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Dummy.2026.540p.X265.AAC [Full Movie] [Trending]Full EP - Full
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Short filmTranscript
00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:14Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Passion Delphine?
00:00:38I feel gas.
00:00:39If someone brings their beers?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment of someone is washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:26Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:01:52Oh, you suck.
00:02:06Hey, which one's the ventriloquist and which one's the dummy?
00:02:12So Chucklehead.
00:02:13This is so agey.
00:02:14How do cats stop a VCR?
00:02:17I don't know Archibald.
00:02:19How does a cat stop a VCR?
00:02:22It hits the pause button.
00:02:25I bet that thing has more of a brain left than this old man.
00:02:27Yes, I got it.
00:02:29And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:34Dead?
00:02:36Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Are those jokes from the Stone Age or what?
00:02:57That's not nice.
00:02:58Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:16What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um.
00:03:36Hey, dummy.
00:03:37Say something.
00:03:42Um.
00:03:44Yes.
00:03:45Well.
00:03:46Ladies and gentlemen.
00:03:48As they say in showbiz.
00:03:50That's all, folks.
00:03:53It means it's time to go.
00:03:56Thanks, Archibald.
00:03:57Good night.
00:03:59Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20You too.
00:04:56You too.
00:05:19We dislike.
00:05:20Good night.
00:06:28Oh, hello, Archibald. How'd your final performance go?
00:06:33As predicted.
00:06:35Oh, don't look so glum. Now you can move on to new and exciting things.
00:06:40Showbiz is all I know. Did you know my family started in vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908. Our family even toured with Barnum Bailey. That's how I got Chucklehead here.
00:06:56Oh, well, maybe it's time that you and that thing take a break.
00:07:02Chucklehead? Him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left. The last of my kind. It's just him and me now.
00:07:17You seem very depressed. I'm sorry. Look, everything will be fine. Be thankful that you can retire. I'll never be
00:07:29able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat? The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more. Good night.
00:07:50Good night.
00:08:24Good night.
00:08:54All right.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight?
00:09:10Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good.
00:09:54We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10About four, maybe.
00:10:12I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it.
00:10:16You dated her in high school.
00:10:19And you took her to the prom.
00:10:21Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to, she's after.
00:10:31She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chump.
00:10:39She realized what a mistake she probably made.
00:10:43Right?
00:10:44He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal.
00:10:50He's got money.
00:10:51So what?
00:10:52Yeah, look.
00:10:53So what?
00:10:54Let's just enjoy the time we have away from our crazy life.
00:10:58These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat.
00:11:29Maggie, we wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi guys, what can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:11:59Uh, oh, there you are.
00:12:03Room 203.
00:12:04Maybe the rest of our classmates are here too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:11It's here at the high school.
00:12:12Hmm.
00:12:13Well, no one else has checked in and mentioned it, but then I live outside of town, so I don't
00:12:18know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:21Um, just two.
00:12:24Well, they must be at the other hotel then.
00:12:28Hmm.
00:12:28How big was your graduating class?
00:12:31Around 128 kids.
00:12:34Hmm.
00:12:35Well, maybe it's only the three of you then.
00:12:37Here, here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:44Uh, breakfast is at 8.30, lunch at noon, and dinner is at 5 sharp.
00:12:48We'll see you at lunch then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:13:09It'd be odd if you were the only ones here.
00:13:25Hey, you know, this isn't half bad.
00:13:30Very Term of the Fentry charm.
00:13:34I'm starved.
00:13:35I'm starved.
00:14:06Hey, does that guy look familiar?
00:14:09I wonder what the dummy ordered.
00:14:14What can I get you guys?
00:14:17I'll have a Coke and a cheeseburger.
00:14:20I'll have a roast beef sandwich and a glass of water.
00:14:25I'll try the chicken and biscuits and a Coke as well.
00:14:28You got it.
00:14:29I'll put that order right in.
00:14:32Hey, I know who that guy is.
00:14:35He's Archibald the Great.
00:14:37He's a ventriloquist.
00:14:39I saw him on That's Incredible Ones.
00:14:42He doesn't look so great to me.
00:14:45Can't be too famous if he's hanging around this town.
00:14:48Excuse me, sir.
00:14:50Are you Archibald the Great?
00:14:54Why, yes.
00:14:56Yes, I am.
00:14:58How did you know?
00:14:59I saw you on TV when I was a kid.
00:15:02Would you mind having a seat with us?
00:15:11Chucklehead and I have traveled all over the world.
00:15:14We gave our final performance last night.
00:15:16Are you retiring from the business?
00:15:19Yes.
00:15:20I'm afraid people today aren't into my antiquated style.
00:15:24It's time to move on.
00:15:25I can't believe you don't have your own reality TV show.
00:15:30Have you always performed with Chucklehead?
00:15:33Yes, since the very beginning.
00:15:36That's cool.
00:15:37Would you mind if I asked you for an autograph?
00:15:40I would be delighted.
00:15:50Thanks so much.
00:15:52It was a pleasure talking with you, but we must be going.
00:15:55Take care.
00:16:07Thanks again.
00:16:14How cool was that?
00:16:17Swell.
00:16:19Has-been entertainer signed your napkin.
00:16:22Hope this isn't the high point of our trip.
00:16:24Come on.
00:16:26We made the guy's day.
00:16:39Archibald.
00:16:40I have your fresh towels.
00:16:44Where is that weirdo?
00:16:46I'm keying in.
00:17:00Fuck you.
00:17:02Fuck you.
00:17:18That was damn good.
00:17:20Listen.
00:17:21We're eating dinner at the reunion.
00:17:24You ate so much.
00:17:26You're not even going to be hungry.
00:17:29Look, these things go into the night.
00:17:31Plenty of time to eat and for other things, too.
00:17:35Please don't tell us you think you're scoring with Maggie tonight.
00:17:39Who knows?
00:17:41Dream along with me.
00:17:44Are you guys ready?
00:17:46Isn't it a bit early?
00:17:48What time did you say this thing started?
00:17:504.30.
00:17:51But I thought we'd get there ahead of time so we could get a good table.
00:17:55Who's paying?
00:18:11Have fun tonight.
00:18:22May I please ask you not to be disturbed tonight?
00:18:26Sure thing.
00:18:27Thanks.
00:18:28Thanks.
00:18:43Thanks.
00:18:59Hey, why don't we walk? It's only a few blocks away.
00:19:02Because I'm not carrying your drunk ass home tonight.
00:19:06Good point.
00:19:24Good point.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:20:42We'll see one another soon.
00:20:50We'll see one another soon.
00:20:57We'll see one another soon.
00:21:02We'll see one another soon.
00:21:09We'll see one another soon.
00:21:13We'll see one another soon.
00:21:15We'll see one another soon.
00:21:31We'll see one another soon.
00:21:48We'll see one another soon.
00:21:51We'll see one another soon.
00:22:01We'll see one another soon.
00:22:14We'll see one another soon.
00:22:21We'll see one another soon.
00:22:29Next week.
00:22:58Next week.
00:22:59What?
00:22:59Oops.
00:23:03We'll see one another.
00:23:11We'll see one another soon.
00:23:23We'll see one another soon.
00:23:29Hey! Hey! Doc!
00:23:39Hey! Hey!
00:23:41Hey!
00:23:47Sorry!
00:23:59Hey!
00:23:59Hey!
00:24:01Hey!
00:24:02Hey!
00:24:04I don't know.
00:24:43I don't know.
00:25:04I don't know.
00:25:14Hey, that was quick!
00:25:20Gamebat gave us the wrong date.
00:25:22Hey, it's next week, not this week.
00:25:35They don't seem too happy.
00:25:37It was an honest mistake.
00:25:39Well, buy them dinner tonight and they'll forgive you.
00:25:42Yeah, I'm going to have to do something.
00:26:09I don't know.
00:26:12Let's go.
00:26:15Let's go.
00:26:19Let's go.
00:26:21Let's go.
00:26:23Let's go.
00:26:28Let's go.
00:26:30Let's go.
00:26:35Let's go.
00:27:01What the hell?
00:27:10What the hell?
00:27:18What the hell?
00:27:48What the hell?
00:27:53Look, I said I was sorry. I made a mistake. I had the wrong date. I'll make it up to
00:28:00you, I promise.
00:28:01How? A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:08Two hundred dollars of flats at the casino?
00:28:12Alright, alright, you're getting a bit carried away. How about dinner on me?
00:28:18Fair enough. You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better. Come on.
00:28:53Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:33I'm sorry.
00:29:46This is not all.
00:29:48I'm sorry.
00:29:50I'm sorry.
00:29:56I'm sorry.
00:29:59I'm sorry.
00:30:01I'm sorry.
00:30:18The Echo and Ed show
00:30:20presents a fascinating
00:30:22dialogue.
00:30:23Echo's technical skills is on
00:30:26the novel, but Ed the Puppet
00:30:28displays a level of sardonic
00:30:30wit that often upstages
00:30:32his human counterpart.
00:30:33The dialogue crackles
00:30:35with an almost uncomfortable
00:30:37honesty, pushing the boundaries
00:30:39of traditional ventriloquism.
00:30:42While the act is
00:30:43undeniably innovative,
00:30:47certain unease
00:30:47lingers. Ed's cynicism,
00:30:49while often hilarious,
00:30:51borders on nihilistic.
00:30:53Is this social commentary
00:30:56or simply
00:30:57shock about you?
00:30:59The jury's still out.
00:31:03Seraphina
00:31:03and Silas
00:31:05is a study
00:31:06in contrast.
00:31:07I guess he is famous.
00:31:09See, I told you so.
00:31:11That was very nice of them
00:31:12to do a farewell piece
00:31:14on his final show.
00:31:16Turned out better
00:31:17than our reunion.
00:31:18Is less
00:31:19a conversation.
00:31:21Watch it.
00:31:22Hunting ants
00:31:23of light
00:31:24and shadow.
00:31:25Silas,
00:31:26the dummy,
00:31:27is a revelation.
00:31:28Now, Reginald,
00:31:30tell the audience
00:31:31about your latest
00:31:32scientific discovery.
00:31:34Well, Professor,
00:31:35it involves
00:31:36a complex algorithm,
00:31:38a quantum
00:31:38entanglement field,
00:31:39and...
00:31:40Oh, look.
00:31:42A butterfly.
00:31:45Reginald, please.
00:31:46This is important research.
00:31:49Important?
00:31:50But butterflies
00:31:52are important.
00:31:53They're like
00:31:54flying flowers.
00:31:57This voice,
00:31:59a low
00:31:59and resonant
00:32:00timbre
00:32:01that seems
00:32:02to emanate
00:32:03from a place
00:32:03beyond
00:32:04the stage.
00:32:06It's a performance
00:32:07that transcends
00:32:08mere ventriloquism,
00:32:11entering into
00:32:12the realm
00:32:12of theatrical
00:32:14possession.
00:32:27Where the hell
00:32:28is that
00:32:29waitstaff person?
00:32:54What makes
00:32:55someone want
00:32:55to get into
00:32:56a profession
00:32:56like Archibald?
00:32:58He probably
00:32:58found joy
00:32:59in making
00:32:59other people
00:33:00happy.
00:33:01What are you
00:33:01getting at?
00:33:02I think it takes
00:33:03an odd person
00:33:04to hang out
00:33:04with a ventriloquist,
00:33:06dummy.
00:33:07Odd,
00:33:07but probably
00:33:08wealthy.
00:33:10You can only
00:33:10be so lucky.
00:33:12When he sat
00:33:13down next to us,
00:33:14I couldn't ignore
00:33:14the air of
00:33:16sadness
00:33:17around him.
00:33:19Well,
00:33:20he gave his
00:33:20final performance.
00:33:22I'm sure it was
00:33:23an emotional
00:33:23couple hours
00:33:24for him.
00:33:26It's a lot
00:33:26for one person
00:33:27to deal with,
00:33:28especially
00:33:29an entertainer.
00:33:31They're used
00:33:32to being
00:33:32a center
00:33:33of attention.
00:33:35It's a lot
00:33:36to have to deal
00:33:36with.
00:33:37Still,
00:33:39stop playing
00:33:40psychologist
00:33:40and go back
00:33:41to your video game.
00:33:43Striking out
00:33:44all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:14Hello,
00:34:15bassinet in.
00:34:16How can I help
00:34:16you?
00:34:21Okay,
00:34:21let me take a look.
00:34:27Thanks for waiting.
00:34:28Yes,
00:34:28we have availability
00:34:30on the 15th
00:34:30and 16th.
00:34:32Okay,
00:34:33how would you
00:34:33like to pay
00:34:33for that?
00:34:35Credit card?
00:34:35May I have
00:34:36the credit card
00:34:36number,
00:34:36please?
00:34:41Okay.
00:34:43And an email
00:34:44address,
00:34:45please?
00:34:50Okay.
00:34:52You should be
00:34:53receiving a
00:34:53confirmation shortly
00:34:54and we'll see you soon.
00:34:56Okay.
00:35:33Alistair and Mouradzmo is a variable question
00:35:37take on the intellectual that I'm thrilled with at.
00:35:42Alistair is like his father.
00:35:45Measured, composed, always in control.
00:35:50You know, guys, I miss high school.
00:35:54Do you?
00:35:54I don't miss it at all.
00:35:57All the clicks and pettiness.
00:35:59Life's better on the outside.
00:36:01Yeah, make it sound like jail.
00:36:03It was.
00:36:04Just legalized.
00:36:06How about you, Trey?
00:36:08Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh, yeah, Maggie.
00:36:15She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I got slugged a few times.
00:36:23But I always hit back.
00:36:25Remember George Watson and his gang?
00:36:27Sure do.
00:36:28You mopped his ass up in the cafeteria that day.
00:36:32And his posse.
00:36:33Their reputation got ruined and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism, which these days is just
00:36:46prop comedy.
00:36:48Oh, look.
00:36:48There's our friend.
00:36:51Yeah, I saw him about a minute ago down the hallway.
00:36:54Wasn't looking too good.
00:36:55Yeah, he's probably just tired.
00:36:57Talking through someone else, like having a dummy or a puppet speak for you, more often is a symptom of
00:37:02mental illness in adults.
00:37:04Sometimes it's a reaction to something like social anxiety.
00:37:07Some people act one way because that's how they feel they're expected to act or because they're too scared to
00:37:11be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like disassociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself.
00:37:34And Wesker created the Scarface dummy so that could look and play the part more.
00:37:38So talking through someone else usually is a sign that it's time to seek some professional help.
00:37:43Unless, of course, you're stuck in a horror movie.
00:37:45In which case, the other self will slaughter your friends, your family, your neighbors,
00:37:49and that you're date to the senior prom in horrible and gruesome ways.
00:38:29Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:38I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:02Those people.
00:39:04Yes.
00:39:05But these aren't those people.
00:39:10All people are those people.
00:39:15Revenge.
00:39:27Revenge.
00:39:28Damn.
00:39:31I need ice.
00:39:32And there's no ice here.
00:39:34No, I thought I saw an ice machine in the lobby.
00:39:37I can go get some.
00:39:38No, I'll go get it.
00:39:40Be right back.
00:39:41I need ice.
00:40:09Come back.
00:40:12I need some ice.
00:40:14Is anyone here?
00:40:24I am never staying at this hotel again.
00:40:27I don't even see an ice machine.
00:40:29Those guys are whacked.
00:40:40Anyone?
00:40:42Anyone?
00:41:05This is ridiculous.
00:41:07This is ridiculous.
00:41:20No.
00:41:22Don't go down there.
00:41:25Who's there?
00:41:39Hello?
00:41:47Don't do it.
00:42:13Hello?
00:42:17Is anyone here?
00:42:22I need some help.
00:42:24Stop screwing around.
00:42:30What the hell was that?
00:42:38Who's down here?
00:43:06Hello?
00:43:08Hello?
00:43:18Let's go.
00:43:46You've got to be kidding me.
00:44:12I see the cracks, Silas. The fractures and their carefully constructed realities. I see the void, Silas. The emptiness they
00:44:20try so desperately to ignore. And it calls to us.
00:44:25Hey, Patrick, were you expecting a package anytime soon? Because I got something delivered to me, but it had your
00:44:31name on it.
00:44:32I don't think so.
00:44:33I don't know, but it said, say hello to Patricia.
00:44:38How do they know my track name?
00:44:39I don't know where it came from. I don't know why it is, but it's just a little dummy head.
00:44:45Yeah.
00:44:47Do we need a third micer?
00:44:50Mic up Patricia. Let's see what she says.
00:44:52Um, I, I have no clue why it's called a dummy. It's, I mean, puppet, mannequin, dummy. What do you
00:44:59think?
00:45:00Institutional bias.
00:45:03Yeah, I can't, I can't postulate on why, why they're called dummies with her, with her eyes just staring at
00:45:08me like that. It feels very judgmental. Like, anything I say could be, like, offensive.
00:45:12I don't know if I want to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop. Maybe we call them dummies and it, you know, insults them on a
00:45:23molecular level and they have to lash out, um, in the form of murder.
00:45:29Oh yeah, let's, uh, alright. Goodbye, Patricia.
00:45:33So anyway, what movie are we going to watch this week?
00:45:36Silas and Shadow is a departure from traditional ventriloquism.
00:45:41Silas' intense focus and Shadow's unsettling pronouncements create an atmosphere of palpable tension.
00:45:48Shadow, the dummy, is a chilling presence.
00:45:51His voice, a low and guttural rumble, seems to come from a place of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy, ready to rock this joint?
00:46:06Ready to rock this joint?
00:46:07Let's get in line and break something!
00:46:09Alright, try not to break everything. We still gotta get paid.
00:46:12Gintails, rusty details. I'll get in like!
00:46:15Oh, Shuck, darling. Do you feel the electricity in the air? The sheer passion of our performance?
00:46:24Passion, Delphine? I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:33Shuck, show some restraint.
00:46:36We are artists.
00:46:40Our artists who need to eat.
00:46:42I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:50I see the cracks, Silas.
00:46:53The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas.
00:47:04The emptiness they try so desperately to ignore.
00:47:07He's got more life than you do.
00:47:09He's got more life than you do.
00:47:09Ha!
00:47:10And he's made of wood!
00:47:12Ha ha ha ha ha!
00:47:13Enough about Archibald.
00:47:16Gosh, it'd taken Alan a long time to get that ice.
00:47:21Maybe he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29Well, I'm going to take a nap.
00:47:31I'm tired.
00:47:32I'm going to go see if I can see where you wandered off to.
00:47:35Well, okay.
00:47:37Okay.
00:48:00He's waiting for you.
00:48:02He's waiting for you.
00:48:16Please, be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald.
00:48:33Have you seen Alan?
00:49:04Oh, my God.
00:49:22Oh, my God.
00:49:56Hey, Archibald.
00:49:57I'm talking to you.
00:50:05Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:23It's too late for me.
00:50:25Chucklehead is loose in this hotel.
00:50:27And now he wants to kill everyone.
00:50:31Look, you're taking this doll thing way too seriously.
00:50:35I know you might be in the dumps about quitting your act, but...
00:50:38It's alive.
00:50:39It's alive.
00:50:39It's alive.
00:50:39I am not.
00:50:40My negative energy filled the dummy after I took my life, and now it wants to kill everyone.
00:50:48What?
00:50:50All my negative energy over the years filled the dummy, and now it is exacting retribution on everyone.
00:50:58Be warned.
00:51:04Whoa.
00:51:06Did I see what I think I saw?
00:51:21Anything else?
00:51:36Go on.
00:51:36Come on.
00:51:53I don't know.
00:52:16Hey, what's wrong?
00:52:19We gotta go.
00:52:20I can't find Alan.
00:52:21And Archibald's a ghost or something.
00:52:24He said Alan is dead.
00:52:26Are you nuts?
00:52:29I'm being honest, I swear.
00:52:31He says his dummy chucklehead is alive and killing people.
00:52:36Listen to what you're saying.
00:52:38Are you getting even because we were mad at you?
00:52:42I wish it was.
00:52:44There's only one way to find out.
00:52:47How's that?
00:52:47Let's go to Archibald's room and see.
00:52:50He's probably watching TV.
00:52:53All right, let's go.
00:53:04Archibald, we need to have a word with you.
00:53:07I told you he wasn't there.
00:53:22Archibald, I told you the dude's dead.
00:53:24He's not here.
00:53:31Over there.
00:53:39Oh my God.
00:53:41I told you he was dead.
00:53:43How did you see him living around?
00:53:45It was his ghost.
00:53:46I told you that.
00:53:48Well, let's get out of here.
00:53:49That dummy's lurking around here somewhere.
00:53:53Ha ha ha ha ha!
00:53:55That's my ass.
00:53:56That's my ass.
00:53:56That's my ass.
00:53:57That's my ass.
00:53:59Ah!
00:53:59Oh!
00:54:00Oh!
00:54:01Oh!
00:54:02Oh!
00:54:02Oh!
00:54:03Oh!
00:54:04Ah!
00:54:04Ah!
00:54:05Ah!
00:54:05Ah!
00:54:05Ah!
00:54:06Let's get out of here!
00:54:09I can't make it down the stairs.
00:54:11My leg hurts so much.
00:54:13The room's.
00:54:14Oh!
00:54:18Ah!
00:54:19Ah!
00:54:27my leg we should be safer now we have to stop the bleeding this should help
00:54:37thanks this is so unbelievable won't believe it it's good it's happening
00:55:13it's not working let me see your phone
00:55:20it's no good well we're in the middle of nowhere it's not that the dummy must have tampered with
00:55:27the router how could it know to do that because it possesses human knowledge everything archibald
00:55:34knew transferred to the dom why would the dummy be killing people because now it has all of
00:55:41archibald's pent up rage and anger at its fuel that's why it's full of hate and rage what do
00:55:47we do now try to get out of here i can't go anywhere on this way then i'll have to
00:55:54go
00:55:57damn too high to climb down what are you gonna do you stay put you'll be safe here please hurry
00:56:05it really hurts and i feel lightheaded you're losing a lot of blood i will hurry back
00:56:24hmm
00:56:28hmm
00:56:29hmm
00:56:48Hey! I need help!
00:56:50Something serious is happening here!
00:56:58Oh no!
00:57:00No!
00:57:30No!
00:57:33No!
00:57:46No!
00:57:49No!
00:57:50No!
00:57:53No!
00:57:56No!
00:58:19No!
00:58:27No!
00:58:28Fucker!
00:58:28Come on out!
00:58:30Shucklehead knucklehead!
00:58:31Come on out!
00:58:42Come on out!
00:58:46Come on out!
00:58:49Come on out!
00:58:52Come on out!
00:58:54You sucklehead!
00:59:00I don't know.
00:59:33I don't know.
01:00:05What in the name of Caesar are you all in a state about?
01:00:09I know this is going to sound incredible, but I'm being chased by a living dummy.
01:00:14Dummy? Are you drunk?
01:00:17No. It's Chucklehead. The dummy Archibald used during his final performance?
01:00:23Yeah, I know him.
01:00:24He was here about a night ago. Really poor turnout.
01:00:28But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:00:36Oh my God.
01:00:44Have a great day.
01:01:14Ha-ha-ha!
01:01:19Ha-ha-ha!
01:01:29Ha-ha-ha!
01:01:33Ha-ha-ha-ha!
01:01:45Ah!
01:01:47Ah!
01:02:24Ha, ha, ha, ha.
01:03:07Leave me alone. I didn't do anything to you.
01:03:19Ha, ha, ha.
01:03:22Ha, ha, ha, ha.
01:03:49Go now. It is finished.
01:03:52What?
01:03:54I know now only I can stop Chucklehead.
01:03:58He is me, and I am him.
01:04:01He has unholy powers.
01:04:03The curtain is closing.
01:04:05Go now, without haste.
01:04:13I take back any negative energy I unwittingly gave you.
01:04:25It is time, my friend.
01:04:32Time to go.
01:04:54Good luck, Archibald.
01:04:57Wherever you are.
01:05:06Good luck.
01:05:54Hello? I need help.
01:05:57Yes, well, ladies and gentlemen, as they say in showbiz, that's all, folks.
01:06:04She can't just fly down here.
01:06:11I'm not the girls.
01:06:14Staying still after me.
01:06:16I'm not the girl.
01:06:20I'm not the boy.
01:06:22You better run in this game of cat and mouse.
01:06:25Lock your doors.
01:06:26Turn upstairs.
01:06:27I'm already in your house.
01:06:30You could run.
01:06:31You could scream.
01:06:32I'll come find you in your dreams.
01:06:34Run away or stay and fight.
01:06:37Either way it ends tonight.
01:06:39Grab a knife.
01:06:40Grab a gun.
01:06:41Grab a pad.
01:06:42Let's have some fun.
01:06:44Cut me, shoot me, chop me up.
01:06:46Marry me or lock me up.
01:06:48It doesn't matter what you do.
01:06:50I'll be coming out for you.
01:06:52I only got them eyes for you before I go here dying, too.
01:06:58What about aiming into the world of you?
01:07:06You're not the girls.
01:07:09Staying still after me.
01:07:11I'm coming.
01:07:13You're not the girl.
01:07:15You're not the girl.
01:07:17You're not the girl.
01:07:21You're not the girl.
01:07:22I'm coming for you, for you, for you, for you, for you.
01:07:29I'm gonna get you, get you, get you, get you.
01:07:43Mom, mom, if you can get you, get you, get you, get her, get me.
01:07:53You're not the girls.
01:07:55Staying still after you come here.
01:07:59Be me.
01:08:00Be me.
01:08:01Be me.
01:08:03Don'tYou're not the girl.
01:09:49They say time flies when you're having fun.
01:09:52No wonder our time together feels like an eternity.
01:09:57What are you going to do in retirement?
01:10:01Honestly?
01:10:02I don't know, Chucklehead.
01:10:06I don't know.
01:10:08Moo!
01:10:15Um...
01:10:16Hey, dummy.
01:10:17Say something.
01:10:18Say something.
01:10:22Say something.
01:10:26You're welcome.
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