57:46Ha ha ha!
00:57:50No no no no no!
00:58:03He's raised his hand!
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:24No!
00:58:28Fucker!
00:58:28Come on out!
00:58:30Shucklehead knucklehead!
00:58:38Ah!
00:58:42Ah!
00:58:42Guy's gonna push up your head.
00:58:47Fucking hell!
00:58:53GUNSORREEN
00:58:54GUNSORREEN
00:58:54GUNSORREEN
00:58:57GUNSORREEN
00:59:25So, let's go.
00:59:28So, let's go.
01:00:25So, let's go.
01:00:28But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:01:04So, let's go.
01:01:33So, let's go.
01:02:03So, let's go.
01:02:33So, let's go.
01:02:36So, let's go.
01:02:47So, let's go.
01:02:58So, let's go.
01:03:10So, let's go.
01:03:13So, let's go.
01:03:31So, let's go.
01:03:34So, let's go.
01:03:35So, let's go.
01:03:49So, let's go.
01:03:54So, let's go.
01:04:04So, let's go.
01:04:17So, let's go.
01:04:34So, let's go.
01:04:54Good luck, Archibald.
01:04:56Wherever you are.
01:05:10So, let's go.
01:05:10So, let's go.
01:05:15So, let's go.
01:05:24So, let's go.
01:05:24So, let's go.
01:05:39So, let's go.
01:05:50So, let's go.
01:05:53So, let's go.
01:05:54Hello?
01:05:55I need help.
01:05:57Yes.
01:05:58Well, ladies and gentlemen, as they say in showbiz, that's all, folks.
01:06:04Even if you're playing for a movie, I love you.
01:06:11Because you're playing for a movie.
01:06:13The movie goes, staying till after you come here.
01:06:20I'm coming for you, better run.
01:06:23In this game of cat and mouse.
01:06:25Lock your doors, turn upstairs, I'm already in your house.
01:06:30You could run, you could scream, I'll come find you in your dreams!
01:06:34Run away or stay and fight
01:06:36Either way it ends tonight
01:06:39Grab a knife, grab a gun
01:06:41Grab a pad, let's have some fun
01:06:43Cut me, shoot me, chop me up
01:06:46Marry me or lock me up
01:06:48It doesn't matter what you do
01:06:50I'll be coming out for you
01:06:53I only got them eyes for you
01:06:55Before I go here dying too
01:06:57What a love
01:07:00Ain't me in tears
01:07:01Why I love you
01:07:06I'm coming
01:07:07Locked doors
01:07:08Staying still
01:07:10I can hear I'm coming
01:07:12I'm coming
01:07:22I'm coming for ya
01:07:24For ya
01:07:25For ya
01:07:29I'm gonna get ya
01:07:31Get ya
01:07:32I'm coming for ya
01:07:46I'm coming for ya
01:07:59I'm coming for ya
01:08:00I'm coming for ya
01:08:01I'm coming for ya
01:08:01I'm coming for ya
01:08:01I'm coming for ya
01:08:01I'm coming for ya
01:08:02I'm coming for ya
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