- 9 hours ago
The Crown S02E04 [Full Movie] [Long Version]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47I must have
00:03:47I'll be in the world
00:03:49I know the rules
00:03:56I know the rules
00:04:06But I know the rules
00:04:12I'm a badass
00:04:12I know the rules
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:14All right.
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there. Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:04Yes.
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:12Christ.
00:06:15So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:08:33I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads.
00:08:41What is it doing up there?
00:08:42Notionally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right. You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:58They say that listening is important in any marriage.
00:10:03...first try.
00:10:04Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37How long do you want to do this?
00:10:38A day.
00:10:40Maybe two.
00:10:42It's the last time, I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:37Thank you, Martin.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:54Fairy tales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness, little less chin and...
00:12:06What do you think?
00:12:07I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:16I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:27Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:12And she sees her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:26Into a fantasy.
00:13:32Later, she will step out of her house.
00:13:35In a...
00:13:36A new neckerchief, perhaps.
00:13:38For which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal.
00:13:51Which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:22In the 20 or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:36What?
00:14:37I will get you.
00:14:42What a person is acting in truth.
00:14:44He's昨...
00:14:45...
00:14:47I'm trying to explain that.
00:15:06Ma'am, Lord Blanford just telephoned to apologize and say that Mr. Wallace may be indisposed this evening.
00:15:12They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:41Your Royal Highness, the Princess Margaret.
00:15:44Out of my way.
00:15:45Oh, shit. You must keep the leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01Well, what's going on? It's our announcement this evening.
00:16:05Unforeseen, sir, because I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend, Tennant, rather took offense at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me.
00:16:35But a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42No!
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:53But we faced the dorm with clear heads and strong hearts.
00:16:58Now, Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:15Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46And why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself
00:17:54quite the center of attention.
00:17:56It's as though every good-looking girl on Earth's taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:17Anyway, Tennant got wind of it.
00:18:19It's gone very cross.
00:18:28Yes, with reason.
00:18:32You're a pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:49You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:01Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:25Margaret.
00:19:27Margaret.
00:19:29Margaret!
00:19:31Oh, yes.
00:19:44Ma'am, I've been asked to tell you that Princess Margaret will not be announcing an engagement this evening.
00:19:51Our Royal Highnesses shall explain everything later.
00:19:53Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right, settle down.
00:20:21So, on my recent tour of the Pacific, I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply, ah, yes, sir, we have that trouble in our family, too.
00:20:43You know, when I imagined our marriage in the early days, I imagined two people welded together into some sort
00:20:50of combined existence.
00:20:53Ten years. Ten years has taught me the secret of a successful marriage is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13So, it's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves, and presumably, they see that hidden part of
00:21:25you.
00:21:27One ends up knowing more about one's partner than they know about themselves, and it can be pretty tough to
00:21:36keep quiet about it.
00:21:37So, you have to, you have to come to an accommodation, an arrangement, a deal, if you like, to take
00:21:46the rough with the smooth.
00:21:52But the extraordinary thing is, down there in the rough, in the long reeds of difficulty and pain, that is
00:22:05where you find the treasure.
00:22:10So, I would like to propose a toast, in the name of love, in the name of our beloved country,
00:22:20in the name of steadfastness, in the name of another ten marvellous years.
00:22:31I give you...
00:22:33I give you...
00:22:34...my petty shoe.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:54We are the Queen.
00:22:55We are the Queen.
00:22:56The Queen.
00:22:57And The Queen.
00:23:36I don't know.
00:23:47I don't know.
00:24:15I don't know.
00:24:26I don't know.
00:24:28I don't know.
00:24:30I don't know.
00:24:39I don't know.
00:25:03I don't know.
00:25:21I don't know.
00:25:39I don't know.
00:25:41I don't know.
00:26:16I don't know.
00:26:24I don't know.
00:26:45I don't know.
00:26:49I don't know.
00:27:15I don't know.
00:27:20I don't know.
00:27:30I don't know.
00:27:41I don't know.
00:27:54I don't know.
00:28:27I don't know.
00:28:32I don't know.
00:28:49I don't know.
00:28:55I don't know.
00:29:08I don't know.
00:29:11I don't know.
00:29:20I don't know.
00:29:30I don't know.
00:29:34I don't know.
00:29:39I don't know.
00:29:42I don't know.
00:30:03I don't know.
00:30:10I don't know.
00:30:14I don't know.
00:30:19I don't know.
00:30:20I don't know.
00:30:22I don't know.
00:30:23Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:26Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:37Oh, god, Jane.
00:31:11You're feeling a little left out.
00:31:15You're thinking to yourself,
00:31:18and these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either?
00:31:44What we've met.
00:31:46We have.
00:31:48Where have we met?
00:31:50Perhaps he'll come to you.
00:31:52Now, where to begin?
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:01Irresistible?
00:32:02Oh, come on.
00:32:03A nine.
00:32:04Surely.
00:32:05Seven.
00:32:07He's called Jeremy.
00:32:08He's heir to a chocolate fortune.
00:32:10Married to the blonde beauty opposite.
00:32:14Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:24Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell.
00:32:31Makes documentaries for the BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43No.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff in that movie, you know, actress.
00:33:04Yeah.
00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician.
00:33:13His name's John Perfumo.
00:33:16Fucking doll.
00:33:17It's true.
00:33:18It's true.
00:33:20But the older gentleman beside her.
00:33:23Oh, no, no, no, no.
00:33:23I know who that one is.
00:33:24That's John Becham, the poet.
00:33:25Um.
00:33:29Books from Boots and Country Lanes.
00:33:31Free speech, free passes.
00:33:34Class distinction.
00:33:36Distinction.
00:33:38Distinction.
00:33:39Democracy.
00:33:40Democracy.
00:33:41And.
00:33:42Proper dreams.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:53Hmm.
00:33:55I hope so.
00:33:57Better if he has three.
00:34:00We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God, you really don't remember?
00:34:14No.
00:34:14Hmm.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favorite.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:30Ah.
00:34:32What?
00:34:32These yours?
00:34:33Yes.
00:34:36Portraits.
00:34:37Hmm.
00:34:37I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they then?
00:34:45Hmm.
00:34:46People.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:05It's all luck, really.
00:35:07Made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:28Just doors, generally.
00:35:29The facade is only useful as a markup or something one has to get behind or beyond.
00:35:34The surface is so dreary, don't you think?
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide.
00:35:45That interests me.
00:35:49But you get so close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small Leica, nothing fancy.
00:36:03A natural light, which means that I can prowl around.
00:36:06All the while I'm getting closer and closer.
00:36:09And in the end, it's kind of like...
00:36:11It's a...
00:36:13Intrusion.
00:36:17Intimacy.
00:36:18Intimacy.
00:36:25That's right.
00:36:38How would you feel about taking my photograph?
00:36:40Well, I'd consider it.
00:36:43On one condition.
00:36:46Go on.
00:36:48When you come to my slum studio,
00:36:50leave the titles and princess outside.
00:36:53Happy to.
00:36:54And for the duration of the session,
00:36:57do everything I saw.
00:37:00Don't look like that.
00:37:02You're dying to.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to
00:37:21when nobody got up,
00:37:22bowed,
00:37:23curtsied.
00:37:25Some just carried on having conversations
00:37:27if I wasn't there at all.
00:37:29Those that did talk to me,
00:37:30did it with such indifference
00:37:32or nonchalance
00:37:34it verged on.
00:37:37Impertinence.
00:37:38There was this one,
00:37:39in particular.
00:37:42Tony.
00:37:42Anthony, surely.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47This is...
00:37:48photographer.
00:37:49Like Cecil.
00:37:50No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Interestingly,
00:37:59Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night
00:38:05and interrogated her.
00:38:05What are the five most important things
00:38:07I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So what did she say?
00:38:19One,
00:38:20it is Welsh.
00:38:21Is that interesting?
00:38:22No,
00:38:23not particularly.
00:38:25Well,
00:38:25he had polio as a child.
00:38:27He has a passion for
00:38:29inventing things
00:38:30and he would never dream
00:38:32of being anything
00:38:32as straightforward
00:38:33as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether,
00:38:38sure.
00:38:39But
00:38:41I'm also not even curious
00:38:42to find out.
00:38:43What was number five?
00:38:45That was five.
00:38:47No, Margaret,
00:38:48that was four.
00:38:49It was all right.
00:38:50Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:03For me.
00:39:06For us.
00:39:08For everything we represent.
00:39:13I actually think you'd like it.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:39:30a
00:39:31a
00:39:33a
00:39:43a
00:39:44a
00:39:51a
00:39:53a
00:39:53a
00:40:00Right.
00:40:06Wait there.
00:40:12Back in a minute.
00:40:27Back in a minute.
00:40:31Back in a minute.
00:40:42Back in a minute.
00:40:45Back in a minute.
00:40:47Back in a minute.
00:40:54Back in a minute.
00:41:05Back in a minute.
00:41:11Back in a minute.
00:41:19Back in a minute.
00:41:19Oh, my God.
00:42:52Don't smile like that.
00:42:54It's lovely.
00:42:55Pretend.
00:42:57Too lovely?
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself,
00:43:10although I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm uncooperative.
00:43:17Because you have no idea who you are.
00:43:19Look to the window?
00:43:21Sir, I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39We don't know who you are either.
00:43:43The rest of us, outside the palace gates.
00:43:45That's because we keep feeding you the fairytale.
00:43:56Like this.
00:44:04Oh.
00:44:08Jesus.
00:44:10I'm sorry, but, uh...
00:44:14Cecil is a disgrace.
00:44:19Oh, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:30Well, they're my family.
00:44:33Yes.
00:44:41But their business with Peter Townsend...
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent and old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:46:02Do nothing.
00:46:04Do nothing.
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:50So...
00:46:51This is...
00:46:53Home.
00:46:57It's marvelous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:19Who's she?
00:47:23A friend?
00:47:25What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39The word is, it is not.
00:47:41This is Bob Boothby's love child.
00:47:43No.
00:47:4630 years, they say, the affair's been going on.
00:47:48Right under the PM's nose.
00:47:49Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:57Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:06Oh.
00:48:10Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile. Get off.
00:48:20Sorry.
00:48:24Here, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What?
00:48:37People have signed their names.
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleo Lane.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:20All right.
00:49:39Rhymes with peril.
00:49:46Put it back.
00:49:53Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:00Oh.
00:50:07Mouse.
00:50:10Oh.
00:50:22Look at your eyes.
00:50:25You're gonna climb it to the kitchen.
00:50:25Ok, come again.
00:50:26I do this.
00:50:54All right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you...
00:52:36pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:57Mm-hmm.
00:53:01Then...
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret, I've never seen before.
00:53:31No one's ever seen before.
00:53:34No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46Someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:05You, um...
00:54:06You, um...
00:54:06You won't stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good, then he can follow us.
00:54:28George?
00:54:41I don't want tobones.
00:54:42No one's really happy.
00:54:44Sir.
00:54:46Yes.
00:54:48Good, then he wants to meet you before me.
00:54:50He bangs on May.
00:54:51Good, thank-bye.
00:54:51He is ok.
00:54:54Bye-bye.
00:54:54D safety, look at you for the real JB Kris.
00:54:54estar-ийky you properly...
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on, rather.
00:55:34On and on and on and on.
00:55:37Hmm.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:44I can't see anyone but you.
00:56:50Come on, come on.
00:56:54Come on, come on.
00:56:58Come on, come on.
00:57:02Come on, come on.
00:57:06Come on, come on.
00:57:14Come on, come on.
00:57:16Come on, come on.
00:57:17I don't know if it's cloudy or dry.
00:57:23Come on, come on.
00:57:40Come on, come on.
00:57:42Come on, come on.
00:57:42The moon may come behind.
00:57:48Come on, come on.
00:57:50But I can't see a thing in the sky.
00:58:15I don't know if we're in a garden
00:58:46I don't know if we're in a garden
00:59:03I don't know if we're in a garden
00:59:33I don't know if we're in a garden
00:59:39I don't know if we're in a garden
01:00:24There you are
01:00:25I don't know if we're in a garden
01:00:59I don't know if we're in a garden
01:01:16I don't know if we're in a garden
01:01:46I don't know if we're in a garden
01:02:16I don't know if we're in a garden
01:02:47I don't know if we're in a garden
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