- 9 hours ago
The Crown S02E04 [Full Movie] [English Subs]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47And I know the rules
00:03:51They live
00:03:52And I never have
00:03:53I'm your old faithful
00:03:54And I know the rules
00:04:07And I know the rules
00:04:07I might be
00:04:07But I know the rules
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48You suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:14All right.
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there.
00:05:39Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:44Oh.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:59What?
00:06:01To whom?
00:06:03Emily Wallace.
00:06:05Emily Wallace.
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh, Christ.
00:06:14So, if I were to accept it would be ... a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party
00:06:30for our tenth wedding anniversary,
00:06:32and you and Billy could use the occasion
00:06:35to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:43Well, that's settled, then.
00:06:46My pleasure. Good night, Margaret.
00:07:26I'm one of the best friends in the world.
00:07:36And you see.
00:07:38And you see.
00:07:46And you see.
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00:31:18These dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either.
00:31:45Not with me yet.
00:31:46We have.
00:31:48Where have we met?
00:31:50Perhaps they'll come to you.
00:31:52Now, where to begin?
00:31:56Huh.
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:01Irresistible?
00:32:02Oh, come on.
00:32:03A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune, married to the blonde beauty opposite.
00:32:13Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:25Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell, makes documentaries for the BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff in that movie, you know, actress.
00:33:04No one can quite make out why she's never a rather brilliant film producer for a dreary politician.
00:33:13His name's John Perfumo.
00:33:16Fucking doll.
00:33:17It's true.
00:33:18It's true.
00:33:19But, the older gentleman beside her.
00:33:23Oh, no, no, no, no, no, I know who that one is.
00:33:24That's Don Betcham.
00:33:25The poet.
00:33:26Um.
00:33:29Books from boots and country lanes.
00:33:32Free speech, free passes.
00:33:34Class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy and...
00:33:42Robert Reigns.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:57Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God, you don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favor.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:30Ah.
00:34:32What, these are yours?
00:34:34Yes.
00:34:36Portraits.
00:34:37Hmm, I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they, then?
00:34:45Hmm, people.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03I caught them off guard.
00:35:04Uh, it's all luck, really.
00:35:07It made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe.
00:35:24Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:27Just doors, Gemini.
00:35:29The facade is only useful as a mark-up or something one has to get behind or beyond.
00:35:34Service is so dreary, don't you think?
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide, that interests me.
00:35:49But you get so close.
00:35:52Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small Leica, nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer.
00:36:09And in the end, it's kind of like...
00:36:11It's an intrusion.
00:36:17Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:46Go on.
00:36:48When you come to my slum's studio, leave the titles and princess outside.
00:36:53Happy to.
00:36:54And for the duration of the session, you do everything I say.
00:37:00Don't look like that.
00:37:03You're dying to, miss it.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to when nobody got up.
00:37:22I bowed.
00:37:23I bowed.
00:37:24Curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:29Those that did talk to me did with such indifference or nonchalance it verged on.
00:37:37Impertinent.
00:37:38There was this one, in particular.
00:37:41Tony.
00:37:42Anthony, surely.
00:37:43Tony.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47This is a photographer.
00:37:50Mike Cecil?
00:37:50No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Well, interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So what did she say?
00:38:19One.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:22No, not particularly.
00:38:24Well, that he had polio as a child.
00:38:27That he has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not all together, sure.
00:38:40But I'm also not even curious to find out.
00:38:43What was number five?
00:38:46That was five.
00:38:47No, Margaret, that was four.
00:38:49Well, all right.
00:38:50Five is...
00:38:52I liked him.
00:38:53Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:03For me.
00:39:06For us.
00:39:08For everything we represent.
00:39:13I actually think you'd like him.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:39:21Upstairs!
00:39:38Upstairs!
00:39:41Upstairs!
00:39:42Upstairs!
00:39:42Upstairs!
00:39:42Upstairs!
00:39:43Upstairs!
00:39:43Upstairs!
00:39:45Upstairs!
00:39:47Upstairs!
00:39:48Upstairs!
00:40:01Right.
00:40:06Wait there.
00:40:12Back in a minute.
00:40:19Back in a minute.
00:40:58Back in a minute.
00:41:22Back in a minute.
00:42:52Don't smile like that.
00:42:54It's lovely.
00:42:55Pretend.
00:42:57Too lovely?
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself, though I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm uncooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window?
00:43:21Sir, I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us outside the palace gates.
00:43:45That's because we keep feeding you the fairytale.
00:43:56Like this.
00:44:04Oh.
00:44:08Jesus.
00:44:10I'm sorry, but, uh...
00:44:14Cecil is a disgrace.
00:44:19Oh, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:30Well, they're my family.
00:44:33Yes.
00:44:41But their business with Peter Townsend...
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:46:02Do nothing.
00:46:04Do nothing.
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:50So...
00:46:51This is...
00:46:53Home.
00:46:57It's marvellous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:19Who's she?
00:47:23A friend?
00:47:25What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39The word is, it is not.
00:47:41This is Bob Boothby's love child.
00:47:43No.
00:47:46Thirty years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:57Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:06Oh.
00:48:10Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile. Get off.
00:48:20Sorry.
00:48:24Here, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What?
00:48:37People have signed their names.
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lane.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:20All right.
00:49:39Rhymes with peril.
00:49:46Put it back.
00:49:53Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:01Yes.
00:50:04What?
00:50:19We might feel like people ever.
00:50:19Get out or something we might have.
00:50:19What, sis?
00:50:23Thank you for having fun.
00:50:25Hey, I love you.
00:50:30Anyway, my mom, Betsy, go away with you.
00:50:54All right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you're pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:49Woman after woman has been here before me.
00:52:55Beautiful women.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:03You, um, you want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:21You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good.
00:54:26Then he can follow us.
00:54:42I'll get the ticket first.
00:54:44Who could get the ticket first?
00:54:45You can make the ticket first.
00:54:46The gift is a tourist.
00:54:47You could make the tourist.
00:54:47They're so lucky.
00:54:48Oh, man.
00:54:48I still can find the tourist.
00:54:49Oh, man.
00:54:50Just a tourist.
00:54:51Oh, man.
00:54:51Oh, man.
00:54:53I'm thinking about the tourist.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:27Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:55:37Hmm.
00:56:07Definitely not queer.
00:56:13Keep it.
00:57:15I don't know if it's cloudy or dry
00:57:20I only can't rise
00:57:30I only can't rise
00:57:40The moon is far from behind
00:57:46But I can't see a thing in the sky
00:57:55I only can't rise
00:58:03For you
00:58:15I don't know if we're in a garden
00:58:46I don't know if we're in a garden
00:58:57Come on, come on
00:58:59Maybe millions of people
00:59:01Come on, come on
00:59:04I don't know if we're in a garden
00:59:17I don't know if we're in a garden
00:59:29For you
00:59:32Oh, gracious
00:59:49Oh, la, la
00:59:50Ah
01:00:03Oh
01:00:24There you are
01:00:25Finally
01:00:36How is that?
01:00:38What is it?
01:00:56It appears she's naked
01:00:59It appears she's naked
01:01:01You
01:01:11You
01:01:15You
01:01:16You
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