- 7 hours ago
Genie make a wish episode 11 Hindi dubbed full [Full Movie] [Vertical Drama]Full EP - Full
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Short filmTranscript
00:06SON 2, 3, 4
00:17Yanlışlarımdan ders alacak kadar olgun değilim.
00:21Bu yalan bir mecburiyet.
00:23Yoksa sana olgun deÄŸilim.
00:25Ama gözlerinde bir ışık kalbimin tıkırtısı.
00:31İçim içime sığmıyor ya bu neyin kıpırtısı.
00:36Dön yüzünü gökyüzüne bak bir aşkın yıldızına aman.
00:43Parlayacak sönecek biliyorum.
00:49Her ÅŸey olur her ÅŸey biter.
00:56Her ÅŸey olur her ÅŸey biter.
01:02Her ÅŸey biter.
01:03Her ÅŸey olur her ÅŸey biter.
01:35İzlediğiniz için teşekkür ederim.
01:37I mean, without a strawberry?
01:40Yes, I think of that.
01:42It's a good mind, in truth?
01:44Yes, it's a good mind.
01:45Yes, it's a good mind.
01:46It's normal. This is also normal, right?
01:48Wow!
01:49When you took pictures of the scenes,
01:52the photographer took pictures of the set up.
01:56He took pictures of it and took pictures of it.
01:57What a mess!
01:58It's possible.
02:01She's very excited.
02:03Yes, I can understand.
02:04You know, acting is such a thing.
02:05Once you get into it,
02:06then the excitement is coming.
02:08It's not that it's normal.
02:10How did we come to this film business?
02:12How did we come to this business?
02:15I'll tell you.
02:17We took the paper
02:19and found out that
02:21you've never done anything in your life.
02:24And then
02:25we got on the set of you.
02:28I didn't want to do it,
02:29but you had to do it for me
02:31and have to do it for me.
02:36My love for art.
02:37Yes, for art.
02:38Yes, for art.
02:39Like you've never done it before.
02:41And then you say,
02:42I'm going to be an actor.
02:44Wow!
02:44It's been about the fact that
02:45my real girl friend
02:46doesn't care about me
02:48but it doesn't seem to have to do it.
02:50You've asked me to say
02:51this thing.
02:52Yes, it's bad.
02:54You left the sin.
02:56That's the same thing.
02:57Then my sacrifice
02:58has been done before.
02:59What did we do?
03:01No, we were not.
03:03It was pure and evil.
03:05We should have been made by evil.
03:07Kaila and Kaila should also be able to practice their roles and practice their roles.
03:12What do you say?
03:15So what do we do? We drink tea.
03:17Tea? Yes, I like it.
03:19Let's go inside and make a big tea, right?
03:22Let's go Kaila. Let's go Kaila.
03:24Let's go Kaila.
03:25Let's make tea.
03:34So, what's the program today, Sirkan Bulat?
03:37I will go to the office for a little while.
03:40Because there is a lot of work.
03:41There are some papers too.
03:43After that, we have a full day.
03:45You will have to stay on set.
03:48Your film is a shoot.
03:49You have to remember the lines.
03:50Yes, I did.
03:53Okay, good.
03:54Look, I'm only going to go to the office,
03:56so I will go straight to you.
03:57I will also go with you.
03:59And what will you do?
04:01My guardian?
04:03Your manager.
04:04My manager?
04:05You don't walk away from here.
04:07Yes, sir.
04:12Yes, sir.
04:34Mr. Sarkhan, what's happening here?
04:38I don't know.
04:43I don't know what's happening here.
04:45Miss Aida, Mrs. Sarkhan, welcome.
04:47There's a little time for your scene.
04:49Will you be shooting here?
04:51Yes, we were looking for a place for the office scene.
04:52We were looking for a place for the office scene.
04:54Finally, we got this place.
04:56I think you'll know this.
04:57But we'll have a little time.
04:59I mean, our company is like Agora.
05:02The technical work is still working.
05:04We'll have a little more time.
05:08Look, you'll have to talk to me inside.
05:10Let's see.
05:15Oh, hello.
05:19Welcome.
05:20Welcome.
05:20What, welcome?
05:21Our?
05:22Our company is here.
05:23Sarkhan, your office is so good.
05:26Thank you so much.
05:27You've given us to shoot here.
05:29This is a great thing for us, sweetie.
05:31Sweetie?
05:32You've given us?
05:33I mean, I've given permission.
05:34I've done it.
05:34Yes, you've given it.
05:36I'm so proud of your style.
05:38Really.
05:39I remember now.
05:41They called us for the set.
05:43We'll have to go.
05:44Let's go.
05:47See you.
05:49Bye.
05:51See you.
06:14What are you doing?
06:15How can you sit in the office?
06:17Tell me about it.
06:17They're shooting the film.
06:18Mr. Sarkhan.
06:19But who did they give me permission?
06:20I didn't give them permission.
06:22You gave them authority.
06:24He gave them permission.
06:25He gave them permission.
06:25He asked them.
06:28He told them.
06:30They're busy.
06:31They're busy.
06:33They're busy.
06:33They're busy.
06:34They're busy.
06:34They're busy.
06:35They're busy.
06:35They're busy.
06:35I don't know.
06:36How do you call it?
06:37And get out of the way.
06:39I want to get out of the set.
06:40I want to get out of the office.
06:41This is not possible.
06:42Because the contract is on the table.
06:44I mean, you're on the table.
06:47Mr. Sarkhan.
06:48The guy sits on my seat.
06:50Yes.
06:51I'll tell you later.
06:52In the contract,
06:54the crew is the only one who lives in the day.
06:56This is a set.
06:57It's here for a whole day.
06:59Whole day.
07:00I'll solve it.
07:01I'll get out of here.
07:03I'll leave the house seat.
07:04It's just not the set.
07:05How can you do it?
07:06Okay, okay.
07:07Where are the rest of the rest?
07:08Who are the rest of us?
07:09Where are there?
07:09Where is Enginn?
07:09Where is Peril?
07:10Where is Peril?
07:10Aida, you were not here.
07:12Mellow's been hidden.
07:13Jaren was here.
07:14Mr. Farid is trying to help her.
07:16Mr. Enginn and Ms. Peril are at the hospital.
07:18Aidan had projects.
07:19I'm here alone.
07:20I'm here alone.
07:20I'm in tension.
07:21What are you doing?
07:22I am here. We are back.
07:25Yes, okay.
07:27That's a good thing too.
07:30You know Purenne.
07:32Who was sitting on my seat and doing makeup.
07:35That's Purenne.
07:36Don't tell her name. Don't tell her name.
07:39Purenne is angry.
07:40You don't like that?
07:41No, no.
07:42I don't like that.
07:43And the people will be here today.
07:45Okay, I don't like her.
07:46Ah, Eda, hi.
07:48Hello, hello. I hope there's no problem in the set.
07:52No, no, no, no.
07:53You won't trust me.
07:55When I heard that shooting is going to be in your office,
07:57I'm very excited.
07:58My eyes are coming.
08:00I'm very excited.
08:02Why do you remember here?
08:03No, no, no.
08:04There's no such thing.
08:05My film is Trilogy.
08:07I want to work with Eda with my third film.
08:10And I was thinking,
08:11how can I find an outsider
08:13and talk to her.
08:15When I heard this,
08:16I'm going to go and see the window.
08:19Do you know?
08:19I'm very excited.
08:21My eyes are coming.
08:22Blood shot is coming.
08:23Eda, I got a scenario.
08:25I want to sacrifice it with you.
08:27Accept it, please.
08:28If I can't say it,
08:29then tell me that.
08:31Because I don't think about acting.
08:33And I'm very happy to become a landscape architect in my company.
08:37So thank you.
08:38You should have to learn about it.
08:39I'm serious about it.
08:40You know about my third film.
08:42Okay.
08:42The story of the rain.
08:44The rain drops and the clouds.
08:46A cloud of rain.
08:47A cloud of rain.
08:47In the rain.
08:49And the rain.
08:50I mean,
08:52Metaphysics.
08:54Metamorphosis.
08:54Everything is all.
08:55I'm very excited.
08:57Eda, this is a very good project.
08:59But I'm not thinking about acting.
09:01I'm not thinking about acting.
09:02So I'm really sorry.
09:03Director is ready.
09:04We can start shooting.
09:06Perfect.
09:06Then, prepare everything.
09:07You should see the scene of the director and the whole.
09:10You should see it.
09:10You should see it.
09:11What happened?
09:12Where are we?
09:13We're going to be doing it.
09:14Let's go.
09:14I'm going to be with you too.
09:16Yes, why not.
09:17We're going to be doing it.
09:19Let's go.
09:24Excuse me.
09:25John, the doctor said that you'll be a girl.
09:27Can you trust us?
09:30Excuse me.
09:31We're going to be a girl.
09:32You can trust us, darling.
09:33If we're a beautiful girl,
09:35she'll see you.
09:36She'll be disciplined too.
09:38I'm going to ask what's happening here.
09:40Let's see, Charoor.
09:46John, I don't know what's happening here.
09:49What's happening here?
09:50I don't know.
09:52Why are these people here?
09:54I don't know.
09:55I'm a married cameraman.
09:56How will I know?
09:57You guys are here.
09:59What's happening here?
10:01He's shooting a film.
10:03He's coming here.
10:03He's going to set everything.
10:04He's going to be ready for 4-5 hours.
10:06He's going to have enough time to go.
10:07Erdem has lost us today.
10:09He's lost.
10:10Erdem.
10:11Why did Erdem give permission to him?
10:13I'll kill him.
10:14I'll kill him.
10:15I'll kill him.
10:16What's the government saying?
10:17What will he say, brother?
10:18There's nothing to say.
10:19Erdem has contracted him.
10:21Our hands are closed.
10:22And now I'll give you a joke.
10:24Aida and the government are acting.
10:26You're enjoying it.
10:27Yes.
10:27Oh, right.
10:30Meanwhile, our attorney is still acting.
10:31He does and he acts.
10:32Sir Khan, acting.
10:33Someone roomed.
10:34No one more.
10:35Brother Lee knows.
10:36What is this?
10:38Trust me.
10:39Who can do casting work acting?leton
10:40scenes? Maybe
10:42you would be of a handsome actor. But
10:45the director has to ask about their blood at their hands. Don't
10:47let go to their blood. E�를
10:47anything. Are those
10:48doing him? Here is
10:48a blood shooting. After them
10:50isó. Oh my
10:50horses. Shoot them?
10:52Let's go in the cabin, let's work in the cabin, let's work in the cabin.
10:56I'm thinking you're excited about everything.
10:59Okay, ready?
11:00We're starting the scene from 2.
11:10Let's go, re-hustle.
11:12In fact, I didn't sleep last night.
11:17Let's go, I'll talk too.
11:19Look, what I was saying, I've been told.
11:22Belta.
11:25I thought about our past nights.
11:27It's not a rehearsal, it's a rehearsal.
11:29You have to take it out, right?
11:30But they're now gone, Belta.
11:34What are you doing?
11:35They're wrong.
11:36They're wrong.
11:37Wrong.
11:37Wrong.
11:39Do you think we're wrong?
11:41We're not shooting.
11:42No, we're not shooting.
11:43We're doing a rehearsal.
11:44We're starting the lines.
11:45We're starting the lines.
11:46We're starting the lines.
11:53We're trying to do it.
11:53What do you think?
11:54You're getting it.
11:54It means this.
11:55Tell me what I said.
11:57That means it's the same.
11:58And it's the same.
12:00It's the same.
12:00You're all in the past.
12:02So you're going to become a full circle.
12:03You're right.
12:05So I'll do it.
12:06Fine.
12:07Come on.
12:08We'll do it.
12:17Thank you very much.
12:22Thanks.
12:23Good.
12:23Good.
12:25This microphone is going to go to my feet with my feet.
12:28What do you want to do?
12:29I'm going to start soon.
12:31Look, I don't know that they have so close to it,
12:34that they are going to go back and back and forth.
12:36I'm confused.
12:37See?
12:38I don't know how the actors are doing this.
12:40Wait, wait, I'm coming.
12:44Thanks.
12:45Where are you going?
12:48Where are you going?
12:49Get ready.
12:49Okay, Director.
12:50I'm going to give you a call.
12:51You ready?
12:52Yes, I'm ready.
12:53Yes, I'm ready.
12:54Do you remember your lines?
12:55Okay.
12:55Do you want to start?
12:57Yes, start.
12:58Yes, start.
12:58Yes, start.
12:59Three, two, one.
13:01Rehearsal.
13:02Feiza, I didn't sleep last night.
13:06But those nights are now gone, Belta.
13:12I'm thinking about our previous nights.
13:15But those nights are now gone.
13:17Now they are again.
13:19Hold on.
13:20Stop.
13:20Cut.
13:20Cut.
13:22Aida.
13:22Listen.
13:23Take water quickly.
13:26What's going on?
13:27Marija.
13:28Are you okay?
13:29I'm okay.
13:30Marija.
13:31Miss Aida, you're okay, right?
13:33I'm okay, Director.
13:34Sorry.
13:35I'm disturbed.
13:35Lela, what did we do in that meeting?
13:37No, no.
13:37Cancel.
13:39Cancel.
13:39Cancel.
13:40Cancel.
13:41Cancel.
14:01Cancel.
14:02I'm going to find you.
14:04Now, here.
14:08In two months.
14:10And you're right?
14:10Aida.
14:10Okay, let's start.
14:11I'm thinking about your previous nights.
14:12Okay, start.
14:14Okay.
14:16I've always thought about your previous nights.
14:19but the nights have been stopped
14:21do you think this is very close?
14:23wait a second
14:23I don't think this is very close
14:25what do you think this is not?
14:27they are holding hands to others
14:28they should be different
14:29they are going to break up
14:30so they don't have to stand so much
14:32because they are the love of Kaila
14:35why don't we keep them under it?
14:37I don't think that
14:39I can't believe
14:41great idea
14:42what?
14:43what a bad idea
14:45what a bad idea
14:46this is a bad idea
14:47one car is a metaphor
14:50which tells us about them
14:53where you can't even get them
14:55this is chemistry
14:55it's not a bad idea
14:57I don't think this is a bad idea
15:00I can't see you on the red carpet
15:02I can see you on the red carpet
15:04one car is a metaphor
15:06one car is a metaphor
15:08I'm not doing this
15:10I'm talking about this film
15:11so that this is a good chance for us
15:14what do you know?
15:15what are you talking about?
15:16what are you talking about?
15:17yes
15:17first tell us what we are keeping it
15:18I've been working for this film
15:19I've been working for this film
15:21and you also have to work for you
15:23you will be working for this film
15:24you will not be the genius director
15:24thank you, Aida
15:26see Aida, as soon as soon as we do this
15:27we will keep the task
15:29we will keep the task
15:30what are you doing?
15:31what is this?
15:32what is this?
15:37what is this?
15:37if you make it too far
15:39then it will be very good
15:41and for you too
15:42okay
15:43what is this?
15:44I don't understand
15:45how are you doing?
15:46how are you doing?
15:46and finish it?
15:50don't ask me please
15:51I have written it
15:52but it won't go too
15:53I have written it
15:54I have written it
15:54I have written it
15:55I have written it
15:55I have written it
15:56I have written it
16:07I have written it
16:07I have written it
16:08I have written it
16:10I have written it
16:11I have written it
16:12I have written it
16:14I have written it
16:14from that part
16:153, 2, 1
16:17rehearsal
16:20we can be together
16:22director
16:22this is impossible
16:24guys
16:24this is impossible
16:25we have not done yet
16:26I will not do it
16:27I will not do it
16:29your meeting
16:30Mr. Sirkan
16:30what are you meeting?
16:32we forgot the time of meeting
16:34I will not do it
16:36what are you doing?
16:37someone will tell me
16:38can you give me some water?
16:40can you give me some water?
16:45Sirkan
16:47you left the rehearsal
16:48where did you go to the rehearsal?
16:50no, no
16:51I have nothing to do with all things
16:55I wanted to be alone
16:57so I wanted to be alone
16:58I can understand you
17:00Sirkan
17:01you are not familiar
17:01it is not easy
17:02I feel like
17:04we are not familiar
17:06we are not familiar
17:06we are not familiar
17:08what are you doing
17:10what are you doing
17:11you can go to the dressing
17:14yes, Puran
17:15why not
17:16I am
17:17looking at
17:21I am
17:22you are late
17:23you are not
17:23always
17:24I am
17:24there is
17:25time
17:25now
17:26Now we have to go, Ms. Puran. Thank you.
17:33Let's go.
17:37Let's go again.
17:41Let's go again.
17:48Yes.
17:53Let's go again.
18:00Let's go.
18:01Let's go.
18:01Let's go.
18:02Let's go.
18:02Sir Khan.
18:04Why are we doing all this?
18:07Because we have written our wishes.
18:11And we have to complete it.
18:14And we have to complete it.
18:16Sir Khan, I know everything.
18:18Tell me.
18:19What?
18:20Why are we doing this?
18:22Is there anything you are hiding from me?
18:25I don't hide anything from you.
18:30Look, I love you very much.
18:34I love you very much.
18:36I love you.
18:45I love you.
18:52I love you very much.
18:57I love you.
18:58I love you.
18:58But...
18:59Sir Khan.
19:00What are you inside?
19:04Sir Khan.
19:06I'm waiting for you.
19:08Hurry up.
19:09What are you doing here?
19:09What are you doing here?
19:10How do you know that you are here?
19:11You shut up.
19:12Shut up.
19:13But how?
19:13What?
19:14You also shut up.
19:16Sir Khan.
19:18Ms. Puril.
19:19Look, everyone is looking for you.
19:21Before we shoot four scenes.
19:24Please come to the car.
19:25You're on time.
19:26Never leave me alone.
19:28Let's go.
19:29I'm coming.
19:31Let's go.
19:40I'm coming.
19:41I'm coming.
19:43I'm coming.
19:47I'm coming.
19:47That's a walk.
19:54Let's go.
19:56Do you want to know about the government's changed the situation about the report?
19:59What do you say about the people?
20:01You're enjoying it.
20:02What are you doing here?
20:02What are you doing here?
20:03What are you doing here?
20:03We told you that they are all in the trailer.
20:05But Sir Khan has become an actor.
20:07Look.
20:07This is my friend.
20:08You can never know what he is going to do.
20:10Because he is the government.
20:11Whatever he does is the best to do.
20:13You know.
20:14He has written extra scenes for him.
20:16You're enjoying it.
20:17You're enjoying it.
20:17You liked both.
20:19But for two days.
20:20Only a small role.
20:21They will do both acting and then end.
20:23Bro.
20:24What do you know Sir Khan?
20:25He doesn't stay stable.
20:26He will find some way.
20:27He will find some way.
20:28I don't know how many problems he will take.
20:29He will find some way.
20:30I will find him.
20:31He will find himself.
20:33He will find some way.
20:33He will find himself.
20:34How long do you know?
20:35I know.
20:35I have told you.
20:36What did I do?
20:37No cheating.
20:39what happens if you help you?
20:41you are not going to die
20:42but what can I do?
20:44what can I do?
20:45I don't understand
20:45that you don't know
20:50that you don't understand
20:50that you don't understand
20:51that you don't understand
20:51you are saying that
20:58our plan was to put a note in the bottle
21:00and put it in the water
21:02so that no one can read it
21:03it can be a message
21:05it can be a message
21:05and I don't understand
21:07what to write
21:09this is true
21:11we are writing it
21:13not for someone else
21:14if someone finds it
21:17how do we know that we have written it
21:19there will be no idea
21:21why not
21:23why not
21:25we can write our name
21:26we can write our name
21:28we can write our address
21:30think about it
21:31now we will be 90
21:32or 100
21:34we will be 100 years
21:35then someone will find us
21:37we have written it
21:39and we will never forget
21:40we have done it
21:45we have done it
21:48never forget it
21:51we will never forget it
21:54we can write it
21:56we can write it
22:01apna
22:02you have made it
22:03you can read it
22:05and you can write it
22:06the name
22:06we will never forget it
22:06that, we do not know it
22:06that we will never forget it
22:11I'm sorry.
22:12I'm sorry.
22:13I'm sorry.
22:13I'm sorry.
22:13I'm sorry.
22:13I'm sorry.
22:14I'm sorry.
22:14I'm sorry.
22:14Don't write.
22:15Sir Khan Bulat.
22:17Art Life.
22:17My name?
22:20Can you tell me what you wrote?
22:25Okay.
22:26I'm sorry.
22:26I'm sorry.
22:27I'm sorry.
22:28Okay.
22:33Look at the dreams.
22:36I'm sorry.
22:37Look.
22:38If you didn't find a dream,
22:39I'm really happy to return my dreams,
22:40then they'll be filled.
22:43What about that?
22:44I want to say that this is an opportunity to make a difference.
22:47Wow.
22:48Now, I will bring you.
22:49Okay?
22:50If you are helpless or hopelessly,
22:53I think you are half a by closing,
22:55it can only be given to us.
22:59Okay.
23:01But it's not really sad for you?
23:03Yes, probably.
23:07With my brother, I wanted to do this.
23:13When we were very small and were going to the beach.
23:17We got a bottle and we were going to get this bottle.
23:21We had to open it and we thought we could have no letter.
23:25But there was no letter.
23:27Then we had to give a second to say that we will have to make one letter.
23:32We will put it in the bottle and put it in the bottle.
23:34But we never had a chance to do this.
23:37And you are now with me.
23:42Are you ready?
23:45One second.
23:48Now I'm ready.
23:50Let's go.
23:53What are we going to do? We will send it to you.
23:55Are you ready?
23:56Mm-hmm.
23:58Mm-hmm.
23:58Mm-hmm.
24:00Ready?
24:01Yes.
24:04I'm starting the bag.
24:05Okay.
24:06Three.
24:08Two.
24:09One.
24:27Let's see.
24:27Do you realize that you should.
24:28You don't have a treatment
24:34What a wife
24:35I want to say
24:36This is not a good thing
24:38You can't help
24:42You're on time
24:43You don't use a treatment
24:44I don't want to be very ill
24:48I don't have a observation
24:49What do you want to say?
24:50I think I want to say
24:52Hypnotize
24:53I want to be a patient
24:55I want to fruits
24:57I want to know
24:57A people who are in alık
24:58This person will not teach you this kind of hypnosis.
25:01Yawn, damn.
25:02I got a lot of information from the internet.
25:04I want to ask some questions.
25:09That's it.
25:11Let's write a special scene, okay?
25:13Hypnosis scene.
25:15What?
25:32Oasa, asa çünkü.
25:35Delimdekiler kalmadı düştü.
25:37Bir anda tersine döndü.
25:40Gerçeği gördüm, hayalime küstü.
25:43Oasa, asa çünkü.
25:46Delimdekiler kalmadı düştü.
25:48Bir anda tersine döndü.
25:51Gerçeği gördüm, hayalime küstü.
25:54Çok zordu iyi de bana sor.
25:56You can start, look back to the end
25:59You get your own way behind, I'm in pain
26:02You get your own way, I'm not getting your own way
26:04I don't have a thought, I'm not thinking about it
26:08Maybe I'm a bit lazy, I'm not thinking about it
26:11I'm a bit lazy, I'm not thinking about it
26:16I'm not thinking about it
26:17But I don't have a thought
26:20Because there are no way left, I'm not thinking about it
26:24Biam da tersine döndü, gerçeyi gördüm hayalime küştü.
26:29Vahya sahara şükür, elimdekiler dalmatı tüştü.
26:35Biam da tersine döndü, gerçeyi gördüm hayalime küştü.
26:54Yes, dad, I will tell you.
26:57Kuch haÄŸa, I will tell you.
27:00First of all, you believe me.
27:01What I tell you?
27:02I know you, dad, you like your mother,
27:04for this reason I can never tell you,
27:06because we don't know too.
27:09We do not know if you are a girl or a girl.
27:12Oh, Ingin a year, insin a year.
27:15One minute.
27:15Ingin a year, arms in the house.
27:18He's saying hi, dad.
27:20Yes, he's saying hi.
27:22Yes, Dad.
27:23He is saying hi.
27:24Yes, Dad.
27:25Yes, I remember.
27:27There is a meeting now, Dad.
27:28We will go.
27:29I will call you later.
27:31Okay, Dad.
27:35What did you do?
27:36Did you tell your dad that he's coming?
27:39What do you think?
27:40I told him this.
27:41I didn't tell him.
27:42I didn't tell him.
27:43My dad wants to tell him.
27:44He told him to tell him.
27:46My uncle and his whole family.
27:48What happened?
27:49Oh, God.
27:50Are you a girl?
27:51I can do it, darling.
27:53Don't you care about me.
27:54Yes, you can do it.
27:55Last time you told me,
27:56you will remember that my father had been in the jungle.
28:02You do it.
28:04Who will tell him?
28:04Who will tell him?
28:05I can't tell him.
28:07I have no courage.
28:07You can't tell him.
28:08No, we will tell him.
28:10Who will tell him?
28:11Lela.
28:11Lela will tell him.
28:12He will tell him.
28:13He is a girl.
28:14She is a girl.
28:14She is a girl.
28:14She is a girl.
28:15She is a girl.
28:16Why would she tell me?
28:17He doesn't know my dad.
28:19You can feel me.
28:20But you don't need a stress in this time.
28:22You should have a quiet and calm.
28:25I'm very calm.
28:26I'm a calm.
28:27I'm a calm.
28:28I'm a calm.
28:28I'm a calm.
28:28I'm a calm.
28:29I'm a calm.
28:31I'm a calm.
28:32I'm a calm.
28:34I'm a calm.
28:37I'm a calm.
28:38I'm a calm.
28:40I'm a calm.
28:40You have to be focused on me.
28:43I want to do a good thing.
28:44He is working with a coach.
28:46He will get to the police.
28:47He is a leader.
28:48He will congratulate him for the trailer.
28:49And he will talk about it.
28:50It's a good thing.
28:51What do you say?
28:51Okay, let's go.
28:53Okay, let's go.
28:54Okay, you ready. Take your hands.
28:57I'm waiting for you in a car.
28:59Okay? Okay, let's go.
29:05Do you really need to tell Lella?
29:07The idea is not bad.
29:11Do you need any help?
29:13No, darling, I made it.
29:21The hubble tea is ready.
29:29I think this will be right after this day.
29:32You know, it's good for me.
29:34It's good for me.
29:34It's good for me.
29:36It's good for me.
29:37It's good for me.
29:38It's good for me.
29:40It's good for me.
29:42Oh, see.
29:46It's good for me.
29:48Hello.
29:48Hello.
29:50I hope that I'm not going to be frustrated,
29:52but I was here to come.
29:53Aida has to talk about the scenes of you yesterday.
29:57Which scenes of you?
29:58Aida also has extra scenes.
30:00Yes.
30:01There are things like this, right?
30:03At any time, you can change anything.
30:05I got a printout.
30:06Okay.
30:06But what do I have to do?
30:08I said, let's do it.
30:09Let's do it.
30:09So this will happen again.
30:12Okay.
30:13If you have written scenes,
30:15then do it.
30:15And what?
30:16It will end.
30:16It will end.
30:17It will end.
30:18Okay.
30:19Where will we do and what will we do?
30:20Aida, the shooting is there.
30:22There is also a wide camera.
30:23We can practice well.
30:25We have to go so far.
30:26What do we need to go so far?
30:28We can do it here.
30:29We can do it here.
30:29We can do it here.
30:30But the feeling of it is also important.
30:33Yes.
30:33But we will go into it.
30:35It will be good.
30:36Okay.
30:37Okay.
30:41Okay.
30:41Okay.
30:42Okay.
30:42Let's go.
30:42I will not kill her.
30:45I will not kill her.
30:45I will not kill her.
30:45I will not kill her.
30:48Okay.
30:48Okay.
30:49We will do it here.
30:50And you will want a peace.
30:53See you, Serkan.
30:57See you, Serkan.
30:59Serkan, darling.
31:01It's good, my dear.
31:02Enjoy it.
31:04Enjoy it.
31:06Enjoy it.
31:07Enjoy it.
31:09We will do it.
31:11Let's get back.
31:14Have fun.
31:37Have fun.
31:39I think that if we have a house of two acres, then what is necessary to stay in the trailer?
31:44That our house is two acres?
31:45It's more than that.
31:46I think it's probably three acres.
31:48Is it two acres?
31:48Yes, it's true.
31:49I think it's ten acres.
31:51Yes, I think it's probably like this.
31:53If you're in a small place, you'll find it.
31:55That's the perception.
31:56Our acre goes up.
31:58And you go up in the bagel.
32:00We have four or four of us.
32:02It's true, right?
32:03If you look at it, your house is very big.
32:06This is a big deal.
32:09I think that I'm thinking about it.
32:13I'm thinking about it.
32:15I'm thinking about it.
32:16What are you doing now?
32:18Why don't we go and take them one time?
32:22What do you say?
32:23I'm happy that we're talking about it.
32:25I'm thinking about it.
32:26Let's go.
32:26Yes, of course.
32:27She's my child.
32:28I love her.
32:29We're going.
32:30Yes, calm down.
32:32There's a small trailer.
32:33What do we go there?
32:34We're all going to go there.
32:35We're all good.
32:35Why don't we go down your skirt?
32:37You're my mother.
32:38But it looks better.
32:41No.
32:41This looks good with you.
32:43I like this brand.
32:46Let's drink tea.
32:47Then we go.
32:48Okay.
32:50No.
32:50I'm very excited.
32:52Let's go.
32:52Let's go.
32:54Let's go.
32:54Let's go.
32:55Let's go.
32:55Let's go.
33:01Let's go.
33:05Let's go.
33:15Let's go.
33:16Let's go.
33:18Let's go.
33:26Let's go.
33:33Let's go.
33:35Let's go.
33:36Let's go.
33:46Let's go.
34:07Let's go.
34:08Let's go.
34:09Let's go.
34:11Let's go.
34:12Let's go.
34:18Let's go.
34:21Let's go.
34:24Let's go.
34:25Let's go.
34:25Let's go.
34:26Let's go.
34:34Let's go.
34:35Is it for Eda?
34:37Not about it?
34:37It's completely annoying.
34:38I'm sure that the decision taken out of it.
34:40What's this one?
34:44Let's go.
34:45He's getting really worried.
34:46Why are you worried?
34:47He's so rude.
34:48But they can make regular coffee.
34:50Eda.
34:51I think he's not here.
34:54One car is coming.
34:57Who is?
34:57I can show you too.
34:59Maybe you can see it.
35:01Who is it?
35:07Ah, Ariel and Peryl.
35:09Ah, Ariel and Peryl are here.
35:12If I don't know, two of them are not the Peryl and Nisaiwan.
35:15Hello? Hello?
35:17What are you doing here?
35:18We both have to get here from the government.
35:21But they are not here.
35:22They are not here.
35:23Who are they?
35:24Look at that.
35:25We have to go to the resturant.
35:26We can go to the restaurant tomorrow.
35:28Let's go, let's see.
35:29Okay.
35:30Let's go, let's go.
35:33You're sitting on a seat like this.
35:36Now, you're watching my pendant.
35:40You're asleep.
35:41Where is the government going?
35:43Look at that.
35:44You don't need to disturb them.
35:46Don't bother them.
35:48Which scene is starting?
35:52You're watching.
35:56You're safe and comfy.
36:03You're relaxed.
36:06You're relaxation.
36:08You are relaxed.
36:12You're relaxed.
36:17You are comfortable.
36:21You're comfortable.
36:22You've got myself.
36:23You've表 немножidente.
36:25I have a question.
36:26You need to focus on me.
36:32Aida, you love me very much.
36:36I keep you good.
36:38I love you very much.
36:41You love me.
36:43Okay.
36:46Whatever I want, I will do.
36:51I need to listen.
36:53I'll listen to the others.
36:59You're not an answer.
37:06You're not an answer.
37:10I'm not an answer.
37:13The answer will be an answer.
37:15You're a venerable Zan.
37:17which I don't know, is not a good person.
37:21I will give you one to five, and you will go.
37:29One, two, three, four, five.
37:44This rehearsal was really good.
37:47Yes, it was very good.
37:49Now tell me what you will do.
37:52I don't have anything.
37:54We can sit here and talk.
37:56It will be good.
37:57You don't have anything to do.
37:58Someone who is waiting for you.
38:00No.
38:01My auntie will be sleeping at home
38:03and sleeping in the chair.
38:05And the chair is in the chair.
38:06You don't have anything to do in the trailer, right?
38:09Tell me.
38:10No, no.
38:11We can talk here.
38:13We can do it.
38:15Okay.
38:18What?
38:19I have told my auntie.
38:22And my auntie is here.
38:23Auntie, what are you doing here?
38:25I am so happy.
38:27I am so happy.
38:28Why are you here?
38:31What are you doing here?
38:31I will ask you.
38:33Do you all here?
38:34Are you here for Aida?
38:37Yes, absolutely.
38:39This is always my love.
38:40Tell me.
38:41There's no other way to me.
38:43No.
38:45Let's go.
38:46Let's sit together.
38:47Come here.
38:49Hello, Aida.
38:50I am so happy.
38:54I am so happy.
39:26I am so happy.
39:30I am so happy.
39:32I am so happy.
39:35I am so happy.
39:45Great.
39:45I am so happy.
39:51I am so happy.
40:05I am so happy.
40:06I am so happy.
40:07I am so happy.
40:08I am so happy.
40:11The fuck is so happy.
40:18Don't do me. I'm hungry. I'm eating.
40:21I'm eating.
40:21Here everyone is. My mother is here.
40:24Then I'm making a mess.
40:25What do you want?
40:27A big man is running.
40:29What are you doing?
40:30We were thinking about this.
40:32But what is this camera prank?
40:34You're pranking me with me.
40:36I know you've got hidden camera.
40:39What are you doing?
40:41What are you doing here?
40:43I'm not going to get into trouble.
40:45What are you doing?
40:47How do you know my partner?
40:49How do you know me?
40:50You don't know me.
40:52What are you talking about?
40:53What are you talking about?
40:54How can you be a bitch?
40:56I'm a bitch.
40:58You've kept me for nine months.
41:00I'm not a bitch.
41:01I'm not a bitch.
41:03How can you tell me?
41:04How can you tell me?
41:05I don't know.
41:06I don't know.
41:08You're stressed.
41:10I'm happy.
41:12What happened to me?
41:15Hypnosis.
41:18Hypnosis.
41:18Yes
41:19Yeah, other scene I was doing a hypnosis scene.
41:22They are all looking at some rehearsals
41:24and they all have all hypnotized.
41:26So you're all hypnotized?
41:29Yes.
41:30Look up Poren.
41:31What you did,
41:32you did,
41:33cut off him.
41:34I don't want my family's friends
41:35hypnotized.
41:36Please, do alright.
41:38Alright.
41:39Then I'll try to talk for you.
41:41Okay, alright.
41:42I'll try to talk again.
41:42Whatever you did him with me.
41:44Listen, he is here now.
41:50Yes, now you all need to take care of my pendant.
41:53I'll give you 5 times and everything will be fine.
41:56What do you mean?
41:58Look at my side.
42:01Look at all, look at all.
42:03Yes.
42:05You all know the government.
42:07You all remember the government.
42:09Who is the government?
42:10I'll give you 1 to 15.
42:14You all remember the government.
42:17I'm going to give you 5.
42:20Now everything will be the first one.
42:251, 2, 3, 4, 5.
42:33Come on.
42:335.
42:36I'm feeling very happy.
42:38I'm feeling very happy.
42:39Come on.
42:40We've all come here.
42:41We can eat food.
42:42What are you doing here?
42:43What are you doing here, sir?
42:44Why are you doing this?
42:45Why are you doing this?
42:46Why are you doing this?
42:46Why are you doing this?
42:47Why are you talking about hypnosis?
42:48What are you doing here?
42:48I thought you are a man.
42:50You are a gentleman.
42:51That's why we listened to you.
42:53But now it's just a lot.
42:54What are you doing here?
42:55What are you doing here?
42:57What are you doing here?
42:57Take it.
42:58You're...
42:59What are you doing here?
43:02I am going to help you.
43:03Take it.
43:03Let it go.
43:05I'll call you.
43:07Take it.
43:07What are you doing here?
43:08What is it?
43:09What are you doing here?
43:10You're all gone, you're crazy.
43:13You're all fucked up, you're a doctor.
43:14You need a doctor.
43:14Doctor.
43:14Doctor!
43:15In the truth, Sir Khan Bhulat.
43:26So you guys did a lot with me?
43:27Yes, when I saw that Aida is hypnotized,
43:30I had to tell you about the details and the details.
43:33And I also got involved.
43:34I don't want to call my mother.
43:35I'm here too.
43:36Yes.
43:37And Puran said that he can hypnotize me.
43:40He's also a pendant.
43:42He's obsessed with you.
43:43We all know.
43:44He was also a person in the first sight.
43:46But this is an exaggeration.
43:48He can make me a fool.
43:50Do you mean me?
43:50Yes, absolutely.
43:53But Angin and I did a good job.
43:56Angin has done the action of Kamal.
43:57He should get a Oscar.
43:58He will come back.
43:59I'm going to call him.
44:02Look how he is.
44:03Hey, Angin, Kamal.
44:04I don't like my face.
44:05Hey, hey.
44:06Keep your hands down.
44:06I know everything.
44:07I know everything.
44:08I know everything.
44:10I know everything.
44:12I'm a fool.
44:13I'm a fool.
44:13Angin, you told me.
44:15I don't want to call him.
44:16I'm not getting a Oscar.
44:17What's going on?
44:17What's going on?
44:18You tell me.
44:19Don't exaggerate me.
44:20Don't exaggerate me.
44:21A man comes to whom we don't know.
44:24A mother says a mother,
44:25who looks at her daughter's age.
44:27What's the matter?
44:28What's the matter?
44:29Who's the matter?
44:30Who's the matter?
44:31Who's the matter?
44:31Who's the matter?
44:33Who's the matter?
44:34I can tell you.
44:35Listen to me.
44:36A woman came here.
44:37Who's the matter?
44:38She's the matter.
44:39She's the matter.
44:41She's the matter.
44:42She's the matter.
44:43What are you saying?
44:45Look at me.
44:47Look at me.
44:48Oh, oh, oh.
44:52Sir Khan?
44:53Where were you?
44:55I said to you.
44:56I said to you.
44:57I was looking for you for hours.
44:57You sent a location.
44:59What's going on?
45:01What's going on?
45:02I feel like it.
45:03Let's go.
45:04Let's go.
45:05Let's go.
45:05I don't understand.
45:07Bye.
45:08Bye, sir Khan.
45:09Enjoy.
45:11How are you?
45:13How are you?
45:14Tell me.
45:15How are you?
45:16How are you?
45:16How are you?
45:17How are you?
45:17How are you?
45:18I don't remember.
45:18What?
45:19I don't remember.
45:19You're all reading.
45:22I don't remember.
45:23I am a proud.
45:23You're all reading.
45:24How are you?
45:25How are you, sir?
45:31I don't feel good.
45:32I don't feel good.
45:33I don't feel good.
45:33I'm over the months.
45:35But these months have happened.
45:37Now it's not happening.
45:38You don't know.
45:38I mean, when I was hypnotised somewhere,
45:41I thought I was thinking of such.
45:44That's all I have.
45:46What?
45:46What?
45:47Do you remember the rules?
45:50I think we should break all the rules.
45:54We were going to eat food.
45:56Let's go.
45:56We have a beautiful trailer.
45:58We're going to eat.
46:01You're crazy.
46:16We're going to eat.
46:40Sarcan?
46:45You're going to eat.
46:50Are you sure?
46:51I think that's why.
46:55It's still OK last day.
46:56I don't care.
46:57I don't care.
46:57I don't care.
46:58You're OK.
47:10I don't care.
47:11You are really ugly.
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