The Mask (1961) 3D Version

Frank von F

The Mask (re-released as Eyes of Hell and The Spooky Movie Show) is a Canadian surrealist horror film from 1961, produced in 3D by Warner Bros. It was directed by Julian Roffman and stars Paul Stevens, Claudette Nevins, and Bill Walker. It was written by Franklin Delessert, Sandy Haver, Frank Taubes, and Slavko Vorkapich.   Plot  The story revolves around a psychiatrist, Dr. Allen Barnes, who receives a mysterious ancient Aztec mask after one of his patients, Radin, commits suicide. Whenever he puts on the mask, Barnes experiences dreamlike hallucinations that become increasingly disturbing and violent, eventually leading him to physically harm his girlfriend Pam. The terrifying yet addictive visions begin to alter Barnes' personality and ultimately drive him insane. Lieutenant Martin questions those who knew Barnes and the whereabouts of the

Transcript

00:00:00.

00:00:01.

00:00:04.

00:00:12Oh, my God.

00:01:00Oh, my God.

00:01:13Oh, my God.

00:01:15No, no, no, please, please, please.

00:02:07No, no, please, please.

00:02:27No, no, please, please.

00:02:46I've told you, Mr. Radin, the doctor will be with you shortly.

00:02:49Could you call him again, please, and tell him that I'm here?

00:02:51I can't disturb him while he has a patient.

00:02:54You know that, Mr. Radin.

00:03:05Hello, Michael.

00:03:07Why'd you come in?

00:03:21Why'd you come in?

00:03:23Sit down, Michael.

00:03:30You deliberately kept me waiting out there, didn't you?

00:03:32Of course I did, Michael.

00:03:36Your face, what happened to you?

00:03:37I don't know.

00:03:41It was there when I woke up this morning.

00:03:47It happened again last night.

00:03:51What happened again last night?

00:03:53It's no use talking to you.

00:03:59All right, Michael.

00:04:00I don't know.

00:04:02It's like so mixed up.

00:04:08It's like a nightmare.

00:04:10I remember a girl.

00:04:14And my hands were on her throat.

00:04:18I think I killed her.

00:04:31Can you tell me anything more about this dream?

00:04:34What about these?

00:04:36Did they happen in a dream?

00:04:38They could have been self-inflicted while you were asleep.

00:04:43Can't you understand this is not just another case of neurosis or psychosis?

00:04:48This is a living nightmare.

00:04:51And you don't want to help me.

00:04:54Michael, of course I want to help you.

00:04:57But you have to help, too.

00:05:00I'm cursed.

00:05:05I am cursed.

00:05:09Something you don't seem to be able to understand.

00:05:12Michael, you are a scientist.

00:05:15Now, is it scientific to jump to the conclusion

00:05:18that these nightmares are caused by a curse?

00:05:21Perhaps these nightmares are caused by some deeper emotional conflict?

00:05:29I need help.

00:05:32I'm like an addict.

00:05:36It's as if I were being hypnotized.

00:05:39Hypnotized?

00:05:40Well, who is hypnotizing you?

00:05:43The mask.

00:05:46Mask?

00:05:49What mask?

00:05:52How does it hypnotize you?

00:05:55Exactly what is this mask?

00:05:58The mask is to blame.

00:06:00You're just not aware of its power.

00:06:04You tell me more about it.

00:06:06But, Michael, remember,

00:06:07it's not yet clear that the mask is responsible for the symptoms you describe.

00:06:12Even without the mask, you may continue having these nightmares.

00:06:16But let's start with the mask.

00:06:22Show it to me.

00:06:24Why do you want me to show it to you?

00:06:26Why not, if it's causing you all this anguish?

00:06:30You want me to give it to you?

00:06:32If you like.

00:06:36You want it for yourself?

00:06:38You want it, too?

00:06:39What would I do with it?

00:06:42You'd put it on.

00:06:44You'd find out.

00:06:47Don't worry, I won't let you have it.

00:06:49Michael, I don't want the mask.

00:06:51But if you show it to me,

00:06:53we might see that the nightmares could come from within you.

00:06:56And not from the mask at all.

00:06:58You don't believe me.

00:07:01I have told you the truth,

00:07:02and you don't believe me.

00:07:04The nightmares come from the mask.

00:07:08Doctor, you're a fool.

00:07:10Michael.

00:07:12Michael.

00:07:13Michael, come back here.

00:07:17What happened, Dr. Bond?

00:07:20I'm worried about Mr. Radin.

00:07:23He's very disturbed.

00:07:26Shall I call his parents?

00:07:32No.

00:07:34No, I think not.

00:07:36It's time you went home, Miss Goodrich.

00:07:38You let the doctor do the worry.

00:07:40All right.

00:07:42But I'm not that fragile, you know.

00:07:45You could do with some rest yourself.

00:07:48You look kind of tired, too.

00:07:52Yes.

00:07:53Yes, it's been one of those 48-hour days.

00:07:56Good night.

00:07:57Good night.

00:07:59Good night.

00:08:27Mrs. Kelly!

00:08:31Mrs. Kelly!

00:08:33Mrs. Kelly!

00:08:34Maltzan!

00:08:34Mrs. Kelly!

00:08:36What's going on in there?

00:08:37Mrs. Kelly!

00:08:39Yelling and shouting.

00:08:42Look at the place.

00:08:45You can't even keep it clean.

00:08:48With all them doodads.

00:08:51I mailed this.

00:08:52Well, I'm the landlady, not the postman.

00:08:56I said mail it!

00:08:59That's different.

00:09:01Thanks.

00:09:03See, you can't keep the place clean.

00:09:05Yes, yes, yes, yes, yes, yes.

00:09:09I'm always trying to get me to do things for you.

00:09:12Yes, yes, yes, yes.

00:09:13will you, Libby?

00:09:17Yes, yes, yes, yes.

00:09:20I'll never be Hoyera.

00:09:22What do you call that?

00:09:22Do it.

00:09:24Say to you two, three, two.

00:09:27Yes!

00:09:29Do it.

00:09:35Do it.

00:09:49Let's go.

00:10:21Calm down, will you please, Mrs. Kelly?

00:10:31Terrible. Terrible.

00:10:34The other tenants will move out.

00:10:36I shouldn't have let him in.

00:10:38He was trouble, him and his doodads and his ways.

00:10:42Call the morgue, will you, Bill?

00:10:46This is awful.

00:10:51What will the neighbors say?

00:10:55Calm down, will you please, Mrs. Kelly? We'll need your help.

00:10:58Yes, Sir Bennett.

00:11:00I'm sorry. Anything I can do.

00:11:02What was his name?

00:11:03Mr. Radin. Michael Radin.

00:11:06Why so?

00:11:12When he first came, he seemed like a nice, quiet sort of person.

00:11:15I wouldn't have any other kinds, you know.

00:11:18But then he turned and became very secretive.

00:11:22The last few weeks, he hardly even said good morning to anybody.

00:11:25Well, it was just yesterday that...

00:11:26Did he have any friends or relatives?

00:11:29No.

00:11:31Oh, I do know one thing.

00:11:34He worked for a kind of museum. He was a sort of professor there.

00:11:37Now, that checks.

00:11:39Pay stubs and uncast checks.

00:11:42Museum of ancient history.

00:11:44Uh, that'll be all, thank you, Mrs. Kelly.

00:11:46We'll call if we need you.

00:11:53Look, Bill, take over here, will you?

00:11:55Sure.

00:11:55I think I'll go down to this museum and see what I can find out.

00:11:59Right, I'll check this place over.

00:12:01If I can find anything in this junk pile.

00:12:19I can't tell you how shocked I am at Michael's death.

00:12:23He had such a brilliant mind.

00:12:26Dr. Soames, you're our only lead so far.

00:12:28I wonder if you could tell me something about Mr. Rayden.

00:12:31Yes, anything I know.

00:12:33Well, to begin with, did he have any problems or enemies?

00:12:40None that I was aware of.

00:12:41You see, Michael was a brilliant archaeologist.

00:12:45Brought back some excellent finds.

00:12:47Sent back even better things when growing it alone.

00:12:52But, um...

00:12:53As for his private life, I'm afraid I've new information.

00:12:57Do you know what he was working on at home?

00:12:58Of course, he was cataloguing some of the finds from the Lamar dig.

00:13:03He took objects home with him, did he?

00:13:05Yes.

00:13:06Now and again.

00:13:08Why do you ask?

00:13:10Well, because we have to work on the possibility

00:13:14that what looks like suicide might not be.

00:13:17Now, something might have been stolen

00:13:19if there were objects there belonging to the museum.

00:13:23Possibly there was an object of great value.

00:13:25Now, maybe somebody knew that.

00:13:26And this could lead to murder.

00:13:28Murder?

00:13:29Dr. Soames, I'd like you to come with me to Rayden's apartment.

00:13:32If there's anything missing, you might be able to spot it.

00:13:35It would certainly help speed up our investigation.

00:13:38Yes, Lieutenant.

00:13:40Oh, just a moment.

00:13:47Now, I'll just get the list.

00:13:52Yes.

00:13:53Here we are.

00:13:55After you, Lieutenant.

00:14:05There is something missing.

00:14:07A mask.

00:14:09A mask?

00:14:11What kind of a mask?

00:14:12It was an Indian ritual mask.

00:14:15Very rare and beautiful.

00:14:17And completely worthless to someone who didn't know what it is.

00:14:21If someone took this, he knew what he was doing.

00:14:25Oh, it was a great archaeological find.

00:14:29Rayden had taken it home several weeks ago for additional study.

00:14:33Seems strange they'd allow a valuable object to leave the museum.

00:14:37How valuable was it?

00:14:38Well, in dollars and cents, it was worth very little.

00:14:41But as a work of antiquity, of great interest to scholars,

00:14:46it was beyond price.

00:14:50But it may have had some other kind of value to someone.

00:14:56You mean beyond a money value?

00:14:59Dr. Soames, this mask is starting to sound very interesting.

00:15:03Lieutenant, I don't know how I'm going to tell you this,

00:15:05because I don't want to be accused of spreading old wives' tales,

00:15:09but there's a legend connected with this mask.

00:15:15Yes, I can imagine.

00:15:17But surely, Dr. Soames,

00:15:20you don't believe in these legends in this day and age.

00:15:23Lieutenant Martin, I'm not saying this is true or untrue.

00:15:26I'm merely giving you information about the legend of the mask.

00:15:30I didn't mean any offence.

00:15:32Please go on.

00:15:33Well, the legend states that in the wrong hands,

00:15:38this mask can do a great deal of harm.

00:15:41It can put the wearer in a hypnotic trance.

00:15:44It can make him do cruel and unnatural things.

00:15:49That's quite a legend, Doctor.

00:15:51If I believed it, it would solve a lot of things.

00:15:55However, I'm a policeman, not an archaeologist.

00:15:59I was talking to the policeman.

00:16:01The legend tells of rights connected with this mask,

00:16:04which are filled with human sacrifice.

00:16:08Now, suppose someone knew about this legend,

00:16:12and believed it.

00:16:15Do you know, uh, Dr. Barnes?

00:16:19Does that name mean anything to you?

00:16:21No.

00:16:22Should it?

00:16:23Has it some bearing on this case?

00:16:25Probably not.

00:16:26We found his name amongst Raiden's papers.

00:16:28I knew how ill he was.

00:16:31I shouldn't have let him leave the office.

00:16:34I should have notified the police.

00:16:37Why do you say that, Doctor?

00:16:39He was very troubled.

00:16:40He was under tremendous pressures.

00:16:43It's hard to explain.

00:16:45He came to my office a few days ago with a story

00:16:48of having fallen under the influence of some ancient rite.

00:16:53Involving a tribal mask?

00:16:57Oh, yes.

00:16:58How did you know about that?

00:17:00From the Museum of Ancient History, where he worked.

00:17:03He had an obsession about that thing.

00:17:06He blamed it for visions, nightmares.

00:17:09Now, when he left this office,

00:17:11he was at a point where he couldn't tell the difference

00:17:13between his dreams and reality.

00:17:15I wish you'd notified us.

00:17:18Anyway, the mask is now missing.

00:17:20It may be stolen.

00:17:22It would sure help if we knew where that mask was.

00:17:24Well, I'm sure the Museum would like it back.

00:17:27But I don't see how it would help in terms of Raiden.

00:17:29Well, if we had the mask, we could examine it.

00:17:32Find out if somehow, some way,

00:17:34it could induce suicide.

00:17:36Or if somebody would commit murder in order to obtain it.

00:17:40You see, Doctor, before the department can close its file on this case,

00:17:43we have to be sure of exactly what happened.

00:17:45I understand, Lieutenant.

00:17:48But my opinion,

00:17:50whatever it's worth is that Raiden killed himself,

00:17:52and I don't think the mask had anything to do with it.

00:17:55Well, there's still the question of why the mask disappeared.

00:17:59I'm afraid I can't help you there, Lieutenant.

00:18:03There's probably a very good logical reason

00:18:05which will come out during the course of your investigation.

00:18:07It'll probably turn up when somebody tries to pawn it.

00:18:11Well, I guess that's all.

00:18:14Thanks for your help, Doctor.

00:18:17I only wish I'd been of more help to Raiden earlier.

00:18:22Well, goodbye.

00:18:24Bye.

00:18:43Bye.

00:19:10Miss Goodrich, can you catch Lieutenant Martin?

00:19:13Is he still there?

00:19:14No, I'm sorry, Doctor. He's gone.

00:19:16Is there anything?

00:19:17No, that'll be all.

00:19:19Then I'll be leaving.

00:19:20Or Miss Albright is waiting for you.

00:19:23Send her right in, please.

00:19:34Good evening, Doctor Barnes.

00:19:37Would you be interested in psychoanalyzing a girl

00:19:40who's madly in love with a doctor?

00:19:47I'm not a very good doctor, I'm afraid.

00:19:49What's the matter, Helen? What's wrong?

00:19:52You're sweet, Pam.

00:19:56I lost a patient.

00:19:59A suicide.

00:20:04I'm sorry.

00:20:08It's all so involved.

00:20:12I'm not sure I understand all the elements myself.

00:20:18Look.

00:20:19Now I have a package from this man.

00:20:22He must have mailed it just before he killed himself.

00:20:27Horrible looking thing.

00:20:29Unearthly.

00:20:39Pam, look. There's also a letter with the mask.

00:20:42Mail from the grave.

00:20:44Alan, don't read it now.

00:20:45It'll just take a few seconds.

00:20:47It may have some important information.

00:20:49Oh, right. You're the doctor.

00:20:51Look, I'll just run down to the store and pick up a few things we need for dinner.

00:20:54Fine, you do that.

00:20:57Not before I get a kiss.

00:21:04Now, will you get out of here?

00:21:07Some kids.

00:21:09I'm going to have to teach you a few things later on.

00:21:31Come on.

00:21:32Come on.

00:21:50You're ready.

00:21:51He'll be back.

00:21:53He's ready.

00:21:54I'm ready.

00:21:55He's ready.

00:21:57of me. I thought you could help. How could you? How could you know the living hell I

00:22:05was going through? Once I was a scholar. Now, I am like an animal, fleeing from my own nightmares,

00:22:19sleeping by day, prowling by night. And how about you, Dr. Barnes? Are you certain that just

00:22:31underneath the surface of your own mind, there does not lurk a storm and fury waiting, waiting

00:22:39to be released? Are you willing to make the experiment, doctor? You hold the key in your

00:22:48own hand. If you are not afraid, put the mask on now. Put the mask on now. Put the mask

00:23:01on now. Put the mask on now.

00:23:39Is there a way you, baby? What? Do you see any of these? Do I see any of these? Do

00:23:47you

00:23:47What are you?

00:24:17What are you?

00:25:08What are you?

00:25:31What are you?

00:25:55What are you?

00:26:18What are you?

00:26:30What are you?

00:26:50What are you?

00:27:03What are you?

00:27:25What are you?

00:27:36What are you?

00:27:47What are you?

00:28:16What are you?

00:28:22What are you?

00:28:32What are you?

00:28:55What are you?

00:29:04What are you?

00:29:35What are you?

00:29:50What are you?

00:29:57What are you?

00:29:58Alan, I'm afraid.

00:30:31What are you?

00:30:34Alan, what are you?

00:31:04What are you?

00:31:20What are you?

00:31:21Don't you?

00:31:22What are you?

00:32:13What are you?

00:32:43What are you?

00:33:10What are you?

00:33:14What are you?

00:33:15What are you?

00:33:29What are you?

00:34:04What are you?

00:34:30What are you?

00:34:55What are you?

00:35:15What are you?

00:35:44What are you?

00:36:00What are you?

00:36:12What are you?

00:36:32What are you?

00:37:01What are you?

00:37:16What are you?

00:37:32What are you?

00:37:50What are you?

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00:38:38What are you?

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00:43:19What are you?

00:43:45What are you?

00:44:13What are you?

00:44:34What are you?

00:45:06What are you doing here?

00:45:08What are you?

00:45:35What are you?

00:45:45What are you?

00:46:00What are you?

00:46:05What are you?

00:46:40What are you?

00:46:54What are you?

00:47:19What are you?

00:47:37What are you?

00:47:54What are you?

00:48:26What are you?

00:48:41What are you?

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00:49:18What are you?

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00:50:04What are you?

00:50:29What are you?

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00:51:03What are you?

00:51:14What are you?

00:51:44What are you?

00:52:11What are you?

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00:52:50What are you?

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00:53:24What are you?

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00:54:20What?

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00:55:03What are you?

00:55:41What are you?

00:55:48What are you?

00:55:59What are you?

00:56:28What are you?

00:56:39What are you?

00:57:06What are you?

00:57:20What are you?

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00:57:57What are you?

00:58:15What are you?

00:58:38What are you?

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00:59:22What are you?

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01:00:16What are you?

01:00:40What are you?

01:01:02What are you?

01:01:29What are you?

01:01:32Alan?

01:02:23What are you?

01:02:45What are you?

01:03:13What are you?

01:03:41What are you?

01:04:09What are you?

01:04:14What are you?

01:04:38What are you?

01:04:44What are you?

01:05:22What are you?

01:05:41What are you?

01:06:11Alan?

01:06:29What are you?

01:06:45What are you?

01:06:50What are you?

01:07:21What are you?

01:07:37What are you?

01:07:49What are you?

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01:12:37What are you?

01:12:55What are you?

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