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House.Of.Guinness.S01E04.540p.X265.AAC [Full Movie] [Vertical Drama]Full EP - Full
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00:28Transcription by CastingWords
00:46CastingWords
01:13CastingWords
01:28CastingWords
02:12I'm requesting a lady to dance, you stand at the proper distance, bend the body gracefully, accompanied by a slight
02:20motion of the right hand in front.
02:24You look at her with complacence.
02:27What?
02:29And then you respectfully say, you will be pleased, or will you favour me with the next dance?
02:35Benjamin, are you listening to me? Otherwise you're going to make a complete arse of it.
02:42The lady is smart enough to know that the dance you're requesting is a means to an end, and a
02:46way of making an introduction on behalf of someone else.
02:50If she thought you were asking on your own behalf, she would, without doubt, tell you to fuck right off.
02:56Completely, totally sober, yes?
02:58I've been like a kestrel hovering over a field mouse.
03:01I want this dance, but...
03:03And so, go and introduce the Guinness family, the news to Dignes Hillman.
03:14Well, for God's sake.
03:18Mr. Benjamin Guinness, are you looking for me?
03:20Then will you be pleased, sir, or will you favour me, sir, with this next dance?
03:26What?
03:28What?
03:34What?
03:43So, why have you chosen me as your dance partner, Mr. Guinness?
03:46There are so many women here, younger and prettier.
03:49Prettiness is opinion.
03:51What is your opinion of me?
03:52My opinion is that I wish I had a very large glass of whiskey right now.
03:57You seem quite nervous.
03:59Not much of a dance, yet.
04:00So why do it?
04:03Anyway, Benjamin, as you may know, I'm a single woman, and you are a single man.
04:08Look, it might be helpful to point out that I am rather a leaf in the wind in all of
04:12this.
04:12You are a single man, and in the words of Jane Elston...
04:15Who?
04:15A single man in possession of a good fortune must be in want of a wife.
04:20Is that why you asked me to dance? Because you are in need of a wife?
04:24First, in truth, I am not in possession of great fortune.
04:28Because your brother's got all the money, yes?
04:29Can we at least move around a little bit?
04:31And perhaps you were instructed by one of those brothers to approach me as a kind of calling card.
04:39And since your elder brother got married today, I can only assume you are here on behalf of the next
04:42brother in line.
04:44Look, when the inevitable happens and Edward tells me that I completely fucked this up, tell him it wasn't my
04:49fault.
04:50Tell your brother, from me, that I am not a name on a list. I am not in search of
04:55a husband.
04:57And the porter that he brews in his brewery tastes to me like bitter, bitter ashes.
05:08Bitter ashes.
05:26Look, I know this is wildly wrong. I've never done, and everyone is staring. But you look a little lost.
05:33I wondered if I might rescue you.
05:42Of course.
05:44I'm sorry.
05:57Bye.
05:59Bye.
06:01Bye.
06:03Bye.
06:09Bye.
06:11Bye.
06:11Bye.
06:12Oh, my God.
06:49Oh, my God.
07:12I must say, you look completely natural to me.
07:15Really?
07:16That's odd.
07:17Because Benjamin was just telling you about a girl he met in London with reflective eyes.
07:24And with him, he is apparently falling in love.
07:28Excuse me.
07:32Yes, well, it was out of the blue.
07:36A chambermaid.
07:38Your name is Guinness.
07:42That is not who you are.
07:44It is what you are.
07:47Now, you can have all the chambermaids you want.
07:49Well, they're busy with the one I have.
07:51But you will marry within this room.
07:54Obviously not Lady Christina Madden, who is penniless and a lunatic.
08:01I'm a man in love.
08:08However, if you really want me to fall out of love, well, then I suggest the family do something about
08:14my income.
08:15There is no chambermaid, is there?
08:174,000 per hour.
08:19That's all I ask.
08:22And I have St. Chelsea for myself and my bride who will be chosen within this room and who will
08:27be very, very suitable.
08:30You are indeed a Guinness.
08:32Do we have a deal, aren't I?
08:36Leave it.
08:37Of course there was a plan.
08:39Benjamin was to make the initial request on behalf of Edward.
08:41So Edward could save face in case of rejection.
08:44Well, if he has been rejected, the second most important man in Ireland should move on.
08:49No, no, no, no.
08:51He is Edward.
08:52If she refused him, he would pursue her in this rejection.
08:59If he had chosen Adelaide, he would pursue her.
09:02I'll pursue her with all his wit and energy.
09:04Lots of do forever.
09:06Until she gives in.
09:08People always want what they can't have.
09:11Mr. Plunkett.
09:12Mrs. Plunkett.
09:14I hear you need a carriage.
09:16My wife stumbled in the dance.
09:19I hope you're not hurt, madam.
09:21William, I didn't give our wedding gift to my brother.
09:24She'll go and make sure he gets it before we leave.
09:41You may have heard that I was taken ill on the road to Colombo.
09:45I did not hear that, madam.
09:47On the road?
09:50And in a carriage?
09:51I lost a baby.
09:55Will you be needing a carriage home straight away, madam?
10:01Nothing in this room is as it seems.
10:04There should be cards in which there is a list of who you will fuck and then move on from.
10:16You have no affection for me.
10:20We came together briefly.
10:22And then we came apart.
10:25And now we both continue on.
10:38Now I can barely stand, let alone dance.
10:41Of all idiotic fucking things.
10:45But I would like most of all now,
10:48and whenever I fall,
10:52is for someone to hold me.
10:59I've allocated the gift
11:01and arranged the carriage.
11:03Perhaps, Mr. Rafferty,
11:06you will tell the bride and groom
11:08that we've had to leave.
11:13Rafferty! Mr. Rafferty!
11:16Mr. Rafferty!
11:22Come.
11:25I...
11:26I just described you,
11:27to my new wife,
11:29as my foreman.
11:31This really is a terribly inadequate word
11:33for what you are.
11:34You're more of a...
11:38linchpin.
11:41Protector.
11:43Weapon of control.
11:50He sounds indispensable.
11:51I have a carriage of four
11:53to take you later
11:54to St. Anne's Park.
11:55What time do you plan to leave?
11:57Oh, is he your timekeeper, too?
11:59Well, perhaps now that
12:00Mr. Guinness has a wife
12:02to take care of him,
12:04I might be relieved
12:05of the more intimate duties.
12:10Such as deciding his bedtime.
12:15Speaking for myself,
12:17I'm not quite ready for bed yet,
12:20Mr. Rafferty.
12:33Arrange the carriage for midnight.
12:34Yes, madam.
12:37And make the lights dim,
12:39so bride and groom
12:40can kiss along the way.
13:11How goes the rest of the family?
13:13Benjamin is sober. Edward has been refused.
13:16For now, yes. On both counts.
13:20Your Uncle Henry is horrified that this sexual dancing face-to-face has been allowed.
13:26I told him it is the wicked times that we landed in.
13:30You do?
13:31At least the Fenians were having themselves.
13:37What?
13:50I don't think it will be acceptable for us to leave these pigs to the trough.
13:54We are here for a purpose.
13:58I'm here for a different purpose.
14:00You want to know what my purpose is?
14:01Oh, yeah.
14:02To reconnoitre this building with a view to someday return and to plant a bag of fucking dynamite under the
14:08stairs.
14:10My purpose appears to be on his way to see me now.
14:16I want you to both fucking leave. I want you to leave right now.
14:20Well...
14:22I want you to both fucking leave right now without any kind of noise, any kind of...
14:27I was told by your brother that we have business.
14:30If you do not leave, I will have Mr. Rafferty escort you both to a closed window, which he will
14:35throw you both through.
14:37Well, you're here by invitation.
14:39Really?
14:42I thought you didn't want to make a fuss.
14:46Well, I've been told who you are. Who the fuck is he?
14:49Brother.
14:52Brother.
14:52Oh.
14:55I understand.
14:56It is your way.
14:58You people living down in the docks and ditches of Dublin.
15:03For brother and sister to fuck each other.
15:06Get up!
15:07Get up!
15:08Get up!
15:09Get up!
15:09Get up!
15:10I'm gonna poke you up.
15:12You're dumb.
15:14Go and dance.
15:15I don't dance.
15:16Go and stand and look awkward then.
15:24If I see her being led towards any closed windows, it'll be a different sort of fucking dance that breaks
15:32out.
15:38I think your brother should join us.
15:39This is my fucking wedding!
15:41Your brother's joining us anyway.
15:43Oh, fuck.
15:51You ballooned the house of Guinness in front of the whole society.
15:55We are indeed in front of the whole of society, so you will sit down, you will sip some whiskey,
16:02and you will smoke your cigar, because here, of all places, and on this day of all days, you cannot
16:07turn over the tables.
16:09Understand?
16:09Before your marriage is one week old, the truth about it could be revealed.
16:15The truth, Arthur, and the future are to be discussed here, briefly, as a first step.
16:21So, you use my wedding day as a trap.
16:25A trap from which you will be freed the second after you engage with this lady.
16:30Fucking lady!
16:31Who I have discovered to be reasonable, and who is someone we must deal with sooner or later.
16:36I have chosen sooner.
16:37I can't even speak.
16:38Then only listen.
16:40I have no interest in the destruction of your reputation.
16:43I have suggested a gradual movement without that love.
16:47Towards a position of constructive engagement.
16:48And the house of Guinness, as you call it, would be a place where both sides of the argument could
16:53be put.
16:53And we might move your people towards a position where the prospect to be united in free Ireland would become
16:59inevitable.
17:02And what about you?
17:03Hmm?
17:05Do you think it is also inevitable that everything our father stood for gets destroyed?
17:12My opinion is irrelevant, Arthur.
17:15This is business.
17:18Everything you see in this room is about appearances and propriety.
17:23Hmm.
17:26So you invite a blackmailer to the ball?
17:29It does not suit me to do this.
17:33I'm the fucking best man.
17:37My own brother.
17:42Does this to me.
17:46Your brother is doing what is best for you.
17:50Consult your wife.
17:51She is a realistic woman.
17:52Arthur, the election.
17:53It's just a few months away.
17:55And to win it, you must be unblemished.
17:57Everything is at stake.
17:59And anger makes poor decisions.
18:01Listen.
18:02Many workers will be voting for the first time.
18:05Including this lady's supporters.
18:08You'll need at least some of their votes to win.
18:12When you are back from your honeymoon,
18:14I'd like to put forward a set of proposals.
18:16About how to best represent Fenian interests in Pyrdaman.
18:20I don't know.
18:52Is that progress?
18:57Shouldn't you be out amongst your family finding yourself a wife?
19:02Shouldn't a woman of your age already have found yourself a husband?
19:09I'm waiting for someone to take me seriously.
19:40I'm waiting for someone to take me seriously.
19:43Who invited the fucking Fenians?
19:47I did, Uncle Henry.
19:51Blessed are the peacemakers, for they will be called the children of God.
19:57Amen.
20:00Let's go.
20:34Let's go.
21:29Sorry, excuse me. I'm just looking for Eliza Street.
21:35Where Eliza Street meets First Avenue.
21:41Just landed in New York.
21:42Talking about you being firemen in all the streets.
21:46You Irish?
21:48I am. Yeah, yeah, yeah.
21:50I am. I'm from Dublin.
21:51You Catholic?
21:54Fuck.
21:56Stop.
22:15Stop.
22:17Fuck, I'm sad!
22:18What are you doing?
22:20What's going on?
22:21What's going on?
22:22What's going on?
22:23Get us down!
22:23No!
22:23Stop that stupid dog!
22:27You've got for me for the first time for you.
22:30Come on!
22:30And we make it more.
22:32That's just our mood to start.
22:34Come on!
22:35Come on!
22:36Come on!
22:37Kaboom!
22:37What about?
22:38You team!
22:40No!
22:42No!
22:42No!
22:42Get off!
22:45Come on!
22:52Come on!
22:55Come on!
22:57Come on!
23:00Come on!
23:00Come on!
23:01Come on!
23:01Come on!
23:07Say a prayer to your papers of God, Irishman.
23:15Okay.
23:15Gentlemen!
23:16You have now reached the border!
23:18Permission for entry.
23:20Denied!
23:21You're going around and get the fuck outta here!
23:23Go on!
23:24Get-
23:25Get outta here!
23:27Go on!
23:28Go on, my buddies!
23:29Get outta here!
23:31Get out!
23:32estimates here!
23:40Get out of here!
23:43Hell, fuck us.
23:44Come on.
23:47Come on.
23:51You Irish?
23:53You know, since I got off the ship,
23:57the answer to that question
23:59increasingly depends on who I'm talking to.
24:03Welcome to New York.
24:04Come on.
24:11No travel, right?
24:13Oh, well.
24:14I was obliged to use the suitcase as a weapon.
24:21Dublin's rough.
24:23Cork has its moments, but
24:25it's just
24:26chased like a hare by the fucking New York Fire Brigade.
24:30Yeah, you need to know the rules.
24:32Map of the religions.
24:35See, those men you just encountered are the famous Belry boys.
24:38Start furs and put them out for money.
24:40Or they take your money so they won't start a fire in the forest place.
24:43Fuck us.
24:46Yeah, they hate the Irish and they're born Catholics.
24:49But these are all things you get used to in the sea.
24:51Incorporate them into our daily routine.
24:54Well, if that's going to be my routine, I'll buy a pair of Lloyds and white shoes.
24:58I'll buy a gun.
25:00William.
25:01All right.
25:03The man here says he's your cousin from Dublin.
25:07Holy fuck!
25:09There's Byron the bad boy from Ballybuck.
25:14Welcome to the revolution, my friend.
25:23I was kind of sure that those letters you sent to me were written when you were drunk.
25:27Because, oh, they seem kind of crazy.
25:31Yeah.
25:32I drink, but I don't get drunk.
25:39Sorry, your business here is real.
25:48My last bottle.
25:50I have ten cases being unloaded in the battery ducts to use of samples.
25:55Pick them up from the quay tomorrow.
25:56Yeah, I've seen them around.
25:58They sell it like medicine for old ladies.
26:02Yeah, do you have an opener?
26:06You fuck.
26:08Sorry.
26:09It's not usually so lonely I've been running.
26:13Yeah.
26:14Go on, try what's left.
26:16Hmm.
26:18You appear to care what I think.
26:21Well, yeah, you have influence.
26:23I'm with the Irish community in this beautiful city.
26:41I taste the bitterness of Ireland.
26:44You should use that in the advertising posters.
26:49And I'm here to tell people it's more than medicine for old ladies.
26:54It's an elixir for the soul.
26:57So what is this stuff to you?
26:59It's actually not bare for me.
27:03It's my blood.
27:07You and I are cousins through my father.
27:09You never met me mother.
27:14And I tell you, the Guinness family are wild.
27:19And your mother was one?
27:24Yeah.
27:27So am I.
27:33But they're Protestants.
27:35They walk a tightrope.
27:38And I swear to God.
27:42The man who signed that paper signs all the checks.
27:45His brother, Arthur, will soon be Dublin's MP.
27:48Edward wants to build bridges with the Fenians.
27:51That's why I'm here.
27:52Told him what my plan was.
27:54I told him who you are.
27:56He still signed it.
28:01Yeah?
28:04So who am I?
28:06They say in New York you call the shots for us.
28:10For us?
28:11For the Fenian Brotherhood.
28:13And is that us?
28:14For you too?
28:16Because my father died for the cause.
28:19And I am my father's son.
28:22But your reason for being here is this.
28:26You should know, cousin, that...
28:30The thing the Guinness family is most famous for
28:33is giving money to good causes
28:37on the behalf of the oppressed and the unjustly used.
28:43So?
28:45You think that these dice roll of Protestants
28:48would give money to us?
28:49We think having friends who make good beer
28:52can only ever be a good thing.
29:06Is it me making a decision, cousin?
29:31Come here, catch this.
29:34What the fuck?
29:36Take it to the battery docks.
29:37You tell the longshoremen
29:38any bottle with that label,
29:40you leave the fuck alone
29:41and you put it on the key
29:42like it was a sleeping baby.
29:44Tell him it was me who said so.
29:45Oi, Captain.
29:54So, cousin,
29:57I'm going to need somewhere to stay.
30:01What you say, thank you?
30:02Yeah.
30:03I'm going to cut you in on the profits
30:04so it'll be to your benefit.
30:07Oi!
30:09Oi!
30:10Oi!
30:12Oi!
30:13Oi!
30:13Oi!
30:13Oi!
30:15Oi!
30:16Oi!
30:21Oi!
30:30Oi!
30:32Oi!
30:33Oi!
30:35Oi!
30:36Oi!
30:38Oi!
30:39Oi!
30:40Oi!
30:42Oi!
31:07you go get your horses out of the rain I'll help her my driver is doing perfectly well thank you
31:12go see you for the horses
31:17what the hell are you doing here this time of night hell you use such blasphemy to the sister of
31:23your employer
31:26forgive me madam you are forgiven
31:31the reason the hell I am here at this time of night is to see my brother Edward
31:36who is also here this time of night indeed he's here at almost any time of night
31:42as I imagine are you we are very busy madam madam
31:51we are saving orders in advance of christmas
31:54some from new places
31:55both of america blessed side here
31:58and soon if this expansion continues neither you nor Edward will ever go home
32:04not that either of you have a home to go to of course
32:12shall I bring your brother down
32:14why would you do that
32:22Anne
32:24if you fall I will catch you and hold you
32:33you know Mr. Rafferty
32:36I'm beginning to suspect you might actually have compassion in your soul
32:42which makes you even more dangerous than you already are
32:58Anne
32:59what the hell
33:00am I doing here
33:01my name is Guinness
33:03this is the Guinness brewery
33:05and everyone appears to be astonished to see me
33:09did the doctor give you any news
33:10it was always I that gives news to the doctor
33:12telling him of some new thing I can no longer do
33:15he has no idea why
33:18the only good piece of news he has given me
33:20is that in spite of my recent miscarriage
33:24he sees no reason on earth why I should not be able to bear another child
33:34Anne for god's sakes it's almost ten o'clock
33:37there is something that cannot wait
33:41when was the last time you spoke to Arthur
33:46I've been busy here
33:47he's been busy with his election campaign
33:48and you have had no involvement in his campaign whatsoever
33:51no I've not
33:52he said he didn't need or want me
33:54and thanks to the work of our representative in New York
33:57this expansion is taking all my focus
34:03what's in the envelope
34:05proof that he does need you
34:09fuck
34:13in your absence my husband's brother has been acting as his running mate
34:18and it seems that Arthur and his team have developed what they think is a very clever system for rigging
34:24the election
34:27it's a train ticket
34:30didn't you want him to get elected to build bridges instead of burning them
34:38the Tory party has secretly taken over premises on Capel Street
34:42supposed to be a printing works
34:46whoever casts a postal ballot in advance of the election in favor of Sir Arthur Edward Guinness
34:52is given a used train ticket
34:56you take your ticket to the printing press
34:58and a man hidden behind a wardrobe gives you five pounds
35:03that is the brilliant secret strategy that Arthur has come up with
35:08to help win Dublin for the union
35:13if this becomes public the family's reputation will be destroyed
35:17it is your fault Edward
35:18you should have been with him
35:22my fault
35:24I cleared the fucking path
35:26I stopped the Fenians from blowing his political career out of the water
35:31but it seems he is perfectly capable of destroying it himself
35:34he cannot be left alone not ever
35:36I am chained to him
35:41he chained me to Arthur to stop him from sinking into his own fucking pit of arrogance
35:47but he will drag me down with him
35:52I will not let it happen
35:55and where are you going, Abbie?
35:58to find my fucking brother
36:07open these gates
36:08open these gates
36:10open these gates
36:11open these gates
36:13open these gates
36:17open these gates
36:28open these gates
36:32open these gates
36:32open these gates
36:34open these gates
36:35open these gates
36:36open these gates
36:37open these gates
36:38open these gates
36:38open these gates
36:38open these gates
36:38open these gates
36:52Did you hear that?
36:55That sound.
37:00I'd gamble this whole five-pound note
37:03that that's the sound of a brand-new baby
37:06being registered by God.
37:08Right here in the stable behind the Guinness Yard.
37:12A new life for this miserable, dark fucking world.
37:17And in answer to your unspoken question,
37:20I do know where your brother is.
37:22But five pounds doesn't get you in the right postal district,
37:26let alone street or street number.
37:29So he's in a private house somewhere.
37:35You've not been responding to your mail, Mr. Guinness,
37:38but I wrote to you when the election campaign began,
37:41with your brother shouting so loud about the sins of others.
37:46Silence is getting more and more expensive.
37:49Listen, you've already been paid for your silence.
37:54Yeah, but this is like an ongoing,
37:57continuing political situation.
38:02especially as I'm hearing rumors
38:06about train tickets.
38:16Tell me where my brother is,
38:19and I will address your previous comment
38:21as regards train tickets
38:22when I get into my office tomorrow morning.
38:25You work Saturdays.
38:27I work every day.
38:29As do I.
38:33Nine Hope Street.
38:42You give the people beer, Mr. Guinness.
38:45I give them babies.
38:52And on Sunday we rest.
39:21Oh, shit.
39:23Oh, shit.
39:37Why are you here?
39:38This is where I go.
39:39I'm here about this.
39:43I'm told that's how it's done.
39:45You do it with tickets instead of writing notes on paper.
39:47Told by who?
39:49I'm half naked on a doorstep.
39:50If I'm going to sort your fucking mess out,
39:52I need to know.
39:53Told by who?
39:54What mess?
39:55What mess are you talking about?
39:57I'm just doing what the liberals are doing.
39:58I was told by people who have done this before.
40:00They said,
40:00Oh, you're just doing exactly what the liberals are doing.
40:01You really don't need to get involved.
40:03Arthur, I really do.
40:07I'm told by those who know about these things
40:10that I will easily win now.
40:13Fucking perpetual shipwreck.
40:15You fucking train crash.
40:17Stop.
40:17You piece of bedroom.
40:19You chaos.
40:20You fucking chains.
40:21I was hurt.
40:22I was hurt.
40:22Let me stop.
40:23You fucking burn.
40:24Shh.
40:25You're waiting for fucking neighbors.
40:27Neighbors?
40:30Yes, neighbors.
40:32Stop playing with that fucking dog.
40:36You must be quiet, you see.
40:40Most people have them.
40:44Two up, two down.
40:46There's no gas, no water, there's no toilet.
40:52But it's called freedom.
40:58I have wishes.
40:59What on earth is going on?
41:01Ah.
41:03Okay, so, Artie, this is my brother, Edward.
41:07And, Edward, this is Lord Arthur Pellum Clinton.
41:13Godson of the leader of the Liberal Party, William Gladstone.
41:18A friend of a friend runs this place.
41:22We come here when Artie...
41:27When Artie's in Dublin.
41:35We met at Eton.
41:36Very pleased to meet you.
41:39Pleasure.
41:48Goodness, is it getting light outside already?
41:49Yes, I believe it is.
41:50It's getting rather late.
41:51Or early.
41:53I should be getting back.
41:57Arthur, you get dressed.
41:58I will wait outside.
41:59I will wait outside.
42:10Oh, fuck.
42:11Shh.
42:12Shut the fuck up.
42:13Shh.
42:15Shh.
42:17Shh.
42:17Shh.
42:20Shh.
42:20Shh.
42:21Shh.
42:21Shh.
42:22Shh.
42:23Shh.
42:25Shh.
42:31I found him.
42:33And I have never, ever seen him look up here.
42:40Brother was a runaway.
42:43He ran to Amsterdam.
42:48I was nine years old.
42:51Oh, and by the way, please, do not mention trade tickets or wardrobes to my wife.
42:55He called out to me.
42:59On that day, I was walking in the woods.
43:09I didn't realize when he said goodbye.
43:16We will pour for ourselves, thank you.
43:18He meant goodbye for good.
43:32So, where did you find him?
43:35Playing cards with some gentlemen.
43:36I can speak for myself.
43:39And I can also choose not to speak at all if I wish.
43:41I mean, that is quite right.
43:42I mean, that is quite right.
43:42He has no obligations, just as I have no obligations.
43:46I'm just curious as to who it is he's playing cards with.
43:49Oh, don't be alarmed.
43:51Blue bloods.
43:53Lords, at the very least.
43:54You play with kings and queens, not jacks.
43:56No knaves, my dear.
43:58No, no, no.
43:58I went looking for him out of concern, not curiosity.
44:01Concern?
44:02About what?
44:02Edward doesn't understand the complex nature of modern politics.
44:06Look at him, he's an idealist.
44:07He wants me to be elected to Parliament so I can help run the business.
44:11He is concerned I might lose.
44:13Edward, his name is Guinness and this is Dublin.
44:16Of course, he won't lose.
44:17You two are well matched, in your certainty.
44:21Yes, we are.
44:23Very well matched.
44:24And what you see at this breakfast table is a very rare thing.
44:27A marriage based on absolute honesty.
44:32Edward, you're too busy doing what you're good at.
44:35You two were born for different things.
44:37As the elder brother Arthur was born to inherit
44:39and enjoy the company of the rulers of the Empire in London.
44:45As the younger brother, you were born to work and to earn.
44:48Your ability is in trade.
44:51Perhaps that's why on our wedding day,
44:53when you asked Miss Adelaide Guinness,
44:54a lady raised among French and Spanish nobility to dance,
44:58since she was suddenly otherwise engaged.
45:09Well, I will leave you to your wardrobes and your train tickets.
45:14What did you say?
45:16Good day, Lady Olivia.
45:20Please take whatever that factory thing was you were wearing with you.
45:31Arthur.
45:34In company, I will always be your rock.
45:39But, now we are alone.
45:44Watch fucking train tickets.
45:48Those fucking wardrobes.
45:58Tonight there's gonna be a jailbreak
46:02Somewhere in this town
46:05See me and the boys, we don't like it
46:07So we're getting up and going down
46:12Hiding low, looking right to left
46:14If you see us coming, I think it's best
46:18But move away, do you hear what I say
46:21From under my breath
46:24Tonight there's gonna be a jailbreak
46:28Somewhere in the town
46:31Tonight there's gonna be a jailbreak
46:34So won't you be around
46:51Tonight there's gonna be a jailbreak
46:54Somewhere in the town
46:57Tonight there's gonna be a jailbreak
47:01So won't you be around
47:03Tonight there's gonna be trouble
47:07I'm gonna find myself in
47:10Tonight there's gonna be trouble
47:14So won't you be around
47:38Tonight there's gonna be three
47:39I'm gonna find myself in
47:39Tonight there's gonna, I'm gonna fight
48:04Tonight there's gonna be trouble
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