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House.Of.Guinness.S01E04.540p.X265.AAC [Full Movie] [Latest Version]Full EP - Full
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00:28Transcription by CastingWords
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02:12I'm requesting a lady to dance, you stand at the proper distance, bend the body gracefully, accompanied by a slight
02:20motion of the right hand in front.
02:24You look at her with complacence.
02:27What?
02:29And then you respectfully say, you will be pleased, or will you favour me with the next dance?
02:35Benjamin, are you listening to me? Otherwise you're going to make a complete arse of it.
02:42The lady is smart enough to know that the dance you're requesting is a means to an end, and a
02:46way of making an introduction on behalf of someone else.
02:50If she thought you were asking on your own behalf, she would, without doubt, tell you to fuck right off.
02:56Completely, totally sober, yes?
02:58I've been like a kestrel hovering over a field mouse.
03:01I want this dance, but...
03:03And so, go and introduce the Guinness family, the news to Dignes Hillman.
03:14Well, for God's sake.
03:18Mr. Benjamin Guinness, are you looking for me?
03:20Then will you be pleased, sir, or will you favour me, sir, with this next dance?
03:26What?
03:28What?
03:34What?
03:43So, why have you chosen me as your dance partner, Mr. Guinness?
03:46There are so many women here, younger and prettier.
03:49Prettiness is opinion.
03:51What is your opinion of me?
03:52My opinion is that I wish I had a very large glass of whiskey right now.
03:57You seem quite nervous.
03:59Not much of a dance, yet.
04:00So why do it?
04:03Anyway, Benjamin, as you may know, I'm a single woman, and you are a single man.
04:08Look, it might be helpful to point out that I am rather a leaf in the wind in all of
04:12this.
04:12You are a single man, and in the words of Jane Elston...
04:15Who?
04:15A single man in possession of a good fortune must be in want of a wife.
04:20Is that why you asked me to dance? Because you are in need of a wife?
04:24First, in truth, I am not in possession of great fortune.
04:28Because your brother's got all the money, yes?
04:29Can we at least move around a little bit?
04:31And perhaps you were instructed by one of those brothers to approach me as a kind of calling card.
04:39And since your elder brother got married today, I can only assume you are here on behalf of the next
04:42brother in line.
04:44Look, when the inevitable happens and Edward tells me that I completely fucked this up, tell him it wasn't my
04:49fault.
04:50Tell your brother, from me, that I am not a name on a list. I am not in search of
04:55a husband.
04:57And the porter that he brews in his brewery tastes to me like bitter, bitter ashes.
05:08Bitter ashes.
05:26Look, I know this is wildly wrong. I've never done, and everyone is staring. But you look a little lost.
05:33I wondered if I might rescue you.
05:42Of course.
05:49Bitter ashes.
05:51Bitter ashes.
05:58Bitter ashes.
06:00Bitter ashes.
06:03Bitter ashes.
06:04Bitter ashes.
06:08Bitter ashes.
06:09Bitter ashes.
06:11Bitter ashes.
06:12Bitter ashes.
06:12Bitter ashes.
06:14Bitter ashes.
06:18Oh, my God.
07:08I, um, couldn't help never seeing the two of you on the dance floor.
07:11I must say, you looked completely natural to him.
07:15Really?
07:16That's odd.
07:17Because Benjamin was just telling you about a girl he met in London with reflective eyes.
07:24And with him, he's apparently falling in love.
07:28Excuse me?
07:32Yes, well, it was out of the blue.
07:36A chambermaid.
07:39Your name is Guinness.
07:42That is not who you are.
07:44It is what you are.
07:47Now, you can have all the chambermaids you want.
07:49Well, they're busy with the one I have.
07:50But you will marry within this room.
07:54Obviously not Lady Christina Madden, who is penniless and a lunatic.
08:01I'm a man in love.
08:08However, if you really want me to fall out of love, well, then I suggest the family do something about
08:14my income.
08:15There is no chambermaid, is there?
08:17Four thousand per hour.
08:19That's all I ask.
08:22I'll hire St. Chelsea for myself and my bride who will be chosen within this room and who will be
08:27very, very suitable.
08:30You are indeed a Guinness.
08:32Do we have a deal, aren't I?
08:36Leave it.
08:37Of course there was a plan.
08:39Benjamin was to make the initial request on behalf of Edward.
08:41So Edward could save face in case of rejection.
08:43Well, if he has been rejected, the second most important man alive, don't you can move on?
08:49No, no, no, no.
08:51He is Edward.
08:52If she refused him, he would pursue her in this rejection.
08:59If he had chosen Adelaide, he would pursue her.
09:03Pursue her with all his wit and energy.
09:04Possibly forever.
09:06Until she gives in.
09:08People always want what they can't have.
09:11Mr. Plunkett, Mrs. Plunkett, I hear you need a carriage.
09:16My wife stumbled in the dance.
09:19I hope you're not hurt, madam.
09:21William, I didn't give our wedding gift to my brother.
09:24She'll go and make sure he gets it before we leave.
09:41You may have heard that I was taken ill on the road to Colombo.
09:45I did not hear that, madam.
09:47On the road?
09:50And in a carriage, I lost a baby.
09:55Will you be needing a carriage home straight away, madam?
10:01Nothing in this room is as it seems.
10:04There should be cards in which there is a list of who you will fuck and then move on from.
10:16You have no affection for me.
10:20We came together briefly.
10:22And then we came apart.
10:25And now we both continue on.
10:38Now I can barely stand little and dance of all idiotic fucking things.
10:45But I would like most of all now, and whenever I fall,
10:52is for someone to hold me.
10:59I've allocated the gift and arranged the carriage.
11:03Perhaps, Mr Rafferty,
11:05you will tell the bride and groom that we've had to leave.
11:13Rafferty! Mr Rafferty!
11:19Mr Rafferty!
11:20Mr Rafferty!
11:22Come.
11:26I just described you, to my new wife, as my foreman.
11:31This really is a terribly inadequate word for what you are.
11:34You're more of a...
11:37linchpin.
11:41Protector.
11:43Weapon of control.
11:44Mm-hmm.
11:49He sounds indispensable.
11:51I have a carriage and four to take you later to St. Anne's Park.
11:55What time do you plan to leave?
11:57Oh, is he your timekeeper, too?
11:59Well, perhaps now that Mr Guinness has a wife to take care of him,
12:04I might be relieved of the more intimate duties.
12:10Such as deciding his bedtime?
12:15I'm...
12:15Speaking for myself,
12:17I'm not quite ready for bed yet,
12:20Mr Rafferty.
12:33Arrange the carriage for midnight.
12:34Yes, madam.
12:37I'll make the lights dim.
12:39So bride and groom can kiss along the way.
12:41I'm going to go...
13:09So...
13:11How goes the rest of the family?
13:13Benjamin is sober. Edward has been refused.
13:16For now, yes. On both counts.
13:20Your Uncle Henry is horrified that this sexual dancing face-to-face has been allowed.
13:26I told him it is the wicked times that we landed in.
13:31At least the Fenians were hiding themselves.
13:37What?
13:49How do you think it will be acceptable for us to leave these pigs to the trough?
13:54We are here for a purpose.
13:56No. I'm here for a different purpose.
14:00You wanna know what my purpose is?
14:01Oh, yeah.
14:02To reconnoitre this building with a view to someday returning to plant a bag of fucking dynamite under the stairs.
14:10My purpose appears to be on his way to see me now.
14:16I want you to both fucking leave. I want you to leave right now.
14:20Well...
14:22I want you to both fucking leave right now without any kind of noise, any kind of fuss.
14:27I was told by your brother that we have business.
14:30If you do not leave, I will have Mr. Rafferty escort you both to a closed window, which he will
14:35throw you both through.
14:37We are here by invitation.
14:39Really?
14:42I thought you didn't want to make a fuss.
14:46Well, I've been told who you are. Who the fuck is he?
14:49Brother.
14:54I understand. It is your way. You people living down in the docks and ditches of Dublin for brother and
15:04sister to fuck you.
15:06Stop! Stop! Stop! Stop! Stop! Stop!
15:10I'm gonna poke you up. You're dumb.
15:14Go and dance.
15:15I don't dance.
15:16Go and stand and look awkward then.
15:24If I see her being led towards any closed windows, it'll be a different sort of fucking dance that breaks
15:32out.
15:38I think your brother should join us.
15:39This is my fucking wedding!
15:41Your brother's joining us anyway.
15:43Oh, fuck.
15:51You ballooned the house of Guinness in front of the whole of society.
15:55We are indeed in front of the whole of society, so you will sit down, you will sip some whiskey,
16:02you will smoke your cigar, because here, of all places and on this day of all days, you cannot turn
16:07over the tables.
16:09Understand? Before your marriage is one week old, the truth about it could be revealed.
16:15The truth, Arthur, and the future are to be discussed here briefly as a first step.
16:21So, you use my wedding day as a trap.
16:25A trap from which you will be freed the second after you engage with this lady.
16:30Fucking lady!
16:31Who I have discovered to be reasonable and who is someone we must deal with sooner or later. I have
16:36chosen sooner.
16:37I can't even speak.
16:38Then only listen.
16:40I have no interest in the destruction of your reputation.
16:43I have suggested a gradual movement without their luck.
16:47Towards a position of constructive engagement.
16:48And the House of Guinness, as you call it, would be a place where both sides of the argument could
16:53be put.
16:54And we might move your people towards a position where the prospect of a united and free Ireland would become
16:59inevitable.
17:02And what about you?
17:03Hmm?
17:05Do you think it is also inevitable that everything our father stood for gets destroyed?
17:12My opinion is irrelevant, Arthur. This is business.
17:19Everything you see in this room is about appearances and propriety.
17:24Hmm.
17:27So you invite a blackmailer to the ball?
17:29It does not suit me to do this.
17:33I'm the fucking best man.
17:37My own brother.
17:42Does this to me.
17:46Your brother is doing what is best for you.
17:50Consult your wife. She is a realistic woman.
17:52Arthur, the election is just a few months away.
17:55And to win it, you must be unblemished.
17:57Everything is at stake.
17:59And anger makes poor decisions.
18:01Listen.
18:02Many workers will be voting for the first time, including this lady's supporters.
18:08You'll need at least some of their votes to win.
18:12When you are back from your honeymoon, I'd like to put forward a set of proposals.
18:16About how to best represent Fenian interests and Pyrdomen.
18:44About how to best represent Fenian interests and Pyrdomen.
18:47About how to best represent Fenian interests and Pyrdomen.
18:52Is that progress?
18:57Shouldn't you be out amongst your family finding yourself a wife?
19:02Shouldn't a woman of your age already have found yourself a husband?
19:09I'm waiting for someone to take me seriously.
19:26Oh, my God.
19:43Who invited the fucking Fenians?
19:47I did.
19:49I'm calling you.
19:51Blessed are the peacemakers, for they will be called the children of God.
21:27Excuse me.
21:29Excuse me.
21:30I'm just looking for Eliza Street.
21:34Where Eliza Street meets First Avenue.
21:41Just landed in New York, talking about you being firemen in all the streets.
21:46You Irish?
21:48I am.
21:49Yeah, yeah, yeah.
21:50I am.
21:51You Catholic?
21:54Fuck.
21:56Fuck.
21:57Yeah, yeah.
22:04Yeah.
22:13I am.
22:17I am.
22:18God damn it!
22:20What's going on?
22:21Let's go!
22:21Let's go!
22:22Let's go!
22:23No!
22:23Stop that stupid dog!
22:27No!
22:32No!
22:32No!
22:32Come back here!
22:33No!
22:34Come back here!
22:35Come back here!
22:36Kaboom!
22:37A bounce!
22:38You!
22:39You!
22:40No!
22:42Get off!
22:43Get off!
22:45Get off!
22:52I'm on!
22:54Don't push my head off!
22:55Come back!
22:56Come back over!
22:56I'm fine!
22:58Don't push my head off!
23:00Ah!
23:02Ah!
23:04Ah!
23:05Ah!
23:06Ah!
23:07Ah!
23:08Ah!
23:08Ah!
23:38Irishman
23:40Get out of here
23:42Fuck us
23:43Hell fuck us
23:44Come on
23:47Come on
23:51You Irish?
23:53You know since I got off the ship
23:57If you answer that question
23:59Increasingly depends on who I'm talking to
24:02Welcome to New York
24:04Come on
24:11No travel light
24:12Oh well
24:13I was obliged to use the
24:16Suitcase as a weapon
24:21Dublin's rough
24:23Cork has its moments
24:24But
24:25It's just
24:26Tastes like a hare by the fucking New York fire brigade
24:29Yeah, you need to know the rules
24:32Map of the religions
24:34See those men you just encountered are the famous Belry boys
24:38Start furs and put them out for money
24:40Or they take your money so they won't start the fire in the forest place
24:43Fuck us
24:46Yeah, they hate the Irish
24:47And the boring Catholics
24:49But these are all things you get used to in the sea
24:51Incorporate them into your daily routine
24:54Well if that's gonna be my routine
24:55I'll buy a pair of lighter white shoes
24:58I'll buy a gun
25:00William
25:03The man here says he's your cousin from Dublin
25:07Holy fuck
25:09Is Byron the bad boy from Ballybuck?
25:14Welcome to the revolution my friend
25:23I was kinda sure that those letters you sent to me were written when you were drunk
25:28Oh
25:29They seem kinda crazy
25:31Yeah, I drink but I don't get drunk
25:39So your business here is real?
25:48My last bottle
25:50I have ten cases being unloaded in the battery ducts to use of samples
25:55Pick them up from the quay tomorrow
25:56Yeah, I've seen them around
25:58They sell it like medicine for old ladies
26:01Yeah, do you have an opener?
26:06You fuck
26:07Sorry
26:09It's not usually so lonely I've been running
26:13Yeah
26:13Go on
26:14Try what's left
26:18You appear to care what I think
26:21Why here you have influence
26:23I'm with the Irish community in this beautiful city
26:41I taste the bitterness of Ireland
26:44You should use that in the advertising posters
26:46What?
26:50And I'm here to tell people
26:51It's more than medicine for old ladies
26:54It's an elixir for the soul
26:57So what is this stuff to you?
26:59It's actually not bare for me
27:03It's me blood
27:07You and our cousins through me father
27:09You never met me mother
27:14Yeah
27:15I tell you the Guinness family are wild
27:19And your mother was one?
27:24Yeah
27:28So am I
27:33But they're Protestants
27:36They walk a tightrope
27:38And I swear to God
27:42The man who signed that paper signs all the cheques
27:45His brother Arthur will soon be Dublin's MP
27:48Edward wants to build bridges with the Fenians
27:50That's why I'm here
27:52Told him what my plan was
27:54I told him who you are
27:56And he still signed it
28:01Yeah?
28:04So who am I?
28:06They say in New York you call the shots for us
28:09For us?
28:11For the Fenian Brotherhood
28:13And is that us?
28:14For you too?
28:16Because my father died for the cars
28:20And I am my father's son
28:22But your reason for being here
28:25Is this?
28:26You should know cousin
28:28That um...
28:31The thing the Guinness family is most famous for
28:34Is giving money
28:35To good causes
28:37On the behalf of the oppressed
28:39And the unjustly used
28:44So...
28:45You think that these dice roll the Protestants would give money to us?
28:49We think having friends who make good beer can only ever be a good thing
29:06Is it me making a decision cousin?
29:32What the fuck?
29:35What the fuck?
29:37You tell the longshoremen
29:38Anybody with that label
29:40You leave the fuck alone
29:41And you put it on the key like it was a sleeping baby
29:44Tell him it was me who said so
29:45I ain't coming
29:54So cousin
29:56Hey
29:57I'm gonna need somewhere to stay
30:01Won't you say thank you?
30:02I'm gonna cut you in on the profits
30:04So it'll be to your benefit
30:15Let me out
30:25Let me out
30:30Hey
30:31Hey
30:31Hey
30:49Oh, my God.
31:07You go get your horses out of the rain. I'll help her.
31:10My driver is doing perfectly well, thank you.
31:12Go. See you to the horses.
31:17What the hell are you doing here this time of night?
31:19Hell. You used such blasphemy to the sister of your employer.
31:26Forgive me, Adam.
31:27You are forgiven.
31:31The reason the hell I am here at this time of night is to see my brother Edward, who is
31:37also here at this time of night.
31:39Indeed, he's here at almost any time of night.
31:42As I imagine, are you?
31:46We are very busy, madam.
31:48Madam.
31:51You're safe, nor does it advance at Christmas.
31:54Some from new places.
31:55House of America, blessed side here.
31:58And soon, if this expansion continues, neither you nor Edward will ever go home.
32:04Not that either of you have a home to go to, of course.
32:12Should I bring your brother down?
32:14Why would you do that?
32:22Anne.
32:24If you fall, I will catch you.
32:27And hold you.
32:33You know, Mr. Rafferty, I'm beginning to suspect you might actually have compassion in your soul.
32:42Which makes you even more dangerous than you already are.
32:59Anne, what the hell am I doing here?
33:02My name is Guinness.
33:03This is the Guinness Brewery.
33:05And everyone appears to be astonished to see me.
33:09Did the doctor give you any news?
33:11It was always I that gives news to the doctor.
33:13Telling him of some new thing I can no longer do.
33:16He has no idea why.
33:18The only good piece of news he has given me is that, in spite of my recent miscarriage,
33:24he sees no reason on earth why I should not be able to bear another child.
33:34Anne, for God's sakes, it's almost ten o'clock.
33:37There is something that cannot wait.
33:41When was the last time you spoke to Arthur?
33:46I've been busy here.
33:47He's been busy with his election campaign.
33:49And you have had no involvement in his campaign whatsoever?
33:52No, I've not.
33:53He said he didn't need or want me.
33:55And thanks to the work of our representative in New York,
33:58this expansion is taking all my focus.
34:03What's in the envelope?
34:05Proof that he does need you.
34:09Fuck.
34:13In your absence, my husband's brother has been acting as his running mate.
34:18And it seems that Arthur and his team have developed what they think is a very clever system for rigging
34:24the election.
34:27It's a train ticket.
34:30Didn't you want him to get elected to build bridges instead of burning them?
34:38The Tory party has secretly taken over premises on Capel Street, supposed to be a printing works.
34:46Whoever casts a postal ballot in advance of the election in favor of Sir Arthur Edward Guinness is given a
34:53used train ticket.
34:56You take your ticket to the printing press and a man hidden behind a wardrobe gives you five pounds.
35:03That is the brilliant secret strategy that Arthur has come up with to help win Dublin for the union.
35:13If this becomes public, the family's reputation will be destroyed.
35:17It is your fault, Edward.
35:19You should have been with him.
35:22My fault.
35:24I cleared the fucking path.
35:27I stopped the Fenians from blowing his political career out of the water, but it seems he is perfectly capable
35:33of destroying it himself.
35:35He cannot be left alone, not ever.
35:36I am chained to him.
35:40He, he chained me to Arthur to stop him from sinking into his own fucking pit of arrogance, but he
35:47will drag me down with him.
35:52I will not let it happen.
35:55And where are you going, Abby?
35:58To find my fucking brother.
36:07Open these gates.
36:09Now take it to yourself, Mr. Guinness.
36:31Open these gates.
36:52Did you hear that?
36:55That sound.
37:00I'd gamble this whole five-pound note that that's the sound of a brand-new baby being registered by God.
37:08Right here in the stable behind the Guinness Yard.
37:12A new life for this miserable, dark fucking world.
37:17And in answer to your unspoken question, I do know where your brother is.
37:22But five pounds doesn't get you in the right postal district.
37:26Let alone street or street number.
37:29So he's in a private house somewhere.
37:35You've not been responding to your mail, Mr. Guinness.
37:38But I wrote to you when the election campaign began, with your brother shouting so loud about the sins of
37:44others.
37:46Silence is getting more and more expensive.
37:49Listen, you've already been paid for your silence.
37:54Yeah, but this is like an ongoing, continuing political situation.
38:02Especially as I'm hearing rumors about train tickets.
38:16Tell me where my brother is, and I will address your previous comment, as regards train tickets, when I get
38:23into my office tomorrow morning.
38:25You work Saturdays.
38:27I work every day.
38:29I work every day.
38:29As do I.
38:33Nine Hope Street.
38:42You give the people beer, Mr. Guinness.
38:45I give them babies.
38:52And on Sunday we rest.
39:22Oh, shit.
39:24Oh, shit.
39:24Oh, shit.
39:37Why are you here?
39:38This is where I go.
39:39I'm here about this.
39:43I'm told that's how it's done.
39:45You do it with tickets instead of writing notes on paper.
39:47Told by who?
39:49I'm half naked on a doorstep.
39:50If I'm gonna sort your fucking mess out, I need to know.
39:53Told by who?
39:54A mess.
39:55What mess are you talking about?
39:57I'm just doing what the liberals are doing.
39:58I was told by people who have done this before.
40:00They said, oh, you're just doing exactly what the liberals are doing.
40:01You really don't need to get involved.
40:03Arthur.
40:03I really do.
40:07I'm told by those who know about these things that I will easily win now.
40:13Fucking perpetual shipwreck.
40:15You fucking train crash.
40:17You piece of bedroom.
40:18Chaos.
40:20Fucking change.
40:21I was hurt.
40:22Let me stop.
40:23Fucking burn.
40:25You fight the fucking neighbors.
40:27Neighbors?
40:29Yes, neighbors.
40:32Stop playing with that fucking dog.
40:36Must be quiet, you see.
40:40Most people have them.
40:44Two up, two down.
40:47Oh my gosh.
40:47There's no water.
40:50There's no toilet.
40:52But it's called freedom.
40:57I have wishes.
40:59What on earth is going on?
41:01Ah.
41:03Okay.
41:04So, Artie.
41:06This is my brother, Edward.
41:08And, Edward, this is Lord Arthur Pellum Clinton.
41:13Godson of the leader of the Liberal Party, William Gladstone.
41:18A friend of a friend rents this place.
41:22We come here when Artie...
41:27When Artie's in Dublin.
41:35We met at Eden.
41:37Very pleased to meet you.
41:39Pleasure.
41:48Goodness, is it getting light outside already?
41:49Yes, I believe it is.
41:50It's getting rather late.
41:51Or early.
41:53I should be getting back.
41:57Arthur, you get dressed.
41:58I will wait outside.
42:11Shh.
42:12Shut the fuck up.
42:13Shh.
42:15Shh.
42:31I found him.
42:34And I have never, ever seen him look up here.
42:40Brother was a runaway He ran to Amsterdam I was nine years old
42:51Oh, and by the way, please, do not mention trade tickets or wardrobes to my wife.
42:55He called out to me On that day I was walking in the woods
43:10I didn't realise When he said goodbye
43:16We will pour for ourselves, thank you.
43:18He meant goodbye For good
43:31So, where did you find him?
43:33Or Livia?
43:35Playing cards with some gentlemen?
43:36I can speak for myself.
43:39And I can also choose not to speak at all if I wish.
43:41That is quite right.
43:42He has no obligations just as I have no obligations.
43:46I'm just curious as to who it is he's playing cards with.
43:49Oh, don't be alarmed.
43:51Blue bloods.
43:53Lords at the very least.
43:54You play with kings and queens.
43:55Not jacks.
43:56No knaves, my dear.
43:58No, no knaves.
43:58I went looking for him out of concern, not curiosity.
44:01Concern?
44:01About what?
44:02Edward doesn't understand the complex nature of modern politics.
44:06Look at him, he's an idealist.
44:07He wants me to be elected to parliament so I can help run the business.
44:11He is concerned I might lose.
44:13Edward, his name is Guinness and this is Dublin.
44:16Of course he won't lose.
44:17You two are well matched in your certainty.
44:21Yes, we are.
44:23Very well matched.
44:24And what you see at this breakfast table is a very rare thing.
44:27A marriage based on absolute honesty.
44:33Edward, you're too busy doing what you're good at.
44:35You two were born for different things.
44:37As the elder brother Arthur was born to inherit
44:39and enjoy the company of the rulers of the empire in London.
44:45As the younger brother, you were born to work and to earn.
44:48Your ability is in trade.
44:51Perhaps that's why on our wedding day when you asked Miss Adelaide Guinness,
44:55a lady raised among French and Spanish nobility to dance,
44:58she was suddenly otherwise engaged.
45:10Well, I will leave you to your wardrobes and your train tickets.
45:15What did you say?
45:16Good day, Lady Olivia.
45:20Please take whatever that factory thing was you were wearing with you.
45:31Arthur.
45:34In company, I will always be your rock.
45:39But, now we are alone.
45:44Watch fucking train tickets.
45:48Watch fucking wardrobes.
45:58Tonight there's gonna be a jailbreak.
46:02Somewhere in this town.
46:05See me and the boys, we don't like it.
46:08So we're getting up and going down.
46:12Hiding low, looking right to left.
46:15If you see us coming, I think it's best.
46:18But move away, do you hear what I say?
46:21From under my breath.
46:24Tonight there's gonna be a jailbreak.
46:28Somewhere in the town.
46:31Tonight there's gonna be a jailbreak.
46:35So won't you be around.
46:51Tonight there's gonna be a jailbreak.
46:55Tonight there's gonna be a jailbreak.
46:56Somewhere in the town.
46:58Tonight's there's gonna be a jailbreak.
47:01Tonight somewhere in the town.
47:04Tonight there's gonna be trouble
47:07I'm gonna find myself in
47:10Tonight there's gonna be trouble
47:14So when will you stay?
47:53Tonight there's gonna be trouble
48:23Tonight there's gonna be trouble
48:34Tonight there's gonna be trouble
48:35Tonight there's gonna be trouble
48:54Tonight there's gonna be trouble
48:56Tonight there's gonna be trouble
48:58Tonight there's gonna be trouble
48:58Tonight there's gonna be trouble
48:58Tonight there's gonna be trouble
48:58Tonight there's gonna be trouble
48:58Tonight there's gonna be trouble
48:59Tonight there's gonna be trouble
48:59Tonight there's gonna be trouble
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