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00:02.
00:30Pasha!
01:00.
01:00.
01:00.
01:00.
01:00.
01:01.
01:05.
01:06.
01:08.
01:08It's a little bit.
01:09It's up and down.
01:11That's not a lot of food.
01:13No.
01:13It's not a little food.
01:17It's a little bit.
01:20Hey, you know.
01:23What's up?
01:28Cállate.
01:29It's up.
01:31It's out of the way.
01:42So, what do you do to...?
01:46A bunch of people,
01:47they have not come.
01:48I had never come to someone.
01:51I didn't go to them.
01:53MALE począts.
02:08MALE
02:11oh
02:13is
02:50Oh
03:07I
03:08The musicians were the ones who played.
03:10This was the musicians.
03:12And then the girls were laughing.
03:14And the girls were laughing.
03:16And the girls were laughing.
03:18What the hell?
03:19To the crew.
03:19To the people the more happy.
03:24For the kids.
03:25And to the kids.
03:33And to the kids children.
03:34The women are killed.
03:36No, no, no.
03:37It's like a bat.
03:40Like the songs they say.
03:43He he he he he he!
03:44He he he he he he.
03:48I don't know.
04:26I don't know.
04:48At the end you ended up being a punk.
04:50Yes, I'm a punk.
04:52You're a punk.
04:55You ended up being a punk.
04:56Cierra de atrás.
04:57What do you want to say?
04:58I don't know.
05:00I don't know.
05:02I don't know.
05:17I don't know.
05:19I don't know.
05:19I don't know.
05:19I don't know.
05:20I don't know.
05:25You're a punk.
05:26I don't know.
05:28I don't know.
05:29I'm going to get out of here.
05:32I'm going to get out of here.
05:35I'm going to get out of here.
05:41I'm going to get out of here.
05:42Very good.
05:50Well, there were so many people who called to O'Quinn.
05:53The woman of O'Quinn said, no, he's the first.
05:55He's here to come.
05:57He's going to go out of here.
05:58I'm going to go out of here.
05:59I'm going to go out of here.
06:01Then I go out of here.
06:04When I'm going out of here,
06:06we finally we go out.
06:07I'm going to go out of here and have 18 hours.
06:09I don't know if I would sit on the side,
06:10if I would sit on the side,
06:12because I don't know how many people are doing it.
06:15It's like the seat is retractable,
06:19and the front seat was put on my knees on it.
06:21I'm going to get out of here.
06:23And it's cold.
06:24And I said, I can't go down the air, because it's a little cold.
06:29I said, I have to put it in the mini, but it's the last one.
06:34We had to stop there.
06:36Because the guagua hit against a truck.
06:41Where the people were going.
06:42Where they were going.
06:44Where they were going for the first time.
06:47There was a truck there, and the truck started to brake.
06:49But it seemed like the interruptions didn't turn off.
06:52Where they were going for the guagua.
06:54Goofy.
06:55Hey, guys.
06:57Yeah.
06:57Queda ahí tranquila.
06:59Un padre que te pasa.
07:01Yo soy socao.
07:02Tentarte mejor.
07:05Es que...
07:06Se parte de...
07:07La aplicación esa que tiene Daniel.
07:11Que tienes que ponerle el dedo y te dice cómo vas a morir.
07:14Que no sabes lo que van a inventar yo.
07:16Daniel, Daniel siempre tiene cosas esas.
07:18Locas en el teléfono.
07:19Son joderías.
07:19Está...
07:20¿Y cómo es la aplicación?
07:22Que tú le ponchas el dedo a...
07:24El táctil a la pantalla.
07:26Y te pone abajo...
07:26Te...
07:27Simula que te escanea el dedo.
07:29Y te dice cómo vas a morir y en qué año.
07:31Imagínate.
07:32A ver, sí, entiendo.
07:33Sí, tú le pones el...
07:35Como que te escanea la guagua artilar y...
07:37Sí, supuestamente.
07:38Te hace un diagrama ahí, sí.
07:40Escanea y te dice...
07:41El día que vas a morir.
07:43Mira que Daniel come...
07:44¿Y cómo vas a morir?
07:46Como Daniel come mierda.
07:49Se pasa el día en esa obería.
07:56Échar un poco de comida ahí a...
07:58A Susana.
08:00Susana.
08:01No sale, no sale.
08:03Hay que cogerla.
08:06에는지 communicate.
08:07Hacer esto dengan excepto el pectal.
08:16Y dú viverá el aprobado...
08:16A mí me in optimistía.
08:19Vedí.
08:20Hacer esto.
08:29A mí me deja, se está...
08:30A mí me viene.
08:33You're going to help me?
08:36Just a little, a little bit.
08:38If you're going to do that, you'll help me.
08:42How many chanquetas do you use?
08:45You don't use a pair of chanquetas.
08:47Two chanquetas.
08:50Do you think I'm going to do it on Wednesday?
08:54Well, my brother, help me.
08:56You're watching me.
08:59Okay.
09:01What?
09:02One day I'm going to get out of here.
09:03I'm not going to do anything.
09:06You're always fighting.
09:08No, I'm not fighting, but you need to help me.
09:11The music is the time.
09:14I need you to help me.
09:15Do you think I'm eating shit?
09:18No.
09:19I'm eating shit.
09:21I'm going to go.
09:22I'm going to go for something.
09:27You're going to go for it.
09:28But what, like, some people you want?
09:29No, whatever.
09:33You want to go for something.
09:34You're running.
09:36Any other?
09:37I'm running.
09:37Even if I'm running this way.
09:45I'm running from the right side.
09:49We're running from the right side.
09:50There's a lot of people on the right side.
09:51No, I don't know, I don't know.
09:54We'll have to wait, I don't know.
09:57We'll have to wait, imagine.
09:58See, he's camped.
10:00He's camped.
10:02I don't know, if I'm not sure.
10:05I don't know.
10:07I don't know.
10:08I don't know.
10:09Look, this one starts.
10:13Let's grab it.
10:14Let's grab it.
10:15Let's grab it.
10:16Let's grab it.
10:21Let's grab it.
10:22Let's grab it.
10:23That's good.
10:24Let's grab it.
10:26Where's the audio?
10:29Let's grab it.
10:45Let's grab it.
10:59Muy buenas noches tengan todos sean bienvenidos a la cura de la semana a programa radial de música electrónica que
11:04sale al aire todos los juegos de once y veinte a dos y veinte por la noventa y tres punto
11:08tres FM de la radio Taino en el.
11:33The Cura de la Semana
11:40The Cura de la Habana, no, del país, así que no corran el dial y si pueden amplifiquen la señal.
12:03Hola, señor.
12:10¿Nos quedamos o nos esperamos?
12:12No, ya vengo.
12:17¿Estás comiendo huevo?
12:19Claro.
12:20Salada de huevo con aceite de oliva.
12:23Con aceite viscoso, que la voy a comer.
12:27Sí, pero quítate esa mierda, que no nos entienden nada más, ¿eh?
12:35Ya estamos en la vida más.
12:36Y le rieron, loján, con un cartón de huevo en la hoja.
12:39Ese es el artista, el tío que dice, a ver, tienes que loján con un cartón de huevo en la
12:43hoja.
12:43Póntale el cartón de huevo en la hoja.
12:45Pero, ¿cuál es la funda 26 años?
12:47¿Cuál es la funda 25 efectual de...?
12:5112 bienal de la Habana, ¿eh?
12:5312 huevos más 12 huevos, ¿cuántos son?
12:56Dime, ¿cuántos son?
12:5734, mira, cuéntate.
12:591, 2, 3, 24 huevos.
13:0112 bienal de la Habana más 12 huevos, ¿eh?
13:05Es una hora para la 24 bienal de la Habana.
13:07Y de 24 bienal de la Habana, fíjate, joder, todas las...
13:12Fíjate, tú que te estoy diciendo.
13:17Y ese estaba aquí antes, él estaba alquilado en casa de un colegio de nosotros.
13:22Y estaba pinchando con nosotros.
13:25Mi hermano, terminamos la fiesta, nada, no sé qué.
13:30Cuando íbamos saliendo del local, luego, ya después que terminamos de cuadrar y todo eso,
13:35le pasamos por al lado, yo pensé que era un borracho que estaba tirado al piso.
13:39Cuando hago fío, me fío bien, niño.
13:41¿Es el tipo?
13:41El tipo, me.
13:44Todo tirado ahí en la puerta de la discoteca ahí.
13:50Y cuando...
13:51Digo, le digo al colega,
13:52niño, este no es el que está estilado en tu casa.
13:55Y dice, man, ¿y ese eres?
13:58Cuando le partimos para arriba, el tipo vomitado.
14:01Cagado, niño.
14:02Mierda, cabrón, mierda.
14:03Y la gorra.
14:04Y ya cuando lo paramos,
14:08dice, Raen,
14:09¿serio?
14:11Niño, esto es buena mierda, serio.
14:13La gorra llena mierda, la tenía de abajo en el short.
14:16Le damos la gorra y se la pusimos en la cabeza.
14:18Todo llena mierda y lo llevamos por ahí para allá.
14:21Lo montamos en un carro.
14:25Y el socio que lo...
14:26La historia bonita, bonita para montar mientras uno come es.
14:30Buenas tardes, bro.
14:31Buenas tardes, hermano.
14:32Tú me puedes decir, ¿por dónde queda por aquí?
14:34En una calle que queda por la universidad, que baja.
14:38Por ahí por abajo.
14:39Que lo se llama...
14:42Nectones, algo así.
14:44Nectones, bro.
14:45La que baja por la universidad es Saldaza.
14:48Y la que está al lado es por ahí, no sabe...
14:52Bueno, Nectuno.
14:53Nectuno puede ser.
14:54Puede ser Nectuno.
14:56Puede ser Nectuno.
14:57Bueno, tú me puedes llevar por ahí, por la universidad.
14:59Es decir, en el turno, dos cuadros más para abajo.
15:02Bueno, si es para ti solo el taxi son cinco C.U.C.
15:05No, brother, no, no, cinco.
15:06Pero a ver, eso no está tan lejos de acá.
15:08Pero estamos en el video, hermano, me estoy diciéndote.
15:10Aquí hay un taxi y te puedo cobrar hasta cinco C.U.C.
15:13Ya.
15:13¿Y tú no me puedes cobrar menos, no sé, tres pesos, cuatro pesos?
15:16Está bien, te podemos dar tres pesos.
15:18Ya.
15:19Ya.
15:19Vale, vamos, vente.
15:31¿Tenemos que esperar aquí más?
15:33O que esperar a su una persona, ¿eh?
15:35Pero te cerras mucho aquí.
15:37Cinco, brother.
15:39Interesante.
15:40Antes de morir, la víctima había ingerido un compuesto potente,
15:43muy similar a la droga conocida como veneno.
15:46Cambia la estructura ósea y muscular,
15:48potenciando la fortaleza física por tiempo y tiempo.
15:52Parece que el compuesto reduce la capacidad mental de varias formas
15:56y puede dañar los centros de la memoria del encéfaro.
16:01Su uso prolongado podría dañarla irremediablemente.
16:04Es el rastreador de Bane.
16:32El rastreador de Bane
16:36de unos controladores que están de pinta de hacer, ¿eh?
16:38Ah, sí, sí.
16:39Yo también vi las fotos de las controladoras de eso.
16:40Para mí los controladores de eso a mí no me gusta.
16:42Si tú sabes que yo tengo el Denon 6000 con la Newman esa,
16:45pero eso es mierda, olvídate de eso.
16:47Y eso tiene que ser con el Tractor, ¿no?
16:49Sí, sí.
16:51Eso pista con Tractor, con Virtual DJ, con Serato,
16:54nada, pero eso a mí no me gusta.
17:06I don't know.
17:09I don't know.
17:09I don't know.
17:22Tell me how can you get to 23rd Street up there?
17:52It's not to give me a sense.
17:53You just heard me?
17:55It's not to give me a sense.
17:57You're in Gabbana, now you're in a ridiculous.
18:00You're in Gabbana.
18:03You're in the way.
18:05You're in the way, friend.
18:07You can't do this in your glamour and style.
18:11You're in the way.
18:13To give you a sense.
18:16You have this right.
18:19You must give me a sense.
18:20You're in the way.
18:21You can see if it's the same thing,
18:22but if we lose this opportunity,
18:24we won't have any more.
18:27Because that's the only French word I've seen
18:28in the whole Habana, you understand?
18:31No, my father,
18:32it's the same thing.
18:34Hey brother, quickly,
18:36you're waiting for me in the studio.
18:37Yeah, five minutes more.
18:51...
18:53...
18:54...
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