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Short filmTranscript
00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:01:35That was a hard thing for you to play with.
00:01:36But the Phenomorhouse was born in the world.
00:01:46I don't know.
00:01:47He did a good part.
00:01:49He's a bad part.
00:01:50He's a bad part.
00:01:50Oh, he didn't know.
00:01:51He's a bad part.
00:01:52No, he's a bad part.
00:02:00He won't have to fall.
00:02:00He's a bad part.
00:02:02I didn't know.
00:02:02You suck.
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So, Chucklehead, how do cats stop a VCR?
00:02:16I don't know, Archibald. How does a cat stop a VCR?
00:02:22It hits the pause button.
00:02:25I bet that thing has more of a brain left than this one.
00:02:27Yes, I got it. And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:35Dead? Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Are those jokes from the Stone Age or what?
00:02:57That's not nice. Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um...
00:03:36Hey, dummy.
00:03:37Say something.
00:03:43Um...
00:03:44Yes, well...
00:03:46Ladies and gentlemen, as they say in showbiz, that's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20You too.
00:04:53Have a good night.
00:06:27Oh, hello, Archibald. How'd your final performance go?
00:06:33As predicted.
00:06:35Oh, don't look so glum. Now you can move on to new and exciting things.
00:06:40Showbiz is all I know. Did you know my family started in vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908. Our family even toured with Barnum Bailey. That's how I got Chucklehead here.
00:06:56Oh, well, maybe it's time that you and that thing take a break.
00:07:02Chucklehead? Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left. The last of my kind. It's just him and me now.
00:07:17You seem very depressed. I'm sorry. Look, everything will be fine. Be thankful that you can retire. I'll never be
00:07:29able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat? The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more. Good night.
00:07:50Good night.
00:08:23Good night.
00:08:25Good night.
00:08:27I don't know.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight? Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good. We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10About four, maybe. I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it. You dated her in high school.
00:10:19And you took her to the prom. Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to, she's after me.
00:10:32She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chump.
00:10:39She realized what a mistake she probably made.
00:10:43Right? He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal. He's got money, so what?
00:10:52Yeah, look, so what?
00:10:54Let's just enjoy the time we have away from our crazy life.
00:10:58These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat?
00:11:30We wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi guys, what can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:12:01Oh, there you are. Room 203.
00:12:04Maybe the rest of our classmates are here too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:11It's here at the high school.
00:12:12Hmm. Well, no one else has checked in and mentioned it,
00:12:16but then I live outside of town, so I don't know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Just two.
00:12:25Well, they must be at the other hotel then.
00:12:28Hmm. How big was your graduating class?
00:12:31Around 128 kids.
00:12:33Hmm. Well, maybe it's only the three of you then.
00:12:37Here, here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:44Uh, breakfast is at 8.30, lunch at noon, and dinner is at 5 sharp.
00:12:48We'll see you at lunch then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks. Thanks.
00:13:09It'd be odd if you were the only ones here.
00:13:26Hey, you know, this isn't half bad.
00:13:29Very turn-of-the-century charm.
00:13:34I'm starved.
00:13:42My phone will be ready.
00:13:46What time do you serve.
00:13:47All right.
00:13:49You can grab that.
00:13:55I'ma place the perfect color, but it's a nice part.
00:13:56You can make my home.
00:13:56I don't know about this.
00:13:57It's a nice thing.
00:13:58It's a nice thing.
00:14:01I'll make my home.
00:14:02I'm going to make my home cause I'm gonna do it.
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich and a glass of water.
00:14:25I'll try the chicken and biscuits and a Coke as well.
00:14:28You got it. I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist. I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:45Can't be too famous if he's hanging around this town.
00:14:48Excuse me, sir.
00:14:50Are you Archibald the Great?
00:14:54Why, yes. Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:02Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes. I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:26I can't believe you don't have your own reality TV show.
00:15:30Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool. Would you mind if I asked you for an autograph?
00:15:40I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you, but we must be going.
00:15:55Take care.
00:15:57Take care.
00:16:07Thanks again.
00:16:14How cool was that?
00:16:17Swell.
00:16:19Has-been entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:40Archibald, I have your fresh towels.
00:16:44Where is that weirdo?
00:16:46I'm keying in.
00:17:00Fuck you.
00:17:04Fuck you.
00:17:07Fuck you.
00:17:18That was damn good.
00:17:20Listen.
00:17:21We're eating dinner at the reunion.
00:17:24You ate so much.
00:17:26You're not even going to be hungry.
00:17:29Look, these things go into the night.
00:17:31Plenty of time to eat and for other things, too.
00:17:35Please don't tell us you think you're scoring with Maggie tonight.
00:17:39Who knows?
00:17:41Dream along with me.
00:17:44Are you guys ready?
00:17:46Isn't it a bit early?
00:17:48What time did you say this thing started?
00:17:50Before 30.
00:17:51But I thought we'd get there ahead of time so we could get a good table.
00:17:54Who's paying?
00:17:56Who's paying?
00:18:05Who's paying?
00:18:12Have fun tonight.
00:18:14You're getting better, honey.
00:18:22May I please ask you not to be disturbed tonight?
00:18:25Sure thing.
00:18:27Thanks.
00:18:59Hey, why don't we walk?
00:19:01It's only a few blocks away.
00:19:02Because I'm not carrying your drunk ass home tonight.
00:19:06Good point.
00:19:28Good point.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:20:53We'll see one another soon.
00:21:06We'll see one another soon.
00:21:35We'll see one another soon.
00:21:54We'll see one another soon.
00:21:55Wow.
00:21:55Hey.
00:22:19What the hell?
00:22:20What time did you say this starts?
00:22:23See?
00:22:255.30?
00:22:265.30?
00:22:27Yeah.
00:22:28But not today.
00:22:29Next week.
00:22:31What?
00:22:32Oops.
00:22:34You've got to be kidding me.
00:22:36You got the damn date wrong.
00:22:42Sorry, I did.
00:22:44No wonder no one was at the hotel beside Beth and the ventriloquist.
00:22:48You did it again.
00:22:49You never pay attention to details.
00:22:53It was a simple mistake.
00:22:54We'll come back next week.
00:22:55I can't get off work that soon.
00:22:58We booked a hotel for two days and prepaid for this event.
00:23:02Come on.
00:23:03We've been worse scrapes, right?
00:23:06Come on.
00:23:07I'm sorry.
00:23:08You certainly are.
00:23:10Let's just get out of here.
00:23:29Hey, hey, Doc.
00:23:39Hey, hey.
00:23:42Hey, hey, hey, hey.
00:23:47I'm sorry.
00:24:27I'm sorry.
00:24:44I'm sorry.
00:25:14Hey, that was quick.
00:25:20Dingbat gave us the wrong date.
00:25:22It's next week, not this week.
00:25:34Oh, they don't seem too happy.
00:25:37It was an honest mistake.
00:25:39Well, buy them dinner tonight and they'll forgive you.
00:25:41Yeah, I'm going to have to do something.
00:26:05I'm going to have to do something.
00:26:34I'm going to have to do something.
00:27:01What the hell?
00:27:31I'm going to have to do something.
00:27:53Look, I said I was sorry.
00:27:55I made a mistake.
00:27:57I had the wrong date.
00:27:59I'll make it up to you, I promise.
00:28:01How?
00:28:03A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:08Two hundred dollars of flats at the casino?
00:28:12All right, all right.
00:28:14You're getting a bit carried away.
00:28:16How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:28Come on.
00:28:53Have a good night.
00:29:00What have I done?
00:29:21What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:32No.
00:29:40Oh, my God.
00:30:04The End
00:30:19The Echo and Ed show presents a fascinating dialogue.
00:30:23Yeah, they're talking about our main man Archibald.
00:30:24Echo's technical skills is on the novel,
00:30:27but Ed the puppet displays a level of sardonic wit
00:30:31that often upstages his human counterpart.
00:30:33The dialogue crackles with an almost uncomfortable honesty,
00:30:38pushing the boundaries of traditional ventriloquism.
00:30:41While the act is undeniably innovative,
00:30:46certain unease lingers.
00:30:49Ed's cynicism, while often hilarious,
00:30:51borders on nihilistic.
00:30:53Is this social commentary,
00:30:56or simply shock about you?
00:31:00The jury's still out.
00:31:03Seraphina and Silas is a study in contrast.
00:31:07I guess he is famous.
00:31:09See, I told you so.
00:31:11That was very nice of them to do a farewell piece on his final show.
00:31:16Turned out better than our reunion.
00:31:21Watch it.
00:31:28Now, Reginald, tell the audience about your latest scientific discovery.
00:31:34Well, Professor, it involves a complex algorithm,
00:31:38a quantum entanglement field, and...
00:31:40Oh, look.
00:31:42A butterfly.
00:31:45Reginald, please.
00:31:46This is important research.
00:31:49Important.
00:31:51But butterflies are important.
00:31:53They're like...
00:31:54Flying flowers.
00:31:57His voice, a low and resonant timbre,
00:32:01seems to emanate from a place beyond the stage.
00:32:06It's a performance that transcends mere ventriloquism,
00:32:11venturing into the realm of theatrical possession.
00:32:15Possession.
00:32:27Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:57He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:07Odd, but probably wealthy.
00:33:10You can only be so lucky.
00:33:12When he sat down next to us,
00:33:14I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance.
00:33:22I'm sure it was an emotional couple hours for him.
00:33:25It's a lot for one person to deal with,
00:33:29especially an entertainer.
00:33:31They're used to being a center of attention.
00:33:35It's a lot to have to deal with.
00:33:37Still,
00:33:39stop playing psychologist and go back to your video game.
00:33:43Striking out all over the place.
00:33:46Funny.
00:33:57Have a great night.
00:34:00Good night.
00:34:02Good night.
00:34:14Hello, Bassinet Inn.
00:34:15How can I help you?
00:34:21Okay, let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes, we have availability on the 15th and 16th.
00:34:32Okay.
00:34:33How would you like to pay for that?
00:34:35Credit card?
00:34:35May I have a credit card number, please?
00:34:41Okay.
00:34:43And an email address, please?
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:54And we'll see you soon.
00:34:56Ha, ha, ha, ha.
00:35:50You know, guys, I miss high school.
00:35:54Do you?
00:35:54I don't miss it at all.
00:35:57All the clicks and pettiness.
00:35:59Life's better on the outside.
00:36:01Yeah, make it sound like jail.
00:36:03It was.
00:36:04Just legalized.
00:36:06How about you, Trey?
00:36:08Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh, yeah, Maggie.
00:36:15She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I got slugged a few times.
00:36:23But I always hit back.
00:36:25Remember George Watson and his gang?
00:36:27Sure do.
00:36:28You mopped his ass up in the cafeteria that day.
00:36:32And his posse.
00:36:33Their reputation got ruined and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism, which these days is just
00:36:46prop comedy.
00:36:48Oh, look.
00:36:48There's our friend.
00:36:51Yeah, I saw him about a minute ago down the hallway.
00:36:54Wasn't looking too good.
00:36:55Yeah, he's probably just tired.
00:36:57Talking through someone else, like having a dummy or a puppet speak for you, more often is a symptom of
00:37:02mental illness in adults.
00:37:04Sometimes it's a reaction to something like social anxiety.
00:37:07Some people act one way because that's how they feel they're expected to act or because they're too scared to
00:37:11be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like disassociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself.
00:37:34And Wesker created the Scarface dummy so that could look and play the part more.
00:37:38So talking through someone else usually is a sign that it's time to seek some professional help.
00:37:43Unless, of course, you're stuck in a horror movie.
00:37:45In which case, the other self will slaughter your friends, your family, your neighbors,
00:37:49and that you're date to the senior prom in horrible and gruesome ways.
00:38:29Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:38I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:02Those people.
00:39:04Yes.
00:39:05But these aren't those people.
00:39:10All people are those people.
00:39:15Revenge.
00:39:27Revenge.
00:39:28Damn.
00:39:31I need ice.
00:39:32And there's no ice here.
00:39:34No, I thought I saw an ice machine in the lobby.
00:39:37I can go get some.
00:39:38No, I'll go get it.
00:39:40Be right back.
00:39:41I'm back.
00:39:41I'm back.
00:39:52Ha, ha, ha.
00:40:10I need some ice.
00:40:14Is anyone here?
00:40:24I am never staying at this hotel again.
00:40:27I don't even see an ice machine.
00:40:29Those guys are whacked.
00:40:40Anyone?
00:40:42Anyone?
00:41:05This is ridiculous.
00:41:07This is ridiculous.
00:41:20No, don't go down there.
00:41:25Who's there?
00:41:39Hello?
00:41:40Hello?
00:41:47Don't do it.
00:42:13Hello?
00:42:17Is anyone here?
00:42:22I need some help.
00:42:24Stop screwing around.
00:42:30What the hell was that?
00:42:38Who's down here?
00:42:41Who's down here?
00:42:41Who's down here?
00:43:07Hello?
00:43:08Hello?
00:43:17Let's go.
00:43:46You've got to be kidding me.
00:44:12I see the cracks, Silas. The fractures and their carefully constructed realities. I see the void, Silas. The emptiness they
00:44:20try so desperately to ignore. And it calls to us.
00:44:25Hey, Patrick, were you expecting a package anytime soon? Because I got something delivered to me, but it had your
00:44:31name on it.
00:44:32I don't think so.
00:44:33I don't know, but it said, say hello to Patricia.
00:44:38How do they know my track name?
00:44:39I don't know where it came from. I don't know why it is, but it's just a little dummy head.
00:44:45Yeah.
00:44:47Do we need a third mic-er?
00:44:50Mic up Patricia. Let's see what she says.
00:44:53I have no clue why it's called a dummy. It's, I mean, puppet, mannequin, dummy. What do you think?
00:45:00Institutional bias.
00:45:03I can't, I can't postulate on why, why they're called dummies with her, with her eyes just staring at me
00:45:08like that. It feels very judgmental. Like anything I say could be like offensive. I don't know if I want
00:45:12to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop. Maybe we call them dummies and it, you know, insults them on a
00:45:23molecular level and they have to lash out in the form of murder.
00:45:29Oh yeah, let's, uh, all right. Goodbye, Patricia.
00:45:33So anyway, what movie are we going to watch this week?
00:45:36Silas and Shadow is a departure from traditional ventriloquism.
00:45:41Silas's intense focus and Shadow's unsettling pronouncements create an atmosphere of palpable tension.
00:45:48Shadow, the dummy, is a chilling presence. His voice, a low and guttural rumble, seems to come from a place
00:45:56of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy, re-rock this joint.
00:46:06Re-lover me. Let's get in line and break something.
00:46:09All right, try not to break everything. We still got to get paid.
00:46:12Details, rusty details. I'll get in, Mike.
00:46:14Oh, Shock. Darling, do you feel the electricity in the air? The sheer passion of our performance?
00:46:24Passion, Delphine? I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:33Shock! Show some restraint.
00:46:36We are artists.
00:46:40Artists who need to eat. I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas. The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas. The emptiness they try so desperately to ignore.
00:47:07The puppet's got more life than you do.
00:47:09And he's made of wood. Ha, ha, ha, ha, ha.
00:47:13Enough about Archibald.
00:47:16Gosh, it'd taken Alan a long time to get that ice.
00:47:21And we got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29I'm gonna take a nap.
00:47:31I'm tired.
00:47:32I'm gonna go see if I can see where he wandered off to.
00:47:35Well, okay.
00:47:37Okay.
00:48:00He's waiting for you.
00:48:16Please be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald.
00:48:33Have you seen Alan?
00:48:37No.
00:48:41No.
00:48:42No.
00:48:44No.
00:48:45No.
00:48:48No.
00:48:49No.
00:48:49No.
00:48:50No.
00:49:02No.
00:49:04No.
00:49:04No.
00:49:05No.
00:49:06No.
00:49:06No.
00:49:07No.
00:49:08No.
00:49:12No.
00:49:13No.
00:49:56Hey, Archibald, I'm talking to you.
00:50:06Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:23It's too late for me.
00:50:25Chucklehead is loose in this hotel, and now he wants to kill everyone.
00:50:31Look, you're taking this doll thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's alive.
00:50:39It's alive.
00:50:39I am not.
00:50:40My negative energy filled the dummy after I took my life, and now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy, and now it is exacting retribution
00:50:57on everyone.
00:50:59Be warned.
00:51:04Whoa.
00:51:06Did I see what I think I saw?
00:51:08What?
00:51:17Whoa.
00:51:21Whoa.
00:51:23Whoa.
00:51:24Whoa.
00:51:25Whoa.
00:51:26Whoa.
00:51:29I don't know.
00:52:16Hey, what's wrong?
00:52:19We gotta go.
00:52:20I can't find Alan.
00:52:21And Archibald's a ghost or something.
00:52:24He said Alan is dead.
00:52:26Are you nuts?
00:52:29I'm being honest, I swear.
00:52:31He says his dummy chucklehead is alive and killing people.
00:52:36Listen to what you're saying.
00:52:38Are you getting even because we were mad at you?
00:52:41I wish it was.
00:52:44There's only one way to find out.
00:52:47How's that?
00:52:47Let's go to Archibald's room and see.
00:52:50He's probably watching TV.
00:52:53All right, let's go.
00:53:04Archibald!
00:53:04We need to have a word with you.
00:53:07I told you he wasn't there.
00:53:21Archibald!
00:53:22I told you the dude's dead.
00:53:24He's not here.
00:53:31Over there.
00:53:39Oh my God.
00:53:41I told you he was dead.
00:53:43How did you see him moving around?
00:53:45It was his ghost.
00:53:46I told you that.
00:53:48Well, let's get out of here.
00:53:49That dummy's lurking around here somewhere.
00:54:05Let's get out of here.
00:54:09I can't make it down the stairs.
00:54:11My leg hurts so much.
00:54:13The room.
00:54:18Oh my God.
00:54:19Oh my God.
00:54:19Oh my God.
00:54:20Oh my God.
00:54:27My leg.
00:54:29We should be safer now.
00:54:31We have to stop the bleeding.
00:54:34This should help.
00:54:37Thanks.
00:54:38This is so unbelievable.
00:54:41Well, believe it.
00:54:42It's good that it's happening.
00:54:45It's happening.
00:55:13It's not working.
00:55:14Let me see your phone.
00:55:20It's no good.
00:55:22Well, we're in the middle of nowhere.
00:55:24It's not that.
00:55:26The dummy must have tampered with the router.
00:55:28How could it know to do that?
00:55:31Because it possesses human knowledge.
00:55:33Everything Archibald knew transferred to the dock.
00:55:36Why would the dummy be killing people?
00:55:39Because now it has all of Archibald's pent up rage and anger at its fuel.
00:55:44That's why it's full of hate and rage.
00:55:46What do we do now?
00:55:48We'll try to get out of here.
00:55:49I can't go anywhere on this way.
00:55:53Then I'll have to go.
00:55:57Damn.
00:55:58Too high to climb down.
00:56:01What are you going to do?
00:56:02You stay put.
00:56:03You'll be safe here.
00:56:05Please hurry.
00:56:06It really hurts.
00:56:07And I feel lightheaded.
00:56:09You're losing a lot of blood.
00:56:11I will hurry back.
00:56:29You're losing a lot of blood.
00:56:48You're losing a lot of blood.
00:56:49I need help!
00:56:50Something serious is happening here!
00:56:58Oh no!
00:57:00No!
00:57:01No!
00:57:20You're losing a lot of blood.
00:57:21You're losing a lot of blood.
00:57:22You're losing a lot of blood.
00:57:23You're losing a lot of blood.
00:57:25You're losing a lot of blood.
00:57:27You're losing a lot of blood.
00:57:28You're losing a lot of blood.
00:57:32You're losing a lot of blood.
00:57:33You're losing a lot of blood.
00:57:33You're losing a lot of blood.
00:57:33You're losing a lot of blood.
00:57:34You're losing a lot of blood.
00:57:35You're losing a lot of blood.
00:57:35You're losing a lot of blood.
00:57:35You're losing a lot of blood.
00:57:35You're losing a lot of blood.
00:57:35You're losing a lot of blood.
00:57:36You're losing a lot of blood.
00:57:37You're losing a lot of blood.
00:57:38You're losing a lot of blood.
00:57:40You're losing a lot of blood.
00:57:41I don't know.
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:24Oh, no.
00:58:27Fucker, come on out,
00:58:30chucklehead knucklehead.
00:58:42Die, you son of a pig.
00:58:47What the hell?
00:58:48I don't know.
00:59:19Let's go.
01:00:05What in the name of Caesar are you all in a state about?
01:00:09I know this is going to sound incredible, but I'm being chased by a living dummy.
01:00:14Dummy? Are you drunk?
01:00:16No. It's Chucklehead. The dummy Archibald used during his final performance?
01:00:23Yeah, I know him.
01:00:24He was here about a night ago. Really poor turnout.
01:00:28But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:00:36I got overtime.
01:00:37Oh, shit.
01:00:38Ha, ha, ha, ha!
01:00:45Ha, ha, ha, ha!
01:00:47MAN, MAN, MAN, MAN, MAN, MAN, MAN!
01:01:40I don't know.
01:01:48I don't know.
01:02:26I don't know.
01:03:06I don't know.
01:03:19I don't know.
01:03:39I don't know.
01:03:40I don't know.
01:03:41I don't know.
01:03:43I don't know.
01:03:48I don't know.
01:03:49Go now.
01:03:50It is finished.
01:03:52What?
01:03:54I know now only I can stop Chucklehead.
01:03:58He is me and I am him.
01:04:01He has unholy powers.
01:04:03The curtain is closing.
01:04:05Go now.
01:04:07Without haste.
01:04:13I take back any negative energy I unwittingly gave you.
01:04:17I take back any negative energy I unwittingly gave you.
01:04:55Good luck, Archibald.
01:04:56Wherever you are.
01:04:59I am theendope.
01:05:05I am theendope.
01:05:08I am theendope.
01:05:21I am theendope.
01:05:25There's no need to get myos.
01:05:54Hello?
01:05:56Hello?
01:05:57Yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
01:07:22I'm coming for ya
01:07:29I'm gonna get ya
01:07:41I'm gonna get ya
01:08:13I'm gonna get ya
01:08:54I'm gonna get ya
01:09:26I'm gonna get ya
01:09:49They say time flies when you're having fun
01:09:52No wonder our time together feels like an eternity
01:09:57What are you gonna do in retirement?
01:10:01Honestly?
01:10:03I don't know, Chucklehead
01:10:05I don't know
01:10:11Um, hey dummy, say something
01:10:22I don't know, maybe I don't know
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